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Paul Bunjes

1914 - 1998 Person Name: Paul G. Bunjes, 1914–98 Harmonizer of "ST. PETER" in One and All Rejoice Paul G. Bunjes (b. September 27, 1914; d. June 27, 1998) was an organist, author, and organ designer. He wrote The Praetorius Organ (four volumes), numerous articles for periodicals, and was an accomplished composer and arranger. He was a major contributor to the Lutheran Book of Worship (1978) and Lutheran Worship (1982). Bunjes was Professor of Music at Concordia University for many years. Laura de Jong

Paul Henkel

Author of "As Peter fished all the night"

Paul Manz

1919 - 2009 Person Name: Paul Manz, b. 1919 Arranger (alt. arr.) of "JESU DULCIS MEMORIA" in With One Voice Paul Manz (May 10, 1919 – October 28, 2009), was an American composer for choir and organ. His most famous choral work is the Advent motet "E'en So, Lord Jesus, Quickly Come", which has been performed at the Festival of Nine Lessons and Carols at King's College, Cambridge, though its broadcast by the neighbouring Choir of St John's College, Cambridge, in its Advent Carol Service precipitated its popularity. His most famous organ works are his volumes of neo-Baroque chorale preludes and partitas. Paul Manz long served the church as recitalist, composer, teacher and leader in worship. He was Cantor Emeritus at the Evangelical Lutheran Church of Saint Luke, Chicago, Illinois; as well as Cantor Emeritus of Mount Olive Lutheran Church in Minneapolis, Minnesota. He was the director of the newly established Paul Manz Institute of Church Music, and was Professor Emeritus of Church Music at Christ Seminary Seminex at the Lutheran School of Theology at Chicago. Paul Otto Manz was born to Otto and Hulda (Jeske) Manz in Cleveland, Ohio. Trained as an educator at Concordia Teacher's College in River Forest, Illinois (now Concordia University Chicago ) he earned a Master's Degree in Music at Northwestern University. A Fulbright grant enabled him to study with Flor Peeters in Belgium and Helmut Walcha in Germany. The Belgian government invited him to be the official United States representative in ceremonies honoring Flor Peeters on his 80th birthday and his 60th year as titular organist of the Cathedral of Saint Rombout in Mechelen, Belgium. At that time, Flor Peeters referred to his former student as ‘my spiritual son.’ Paul Manz concertized extensively in North America. He appeared at Lincoln Center in New York City, with the National Symphony Orchestra, under conductor Geoffrey Simon, at the Kennedy Center in Washington, D.C., with the Chicago Symphony Orchestra at Orchestra Hall and with the Minnesota Orchestra under the direction of Charles Dutoit, Leonard Slatkin, and Henry Charles Smith. In addition, he played recitals in churches and cathedrals here and abroad. He was in great demand for his hymn festivals, which are his legacy as a church musician. He conducted many organ clinics, participated in liturgical seminars and appeared as lecturer and recitalist at the regional and national conventions of the American Guild of Organists. The esteem and respect with which Paul Manz is regarded can be seen in the many honors he received. He was twice named one of the “Ten Most Influential Lutherans,” served as National Councilor of the American Guild of Organists and is listed as one of the “101 Most Notable Organists of the 20th Century.”[6] He was the recipient of many honorary doctorates and awards. Northwestern University, his alma mater, presented him with the prestigious “Alumni Merit Award;.” The Lutheran School of Theology at Chicago presented him with the distinguished "Confessor of Christ Award"; The Chicago Bible Society presented him with the “Gutenberg Award; and the Lutheran Institute of Washington, DC honored him with the first “Wittenberg Arts Award.” At a convention of the Association of Lutheran Church Musicians, his colleagues honored him for his work in the church. A large gathering in Minneapolis, Minnesota held a “Paul Manz Celebration: Honoring the Life of a Church Musician” where substantial gifts were given to the Ruth and Paul Manz Scholarship for Church Musicians. Trinity Seminary of Columbus, Ohio bestowed the “Joseph Sittler Award for Theological Leadership” and among his many honorary doctorates is the Doctor of Sacred Music degree from Valparaiso University, and most recently, the Doctor of Music degree from St. Olaf College, Northfield, Minnesota. As a performer, Manz was most famous for his celebrated hymn festivals. Instead of playing traditional organ recitals, Manz would generally lead a "festival" of hymns from the organ, in which he introduced each hymn with one of his famously creative organ improvisations based on the hymn tune in question. The congregation would then sing the hymn with his accompaniment. Sometimes he would play an improvisation between each sung stanza, as with his well-known variations on the tune, St. Anne, sung to the Isaac Watts text "Oh God, Our Help in Ages Past" with which he would traditionally end each festival. Many volumes of these improvisations have been written out and published and are played by church organists throughout the world. His musical compositions are internationally known. His organ works are extensively used in worship services, recitals and in teaching. His choral music is widely used by church and college choirs here and abroad. His motet, "E’en So, Lord Jesus, Quickly Come" is regarded as a classic and has been frequently recorded. His life and works are the subject of a doctoral dissertation which details his career spanning more than fifty years and analyzes his organ works. --en.wikipedia.org

