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Bless, O My Soul! The Living God

Representative Text

Bless, O my soul, the living God,
Call home my thoughts that roam abroad;
let every power within me join
in work and worship so divine.
Lord God, how wondrous are your ways!
How firm your truth, how large your grace!
You take great mercy as your throne,
and thus you make your glories known.

Not half so high your power spreads
the starry heavens above our heads,
as your rich love exceeds our praise,
exceeds the highest hopes we raise.
Not half so far has nature placed
the east of morning from the west,
as your forgiving grace removes
all painful guilt from those you love.

Lord, your eternal love is sure
for all your saints, and will endure!
Let not this wonder that is wrought
be lost in silence, and forgot!
Let all the earth behold your face;
let all adore and know your grace;
the noblest with the humble join
in work and worship all divine.


Source: In Melody and Songs: hymns from the Psalm versions of Isaac Watts #60

Author: Isaac Watts

Isaac Watts was the son of a schoolmaster, and was born in Southampton, July 17, 1674. He is said to have shown remarkable precocity in childhood, beginning the study of Latin, in his fourth year, and writing respectable verses at the age of seven. At the age of sixteen, he went to London to study in the Academy of the Rev. Thomas Rowe, an Independent minister. In 1698, he became assistant minister of the Independent Church, Berry St., London. In 1702, he became pastor. In 1712, he accepted an invitation to visit Sir Thomas Abney, at his residence of Abney Park, and at Sir Thomas' pressing request, made it his home for the remainder of his life. It was a residence most favourable for his health, and for the prosecution of his literary… Go to person page >

Text Information

First Line: Bless, O my soul, the living God
Title: Bless, O My Soul! The Living God
Author: Isaac Watts (1719)
Meter: 8.8.8.8
Language: English
Copyright: Public Domain

Notes

Bless, O my soul, the living God. I. Watts. [Ps. ciii.] This is Pt. i. of his L.M. version of Ps. ciii., first published in his Psalms of David, &c, 1719, Pt. ii. being, "The Lord, how wondrous are His ways.” Both parts are in common use both in Great Britain and America. Pt. i. is in 8 stanzas, and Pt. ii. in 9 stanzas of 4 lines. In addition there are abbreviations of Pt. i., and a cento from Pts. i. and ii. in common use The most popular arrangement in modern American hymnals is that in Songs for the Sanctuary, N. Y., 1865, Laudes Domini, N. Y, 1884, and many others. It is composed of stanzas i., ii., iii., and viii., slightly altered. Other arrangements are also found both in Great Britain and America. A cento from Pts. i. and ii. appeared in Bickersteth's Christian Psalmody, 1833, and is made up of Pt.i. stanzas i.—iii., Pt. ii. stanzas iv. and v., and an additional stanza from another source. -- John Julian, Dictionary of Hymnology (1907)

Tune

MELCOMBE (Webbe)

Also known as: ST. PHILIPS BENEDICTION GRANTON NAZARETH MELCOMBE was first used as an anonymous chant tune (with figured bass) in the Roman Catholic Mass and was published in 1782 in An Essay on the Church Plain Chant. It was first ascribed to Samuel Webbe (the elder; b. London, England, 1740; d. Lo…

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PARK STREET


UPTON (Mason)


Timeline

Instances

Instances (1 - 5 of 5)
Text

In Melody and Songs #60

Text

Rejoice in the Lord #121

The Baptist Hymnal #87

TextScoreAudio

The Cyber Hymnal #568

The Harmonia Sacra #61B

Include 276 pre-1979 instances
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