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Tune Identifier:christe_sanctorum_53432

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CHRISTE SANCTORUM

Meter: 10.11.11.6 Appears in 147 hymnals Composer and/or Arranger: David Evans Tune Key: D Major Incipit: 53432 13455 65567 Used With Text: Christ Is the World's Light

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Father, We Praise Thee

Author: Gregory the Great; Percy Dearmer Meter: 11.11.11.5 Appears in 83 hymnals First Line: Father, we praise thee, now the night is over Lyrics: 1. Father, we praise thee, now the night is over; active and watchful, stand we all before thee; singing, we offer prayer and meditation; thus we adore thee. 2. Monarch of all things, fit us for thy mansions; banish our weakness, health and wholeness sending; bring us to heaven, with thy saints united; joy without ending. 3. All-holy Father, Son, and equal Spirit, Trinity blessed, send us thy salvation; thine is the glory, gleaming and resounding through all creation. Topics: The Glory of the Triune God Praise and Thanksgiving; Particular Times of Worship Morning; Christian Year Trinity Sunday; Christian Year All Saints Day; Morning Prayer; Service Music Doxology Used With Tune: CHRISTE SANCTORUM Text Sources: 6th century
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Christ Is the World's Light

Author: Fred Pratt Green Meter: 10.11.11.6 Appears in 33 hymnals First Line: Christ is the world's light, Christ and none other Lyrics: 1 Christ is the world's light, Christ and none other; born in our darkness, he became our brother. If we have seen him, we have seen the Father: Glory to God on high! 2 Christ is the world's peace, Christ and none other; no one can serve him and despise another. Who else unites us, one in God the Father? Glory to God on high! 3 Christ is the world's life, Christ and none other; sold once for silver, murdered here, our brother; he, who redeems us, reigns with God the Father: Glory to God on high! 4 Give God the glory, God and none other; give God the glory, Spirit, Son, and Father; give God the glory, God with us, my brother: Glory to God on high! Topics: Christian Year Epiphany; The Grace of Jesus Christ In Praise of Christ; Christian Year Epiphany; Christian Year Ascension; Christian Year Christ the King; Glory; Jesus Christ; Jesus Christ Incarnation; Light; Peace, World; Redemption; Responses, Antiphonal; Service Music Doxology Used With Tune: CHRISTE SANCTORUM
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Christ High-Ascended

Author: Timothy Dudley-Smith Meter: 11.11.11.6 Appears in 9 hymnals First Line: Christ high-ascended, now in glory seated Lyrics: 1 Christ high-ascended, now in glory seated, throned and exalted, victory completed, death's dread dominion finally defeated, we are his witnesses. 2 Christ from the Father every power possessing, who on his chosen lifted hands in blessing, sends forth his servants, still in faith confessing, we are his witnesses. 3 Christ, who in dying won for us salvation, lives now the firstborn of the new creation; to win disciples out of every nation, we are his witnesses. 4 Christ in his splendor, all dominion gaining, Christ with his people evermore remaining, Christ to all ages gloriously reigning, we are his witnesses. 5 As at his parting, joy shall banish grieving, faith in his presence strengthen our believing; filled with his Spirit, love and power receiving, we are his witnesses. Topics: Ascension Day; Jesus Christ Final Victory; Proclamation; Saving Work of Christ Scripture: Luke 24:50 Used With Tune: CHRISTE SANCTORUM

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Published text-tune combinations (hymns) from specific hymnals

Lord of Our Life and God of Our Salvation

Author: Matthäus A. von Löwenstern (1594-1648); Philip Pusey; John J. Overholt Hymnal: The Christian Hymnary. Bks. 1-4 #39 (1972) Meter: 11.11.11.5 Topics: Book One: Hymns, Songs, Chorales; Supplication Scripture: 1 Kings 8:30 Languages: English Tune Title: CHRISTE SANCTORUM
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Father, we praise thee, now the night is over

Author: Percy Dearmer,1867-1936 Hymnal: The Hymnal 1982 #1 (1985) Meter: 11.11.11.5 Lyrics: 1 Father, we praise thee, now the night is over, active and watchful, stand we all before thee; singing we offer prayer and meditation: thus we adore thee. 2 Monarch of all things, fit us for thy mansions; banish our weakness, health and wholeness sending; bring us to heaven, where thy saints united joy without ending. 3 All holy Father, Son, and equal Spirit, Trinity blessed, send us thy salvation; thine is the glory, gleaming and resounding through all creation. Languages: English Tune Title: CHRISTE SANCTORUM

Nocte surgentes vigilemus omnes

Author: Gregory the Great 540-604; Percy Dearmer 1867-1936 Hymnal: The Australian Hymn Book with Catholic Supplement #2 (1977) Meter: 11.11.11.5 First Line: Father, we praise you, now the night is over Tune Title: CHRISTE SANCTORUM (1)

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Authors, composers, editors, etc.