St. Peter Damian

1007 - 1072 Person Name: Peter Damiani, c1007-1072 Author of "From heaven's height Christ spake to call" in CPWI Hymnal Damiani, or Damian, Peter, Saint, Cardinal, Bishop, and Doctor of the Church, whom Dom Gueranger calls "The austere reformer of the 11th century," was born at Ravenna, about 988. He was the youngest of many children. His mother abandoned him as a babe, and his life was only saved by his being discovered by a faithful female servant, who took care of him until such time as his mother relented and received him back again. Both his parents dying while he was very young, he fell into the hands of a married brother, who, treating him with great harshness and regarding him rather as a slave than a near relation, sent him,”when he was grown up, into the fields to feed swine.” In spite of this treatment, he early developed a virtuous and pious disposition, and another brother, Damian (after whom he is said to have been named), who was arch-priest of Ravenna, took pity on him, and had him educated. The progress he made in learning was the admiration of his teachers, and led very soon to his being employed as a teacher. He was very strict, even as a youth, as regards his mode of life, habituating himself to frequent watching, fasting, self-mortification and prayer. Struck with the self-denial of two Benedictine monks, who happened to call where he was living, he embraced their profession, and became a "religious" (in the monastery of Avellino, in the diocese of Gubbio) of the order of the monks of the Holy Cross of Fontavellana. Of that community he, in A.D. 1041, became the Superior, and so extended its usefulness that he was looked upon as the second founder, the first having been Ludolphus, a disciple of St. Romuald. He founded no less than five monasteries under the same rule, the Priors of which remained under his jurisdiction. After twelve years of eminent service to the Church, he was induced by Pope Stephen IX. to accept, in 1057, very much against his own wish, the position of Cardinal-Bishop of Ostia. This, after much difficulty, he was allowed to resign by Pope Alexander II., in 1062, but coupled with the reserve of a power to employ him in important Church matters, as he might at any time find needful. With his bishopric he also resigned his post as Superior of his old monastery, where he once more took up his abode. During his retirement (a retirement constantly broken in upon by calls from the Pontiff to proceed in a legatine capacity to settle various questions of importance to the Church in different parts of Europe), he lived a life of extraordinary asceticism and self-mortification. It was on his return journey from Ravenna, whither he had been sent as legate to inquire into the enormities charged against Henry, Archbishop of Ravenna, and otherwise adjust the affairs of the Church there, that he was called to his rest in his eighty-fourth year. He died of fever, at Faenza, in the monastery of Our Lady, on the 22nd or 23rd of March, 1072. Damiani endeavoured by his literary labours to advance the cause of order and morality, and to add his quota, by no means an insignificant one, in worth or amount, to the church's store of Latin hymns. "He has left," as Archbishop Trench remarks, “a considerable body of Latin verse," but it is only with his hymns that we are concerned in these pages. It is not surprising to find these hymns, the work of such a devoted servant of the Church of Rome, deeply tinged with the superstitions of that Church, and thereby to Protestant minds disfigured; but, notwithstanding this drawback, there are very few amongst the compositions of Latin hymn-writers to compare with some of our author's in vivid word-painting and richness of description. Such compositions as "Ad perennis vitae fontem," and "Gravi me terrore pulsas, vitae dies ultima," have very few equals in merit in the school of poetry to which they belong, while the difference between them in thought and treatment is most marked, and exhibits to great advantage the versatility of their composer. In addition to the two hymns named (see "Ad perennis," concerning its disputed authorship), Daniel gives in vol. i. the texts of four hymns in full, and the first stanzas of ten others. The best known in addition to the two named are, "Crux, mundi benedictio;" and "Paule doctor egregie" (q.v.). [Rev. Digby S. Wrangham, M.A.] -- John Julian, Dictionary of Hymnology (1907) ============== Damiani, Peter, p. 278, i. His hymns have been collected, with a biographical notice, in Breves , xlviii., Nos. 16-73; the "Ad perennis," p. 13, i., as No. 66; the "Crux mundi," p. 273, i., as No. 18; the "Gravi me," p. 461, ii., as No. 63; and the "Paule doctor," p. 887, i., as No. 45. [Rev. James Mearns, M.A.] --John Julian, Dictionary of Hymnology, New Supplement (1907)

