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UNTO HIM THAT LOVED US
Appears in 2 hymnals Composer and/or Arranger: R. Vaughan Williams, 1872-1958 Tune Key: E Flat Major Incipit: 12323 33233 35653 Used With Text: Unto Him That Loved Us
UNTO HIM THAT LOVED US
Unto Christ Who Loved Us
Meter: Irregular Appears in 1 hymnal Lyrics: Unto Christ, who loved us and washed us
from our sins in his own blood,
and has made us kings and priests unto God
and his Father
unto him be glory and dominion
forever and ever. Amen.
Topics: Doxologies; Responses; Atonement; Blood of Christ; Doxologies; Freedom Scripture: Revelation 1:5-6 Used With Tune: UNTO HIM THAT LOVED US
Unto Christ Who Loved Us
Unto Him That Loved Us
Appears in 2 hymnals Lyrics: Unto Him that loved us
and washed us from our sins in His own blood
and hath made us kings and priests unto God and His Father,
unto Him be glory
and dominion
forever and ever.
Amen. Scripture: Revelation 1 Used With Tune: UNTO HIM THAT LOVED US Text Sources: From The Book of Common Prayer
Unto Him That Loved Us
Unto Him That Loved Us
Hymnal: Hymns for Youth #105 (1966) Lyrics: Unto Him that loved us
and washed us from our sins in His own blood
and hath made us kings and priests unto God and His Father,
unto Him be glory
and dominion
forever and ever.
Amen. Scripture: Revelation 1 Languages: English Tune Title: UNTO HIM THAT LOVED US
Unto Him That Loved Us
Unto Christ Who Loved Us
Hymnal: Psalter Hymnal (Gray) #623 (1987) Meter: Irregular Lyrics: Unto Christ, who loved us and washed us
from our sins in his own blood,
and has made us kings and priests unto God
and his Father
unto him be glory and dominion
forever and ever. Amen.
Topics: Doxologies; Responses; Atonement; Blood of Christ; Doxologies; Freedom Scripture: Revelation 1:5-6 Languages: English Tune Title: UNTO HIM THAT LOVED US
Unto Christ Who Loved Us
Ralph Vaughan Williams
1872 - 1958 Person Name: R. Vaughan Williams, 1872-1958 Composer of "UNTO HIM THAT LOVED US" in Hymns for Youth Through his composing, conducting, collecting, editing, and teaching, Ralph Vaughan Williams (b. Down Ampney, Gloucestershire, England, October 12, 1872; d. Westminster, London, England, August 26, 1958) became the chief figure in the realm of English music and church music in the first half of the twentieth century. His education included instruction at the Royal College of Music in London and Trinity College, Cambridge, as well as additional studies in Berlin and Paris. During World War I he served in the army medical corps in France. Vaughan Williams taught music at the Royal College of Music (1920-1940), conducted the Bach Choir in London (1920-1927), and directed the Leith Hill Music Festival in Dorking (1905-1953). A major influence in his life was the English folk song. A knowledgeable collector of folk songs, he was also a member of the Folksong Society and a supporter of the English Folk Dance Society. Vaughan Williams wrote various articles and books, including National Music (1935), and composed numerous arrangements of folk songs; many of his compositions show the impact of folk rhythms and melodic modes. His original compositions cover nearly all musical genres, from orchestral symphonies and concertos to choral works, from songs to operas, and from chamber music to music for films. Vaughan Williams's church music includes anthems; choral-orchestral works, such as Magnificat (1932), Dona Nobis Pacem (1936), and Hodie (1953); and hymn tune settings for organ. But most important to the history of hymnody, he was music editor of the most influential British hymnal at the beginning of the twentieth century, The English Hymnal (1906), and coeditor (with Martin Shaw) of Songs of Praise (1925, 1931) and the Oxford Book of Carols (1928).
Bert Polman
Ralph Vaughan Williams
