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Mary A. Lathbury

1841 - 1913 Person Name: Mary Artemesia Lathbury Scripture: Mark 6 Author (st. 1-2) of "Break Now the Bread of Life" in Psalter Hymnal (Gray) Lathbury, Mary Ann, was born in Manchester, Ontario County, New York, Aug. 10, 1841. Miss Lathbury writes somewhat extensively for the American religious periodical press, and is well and favourably known (see the Century Magazine, Jan., 1885, p. 342). Of her hymns which have come into common use we have:— 1. Break Thou the bread of life. Communion with God. A "Study Song" for the Chautauqua Literary and Scientific Circle, written in the summer of 1880. It is in Horder's (Eng.) Congregational Hymns, 1884. 2. Day is dying in the west. Evening. "Written at the request of the Rev. John H. Vincent, D.D., in the summer of 1880. It was a "Vesper Song," and has been frequently used in the responsive services of the Chautauqua Literary and Scientific Circle." It is in the Laudes Domini, N. Y., 1884. For these details we are indebted to S. W. Duffield's English Hymns, &c, N. Y., 1886. --John Julian, Dictionary of Hymnology (1907) ================== Lathbury, Mary A., p. 640, i. Another hymn by this writer is, "Lift up, lift up thy voice with singing." [Praise to Christ), in Sankey's Sacred Songs & Solos, 1878. --John Julian, Dictionary of Hymnology, Appendix, Part II (1907)

William F. Sherwin

1826 - 1888 Scripture: Mark 6 Composer of "BREAD OF LIFE" in Psalter Hymnal (Gray) Sherwin, William Fisk, an American Baptist, was born at Buckland, Massachusetts, March 14,1826. His educational opportunities, so far as schools were concerned, were few, but he made excellent use of his time and surroundings. At fifteen he went to Boston and studied music under Dr. Mason: In due course he became a teacher of vocal music, and held several important appointments in Massachusetts; in Hudson and Albany, New York County, and then in New York City. Taking special interest in Sunday Schools, he composed carols and hymn-tunes largely for their use, and was associated with the Rev. R. Lowry and others in preparing Bright Jewels, and other popular Sunday School hymn and tune books. A few of his melodies are known in Great Britain through I. D. Sankey's Sacred Songs and Solos, where they are given with his signature. His hymnwriting was limited. The following pieces are in common use:— 1. Grander than ocean's story (1871). The Love of God. 2. Hark, bark, the merry Christmas bells. Christmas Carol. 3. Lo, the day of God is breaking. The Spiritual Warfare. 4. Wake the song of joy and gladness. Sunday School or Temperance Anniversary. 5. Why is thy faith, 0 Child of God, so small. Safety in Jesus. Mr. Sherwin died at Boston, Massachusetts, April 14, 1888. -- John Julian, Dictionary of Hymnology (1907) ================== Sherwin, W. F., p. 1055, i. Another hymn from his Bright Jewels, 1869, p. 68, is "Sound the battle cry" (Christian Courage), in the Sunday School Hymnary, 1905, and several other collections. --John Julian, Dictionary of Hymnology, New Supplement (1907)

Harry Emerson Fosdick

1878 - 1969 Person Name: Harry Emerson Fosdick, 1878-1969 Scripture: Mark 6:14-29 Author of "God of Grace and God of Glory" in Common Praise (1998) Born: May 24, 1878, Buffalo, New York. Died: October 5, 1969, Bronxville, New York. Fosdick attended Colgate University, Union Theological Seminary, and Columbia University. Ordained in 1903, he pastored at the First Baptist Church in Montclair, New Jersey, from 1904 to 1915. At Union Theological Seminary, he lectured on Baptist principles and homiletics (1908-1915) and was professor of practical theology (1915-1946). He also found time to serve as associate minister at the First Presbyterian Church in Manhattan, New York (1919-1925), and pastor of Park Avenue Baptist Church (1929-1946). His picture was on the cover of Time magazine, September 21, 1925. His works include: A Guide to Understanding the Bible, 1938 The Living of These Days (an autobiography), 1956 A Book of Public Prayers, 1960 © The Cyber Hymnal™ (www.hymntime.com/tch)