Paul Eber

1511 - 1569 Author of "Wenn wir in hoechsten grossen Noeten sein" in Eine kleine Lieder-Sammlung, zum allgemeinen Gebrauch des wahrern Gottes-dienstes, fuer die Gemeinde Gottes Eber, Paul, son of Johannes Eber, master tailor at Kitzingen, Bavaria, was born at Kitzingen, Nov. 8, 1511. He was sent in 1523 to the Gymnasium at Ansbach, but being forced by illness to return home, was on his way thrown from horseback and dragged more than a mile, remaining as a consequence deformed ever after. In 1525 he entered the St. Lorentz school at Nürnberg, under Joachim Camerarius, and in 1532 went to the University of Wittenberg, where he graduated 1536, and thereafter became tutor in the Philosophical Faculty. He was appointed Professor of Latin in 1544, then in 1557 Professor of Hebrew and Castle preacher, and in 1558 Town preacher and General Superintendent of the Electorate, receiving in 1559 the degree D.D. from the University. He died at Wittenberg, Dec. 10, 1569 (Koch, i. 271-278; Allgemeines Deutsche Biog., v. 529). At Wittenberg he was a close friend of Melanchthon, was privy to all his plans, and conducted the greater part of his correspondence. After Melanchthon's death in 1560, he became leader of his party, and had to engage in various controversies with the Crypto-Calvinists, &c.; the seeds of his fatal illness being sown on his return journey from the fruitless conference held at Altenburg with the theologians of Jena, which lasted from Oct. 20, 1568, to March 9, 1569. Eber was, next to Luther, the best poet of the Wittenberg school. His hymns, some of them written for his own children to sing to Luther's melodies, are distinguished for their child-like spirit and beautiful simplicity. Seventeen hymns have been attributed to him, four of which are certainly his, and probably two others. Of these six, five have been translated into English, one of which is noted under "Dicimus grates," and the others are:— i. Herr Jesu Christ, wahr Mensch und Gott. For the Dying. The first hymnbook in which this simple and beautiful hymn has been found is the Low German Enchiridion, published at Hamburg, 1565, where it is in 8 stanzas of 6 lines., entitled "A prayer to Christ for a happy departure from this troublous life," and marked as "D. Paulus Eberus Filiolis suis faciebat MDLVII. Wackernagel, iv. p. 4, gives this and a second form in High German from the Psalmen, Geystliche Lieder und Gesänge, Strassburg, 1569. In his Bibliographie, 1855, p. 233, Wackernagel describes an undated broadsheet, which he would date 1550, and at p. 279 says it forms the first of Neun Schöne Geistliche Lieder, Nürnberg N.D., c. 1556. G. Döring, in his Choralkunde, Danzig, 1865, p. 434, says it appeared as "Panie Jezu ty's czlowiek i Bog" in the Polish Cantional, edited by Pastor Seklucyan, and published at Königsberg, 1559. Lauxmann, in Koch, viii, 591-594, adds that it comforted Eber himself while he lay a-dying, Dec. 10, 1569; was repeated by Hugo Grotius a few minutes before his death, Aug. 28, 1645; and was a favourite hymn of Prince Wolfgang of Anhalt (d. 1566), Christian I., Elector of Saxony (d. 1591), of the Margrave Georg Friedrieh of Brandenburg-Kulmbach (d. 1603), &c. Included as No. 820 in the Unv. L. S., 1851. The translations in common use are:— 1. Lord Jesus Christ, true Man and God, Who borest. Good and full, by Miss Winkworth in the first Ser. of her Lyra Germanica, 1855, p. 239. Of this stanzas i.-iv. appear in the Psalms & Hymns., Bedford, 1859; i., ii., viii. in the Harrow School Hymn Book, 1866 ; and i.-iii., v., viii. in the Pennsylvania Lutheran Church Book,1868. A cento from stanza ii., line 3-6, iii., 11. 1-4, vii., 1line 3-6, beginning, "When from my sight all fades away," is No. 1181 in the American Sabbath Hymn Book, 1858. 2. Lord Jesus Christ, true Man and God, Thou Who. A translation by E. Cronenwett, in nine stanzas of L.M., based on stanzas i., ii., iv.