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Daniel Read

1757 - 1836 Composer of "LISBON" in Standard Songs Daniel Read; b. 1757, Rehoboth, Mass.; d. 1837, New Haven, Conn.An American composer and a primary figure in early American classical music. He was one of the “Yankee Tunesmiths” (1st New England School of Music) when classical music was popular in Europe. Read was a private in Massachusetts militia and later a comb maker and owner of a general store in New Haven, CN. He was only the 3rd composer in the U. S. to put out a collection of his own music. His work, “The American Singing Book” went through 5 editions, making him the most popular composer in the nation. Others often plagarized his tunes in those days. Tunebook sales supplemented his general store income, including “The Columbian Harmonist” (3 volumnes) with 3 revisions, and “The New Haven Collection of Sacred Music” 1818. Read also published “The American Musical magazine” in 12 annual issues in 1786 and 1787. In later years he came to appreciate European music more and imitated that styling in devotional music. Some of Read's music is still being performed, and selections have been published in “The Sacred Harp”, 1991 Edition, and the “Stoughton Music Society” (Centennial Collection 1980). John Perry

Jeremiah Ingalls

1764 - 1838 Composer of "KENTUCKY" in Evangelical Hymnal Jeremiah Ingalls USA 1764-1838. Born at Andover, MA, his father died of hardships from the American Revolutionary War when he was thirteen. In VT, he worked as a farmer, Cooper, Taverner, and choirmaster. He mastered the bass viol (similar to a cello) and became a composer. He moved to Newbury, VT, in 1787, and in 1791 he married Mary (Polly) Bigelow of Westminster, MA, and they had eleven children (nine living to adulthood): Smith, Jeremiah, Joshua, Jeremiah, Mary, Moses, Elizabeth, John, Almyra, Isaac, and Hannah. He taught singing and began leading the singing at the First Congregational Church there. The choir became well-known, and people came from miles around to hear them sing. In 1800 he built and operated a tavern. He also worked as a cooper. In 1803 he became a deacon, and in 1805 he published a song book, “Christian Harmony”, that contained folk and popular songs with tunes used in spiritual songs sung in early religious revivals and campmeetings, some becoming hymns in later song books. It was said that at times he would be so immersed in his music that his livelihood suffered as a result. He was removed and excommunicated from his church in 1810, having a falling out with the church due to marriage infidelity that he refused to repent of. He ran his tavern for a number of years, but finally sold it and moved to Rochester, VT, in 1819, where he became the first choirmaster of the Church of Christ. His tenure there was successful, and he was a signer of the document establishing construction of the first church building in Rochester (1812). Later, his son, John, succeeded him as choirmaster there. the family’s last move was to a farm near Hancock, VT. He was described as short, portly, good-humored, and absentminded, and having a high voice, but singing bass well. His family was musical, some noted for their musical abilities. A singing society in VT was named for him and promoted singing events. Some of his music became well-known around the world. He died at Hancock, VT. Note: It is said that he wrote a letter to the First Congregational Church in Westminster 18 years after departing repenting of his infidelity (allegedly after his illegitimate son, Thomas, was of age, but the letter was lost in church records, although the church said they had received it. John Perry

Johann Georg Ebeling

1637 - 1676 Person Name: J. G. Ebeling Composer of "FRANCONIA" in University Hymns Johann George Ebeling Germany 1637-1676. Born at Luneburg, Germany, he studied theology at the University of Helmstedt. He was a composer, author, editor, and collector of music. In 1660 he became head of the Hamburg Collegium, and in 1662 cantor of St. Nicholas Church in Berlin. In 1667 he begam teaching music and Greek in Stettin. He wrote choruses, chorales, cantatas, instrumentals oratorios, requiems and music for over 100 lyrics of Paul Gerhardt. He also wrote about music history. 278 works. He died in Stettin. John Perry

