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Anonymous

Person Name: Descon. Scripture: Ezekiel 34:11-16 Author of "Jesús el buen Pastor" in Celebremos Su Gloria In some hymnals, the editors noted that a hymn's author is unknown to them, and so this artificial "person" entry is used to reflect that fact. Obviously, the hymns attributed to "Author Unknown" "Unknown" or "Anonymous" could have been written by many people over a span of many centuries.

El Nathan

1840 - 1901 Scripture: Ezekiel 34:26 Author of "There shall be Showers of Blessings" in Church Hymns and Gospel Songs Pseudonymn used by D. W. Whittle. See also Whittle, D. W. (Daniel Webster), 1840-1901

Ira David Sankey

1840 - 1908 Person Name: Ira D. Sankey Scripture: Ezekiel 34:26 Composer of "SHOWERS OF BLESSING" in The Presbyterian Book of Praise Sankey, Ira David, was born in Edinburgh, Pennsylvania, in 1840, of Methodist parents. About 1856 he removed with his parents to New Castle, Pennsylvania, where he became a member of the Methodist Episcopal Church. Four years afterwards he became the Superintendent of a large Sunday School in which he commenced his career of singing sacred songs and solos. Mr. Moody met with him and heard him sing at the International Convention of the Young Men's Christian Association, at Indianapolis, and through Mr. Moody's persuasion he joined him in his work at Chicago. After some two or three years' work in Chicago, they sailed for England on June 7, 1872, and held their first meeting at York a short time afterwards, only eight persons being present. Their subsequent work in Great Britain and America is well known. Mr. Sankey's special duty was the singing of sacred songs and solos at religious gatherings, a practice which was in use in America for some time before he adopted it. His volume of Sacred Songs and Solos is a compilation from various sources, mainly American and mostly in use before. Although known as Sankey and Moody’s Songs, only one song, "Home at last, thy labour done" is by Mr. Sankey, and not one is by Mr. Moody. Mr. Sankey supplied several of the melodies. The English edition of the Sacred Songs & Solos has had an enormous sale; and the work as a whole is very popular for Home Mission services. The Songs have been translated into several languages. --John Julian, Dictionary of Hymnology (1907) Pseudonymns: Harry S. Lower Rian A. Dykes ==================== Sankey, I. D., p. 994, i. During the past fifteen years Mr. Sankey's Sacred Songs and Solos have had a very large sale, which has justified him in increasing the number of songs and hymns, including " New Hymns and Solos," to 1200. In 1906 he published My Life and Sacred Songs (London : Morgan & Scott). In addition to the "Story of his Own Life," the work contains an account of the most popular of his solos, with interesting reminiscences of the spiritual awakening of many who were influenced through his singing of them in public. In this respect it corresponds in some measure with G. J. Stevenson's Methodist Hymn Book, &c, 1883 (p. 1094, i.). It is an addition to the Sacred Songs and Solos, which will be held in esteem by many. In addition to his hymn, noted on p. 994, ii., Mr. Sankey gives details of the following:— 1. Out of the shadow-land into the sunshine. [Heaven Anticipated.] Mr. Sankey's account of this hymn is:— "I wrote this hymn specially for the memorial service held for Mr. Moody in Carnegie Hall, where 1 also sang it as a solo. It is the last sacred song of which I wrote both the words and music. The idea was suggested by Mr. Moody's last words, 'Earth recedes; heaven opens before me . . . God is calling me, and I must go.' On account of its peculiar association with my fellow-labourer in the Gospel for so many years, the words are here given in full." The hymn follows on p. 185, in 3 stanzas of 4 lines and a chorus. 2. Rejoice! Rejoice! our King is coming, [Advent.] Mr. Sankey writes concerning this hymn:— "During one of my trips to Great Britain on the SS. City of Rome a storm raged on the sea. The wind was howling through the rigging, and waves like mountains of foam were breaking over the bow of the vessel. A great fear had fallen upon the passengers. When the storm was at its worst, we all thought we might soon go to the bottom of the sea. The conviction came to me that the Lord would be with us iu the trying hour, and sitting down in the reading room, I composed this hymn. Before reaching England the tune had formed itself in my mind, and on arriving in London I wrote it out, and had it published in Sacred Songs and Solos, where it is No. 524 in the edition. of 1888. From Mr. Sankey's autobiographical sketch we gather that he was born at Edinburgh, in Western Pennsylvania, Aug. 28, 1840, joined Mr. Moody in 1871, and visited England for the first time in 1873. The original of the Sacred Songs, &c, of 23 pieces only, was offered as a gift to the London publishers of P. Phillips's Hallowed Song, and declined by them. It was subsequently accepted by Mr. K. O. Morgan, of Morgan & Scott, and is now a volume of 1200 hymns. From a return kindly sent us by Messrs. Morgan & Scott, we find that the various issues of the Sacred Songs and Solos were:— In 1873, 24 pp.; 1874, 72 pp. ; 1876, 153 hymns; 1877, 271 hymns; 1881, 441 hymns; 1888, 750 hymns; 1903, 1200 hymns. In addition, The Christian Choir, which is generally associated with the Sacred Songs and Solos, was issued in 1884 with 75 hymns, and in 1896 with 281. The New Hymns & Solos, by the same firm, were published in 1888. --John Julian, Dictionary of Hymnology, New Supplement (1907)