-viii., as No. 434, in the Ohio Lutheran Hymnal 1880. Other translations are, (1) "0 God, support me, death is near," by Dr. G. Walker, 1860, p. 103. (2) "Lord Jesus Christ, true Man and God, who hast”, by E. Massie, 1867, p. 10. ii. Wenn wir in höchsten Nöthen sein. In Trouble. Founded on a hymn by Joachim Camerarius, his former master at Nürnberg [b. at Bamberg, April 12, 1500, d. as Professor of Greek and Latin at Leipzig, April 17, 1574], which in Wackernagel, i. p. 324, runs thus:— "In tenebris nostrae et densa caligine mentis, Cum nihil est toto pectore consilii, Turbati erigimus, Deus, ad Te lumina cordis Nostra, tuamque fides solius erat opem. Tu rege consiliis actus, Pater optime, nostros, Nostrum opus ut laudi serviat omne Tuae." These lines comforted Melanchthon in 1546; and Lauxmann, in Koch, viii. 161-165, thinks probably Eber also. He relates that on Ascension Day, 1547, after the battle of Mühlberg, the Wittenbergers having received a message from the captive Elector to deliver their city to the Emperor Charles V. assembled for prayer in church; and quotes a portion of the prayer by Bugenhagen which greatly resembles Eber's hymn. But that the hymn was written then we have no proof, and the earliest source quoted by Wackernagel, iv. p. 6, is the Naw Betbüchlein, Dresden 1566, in 7 stanza of 4 line., though in his Bibliographie, 1855, p. 312, he describes a broadsheet printed at Nürnberg, N.D., c. 1560. In M. Moller's Meditationes sanctorum Patrum, Görlitz, 1584, it is entitled "A beautiful prayer of the venerable Dr. Paul Eber, which he composed on the beautiful words of King Jehoshaphat, 2 Chron. xx. 12." Included as No. 583 in the Unv. L. S., 1851. A "Cry from the depths," though not in despair but in trustful confidence in God, it is one of the finest and most widely used hymns of the Reformation period. Lauxmann relates how the singing of this hymn and the prayers of Martin Rinkart (q.v.), Archidiaconus of Eulenburg near Leipzig, prevailed to move the heart of the Swedish Lieutenant-Colonel, who on Feb. 21, 1635, had demanded from the inhabitants a ransom of £4500, but eventually accepted 2000 florins; says that in commemoration of a similar deliverance from the Swedish army in 1642 the hymn was long sung at the end of the Sunday afternoon service at Pegau, near Leipzig, and adds other incidents regarding its use. The only translation in common use is :— When in the hour of utmost need. A full and very good translation by Miss Winkworth in the 2nd Ser. of her Lyra Germanica, 1858, p. 180, and thence as No. 141 in her Chorale Book for England, 1863. Included in full in the American Presbyterian Hymnal 1874, and the Ohio Lutheran Hymnal, 1880. In full, though slightly altered, as No. 233, in Hymns Ancient & Modern, 1861, but omitted in the revised edition, 1875. In the Hymnary, 1871, Psalmist, 1878, J. L. Porter's Collection, 1876, Thring's Collection, 1882, and the Evangelical Hymna, N. Y., 1880, st. v. is omitted. Other translations are, (1) "When we are under great distress," by J. C. Jacobi, 1720, p. 19 (1722, p. 119; 1732, p. 184, altered, and thence as No. 140 in p. i. of the Moravian Hymn Book, 1754). (2) "When neither help nor counsel's nigh," by Dr. G. Walker, 1860, p. 89. (3) "When all our way is hedged around," by N. L. Frothingham, 1870. His hymns not in English common use are:— iii. Helft mir Gottes Güte preisen. [New Year.] Written on the name Helena, borne both by his wife and his daughter, the initial letters of each stanza composing it. Wackernagel, iv. p. 6, quotes it from Eichorn's Geistliche Lieder, Frankfurt a. Oder, c. 1580, in 6 st. of 8 l., entitled, "A Thanksgiving and Prayer for the New Year, in remembrance of God's goodness, for the Children." Older but less correct forms are noted by Mützell, p. 486, as in the Copenhagen GesangBuch,1511, and the Stettin, 1576. Included as No. 68 in the Unv. L. S., 1851. It is translation as, "Ye Christians in this nation," by J. C. Jacobi, 1722, p. 11 (1732, p. 10, altered and beginning, "Come, let us all, with Fervour.") iv. In Christi Wunden schlaf ich ein. [For the Dying.] Appears in Jeremias Weber's Gesang-Buch, Leipzig, 1638, p. 797, marked as "Another" (the hymn immediately preceding is ascribed to Eber), in 3 st. of 4 1. In the Berlin Geistlicher Lieder Schatz, ed. 1863, No. 1468, the text is slightly varied, and arranged in 2 st. of 6 1. It was first ascribed to Eber in the Nürnberg Gesang-Buch, 1676. Lauxmann, in Koch, viii. 595-601, says of it, "That the hymn is much older than the date of its appearance [i.e. than 1638] seems obvious; that it breathes the childlike spirit of Eber is certain. More than this we cannot say." St. i., 11. 3-6, "Ja Christi Blut und Gerechtigkeit," has been adopted by many pious Germans, young and old, as a prayer in life and death, and Lauxmann relates many interesting incidents regarding its use by A. G. Spangenberg, by Wilhelm Hey, and others. These four lines were adopted by N. L. von Zinzendorf, as the first stanza of his well-known hymn, "Christi Blut und Gerechtigkeit" (q. v.). It is translation as, "I fall asleep in Jesus' arms," by Miss Winkworth, i860, p. 121. [Rev .James Mearns] -- John Julian, Dictionary of Hymnology (1907)