Freeman Lewis

1780 - 1859 Composer (attributed to) of "BOURBON" in Glory to God Freeman Lewis USA 1780-1859. Born at Basking Ridge, NJ, he became a surveyor, writer, and traveling school teacher who played the organ and wrote music on the side. His family moved to Fayette, PA, in 1796. In 1809 he married Rebecca A Craft, and they had 11 children: Runyan, David, George, James, John, William, Levi. Alpheus, Thomas, Margaret, and Mary Ann. Three died young (of flux and scarlet fever). He compiled and published a book of camp meeting hymns and other sacred music:”The beauties of harmony” (1813-16-18), which included some of his own compositions. An appendix to it contained explanations of musical terms amd rules and principles of composition. These were sometimes used in singing schools. He also served as county surveyor of Fayette County, PA (1823-36) and helped Jonathan Knight survey and find a route for the Chesapeake & Ohio Canal. He served as organist for the Presbyterian Church in Uniontown, PA. His wife died in 1844, after which he moved to Knox. OH. His works include a 300 page family history, attesting to his being well-educated and having interest in many subjects. He died at Knox, OH. John Perry

Ralph Wardlaw

1779 - 1853 Author of "O Lord Our God, Arise!" in The Cyber Hymnal Wardlaw, Ralph, D.D. This venerable and (in his generation) influential Scottish divine contributed twelve hymns to the praise of the Church Universal that are likely to live in a humble and useful way. As having so done, and besides edited several collections of hymns, he claims a place of honour in this work. Critically, and regarded as literature, his hymns have little of poetry in them; no "winged words" to lift the soul heavenward. They reflect simply and plainly the lights and shadows of everyday experiences of the spiritual life, rather than its etherialities and subtleties. His "Lift up to God the voice of praise " is the most widely known; and there is a certain inspiriting clangour about it when well sung; yet it is commonplace. His "Hail morning, known among the blest," is narrative and prosaic, though it filled a gap at the time in Sabbath morning worship. “At the time by God appointed," "Remember Thee! remember Christ!" and "Contemplate, saints, the source divine," have vanishing gleams of imaginative light and fine and tender emotion. "O how good the hallowed union," "Where the sounds of plaintive wailing," and "See the Sun of truth arise," are melodious and singable, and pleasant but shallow. “Christ of all my hopes the ground," (Pt. ii.) "When with wasting sickness worn," is much too long, but is a fairly good song of Zion. Wardlaw published in 1803 a Selection of Hymns, to displace what was called The Tabernacle Collection, 1800, that had been used by the Congregationalists of Scotland, and to which he contributed a few hymns. He was assisted in the preparation of this compilation by Dr. Charles Stuart, of Dunearn. The first edition contained 322 hymns. In 1817 a Supplement was added of 171, bringing up the number to 493. Of these eleven (or twelve strictly) were by Wardlaw. Two of these had previously appeared in the Scottish Missionary Magazine (vol. viii. 48). His hymns bear so very slight a proportion to Dr. Wardlaw's writings as a profound theologian and expositor and thoroughly-equipped controversialist on the chief problems of the period, as to make it necessary to refer the reader to his remarkable Life, by the Rev. Dr. W. L. Alexander, entitled, Memoirs of the Life and Writings of Ralph Wardlaw, D.D. (2nd ed., 1856). Wardlaw was born at Dalkeith on December 22, 1779, where he received his early education, later attending Glasgow University. His only church was in Glasgow. He died at Easterhouse near Glasgow on Dec. 17, 1853, and his public funeral is still remembered for the representative character of the vast multitude who attended it. [Rev. A. B. Grosart, D.D., LL.D.] Of Dr. Wardlaw's hymns the following are still in common use:— 1. Glad when they saw the Lord. Easter. 2. Hail, morning known amongst the blest [saints]. Sunday Morning. 3. Lift up to God the voice of praise. Praise to the Father. 4. 0 Lord our God, arise. Missions. 5. Remember Thee, remember Christ. Holy Communion. 6. See the Sun of Truth arise. Christ the Light. Of these Nos. 3-5 appeared in the Tabernacle Collection, 1800. -- John Julian, Dictionary of Hymnology (1907) ============= Wardlaw, R., p. 1232, ii. Of his hymns, Nos. 1, 2 are in his Selection, 1803, and No. 6 was added in the Supplement of 1817. This Supplement also contains "O how good the hallowed union," and "Whence the sounds of plaintive wailing," p. 1232, ii. --John Julian, Dictionary of Hymnology, New Supplement (1907)