Theophane Hytrek

1915 - 1992 Person Name: Sr. Theophone Hytrek, OSF, 1915-1992 Scripture: Ezekiel 34:11 Composer (acc.) of "[Say to the cities of Judah]" in Gather Comprehensive b. Feb. 28, 1915, Stuart, NE; composer; organist

Dorothy A. Thrupp

1779 - 1847 Person Name: Miss Dorothy Ann Thrupp (1779-1847) Scripture: Ezekiel 34:11-16 Author of "Savior, like a shepherd lead us" in Carmina Sanctorum, a selection of hymns and songs of praise with tunes Dorothy Ann Thrupp was born in London, June 10, 1779. She contributed some hymns, under the pseudonym of "Iota," to W. Carus Wilson's Friendly Visitor and his Children's Friend. Other hymns by her, signed "D.A.T.," appeared in Mrs. Herbert Mayo's Selection of Hymns and Poetry for the Use of Infant Schools and Nurseries, 1838. She was also the editor of Hymns for the Young, c. 1830, in which all the hymns were given anonymously. She died in London on December 15, 1847. --The Hymnal 1940 Companion ================================ Thrupp, Dorothy Ann, daughter of Joseph Thrupp, of Paddington Green, was born at London, June 20, 1779 and died there on Dec. 14, 1847. Her hymns, a few of which have come into extensive use, were contributed to the Rev. W. Carus Wilson's Friendly Visitor and his Children's Friend, under the nom de plume of Iota; to Mrs. Herbert Mayo's Selection of Hymns and Poetry for the use of Infant Schools and Nurseries, 1838 (3rd ed. 1846, with change of title to A Sel. . . . of Infant and Juvenile Schools and Families), in which her signature is "D.A.T."; and also to the Hymns for the Young, which she herself edited for the Religious Tract Society circa 1830, 4th ed., 1836. In 1836 and 1837 she also published Thoughts for the Day (2nd series), in which she embodied many hymns which previously appeared in the Friendly Visitor. In addition to her hymns, which are annotated under their respective first lines there are also in common use:— 1. Come, Holy Spirit, come, 0 hear an infant's prayer. Child's Prayer. Appeared in Mrs. Mayo's Selection of Hymns and Poetry, 1838, No. 14, and signed "D.A.T." 2. God loves the little child that prays. God's love for Children. Given in Miss Thrupp's Hymns for the Young, 4th ed., 1836; and again in Mrs. Mayo's Selection of Hymns and Poetry&c, 2nd ed., 1840, and signed " D.A.T." It is sometimes given as "God loves the child that humbly prays." 3. Have you read the wondrous story? Life and Death of Jesus. This appeared anonymously in Miss Thrupp's Hymns for the Young, R. T. S., 1830, No. 12, in 5 stanzas of 4 lines. In Miss Thrupp's later publications this hymn is omitted, a fact which suggests that it was not her composition, but possibly that of a friend. It is in theLeeds Sunday School Union Hymn Book, 1833-78. 4. Let us sing with one accord. Praise of Jesus. This hymn is usually associated with Miss Thrupp's name, but on insufficient evidence. We find it in the 4th edition of her Hymns for the Young, 1836, and again in the 3rd ed. of Mrs. H. Mayo's Selection of Hymns and Poetry for the Use of Infant and Juvenile Schools, &c, 1846, and in both instances without signature. We know of no evidence which justifies us in ascribing the authorship with certainty to Miss Thrupp. The hymn is in the Leeds S. S. Union Hymn Book, 1833-78, and several others. 5. Poor and needy though I be. Divine Providence. Appeared in Miss Thrupp's Hymns for the Young, 4th ed., 1836, No. 22; and again in Mrs. Mayo's Selection of Hymns and Poetry>, &c, 2nd ed., 1840, and signed "D.A.T." 6. See, my child, the mighty ocean. Love of God compared to the Sea. Given in the R. T. S.'s Hymns for the Young, 4th ed., 1836, No. 26, and in Mrs. Mayo's Selection of Hymns and Poetry, &c, 1st ed., 1838, and signed "D.A. T." In Kennedy, 1863, it begins "Have you seen the mighty ocean." 7. Thou Guardian of my earliest days. Jesus the Children's Friend. This hymn we have traced to her Hymns for the Young, 4th ed., 1836. It is sometimes given as “Thou Guardian of our earliest days." 8. What a strange and wondrous story. Life and Death of Jesus. This hymn is found without signature in her Hymns for the Young, 4th ed., 1836, and again in Mrs. H. Mayo's Selection of Hys. and Poetry, 1838, No. 173, in 4 st. of 4 1, We have found no authority for ascribing it to Miss Thrupp. 9. What led the Son of God? Love of God in Christ. This appeared anonymously in her Hymns for the Young, 1830, and again in the Leeds S. S. Union Hymn Book, 1833. In modern collections it is attributed to Miss Thrupp, on the ground that it is found in the Hys. for the Young, which she edited. 10. Who are they in heaven who stand? All Saints. Published in Mrs. Mayo's Selection of Hys. and Poetry, 3rd ed., 1846, No. 64, in 5 stanzas of 4 lines, and signed A. D.T." It is in the Prim. Methodist Sunday School Hymn Book, 1879, and others. Several additional hymns to those named above have also been attributed to Miss Thrupp on insufficient authority. This has probably arisen out of the fact that all the hymns in the Hymns for the Young, including her own, were given anonymously. -- Excerpts from John Julian, Dictionary of Hymnology (1907)

