Jesus Loves Even Me

Representative Text

1 I am so glad that our Father in heav'n
Tells of His love in the Book He has giv'n;
Wonderful things in the Bible I see -
This is the dearest, that Jesus loves me.

Refrain:
I am so glad that Jesus loves me,
Jesus loves me, Jesus loves me;
I am so glad that Jesus loves me,
Jesus loves even me.

2 Though I forget Him and wander away,
Still He doth love me wherever I stray;
Back to His dear loving arms would I flee
When I remember that Jesus loves me. [Refrain]

3 O if there's only one song I can sing
When in His beauty I see the great King,
This shall my song in eternity be:
"O what a wonder, that Jesus loves me!" [Refrain]

Source: Hymns for a Pilgrim People: a congregational hymnal #464

Author (attributed to): Emily S. Oakey

(no biographical information available about Emily S. Oakey.) Go to person page >

Author: P. P. Bliss

Philip P. Bliss (b. Clearfield County, PA, 1838; d. Ashtabula, OH, 1876) left home as a young boy to make a living by working on farms and in lumber camps, all while trying to continue his schooling. He was converted at a revival meeting at age twelve. Bliss became an itinerant music teacher, making house calls on horseback during the winter, and during the summer attending the Normal Academy of Music in Genesco, New York. His first song was published in 1864, and in 1868 Dwight L. Moody advised him to become a singing evangelist. For the last two years of his life Bliss traveled with Major D. W. Whittle and led the music at revival meetings in the Midwest and Southern United States. Bliss and Ira D. Sankey published a popular series of hym… Go to person page >

Notes

Two hymns,"I am so glad that our Father in heaven," and "Sowing the seed by the daylight [dawnlight] fair," (sometimes given as "Sowing our seed in the morning fair") are usually attributed to Mr. Bliss. In his Gospel Songs, Cincinnati, 1874, however, he lays claim to the music only. Mr. Sankey attributes this last to " E. A. Oakey." With the exception of No. 48, these hymns are given in Mr. Sankey's Sacred Songs & Solos, Pts. i. and ii. Their popularity is far beyond their literary merits, and is mainly due to the simple melodies to which they are wedded. As a writer of hymns of this class Mr. Bliss is second only to Mrs. Van Alstyne. Many anecdotes concerning hymns of this class are given in American Evangelists; an Account of their work in England and America, by the Rev. Elias Nason, Boston, U.S., Lathrop & Co., 1877.
Mr. Bliss is usually known as "P. P. Bliss." This is found on the title-pages of his collections. On his own authority, however, we are enabled to say that his name originally stood thus: “Philipp Bliss.” Early in life he separated the final p from his Christian name, constituted it a capital P, and thus produced "P. P. Bliss." (For this article we are mainly indebted to Professor F. M. Bird, and Mr. H. P. Main.)

-John Julian, Dictionary of Hymnology (1907)

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Instances

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