Charles Steggall

1826 - 1905 Person Name: C. Steggall (1826-1905) Composer of "THE DAY OF PRAISE" in A Missionary Hymn Book

Garret Colley Wellesley, Earl of Mornington

1735 - 1781 Person Name: Garrett C. Wellesley Composer of "MORNINGTON" in Book of Worship with Hymns and Tunes Garret Colley Wellesley, Earl of Mornington, father of the Duke of Wellington; b. Dongan, Ireland, 1735; d. there, 1781 Evangelical Lutheran Hymnal, 1908

Henry K. Oliver

1800 - 1885 Composer of "FEDERAL STREET" in The Hymnbook Henry Kemble Oliver (b. Beverly, MA, 1800; d. Salem, MA, 1885) was educated at Harvard and Dartmouth. He taught in the public schools of Salem (1818-1842) and was superintendent of the Atlantic Cotton Mills in Lawrence, Massachusetts (1848-1858). His civic service included being mayor of Lawrence (18591861) and Salem (1877-1880), state treasurer (1861-1865), and organizer of the Massachusetts Bureau of Statistics and Labor (1867-1873). Oliver was organist at several churches, including Park Street Congregational Church in Boston, North Church in Salem, and the Unitarian Church in Lawrence. A founder of the Mozart Association and several choral societies in Salem, he published his hymn tunes in Hymn and Psalm Tunes (1860) and Original Hymn Tunes (1875). Bert Polman

Eric H. Thiman

1900 - 1975 Person Name: Eric Thiman, b.1900 Composer of "SHERE" in The Book of Praise b. 9-12-1900, Ashford, Kent, d. 2-13-75, London; music educator, organist, and composer

Harriet Reynolds Krauth Spaeth

1845 - 1925 Person Name: Mrs. H. K. Spaeth Composer of "EMMAUS" in Hymnal and Order of Service Harriet Reynolds Krauth Spaeth [Harriet Krauth], 1845-1925 Born: September 21, 1845, Baltimore, Maryland. Died: May 5, 1925, Philadelphia, Pennsylvania. Buried: Mount Vernon Cemetery, Philadelphia, Pennsylvania. Daughter of hymn translator Charles Krauth, Harriet attended the Girls’ School in Philadelphia, and lived independently as a writer. In 1880, she married Adolph Spaeth, pastor of St. Johannis Church in Philadelphia (and later president of the General Council of the Lutheran Church in America). She sang contralto, played the piano and organ, and for many years was the organist at St. Stephen’s Church in west Philadelphia. She provided hymn translations for The Church Book (1868), The Sunday School Hymnal (1901), and was responsible for the music edition of The Church Book (1872). Many of her essays were published in The Lutheran. When American Lutherans adopted the Common Service in 1888, she prepared an edition with notes for chanting the service. She worked zealously for the founding of the Krauth Memorial Library at the seminary in Philadelphia, and was active in the work of the Mary J. Drexel Home, the Lankenau Hospital, and the Lutheran Orphans’ Home in Germantown, Pennsylvania. Her works include: The Deaconess and Her Works Pictures from the Life of Hans Sachs The Church Book with Music, 1893 Charles Porterfield Krauth: A Life (2 volumes, 1898 & 1909, with Adolph Spaeth, uncredited) Life of Adolph Spaeth, 1916 © The Cyber Hymnal™ (www.hymntime.com/tch)