John Hughes

1873 - 1932 Person Name: John Hughes, 1873-1932 Scripture: Mark 6:14-29 Composer of "CWM RHONDDA" in Common Praise (1998) John Hughes (b. Dowlais, Glamorganshire, Wales, 1873; d. Llantwit Fardre, Wales, 1932) received little formal education; at age twelve he was already working as a doorboy at a local mining company in Llantwit Fardre. He eventually became an official in the traffic department of the Great Western Railway. Much of his energy was devoted to the Salem Baptist Church in Pontypridd, where he served as both deacon and precentor. Hughes composed two anthems, a number of Sunday school marches, and a few hymn tunes, of which CWM RHONDDA is universally known, the tune was composed in 1905 Baptist Cymanfa Ganu (song festival) in Capel Rhondda, Pontypridd, Wales. Bert Polman

Henry Scott Holland

1847 - 1918 Person Name: Henry Scott Holland, 1847-1918 Scripture: Mark 6:14-29 Author of "Judge Eternal, Throned in Splendour" in Common Praise (1998) Holland, Henry Scott, D.D., son of G. H. Holland of Gayton Lodge, Wimbledon Common, was born Jan. 27, 1847, at Ledbury, Hereford, and educated at Eton and at Balliol Coll., Oxford (B.A. 1870, M.A. 1873, D.D. Aberdeen 1903). He became Senior Student of Christ Church, Oxford, in 1870, was ordained D. 1872, P. 1874, and has been Canon of St. Paul's, London, since 1884. His hymn, "Judge eternal, throned in splendour" (Prayer for the Nation), appeared in the Commonwealth for July 1902, and is in The English Hymnal, 1906, No. 423. [Rev. James Mearns, M.A.] --John Julian, Dictionary of Hymnology, New Supplement (1907)

Edward Jones

1761 - 1836 Person Name: Edward Jones, 1752-1824 Scripture: Mark 6:14-29 Collector of "RHUDDLAN" in Common Praise (1998) Also: Edward Jones, Maesyplwm.

