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Claude Goudimel

1514 - 1572 Person Name: Claude Goudimel (1514-1572) Harmonizer of "OLD 42nd" in The Believers Hymn Book with Music The music of Claude Goudimel (b. Besançon, France, c. 1505; d. Lyons, France, 1572) was first published in Paris, and by 1551 he was composing harmonizations for some Genevan psalm tunes-initially for use by both Roman Catholics and Protestants. He became a Calvinist in 1557 while living in the Huguenot community in Metz. When the complete Genevan Psalter with its unison melodies was published in 1562, Goudimel began to compose various polyphonic settings of all the Genevan tunes. He actually composed three complete harmonizations of the Genevan Psalter, usually with the tune in the tenor part: simple hymn-style settings (1564), slightly more complicated harmonizations (1565), and quite elaborate, motet-like settings (1565-1566). The various Goudimel settings became popular throughout Calvinist Europe, both for domestic singing and later for use as organ harmonizations in church. Goudimel was one of the victims of the St. Bartholomew's Day massacre of Huguenots, which occurred throughout France. Bert Polman

Alfred S. Loizeaux

1877 - 1962 Author, st. 3 of "God, Our Father, We Adore Thee" in Baptist Hymnal 1991 Born: February 12, 1877, Vinton, Iowa. Died: May 7, 1962, Towson, Maryland. Buried: Druid Ridge Cemetery, Baltimore, Maryland. Loizeaux was a manager with the Baltimore Consolidated Light, Heat and Power Company. He was involved with the Baltimore School of the Bible, and edited the monthly Christian magazine Help and Food. Sources: Hustad, p. 274 Lyrics: God Our Father, We Adore Thee http://www.hymntime.com/tch/bio/l/o/i/loizeaux_as.htm

George W. Frazier

Author of "God, Our Father, We Adore Thee" in The Hymnal for Worship and Celebration

William Penfro Rowlands

1860 - 1937 Person Name: William P. Rolands (1860-1937) Composer of "BLAENWERN" in The Believers Hymn Book with Music

Robert Stephen Hawker

1803 - 1873 Person Name: Robert S. Hawker (1804-1873) Author of "Abba, Father! We Adore Thee" in The Believers Hymn Book with Music Hawker, Robert Stephen, M.A., grandson of Dr. Robert Hawker, was born at Plymouth, Dec. 3, 1804, and educated at Pembroke College, Oxford (B.A. 1828, M.A. 1836). On taking Holy Orders in 1829, he became Curate of Wellcombe, Devon, and in 1834 Vicar of Morwenstow, Cornwall. He died at Morwenstow, Aug. 15, 1873, having been received into the Roman Catholic communion the previous evening. He published several poetical works, including Ecclesia, 1840, in which some of his hymns appeared. Hymns by him were also published in Lyra Messianica, 1864. His “Child Jesus, a Cornish Carol," beginning, "Welcome, that star in Judah's sky," appeared in both these works. Very few of his hymns are in common use. -- John Julian, Dictionary of Hymnology =============== Hawker, R. S, p. 499, i, The statement on p. 499, respecting the death of R. S. Hawker, is an error through imperfect information. He died at Plymouth on March 25, 1875, and was buried in the cemetery of that town. His life and works have been set forth in The Vicar of Monvenstow, by S. Baring-Gould, 1876; 3rd ed. 1899; Memorials, &c, by F. G. Low, 1876; and The Life and Letters of R. S. Hawker, by C. E. Byles, 1905. --John Julian, Dictionary of Hymnology, New Supplement (1907)