William Walsham How

1823 - 1897 Person Name: William Walsham How (1823-1897) Author (st. 1, 2, and 4) of "You Are the Christ, O Lord" in Common Praise (1998) William W. How (b. Shrewsbury, Shropshire, England, 1823; d. Leenane, County Mayo, Ireland, 1897) studied at Wadham College, Oxford, and Durham University and was ordained in the Church of England in 1847. He served various congregations and became Suffragan Bishop in east London in 1879 and Bishop of Wakefield in 1888. Called both the "poor man's bishop" and "the children's bishop," How was known for his work among the destitute in the London slums and among the factory workers in west Yorkshire. He wrote a number of theological works about controversies surrounding the Oxford Movement and attempted to reconcile biblical creation with the theory of evolution. He was joint editor of Psalms and Hymns (1854) and Church Hymns (1871). While rector in Whittington, How wrote some sixty hymns, including many for children. His collected Poems and Hymns were published in 1886. Bert Polman =============== How, William Walsham, D.D., son of William Wybergh How, Solicitor, Shrewsbury, was born Dec. 13, 1823, at Shrewsbury, and educated at Shrewsbury School and Wadham College, Oxford (B.A. 1845). Taking Holy Orders in 1846, he became successively Curate of St. George's, Kidderminster, 1846; and of Holy Cross, Shrewsbury, 1848. In 1851 he was preferred to the Rectory of Whittington, Diocese of St. Asaph, becoming Rural Dean in 1853, and Hon. Canon of the Cathedral in 1860. In 1879 he was appointed Rector of St. Andrew's Undershaft, London, and was consecrated Suffragan Bishop for East London, under the title of the Bishop of Bedford, and in 1888 Bishop of Wakefield. Bishop How is the author of the Society for Promoting Christian Knowledge Commentary on the Four Gospels; Plain Words , Four Series; Plain Words for Children; Pastor in Parochia; Lectures on Pastoral Work; Three All Saints Summers, and Other Poems , and numerous Sermons , &c. In 1854 was published Psalms and Hymns, Compiled by the Rev. Thomas Baker Morrell, M.A., . . . and the Rev. William Walsham How, M.A. This was republished in an enlarged form in 1864, and to it was added a Supplement in 1867. To this collection Bishop How contributed several hymns, and also to the S. P. C. K. Church Hymns , of which he was joint editor, in 1871. The Bishop's hymns in common use amount in all to nearly sixty. Combining pure rhythm with great directness and simplicity, Bishop How's compositions arrest attention more through a comprehensive grasp of the subject and the unexpected light thrown upon and warmth infused into facia and details usually shunned by the poet, than through glowing imagery and impassioned rhetoric. He has painted lovely images woven with tender thoughts, but these are few, and found in his least appreciated work. Those compositions which have laid the firmest hold upon the Church, are simple, unadorned, but enthusiastically practical hymns, the most popular of which, "O Jesu, Thou art standing"; "For all the Saints who from their labours rest," and "We