John Newton

1725 - 1807 Person Name: John Newton, 1725-1807 Scripture: Mark 6:14 Author of "How sweet the name of Jesus sounds" in The Book of Praise John Newton (b. London, England, 1725; d. London, 1807) was born into a Christian home, but his godly mother died when he was seven, and he joined his father at sea when he was eleven. His licentious and tumultuous sailing life included a flogging for attempted desertion from the Royal Navy and captivity by a slave trader in West Africa. After his escape he himself became the captain of a slave ship. Several factors contributed to Newton's conversion: a near-drowning in 1748, the piety of his friend Mary Catlett, (whom he married in 1750), and his reading of Thomas à Kempis' Imitation of Christ. In 1754 he gave up the slave trade and, in association with William Wilberforce, eventually became an ardent abolitionist. After becoming a tide-surveyor in Liverpool, England, Newton came under the influence of George Whitefield and John and Charles Wesley and began to study for the ministry. He was ordained in the Church of England and served in Olney (1764-1780) and St. Mary Woolnoth, London (1780-1807). His legacy to the Christian church includes his hymns as well as his collaboration with William Cowper (PHH 434) in publishing Olney Hymns (1779), to which Newton contributed 280 hymns, including “Amazing Grace.” Bert Polman ================== Newton, John, who was born in London, July 24, 1725, and died there Dec. 21, 1807, occupied an unique position among the founders of the Evangelical School, due as much to the romance of his young life and the striking history of his conversion, as to his force of character. His mother, a pious Dissenter, stored his childish mind with Scripture, but died when he was seven years old. At the age of eleven, after two years' schooling, during which he learned the rudiments of Latin, he went to sea with his father. His life at sea teems with wonderful escapes, vivid dreams, and sailor recklessness. He grew into an abandoned and godless sailor. The religious fits of his boyhood changed into settled infidelity, through the study of Shaftesbury and the instruction of one of his comrades. Disappointing repeatedly the plans of his father, he was flogged as a deserter from the navy, and for fifteen months lived, half-starved and ill-treated, in abject degradation under a slave-dealer in Africa. The one restraining influence of his life was his faithful love for his future wife, Mary Catlett, formed when he was seventeen, and she only in her fourteenth year. A chance reading of Thomas à Kempis sowed the seed of his conversion; which quickened under the awful contemplations of a night spent in steering a water-logged vessel in the face of apparent death (1748). He was then twenty-three. The six following years, during which he commanded a slave ship, matured his Christian belief. Nine years more, spent chiefly at Liverpool, in intercourse with Whitefield, Wesley, and Nonconformists, in the study of Hebrew and Greek, in exercises of devotion and occasional preaching among the Dissenters, elapsed before his ordination to the curacy of Olney, Bucks (1764). The Olney period was the most fruitful of his life. His zeal in pastoral visiting, preaching and prayer-meetings was unwearied. He formed his lifelong friendship with Cowper, and became the spiritual father of Scott the commentator. At Olney his best works—-Omicron's Letters (1774); Olney Hymns (1779); Cardiphonia, written from Olney, though published 1781—were composed. As rector of St. Mary Woolnoth, London, in the centre of the Evangelical movement (1780-1807) his zeal was as ardent as before. In 1805, when no longer able to read his text, his reply when pressed to discontinue preaching, was, "What, shall the old African blasphemer stop while he can speak!" The story of his sins and his conversion, published by himself, and the subject of lifelong allusion, was the base of his influence; but it would have been little but for the vigour of his mind (shown even in Africa by his reading Euclid drawing its figures on the sand), his warm heart, candour, tolerance, and piety. These qualities gained him the friendship of Hannah More, Cecil, Wilberforce, and others; and his renown as a guide in experimental religion made him the centre of a host of inquirers, with whom he maintained patient, loving, and generally judicious correspondence, of which a monument remains in the often beautiful letters of Cardiphonia. As a hymnwriter, Montgomery says that he was distanced by Cowper. But Lord Selborne's contrast of the "manliness" of Newton and the "tenderness" of Cowper is far juster. A comparison of the hymns of both in The Book of Praise will show no great inequality between them. Amid much that is bald, tame, and matter-of-fact, his rich acquaintance with Scripture, knowledge of the heart, directness and force, and a certain sailor imagination, tell strongly. The one splendid hymn of praise, "Glorious things of thee are spoken," in the Olney collection, is his. "One there is above all others" has a depth of realizing love, sustained excellence of expression, and ease of development. "How sweet the name of Jesus sounds" is in Scriptural richness superior, and in structure, cadence, and almost tenderness, equal to Cowper's "Oh! for a closer walk with God." The most characteristic hymns are those which depict in the language of intense humiliation his mourning for the abiding sins of his regenerate life, and the sense of the withdrawal of God's face, coincident with the never-failing conviction of acceptance in The Beloved. The feeling may be seen in the speeches, writings, and diaries of his whole life. [Rev. H. Leigh Bennett, M.A.] A large number of Newton's hymns have some personal history connected with them, or were associated with circumstances of importance. These are annotated under their respective first lines. Of the rest, the known history of which is confined to the fact that they appeared in the Olney Hymns, 1779, the following are in common use:— 1. Be still, my heart, these anxious cares. Conflict. 