Calvin Seerveld (b. 1930) was professor of aesthetics at the Institute for Christian Studies in Toronto from 1972 until he retired in 1995. Educated at Calvin College, Grand Rapids, Michigan; the University of Michigan; and the Free University of Amsterdam (Ph.D.), he also studied at Basel University in Switzerland, the University of Rome, and the University of Heidelberg. Seerveld began his career by teaching at Bellhaven College in Jackson, Mississippi (1958-1959), and at Trinity Christian College in Palos Heights, Illinois (1959-1972). A fine Christian scholar, fluent in various biblical and modern languages, he is published widely in aesthetics, biblical studies, and philosophy. His books include Take Hold of God and Pull (1966), The Gr… Go to person page >
A prayer for God’s blessing on David s royal son, and God's reassuring answer.
st. 1 = vv. 1-5
st. 2 = vv. 6-9
st. 3 = vv. 10-12
st. 4 = vv. 13-16
st. 5 = vv.17-18
One of fifteen "Songs of Ascents" (120-134) sung by the Israelites as they went up to worship at the temple in Jerusalem, Psalm 132 was distinctly messianic for Israel as they waited for God's promised restoration of the throne of David. Central to the psalm is the prayer for God's blessing on David's royal Son (vv. 1, 10; st. 1,3). This prayer comes out of David's deep commitment to provide a permanent "resting place" for the LORD's throne (the ark of the covenant) in the midst of the people in order to make the LORD central in Israel's life (vv. 2-9; st. 1-2). The LORD's answer–I will ever uphold and prosper my anointed (vv. 17-18; st. 5)–is rooted in God's covenant oath to David (vv. 11-12; st. 3) and in God's own choice of Zion as his desired "resting place" (st. 4). Calvin Seerveld (PHH 22) paraphrased this psalm in 1983 for the Psalter Hymnal.
Because of its messianic import, Psalm 132 is appropriate in conjunction with preaching on salvation history and during Advent.
Composed by William Penfro Rowlands (b. Maenclochog, Pembrokeshire, Wales, 1860; d. Swansea, Glamorganshire, Wales, 1937) during the Welsh revival of 1904-1905, BLAENWERN was published in Henry H. Jones's Cân a Moliant (1915). The tune's name refers to a farm in Pembroke shire where Rowlands conval…