Ralph Vaughan Williams

1872 - 1958 Person Name: Ralph Vaughan Williams, 1872-1958 Harmonizer of "CHRISTE SANCTORUM" in The Christian Hymnary. Bks. 1-4 Through his composing, conducting, collecting, editing, and teaching, Ralph Vaughan Williams (b. Down Ampney, Gloucestershire, England, October 12, 1872; d. Westminster, London, England, August 26, 1958) became the chief figure in the realm of English music and church music in the first half of the twentieth century. His education included instruction at the Royal College of Music in London and Trinity College, Cambridge, as well as additional studies in Berlin and Paris. During World War I he served in the army medical corps in France. Vaughan Williams taught music at the Royal College of Music (1920-1940), conducted the Bach Choir in London (1920-1927), and directed the Leith Hill Music Festival in Dorking (1905-1953). A major influence in his life was the English folk song. A knowledgeable collector of folk songs, he was also a member of the Folksong Society and a supporter of the English Folk Dance Society. Vaughan Williams wrote various articles and books, including National Music (1935), and composed numerous arrange­ments of folk songs; many of his compositions show the impact of folk rhythms and melodic modes. His original compositions cover nearly all musical genres, from orchestral symphonies and concertos to choral works, from songs to operas, and from chamber music to music for films. Vaughan Williams's church music includes anthems; choral-orchestral works, such as Magnificat (1932), Dona Nobis Pacem (1936), and Hodie (1953); and hymn tune settings for organ. But most important to the history of hymnody, he was music editor of the most influential British hymnal at the beginning of the twentieth century, The English Hymnal (1906), and coeditor (with Martin Shaw) of Songs of Praise (1925, 1931) and the Oxford Book of Carols (1928). Bert Polman

Pope Gregory I

540 - 604 Person Name: Gregory the Great Author (attr.) of "Father, We Praise Thee" in The Presbyterian Hymnal Gregory I., St., Pope. Surnamed The Great. Was born at Rome about A.D. 540. His family was distinguished not only for its rank and social consideration, but for its piety and good works. His father, Gordianus, said to have been the grandson of Pope Felix II. or III., was a man of senatorial rank and great wealth; whilst his mother, Silvia, and her sisters-in-law, Tarsilla and Aemiliana, attained the distinction of canonization. Gregory made the best use of his advantages in circumstances and surroundings, so far as his education went. "A saint among saints," he was considered second to none in Rome in grammar, rhetoric, and logic. In early life, before his father's death, he became a member of the Senate; and soon after he was thirty and accordingly, when his father died, he devoted the whole of the large fortune that he inherited to religious uses. He founded no less than six monasteries in Sicily, as well as one on the site of his own house at Rome, to which latter he retired himself in the capacity of a Benedictine monk, in 575. In 577 the then Pope, Benedict I, made him one of the seven Cardinal Deacons who presided over the seven principal divisions of Rome. The following year Benedict's successor, Pelagius II, sent him on an embassy of congratulation to the new emperor Tiberius, at Constantinople. After six years' residence at Constantinople he returned to Rome. It was during this residence at Rome, before he was called upon to succeed Pelagius in the Papal chair, that his interest was excited in the evangelization of Britain by seeing some beautiful children, natives of that country, exposed for sale in the slave-market there ("non Angli, sed Angeli"). He volunteered to head a mission to convert the British, and, having obtained the Pope's sanction for the enterprise, had got three days' journey on his way to Britain when he was peremptorily recalled by Pelagius, at the earnest demand of the Roman people. In 590 he became Pope himself, and, as is well known, carried out his benevolent purpose towards Britain by the mission of St. Augustine, 596. His Papacy, upon which he entered with genuine reluctance, and only after he had taken every step in his power to be relieved from the office, lasted until 604, when he died at the early age of fifty-five. His Pontificate was distinguished by his zeal, ability, and address in the administration of his temporal and spiritual kingdom alike, and his missionaries found their way into all parts of the known world. In Lombardy he destroyed Arianism; in Africa he greatly weakened the Donatists; in Spain he converted the monarch, Reccared: while he made his influence felt even in the remote region of Ireland, where, till his day, the native Church had not acknowledged any allegiance to the See of Rome. He advised rather than dictated to other bishops, and strongly opposed the assumption of the title of "Universal Patriarch" by John the Faster of Constantinople, on the ground that the title had been declined by the Pope himself at the Council of Chalcedon, and declared his pride in being called the “Servant of God's Servants." He exhibited entire toleration for Jews and heretics, and his disapproval of slavery by manumitting all his own slaves. The one grave blot upon his otherwise upright and virtuous character was his gross flattery in congratulating Phocas on his accession to the throne as emperor in 601, a position the latter had secured with the assistance of the imperial army in which he was a centurion, by the murder of his predecessor Mauricius (whose six sons had been slaughtered before their father's eyes), and that of the empress Constantina and her three daughters. Gregory's great learning won for him the distinction of being ranked as one of the four Latin doctors, and exhibited itself in many works of value, the most important of which are his Moralium Libri xxxv., and his two books of homilies on Ezekiel and the Gospels. His influence was also great as a preacher and many of his sermons are still extant, and form indeed no inconsiderable portion of his works that have come down to us. But he is most famous, perhaps, for the services he rendered to the liturgy and music of the Church, whereby he gained for himself the title of Magister Caeremoniarum. His Sacramentary, in which he gave its definite form to the Sacrifice of the Mass, and his Antiphonary, a collection which he made of chants old and new, as well as a school called Orplianotrophium, which he established at Rome for the cultivation of church singing, prove his interest in such subjects, and his success in his efforts to render the public worship of his day worthy of Him to Whom it was addressed. The Gregorian Tones, or chants, with which we are still familiar after a lapse of twelve centuries, we owe to his anxiety to supersede the more melodious and flowing style of church music which is popularly attributed to St. Ambrose, by the severer and more solemn monotone which is their characteristic. The contributions of St. Gregory to our stores of Latin hymns are not numerous, nor are the few generally attributed to him quite certainly proved to be his. But few as they are, and by whomsoever written, they are most of them still used in the services of the Church. In character they are well wedded to the grave and solemn music which St. Gregory himself is supposed to have written for them. The Benedictine editors credit St. Gregory with 8 hymns, viz. (1) “Primo dierum omnium;" (2) "Nocte surgentes vigilemus;" (3) "Ecce jam noctis tenuatur tunbra;" (4) “Clarum decus jejunii;" (5) "Audi benigne conditor;" (6) "Magno salutis gaudio;" (7) “Rex Christe factor omnium;" (8) "Lucis Creator Optime." Daniel in his vol. i. assigns him three others. (9) “Ecce tempus idoneum;" (10) "Summi largitor praemii;" (11) "Noctis tempus jam praeterit." For translations of these hymns see under their respective first lines. (For an elaborate account of St. Gregory, see Smith and Wace's Dictionary of Christian Biography.) [Rev. Digby S. Wrangham, M.A.] -- John Julian, Dictionary of Hymnology (1907) =================== Gregory I., St., Pope, p. 469, i. We have been unable to discover any grounds which justified the Benedictine editors and Daniel in printing certain hymns (see p. 470, i.) as by St. Gregory. Modern scholars agree in denying him a place among hymnwriters; e.g., Mr. F. H. Dudden, in his Gregory the Great (London, 1905, vol. i.,p. 276), says "The Gregorian authorship of these compositions [the hymns printed by the Benedictine editors] however cannot be maintained... Gregory contributed ... nothing at all to the sacred music and poetry of the Roman Church." [Rev. James Mearns, M.A.] --John Julian, Dictionary of Hymnology, New Supplement (1907)

