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Vivo por Cristo

Author: Thomas Chisholm

Thomas O. Chisholm was born in Franklin, Kentucky in 1866. His boyhood was spent ona farm and in teaching district schools. He spent five years as editor of the local paper at Franklin. He was converted to Christianity at the age of 26 and soon after was business manager and office editor of the "Pentecostal Hearld" or Louisville, Ky. In 1903 he entered the ministry of the M. E. Church South. His aim in writing was to incorporate as much as Scripture as possible and to avoid flippant or sentimental themes. Dianne Shapiro, from "The Singers and Their Songs: sketches of living gospel hymn writers" by Charles Hutchinson Gabriel (Chicago: The Rodeheaver Company, 1916)… Go to person page >

Translator: George P. Simmonds

At four years, George sang hymns with great devotion and enthusiasm. When he was ten he felt called to be a missionary. He retained his love for the Lord and for music throughout his life. So much so, that after the age of one hundred years old even sang solos in large meetings and on television. He began his work as a missionary, along with his wife, Nessie, in Ecuador. Then explored the Amazon area and across the continent. Collaborated in the compilation of "Hymns of the Christian Life." He also worked with the Bible Societies in several South American countries. He then served as pastor of a Hispanic church in the United States of America. He was a prolific translator of 800 hymns and choral songs. He used some pseudonyms as G. Paul S.… Go to person page >

Text Information

First Line: Vivo pro Cristo, confiando en su amor
Title: Vivo por Cristo
English Title: Living for Jesus
Author: Thomas Chisholm
Translator: George P. Simmonds
Language: Spanish
Refrain First Line: Oh, Salvador bendito
Copyright: © internacional 1945, renovado, The Rodeheaver Company. Todos los derechos reservados. Usado con permiso.

Tune

LIVING (Lowden)

LIVING FOR JESUS is a gospel hymn tune distinguishable by its dactylic rhythm for the stanzas and its straightforward iambic refrain. The guitar chords avoid some of the chromaticism of the original harmony; when using guitar, do not use keyboard. Singing the refrain only once–at the end of stanza…

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Timeline

Instances

Instances (1 - 1 of 1)

Himnos de la Iglesia #257

Include 1 pre-1979 instance
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