Grant Colfax Tullar

1869 - 1950 Person Name: G. C. T. Author of "Father in heaven, Thee we adore" in The Junior Song and Service Book Grant Colfax Tullar was born August 5, 1869, in Bolton, Connecticut. He was named after the American President Ulysses S. Grant and Vice President Schuyler Colfax. After the American Civil War, his father was disabled and unable to work, having been wounded in the Battle of Antietam. Tullar's mother died when he was just two years old so Grant had no settled home life until he became an adult. Yet from a life of sorrow and hardship he went on to bring joy to millions of Americans with his songs and poetry. As a child, he received virtually no education or religious training. He worked in a woolen mill and as a shoe clerk. The last Methodist camp meeting in Bolton was in 1847. Tullar became a Methodist at age 19 at a camp meeting near Waterbury in 1888. He then attended the Hackettstown Academy in New Jersey. He became an ordained Methodist minister and pastored for a short time in Dover, Delaware. For 10 years he was the song leader for evangelist Major George A. Hilton. Even so, in 1893 he also helped found the well-known Tullar-Meredith Publishing Company in New York, which produced church and Sunday school music. Tullar composed many popular hymns and hymnals. His works include: Sunday School Hymns No. 1 (Chicago, Illinois: Tullar Meredith Co., 1903) and The Bible School Hymnal (New York: Tullar Meredith Co., 1907). One of Grant Tullar's most quoted poems is "The Weaver": My Life is but a weaving Between my Lord and me; I cannot choose the colors He worketh steadily. Oft times He weaveth sorrow And I, in foolish pride, Forget He sees the upper, And I the under side. Not til the loom is silent And the shuttles cease to fly, Shall God unroll the canvas And explain the reason why. The dark threads are as needful In the Weaver's skillful hand, As the threads of gold and silver In the pattern He has planned. He knows, He loves, He cares, Nothing this truth can dim. He gives His very best to those Who chose to walk with Him. Grant Tullar --http://www.boltoncthistory.org/granttullar.html, from Bolton Community News, August 2006.

George Frideric Handel

1685 - 1759 Person Name: Handel Composer of "[Father in heaven, Thee we adore]" in The Junior Song and Service Book George Frideric Handel (b. Halle, Germany, 1685; d. London, England, 1759) became a musician and composer despite objections from his father, who wanted him to become a lawyer. Handel studied music with Zachau, organist at the Halle Cathedral, and became an accomplished violinist and keyboard performer. He traveled and studied in Italy for some time and then settled permanently in England in 1713. Although he wrote a large number of instrumental works, he is known mainly for his Italian operas, oratorios (including Messiah, 1741), various anthems for church and royal festivities, and organ concertos, which he interpolated into his oratorio performances. He composed only three hymn tunes, one of which (GOPSAL) still appears in some modern hymnals. A number of hymnal editors, including Lowell Mason, took themes from some of Handel's oratorios and turned them into hymn tunes; ANTIOCH is one example, long associated with “Joy to the World.” Bert Polman

Mark H. Forscutt

1834 - 1903 Person Name: M. H. Forscutt, 1834-1903 Author of "Heavenly Father, we adore thee!" in The Hymnal Mark Hill Forscutt (19 June 1834 – 18 October 1903) was an English hymn writer and a leader in several denominations of the Latter Day Saint movement. A convert to The Church of Jesus Christ of Latter-day Saints (LDS Church), Forscutt broke with that denomination for a number of reasons, not the least of which was the practice of plural marriage. Forscutt went on to serve in leadership positions in the Morrisite sect and later in the Reorganized Church of Jesus Christ of Latter Day Saints (RLDS Church). Forscutt was born in Godmanchester, England. When Forscutt joined the LDS Church as a 19-year-old in 1853, his father disowned him and insisted that he move out of his childhood home. From 1855 to 1860, Forscutt was a missionary for the LDS Church in England. Forscutt was married in March 1860 to fellow Latter-day Saint Elizabeth Unsworth. On their marriage day, Forscutt and his wife began their emigration to Utah Territory with the intention of joining the gathering of Latter-day Saints in Salt Lake City. Upon arriving in Utah, he became a secretary to Brigham Young, the president of the LDS Church. Shortly after his arrival, Forscutt began to learn about the LDS practice of plural marriage, which he had not been aware of previously. This discovery, combined with other disagreements with Brigham Young, led Forscutt to disassociate himself from the LDS Church. Forscutt became affiliated with a group led by Joseph Morris; he was an apostle in the Morrisite organization and was involved in the 1861 Morrisite War. After these incidents, Forscutt joined the United States Army unit at Fort Douglas in Salt Lake City and was stationed in Ruby Valley (now Nevada) before returning to Salt Lake City. In 1865, Forscutt joined the RLDS Church in Salt Lake City. He soon left the territory fearing for his life as an apostate from the LDS Church. Forscutt became a close personal friend of Joseph Smith III. Forscutt later served as a full-time missionary for the RLDS Church in England and the Society Islands. He was a copyist in the process that led to the 1866 publication of the Joseph Smith Translation of the Bible in 1866. Forscutt composed a number of hymns and was the editor of Saints' Harmony, an RLDS Church hymnal published in 1889. Forscutt was a preacher in the RLDS Church until his death. On 2 May 1879, Forscutt preached the sermon at the funeral of Emma Smith Bidamon, the widow of Joseph Smith, Jr. and mother of Joseph Smith III. Mark and Elizabeth Forscutt were the parents of three children Amy Forscutt Parr, Ruby Forscutt Faunce, and Mark Zenas Forscutt. They divorced in 1867. --http://en.wikipedia.org/wiki/Mark_Hill_Forscutt