2. Begone, unbelief, my Saviour is near. Trust. 3. By the poor widow's oil and meal. Providence. 4. Chief Shepherd of Thy chosen sheep. On behalf of Ministers. 5. Darkness overspreads us here. Hope. 6. Does the Gospel-word proclaim. Rest in Christ. 7. Fix my heart and eyes on Thine. True Happiness. 8. From Egypt lately freed. The Pilgrim's Song. 9. He Who on earth as man was Known. Christ the Rock. 10. How blest are they to whom the Lord. Gospel Privileges. 11. How blest the righteous are. Death of the Righteous. 12. How lost was my [our] condition. Christ the Physician. 13. How tedious and tasteless the hours. Fellowship with Christ. 14. How welcome to the saints [soul] when pressed. Sunday. 15. Hungry, and faint, and poor. Before Sermon. 16. In mercy, not in wrath, rebuke. Pleading for Mercy. 17. In themselves, as weak as worms. Power of Prayer. 18. Incarnate God, the soul that knows. The Believer's Safety. 19. Jesus, Who bought us with His blood. The God of Israel. "Teach us, 0 Lord, aright to plead," is from this hymn. 20. Joy is a [the] fruit that will not grow. Joy. 21. Let hearts and tongues unite. Close of the Year. From this "Now, through another year," is taken. 22. Let us adore the grace that seeks. New Year. 23. Mary to her [the] Saviour's tomb. Easter. 24. Mercy, 0 Thou Son of David. Blind Bartimeus. 25. My harp untun'd and laid aside. Hoping for a Revival. From this "While I to grief my soul gave way" is taken. 26. Nay, I cannot let thee go. Prayer. Sometimes, "Lord, I cannot let Thee go." 27. Now may He Who from the dead. After Sermon. 28. 0 happy they who know the Lord, With whom He deigns to dwell. Gospel Privilege. 29. O Lord, how vile am I. Lent. 30. On man in His own Image made. Adam. 31. 0 speak that gracious word again. Peace through Pardon. 32. Our Lord, Who knows full well. The Importunate Widow. Sometimes altered to "Jesus, Who knows full well," and again, "The Lord, Who truly knows." 33. Physician of my sin-sick soul. Lent. 34. Pleasing spring again is here. Spring. 35. Poor, weak, and worthless, though I am. Jesus the Friend. 36. Prepare a thankful song. Praise to Jesus. 37. Refreshed by the bread and wine. Holy Communion. Sometimes given as "Refreshed by sacred bread and wine." 38. Rejoice, believer, in the Lord. Sometimes “Let us rejoice in Christ the Lord." Perseverance. 39. Salvation, what a glorious plan. Salvation. 40. Saviour, shine and cheer my soul. Trust in Jesus. The cento "Once I thought my mountain strong," is from this hymn. 41. Saviour, visit Thy plantation. Prayer for the Church. 42. See another year [week] is gone. Uncertainty of Life. 43. See the corn again in ear. Harvest. 44. Sinner, art thou still secure? Preparation for the Future. 45. Sinners, hear the [thy] Saviour's call. Invitation. 46. Sovereign grace has power alone. The two Malefactors. 47. Stop, poor sinner, stop and think. Caution and Alarm. 48. Sweeter sounds than music knows. Christmas. 49. Sweet was the time when first I felt. Joy in Believing. 50. Ten thousand talents once I owed. Forgiveness and Peace. 51. The grass and flowers, which clothe the field. Hay-time. 52. The peace which God alone reveals. Close of Service. 53. Thy promise, Lord, and Thy command. Before Sermon. 54. Time, by moments, steals away. The New Year. 55. To Thee our wants are known. Close of Divine Service. 56. We seek a rest beyond the skies. Heaven anticipated. 57. When any turn from Zion's way. Jesus only. 58. When Israel, by divine command. God, the Guide and Sustainer of Life. 59. With Israel's God who can compare? After Sermon. 60. Yes, since God Himself has said it. Confidence. 61. Zion, the city of our God. Journeying Zionward. -- John Julian, Dictionary of Hymnology (1907) ================= Newton, J., p. 803, i. Another hymn in common use from the Olney Hymns, 1779, is "Let me dwell on Golgotha" (Holy Communion). --John Julian, Dictionary of Hymnology, Appendix, Part II (1907) ----- John Newton was born in London, July 24, 1725. His mother died when he was seven years old. In his eleventh year he accompanied his father, a sea captain, on a voyage. For several years his life was one of dissipation and crime. He was disgraced while in the navy. Afterwards he engaged in the slave trade. Returning to England in 1748, the vessel was nearly wrecked in a storm. This peril forced solemn reflection upon him, and from that time he was a changed man. It was six years, however, before he relinquished the slave trade, which was not then regarded as an unlawful occupation. But in 1754, he gave up sea-faring life, and holding some favourable civil position, began also religious work. In 1764, in his thirty-ninth year, he entered upon a regular ministry as the Curate of Olney. In this position he had intimate intercourse with Cowper, and with him produced the "Olney Hymns." In 1779, Newton became Rector of S. Mary Woolnoth, in London, in which position he became more widely known. It was here he died, Dec. 21, 1807, His published works are quite numerous, consisting of sermons, letters, devotional aids, and hymns. He calls his hymns "The fruit and expression of his own experience." --Annotations of the Hymnal, Charles Hutchins, M.A. 1872 See also in: Hymn Writers of the Church =======================