give Thee but Thine own," have attained to a foremost rank. His adaptations from other writers as in the case from Bishop Ken, "Behold, the Master passeth by," are good, and his Children's hymns are useful and popular. Without any claims to rank as a poet, in the sense in which Cowper and Montgomery were poets, he has sung us songs which will probably outlive all his other literary works. The more important of Bishop How's hymns, including those already named, and "Lord, Thy children guide and keep"; "O Word of God Incarnate"; "This day at Thy creating word"; "Who is this so weak and helpless"; and others which have some special history or feature of interest, are annotated under their respective first lines. The following are also in common use:— i. From Psalms & Hymns, 1854. 1. Before Thine awful presence, Lord. Confirmation. 2. Jesus, Name of wondrous love [priceless worth]. Circumcision. The Name Jesus . 3. Lord Jesus, when we stand afar. Passiontide. 4. O blessing rich, for sons of men. Members of Christ. 5. 0 Lord of Hosts, the earth is Thine. In time of War. 6. O Lord, Who in Thy wondrous love. Advent. ii. From Psalms & Hymns, enlarged, 1864. 7. Lord, this day Thy children meet. Sunday School Anniversary. iii. From Supplement to the Psalms & Hymns, 1867. 8. Hope of hopes and joy of joys. Resurrection. 9. 0 daughters blest of Galilee. For Associations of Women. 10. O happy feet that tread. Public Worship. 11. With trembling awe the chosen three. Transfiguration. iv. From Parish Magazine, 1871, and Church Hymns, 1871. 12. O Jesu, crucified for man. Friday. 13. Yesterday, with worship blest. Monday. v. From the S. P. C. K. Church Hymns. 1871. 14. Bowed low in supplication. For the Parish. 15. Great Gabriel sped on wings of light. Annunciation, of the Blessed Virgin Mary. 16. O blest was he, whose earlier skill. St. Luke. 17. O God, enshrined in dazzling light. Omnipresence. Divine Worship . 18. O heavenly Fount of Light and Love. Witsuntide. 19. O Lord, it is a blessed thing. Weekdays. 20. 0 One with God the Father. Epiphany. 21. O Thou through suffering perfect made. Hospitals. 22. Rejoice, ye sons of men. Purification of the B. V. M. 23. Summer suns are glowing. Summer. 24. The year is swiftly waning. Autumn. 25. Thou art the Christ, O Lord. St. Peter. 26. To Thee our God we fly. National Hymn. 27. Upon the holy Mount they stood. Transfiguration and Church Guilds. 28. We praise Thy grace, 0 Saviour. St. Mark. vi. From the S. P. C. K. Children's Hymns, 1872. 29. Behold a little child. Jesus the Child's Example. 30. Come, praise your Lord and Saviour. Children's Praises. 31. It is a thing most wonderful. Sunday School Anniversary. 32. On wings of living light. Easter. Bishop How's hymns and sacred and secular pieces were collected and published as Poems and Hymns, 1886. The Hymns, 54 in all, are also published separately. He d. Aug. 10, 1897. --John Julian, Dictionary of Hymnology (1907) =================== How, W. W., p. 540, i. He died Aug. 10, 1897. His Memoir, by F. D. How, was published in 1898. --John Julian, Dictionary of Hymnology, New Supplement (1907)