H. W. Baker

1821 - 1877 Person Name: Sir H. W. Baker Scripture: Ezekiel 34:11-16 Author of "The King of love my Shepherd is" in The Presbyterian Book of Praise Baker, Sir Henry Williams, Bart., eldest son of Admiral Sir Henry Loraine Baker, born in London, May 27, 1821, and educated at Trinity College, Cambridge, where he graduated, B.A. 1844, M.A. 1847. Taking Holy Orders in 1844, he became, in 1851, Vicar of Monkland, Herefordshire. This benefice he held to his death, on Monday, Feb. 12, 1877. He succeeded to the Baronetcy in 1851. Sir Henry's name is intimately associated with hymnody. One of his earliest compositions was the very beautiful hymn, "Oh! what if we are Christ's," which he contributed to Murray's Hymnal for the Use of the English Church, 1852. His hymns, including metrical litanies and translations, number in the revised edition of Hymns Ancient & Modern, 33 in all. These were contributed at various times to Murray's Hymnal, Hymns Ancient & Modern and the London Mission Hymn Book, 1876-7. The last contains his three latest hymns. These are not included in Hymns Ancient & Modern. Of his hymns four only are in the highest strains of jubilation, another four are bright and cheerful, and the remainder are very tender, but exceedingly plaintive, sometimes even to sadness. Even those which at first seem bright and cheerful have an undertone of plaintiveness, and leave a dreamy sadness upon the spirit of the singer. Poetical figures, far-fetched illustrations, and difficult compound words, he entirely eschewed. In his simplicity of language, smoothness of rhythm, and earnestness of utterance, he reminds one forcibly of the saintly Lyte. In common with Lyte also, if a subject presented itself to his mind with striking contrasts of lights and shadows, he almost invariably sought shelter in the shadows. The last audible words which lingered on his dying lips were the third stanza of his exquisite rendering of the 23rd Psalm, "The King of Love, my Shepherd is:"— Perverse and foolish, oft I strayed, But yet in love He sought me, And on His Shoulder gently laid, And home, rejoicing, brought me." This tender sadness, brightened by a soft calm peace, was an epitome of his poetical life. Sir Henry's labours as the Editor of Hymns Ancient & Modern were very arduous. The trial copy was distributed amongst a few friends in 1859; first ed. published 1861, and the Appendix, in 1868; the trial copy of the revised ed. was issued in 1874, and the publication followed in 1875. In addition he edited Hymns for the London Mission, 1874, and Hymns for Mission Services, n.d., c. 1876-7. He also published Daily Prayers for those who work hard; a Daily Text Book, &c. In Hymns Ancient & Modern there are also four tunes (33, 211, 254, 472) the melodies of which are by Sir Henry, and the harmonies by Dr. Monk. He died Feb. 12, 1877. --John Julian, Dictionary of Hymnology (1907)