Alexander Robert Reinagle

1799 - 1877 Person Name: Alexander Robert Reinagle, 1799-1877 Scripture: Mark 6:14 Composer of "ST. PETER" in The Book of Praise Alexander Robert Reinagle United Kingdom 1799-1877. Born at Brighton, Sussex, England, gf Austrian descent, he came from a family of musicians, studying music with his father (a cellist), then with Raynor Taylor in Edinburgh, Scotland. Reinagle became a well-known organ teacher. He became organist at St Peter’s Church, Oxford (1823-1853). He was also a theatre musician. He wrote Teaching manuals for stringed instruments as well. He also compiled books of hymn tunes, one in 1830: “Psalm tunes for the voice and the pianoforte”, the other in 1840: “A collection of Psalm and hymn tunes”. He also composed waltzes. In 1846 he married Caroline Orger, a pianist, composer, and writer in her own right. No information found regarding children. In the 1860s he was active in Oxford music-making and worked with organist, John Stainer, then organist at Magdalen College. Reinagle also composed a piano sonata and some church music. At retirement he moved to Kidlington, Oxfordshire, England. He died at Kidlington. John Perry

Alexander Groves

1842 - 1909 Person Name: Alexander Groves, 1842-1909 Scripture: Mark 6 Author (st. 3-4) of "Break Now the Bread of Life" in Psalter Hymnal (Gray)

James Russell Lowell

1819 - 1891 Person Name: James Russell Lowell, 1819-1891 Scripture: Mark 6:14-29 Author of "Once to Every Man and Nation" in Common Praise (1998) Lowell, James Russell, LL.D., was born at Cambridge, Massachusetts, February 22, 1819; graduated at Harvard College, 1838, and was called to the Bar in 1840. Professor of Modern Languages and Literature (succeeding the Poet Longfellow) in Harvard, 1855; American Minister to Spain, also to England in 1881. He was editor of the Atlantic Monthly, from 1857 to 1862; and of the North American Review from 1863 to 1872. Professor Lowell is the most intellectual of American poets, and first of her art critics and humorists. He has written much admirable moral and sacred poetry, but no hymns. One piece, “Men, whose boast it is that ye" (Against Slavery), is part of an Anti-Slavery poem, and in its present form is found in Hymns of the Spirit, 1864. Part of this is given in Songs for the Sanctuary, N.Y., 1865, as "They are slaves who will not choose.” [Rev. F. M. Bird, M.A.] --John Julian, Dictionary of Hymnology (1907)