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Tune Identifier:"^st_cyprian_chope$"

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ST. CYPRIAN

Meter: 6.6.6.6 Appears in 44 hymnals Composer and/or Arranger: Richard R. Chope Tune Key: B Flat Major Incipit: 55671 53162 17554 Used With Text: Lord, thy Word abideth

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Lord, Thy word abideth

Author: Rev. Sir Henry W. Baker Appears in 207 hymnals Used With Tune: ST. CYPRIAN
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Jesus, meek and lowly, Savior pure and holy

Appears in 30 hymnals Topics: Christ Used With Tune: [Jesus, meek and lowly, Savior pure and holy]
Text

Ven a nuestras almas

Author: Desconocido Meter: 6.6.6.6 Appears in 13 hymnals Lyrics: 1 Ven a nuestras almas, Paracleto Santo; Tráenos desde el cielo De tu luz un rayo. 2 ¡Fuente de consuelo, Dulce y soberano Huésped de las almas, Celestial regalo! 3 La divina llama Prende en el cristiano, Y su pecho llena Del amor sagrado. 4 Con tus aguas puras Limpia lo manchado; Riega lo que es seco; Haz lo enfermo sano. 5 A tus fieles todos Sólo en Ti confiados, Dales paz que abunde Y el reposo ansiado. 6 Dales de tu gracia El favor preclaro, La salud eterna, Gozo continuado. Topics: El Año Cristiano Pentecostés; Christian Year Pentecost Used With Tune: SAINT CYPRIAN Text Sources: Himno latino del siglo XII.

Instances

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Published text-tune combinations (hymns) from specific hymnals
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Lord, Thy word abideth

Author: Rev. Sir Henry W. Baker Hymnal: Student Volunteer Hymnal #12 (1902) Languages: English Tune Title: ST. CYPRIAN
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Lord, Thy word abideth

Author: Rev. Sir Henry W. Baker Hymnal: Student Volunteer Hymnal #12 (1910) Languages: English Tune Title: ST. CYPRIAN
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Lord, Thy Word Abideth

Author: H. W. Baker Hymnal: Chautauqua Hymnal and Liturgy #11 (1903) Languages: English Tune Title: ST. CYPRIAN

People

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Authors, composers, editors, etc.

H. W. Baker

1821 - 1877 Person Name: Rev. Sir Henry W. Baker Author of "Lord, Thy word abideth" in Student Volunteer Hymnal Baker, Sir Henry Williams, Bart., eldest son of Admiral Sir Henry Loraine Baker, born in London, May 27, 1821, and educated at Trinity College, Cambridge, where he graduated, B.A. 1844, M.A. 1847. Taking Holy Orders in 1844, he became, in 1851, Vicar of Monkland, Herefordshire. This benefice he held to his death, on Monday, Feb. 12, 1877. He succeeded to the Baronetcy in 1851. Sir Henry's name is intimately associated with hymnody. One of his earliest compositions was the very beautiful hymn, "Oh! what if we are Christ's," which he contributed to Murray's Hymnal for the Use of the English Church, 1852. His hymns, including metrical litanies and translations, number in the revised edition of Hymns Ancient & Modern, 33 in all. These were contributed at various times to Murray's Hymnal, Hymns Ancient & Modern and the London Mission Hymn Book, 1876-7. The last contains his three latest hymns. These are not included in Hymns Ancient & Modern. Of his hymns four only are in the highest strains of jubilation, another four are bright and cheerful, and the remainder are very tender, but exceedingly plaintive, sometimes even to sadness. Even those which at first seem bright and cheerful have an undertone of plaintiveness, and leave a dreamy sadness upon the spirit of the singer. Poetical figures, far-fetched illustrations, and difficult compound words, he entirely eschewed. In his simplicity of language, smoothness of rhythm, and earnestness of utterance, he reminds one forcibly of the saintly Lyte. In common with Lyte also, if a subject presented itself to his mind with striking contrasts of lights and shadows, he almost invariably sought shelter in the shadows. The last audible words which lingered on his dying lips were the third stanza of his exquisite rendering of the 23rd Psalm, "The King of Love, my Shepherd is:"— Perverse and foolish, oft I strayed, But yet in love He sought me, And on His Shoulder gently laid, And home, rejoicing, brought me." This tender sadness, brightened by a soft calm peace, was an epitome of his poetical life. Sir Henry's labours as the Editor of Hymns Ancient & Modern were very arduous. The trial copy was distributed amongst a few friends in 1859; first ed. published 1861, and the Appendix, in 1868; the trial copy of the revised ed. was issued in 1874, and the publication followed in 1875. In addition he edited Hymns for the London Mission, 1874, and Hymns for Mission Services, n.d., c. 1876-7. He also published Daily Prayers for those who work hard; a Daily Text Book, &c. In Hymns Ancient & Modern there are also four tunes (33, 211, 254, 472) the melodies of which are by Sir Henry, and the harmonies by Dr. Monk. He died Feb. 12, 1877. --John Julian, Dictionary of Hymnology (1907)

Anonymous

Person Name: Desconocido Translator of "Ven a nuestras almas" in Culto Cristiano In some hymnals, the editors noted that a hymn's author is unknown to them, and so this artificial "person" entry is used to reflect that fact. Obviously, the hymns attributed to "Author Unknown" "Unknown" or "Anonymous" could have been written by many people over a span of many centuries.

Richard R. Chope

1830 - 1928 Person Name: Rev. Richard R. Chope Composer of "ST. CYPRIAN" in Student Volunteer Hymnal Chope, Richard Robert, M.A., born Sept. 21, 1830, educated at Exeter College, Oxford, B.A., 1855, and took Holy Orders as Curate of Stapleton, 1856. During his residence at Stapleton the necessities of the Choir led him to plan his Congregational Hymn and Tune Book, published in 1857. In 1858 he took the Curacy of Sherborne, Dorset; in the following year that of Upton Scudamore, where he undertook the training of the Chorus of the Warminster district for the first Choral Festival in Salisbury Cathedral; and in 1861 that of Brompton. The enlarged edition of The Congregational Hymn Book was published 1862, and The Canticles, Psalter, &c, of the Prayer Book, Noted and Pointed, during the same year. In 1865 he was preferred to the parish of St. Augustine's, Queen's Gate, South Kensington, and subsequently published Carols for Use in Church during Christmas and Epiphany, 1875; Carols for Easier and Other Tides, 1887; and other works. Mr. Chope has been one of the leaders in the revival and reform of Church Music as adapted to the Public Services. He was one of the originators of The Choir and Musical Record, and was for some time the proprietor and assistant editor of the Literary Churchman. --John Julian, Dictionary of Hymnology (1907)
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