W. S. Rockstro

1823 - 1895 Person Name: William Smith Rockstro, 1823-1895 Arranger of "OMNI DIE" in Hymns of the Saints William Rockstro (Composer, Arranger) Born: January 5, 1823 - North Cheam, Surrey (baptisized at Modern Church), England Died: July 2, 1895 - London, England The English composer and writer on music, William Smith [Smyth] Rockstro (originally: Rackstraw), was distinguished as a student of modal music and an important contributor to the Grove’s Dictionary of Music and Musicians. The form of his surname by which he was known was an older style resumed after 1846. He was successively pupil of John Purkis, the blind organist, of Sterndale Bennett, and at the Leipzig Conservatorium, where he studied from I845 to 1846. He enjoyed the special friendship and tuition of Felix Mendelssohn, and was with Moritz Hauptmann for theory and with Plaidy for pianoforte. For some years after his return to England, William Rockstro was active as a teacher and performer in London, being regular accompanist at the 'Wednesday concerts,' where Braham and other eminent singers were to be heard. At this period he wrote his most popular and beautiful song, Queen and huntress; and his pianoforte editions of classical and other operas led the way in popularising that class of music in an available form for the use of those who could not read full scores; and in his indications of the orchestral instruments above the music-staves he did much to point the way towards a general appreciation of orchestral colour. In the early 1860's he left London for Torquay on account of his mother's health and his own, and on her death in 1876 he became a Roman Catholic. William Rockstro had been organist and honorary precentor at All Saints' Church, Babbacombe, from 1867, and won a high position as a teacher. Re published, with T. F. Ravenshaw, a Festival Psalter, adapted to the Gregorian Tones, in 1863, and Accompanying Harmonies to the Ferial Psalter in 1869. These were the first fruits of his assiduous study of ancient music, on which he became the first authority of his time in England. A couple of textbooks on harmony (1881) and counterpoint (1882) had a great success, and in the latter part of the first edition of the Grove’s Dictionary of Music and Musicians he wrote a large number of articles on musical archaeology generally. Later research has superseded his, but at the time he wrote, his contributions to such subjects as the music of the period which closed in 1600 were important. He was too ardent a partisan to be an ideal historian, but his History of Music for Young Students (1879) and his larger work, A General History of Music (1886), contain much that is of permanent value. His Life of Handel (1883) and Mendelssohn (1884) are fine examples of eulogistic biography, though they are hardly to be recommended as embodying a calmly critical estimate of either composer. In his larger History he showed that he was, nevertheless, not above owning himself in the wrong, and his recantation of certain excessive opinions expressed by him in the Dictionary against Wagner's later works was due to true moral courage. He conducted a concert of sacred music of the 16th and 17th centuries at the Inventions Exhibition of 1885, and in 1891 gave up Torquay for London, giving lectures at the Royal Academy of Music and Royal College of Music, and holding a class to counterpoint and plain-song at the latter institution. As a singing-master and teacher of the pianoforte his method of imparting instruction was remarkably successful. As a composer, William Rockstro never quite freed himself from the powerful influences engendered by his studies: the lovely madrigal, "O too cruel fair," was judged unworthy of a prize by the Madrigal Society on the ground that it was modelled too closely on Giovanni Pierluigi da Palestrina; and his oratorio, The Good Shepherd, produced at the Gloucester Festival of 1886 under his own direction, was found to bear too many traces of Mendelssohnian influence to deserve success. In 1891 he collaborated with Canon Scott Holland in writing the life of his old friend, Jenny Lind-Goldschmidt; an abbreviated edition came out in 1863, and with Otto Goldschmidt he wrote still a shorter book, Jenny Lind, her Vocal Art and Culture (partly reprinted from the biography). For many years his health had been bad, and he had many adverse circumstances to contend with. He fought bravely for all that he held best in art, and boundless enthusiasm carried him through. Source: Grove’s Dictionary of Music and Musicians (1952 Edition; Author: J.A. Fuller Maitland; revised: H.C. Colles) Contributed by Aryeh Oron (July 2007) --www.bach-cantatas.com/Lib/