Percy Dearmer

1867 - 1936 Translator of "Father, We Praise Thee" in The Presbyterian Hymnal Dearmer, Percy, M.A., son of Thomas Dearmer, was born in London, Feb. 27, 1867, and educated at Westminster School and at Christ Church, Oxford (B.A. 1890, M.A. 1896). He was ordained D. 1891, P. 1892, and has been since 1901 Vicar of S. Mary the Virgin, Primrose Hill, London. He has been Secretary of the London Branch of the Christian Social Union since 1891, and is the author of The Parson's Handbook, 1st edition, 1899, and other works. He was one of the compilers of the English Hymnal, 1906, acting as Secretary and Editor, and contributed to it ten translations (38, 95, 150, 160, 165, 180, 215, 237, 352, 628) and portions of two others (242, 329), with the following originals:— 1. A brighter dawn is breaking. Easter. Suggested by the Aurora lucis, p. 95, but practically original. 2. Father, Who on man dost shower. Temperance. 3. God, we thank Thee, not in vain. Burial. 4. Holy God, we offer here. Holy Communion. 5. Jesu, good above all other. For Children. 6. Lord, the wind and sea obey Thee. For those at Sea. 7. The winter's sleep was long and deep. St. Philip and St. James. [Rev. James Mearns, M.A.] --John Julian, Dictionary of Hymnology, New Supplement (1907)

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Small Church Music

Editors: Gregory the Great Description: The SmallChurchMusic site was launched in 2006, growing out of the requests from those struggling to provide suitable music for their services and meetings. Rev. Clyde McLennan was ordained in mid 1960’s and was a pastor in many small Australian country areas, and therefore was acutely aware of this music problem. Having also been trained as a Pipe Organist, recordings on site (which are a subset of the smallchurchmusic.com site) are all actually played by Clyde, and also include piano and piano with organ versions. All recordings are in MP3 format. Churches all around the world use the recordings, with downloads averaging over 60,000 per month. The recordings normally have an introduction, several verses and a slowdown on the last verse. Users are encouraged to use software: Audacity (http://www.audacityteam.org) or Song Surgeon (http://songsurgeon.com) (see http://scm-audacity.weebly.com for more information) to adjust the MP3 number of verses, tempo and pitch to suit their local needs. Copyright notice: Rev. Clyde McLennan, performer in this collection, has assigned his performer rights in this collection to Hymnary.org. Non-commercial use of these recordings is permitted. For permission to use them for any other purposes, please contact manager@hymnary.org. Home/Music(smallchurchmusic.com) List SongsAlphabetically List Songsby Meter List Songs byTune Name About