The day thou gavest, Lord, is ended

Representative Text

1 The day you gave us, Lord, has ended;
the darkness falls at your behest.
To you our morning hymns ascended;
your praise shall sanctify our rest.

2 We thank you that your church unsleeping
while earth rolls onwards into light,
through all the world her watch is keeping,
and never rests by day or night.

3 As over continent and island
each dawn leads on another day,
the voice of prayer is never silent,
nor do the praises die away.

4 So be it, Lord: your throne shall never,
like earth's proud kingdoms, pass away.
Your kingdom stands and grows forever,
until there dawns your glorious day.

Source: Lift Up Your Hearts: psalms, hymns, and spiritual songs #387

Author: John Ellerton

Ellerton, John, M.A., son of George Ellerton, was born in London, Dec. 16, 1826, and educated at Trinity College, Cambridge (B.A. 1849; M.A. 1854). Taking Holy Orders he was successively Curate of Easebourne, Sussex, 1850; Brighton, and Lecturer of St. Peter's, Brighton, 1852; Vicar of Crewe Green, and Chaplain to Lord Crewe, 1860; Rector of Hinstock, 1872; of Barnes, 1876; and of White Roding, 1886. Mr. Ellerton's prose writings include The Holiest Manhood, 1882; Our Infirmities, 1883, &c. It is, however, as a hymnologist, editor, hymnwriter, and translator, that he is most widely known. As editor he published: Hymns for Schools and Bible Classes, Brighton, 1859. He was also co-editor with Bishop How and others of the Society for Promoting… Go to person page >

Text Information

First Line: The day thou gavest, Lord, is ended
Author: John Ellerton (1870)
Meter: 9.8.9.8
Language: English
Copyright: Public Domain

Notes

Scripture References: st. 3 = Ps. 113:3 John Ellerton (b. London, England, 1826; d. Torquay, Devonshire, England, 1893) wrote this evening hymn (and 319) in 1870 for A Liturgy for Missionary Meetings. The text's dominant theme is the growing worldwide fellowship of the Christian church and its unbroken, unceasing offering of praise and prayer to God. Even though Victoria may have chosen the hymn to symbolize the British Empire, stanza 4 wisely reminds us that earthly kingdoms pass away–only the kingdom of God stands and grows forever. Ellerton borrowed the hymn's first line from an anonymous text in Church Poetry (1843). He then revised his text for the hymn's publication in the Society for the Promotion of Christian Knowledge's Church Hymns (1871), of which he was coeditor. Possibly prompted by the suitability of the worldwide church image as a symbol for the British Empire "on which the sun never sets," Queen Victoria chose this hymn to celebrate her Diamond Jubilee in 1897. Victoria's use of the hymn assured its populari¬ty in the English-speaking world. Educated at King William's College on the Isle of Man and at Trinity College, Cambridge, England, Ellerton was ordained in the Church of England in 1851. He served six parishes, spending the longest time in Crewe Green (1860-1872), a church of steelworkers and farmers. Ellerton wrote and translated about eighty hymns, many of which are still sung today. He helped to compile Church Hymns and wrote its handbook, Notes and Illustrations to Church Hymns (1882). Some of his other hymn texts were published in The London Mission Hymn Book(1884). Liturgical Use: An evening hymn at the close of worship (st. 1 is only for evening use); a missionary hymn; at festivals of the church: Pentecost, worldwide communion, All Saints/Reformation Day. --Psalter Hymnal Handbook

Tune

ST. CLEMENT (Scholefield)

ST. CLEMENT was composed for this text by Rev. Clement C. Scholefield (b. Edgbaston, near Birmingham, Warwickshire, England, 1839; d. Goldalming, Surrey, England, 1904). ST. CLEMENT was published in Arthur S. Sullivan's 1874 hymnal, Church Hymns with Tunes; of his own accord Sullivan (PHH 46) "canon…

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WENN WIR IN HÖCHSTEN NÖTEN SEIN

LES COMMANDEMENS (French for "the commandments"), a rich and graceful tune in the Hypo-Ionian mode (major), was used in the Genevan Psalter (1547) for the Decalogue and for Psalm 140, and later in British psalters and in the Lutheran tradition. The first setting in the Psalter Hymnal derives from Cl…

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Instances

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