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Tune Identifier:"^unto_thee_o_lord_monroe$"

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Tunes

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Tune authorities

UNTO THEE

Meter: Irregular Appears in 11 hymnals Composer and/or Arranger: Charles F. Monroe; Pam Stephenson Tune Key: E Flat Major Incipit: 32315 33343 32212 Used With Text: Unto Thee, O Lord

Texts

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Text authorities

Unto Thee, O Lord

Appears in 12 hymnals Topics: Scripture Songs; Choruses; Hope; Psalms; Trust; Victory Scripture: Psalm 25:1-2 Used With Tune: [Unto thee, O Lord]

A ti, Señor

Appears in 6 hymnals First Line: A ti, Señor, levanto mi alma Topics: La Iglesia Scripture: Psalm 25:1-3 Used With Tune: [A ti, Señor, levanto mi alma]

Instances

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Published text-tune combinations (hymns) from specific hymnals

Unto Thee, O Lord

Author: Charles F. Monroe Hymnal: The Celebration Hymnal #531 (1997) Meter: Irregular First Line: Unto Thee, O Lord, do I lift up my soul Topics: Assurance and Trust; Walking with God Faith and Hope Scripture: Psalm 25:1-2 Languages: English Tune Title: UNTO THEE

Unto Thee, O Lord

Author: Charles F. Monroe Hymnal: Songs of the Church #677 (1990) First Line: Unto Thee, O Lord do I lift up my soul Tune Title: [Unto Thee, O Lord do I lift up my soul]

Unto Thee, O LORD

Author: Charles F. Monroe Hymnal: Psalms, Hymns, and Spiritual Songs #23 (2012) Meter: Irregular First Line: Unto Thee, O LORD, do I lift up my soul Scripture: Psalm 25:1-3 Languages: English Tune Title: [Unto Thee, O LORD, do I lift up my soul]

People

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Authors, composers, editors, etc.

Anonymous

Person Name: Unknown Author of "Unto Thee, O Lord" in Rejoice and Sing to the Lord (Vol. 2) In some hymnals, the editors noted that a hymn's author is unknown to them, and so this artificial "person" entry is used to reflect that fact. Obviously, the hymns attributed to "Author Unknown" "Unknown" or "Anonymous" could have been written by many people over a span of many centuries.

Charles F Monroe

Person Name: Charles F. Monroe Author of "Unto Thee, O Lord" in The Celebration Hymnal

Pam Stephenson

Arranger of "UNTO THEE" in Songs of Faith and Praise
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