Ralph Vaughan Williams

1872 - 1958 Person Name: Ralph Vaughan Williams, 1872-1958 Arranger of "KING'S LYNN" in Lutheran Service Book Through his composing, conducting, collecting, editing, and teaching, Ralph Vaughan Williams (b. Down Ampney, Gloucestershire, England, October 12, 1872; d. Westminster, London, England, August 26, 1958) became the chief figure in the realm of English music and church music in the first half of the twentieth century. His education included instruction at the Royal College of Music in London and Trinity College, Cambridge, as well as additional studies in Berlin and Paris. During World War I he served in the army medical corps in France. Vaughan Williams taught music at the Royal College of Music (1920-1940), conducted the Bach Choir in London (1920-1927), and directed the Leith Hill Music Festival in Dorking (1905-1953). A major influence in his life was the English folk song. A knowledgeable collector of folk songs, he was also a member of the Folksong Society and a supporter of the English Folk Dance Society. Vaughan Williams wrote various articles and books, including National Music (1935), and composed numerous arrangements of folk songs; many of his compositions show the impact of folk rhythms and melodic modes. His original compositions cover nearly all musical genres, from orchestral symphonies and concertos to choral works, from songs to operas, and from chamber music to music for films. Vaughan Williams's church music includes anthems; choral-orchestral works, such as Magnificat (1932), Dona Nobis Pacem (1936), and Hodie (1953); and hymn tune settings for organ. But most important to the history of hymnody, he was music editor of the most influential British hymnal at the beginning of the twentieth century, The English Hymnal (1906), and coeditor (with Martin Shaw) of Songs of Praise (1925, 1931) and the Oxford Book of Carols (1928). Bert Polman

Alexander Robert Reinagle

1799 - 1877 Person Name: Alexander R. Reinagle, 1799–1877 Composer of "ST. PETER" in One and All Rejoice Alexander Robert Reinagle United Kingdom 1799-1877. Born at Brighton, Sussex, England, gf Austrian descent, he came from a family of musicians, studying music with his father (a cellist), then with Raynor Taylor in Edinburgh, Scotland. Reinagle became a well-known organ teacher. He became organist at St Peter’s Church, Oxford (1823-1853). He was also a theatre musician. He wrote Teaching manuals for stringed instruments as well. He also compiled books of hymn tunes, one in 1830: “Psalm tunes for the voice and the pianoforte”, the other in 1840: “A collection of Psalm and hymn tunes”. He also composed waltzes. In 1846 he married Caroline Orger, a pianist, composer, and writer in her own right. No information found regarding children. In the 1860s he was active in Oxford music-making and worked with organist, John Stainer, then organist at Magdalen College. Reinagle also composed a piano sonata and some church music. At retirement he moved to Kidlington, Oxfordshire, England. He died at Kidlington. John Perry

Paul Abels

Arranger of "THANK YOU" in The Hymnal

Paul E. Kretzmann

1883 - 1965 Author of "Immanuel! Our God And Lord" in American Lutheran Hymnal Professor Paul E. Kretzman led a group of Lutherans who left church fellowship with some Lutheran congregations in 1956 after he was charged with teaching error in class. He and his followers organized the Lutheran Churches of the Reformation. He wrote several Bible Commentaries and translated many hymns. NN, Hymnary from https://en.wikipedia.org/wiki/Lutheran_Churches_of_the_Reformation