J. A. P. Schulz

1747 - 1800 Person Name: Johann Abraham Peter Schulz, 1747-1800 Scripture: Ezekiel 34:26-27 Composer of "WIR PFLÜGEN" in Psalter Hymnal (Gray) Johann Abraham Peter Schulz Germany 1747-1800. Born at Luneburg, Germany, son of a baker, he attended St Michaelis school in Luneburg and studied organ, then the Johanneum from 1759-1764. In 1765 he was a student of composer, Johann Kimberger, and then taught in Berlin himself. In 1768 Kimberger recommended Schulz for the position of music teacher and accompanist to the Polish Princess Sapieha Woiwodin von Smolensk. Schulz moved to Berlin and traveled with her for three years performing throughout Europe, where he came in contact with many new musical ideas. He married Catharina Maria Gercken, and they had a daughter, Celle. He served as the conductor of the French Theatre in Berlin from 1776-1780. From 1786-1787 he was the Kapellmeister of Prince Henry in Rheinsberg. He began writing operas in 1785 and became musical director of the Berlin French theatre. Schulz went on to serve as Court Kapellmeister in Copenhagen from 1787-1795 before returning to Berlin. In Copenhagen the music library burned down, and he had a breakdown in health from trying to save it. His health suffered further from the effects of a shipwreck he experienced in 1796. Schulz wrote seven operas, stage music, oratorios, and cantatas, as well as piano pieces, folk songs, and church music. He also wrote articles on music theory for Johann Georg Sulzer’s ‘Allgemeine Theorie der schonen Kunste’ in four volumes. He died at Schwedt an der Oder, Germany. John Perry

Isaac Watts

1674 - 1748 Person Name: Isaac Watts, 1674-1748 Scripture: Ezekiel 34:11-12 Author of "Oh, That the Lord Would Guide my Ways" in Lutheran Service Book Isaac Watts was the son of a schoolmaster, and was born in Southampton, July 17, 1674. He is said to have shown remarkable precocity in childhood, beginning the study of Latin, in his fourth year, and writing respectable verses at the age of seven. At the age of sixteen, he went to London to study in the Academy of the Rev. Thomas Rowe, an Independent minister. In 1698, he became assistant minister of the Independent Church, Berry St., London. In 1702, he became pastor. In 1712, he accepted an invitation to visit Sir Thomas Abney, at his residence of Abney Park, and at Sir Thomas' pressing request, made it his home for the remainder of his life. It was a residence most favourable for his health, and for the prosecution of his literary labours. He did not retire from ministerial duties, but preached as often as his delicate health would permit. The number of Watts' publications is very large. His collected works, first published in 1720, embrace sermons, treatises, poems and hymns. His "Horae Lyricae" was published in December, 1705. His "Hymns" appeared in July, 1707. The first hymn he is said to have composed for religious worship, is "Behold the glories of the Lamb," written at the age of twenty. It is as a writer of psalms and hymns that he is everywhere known. Some of his hymns were written to be sung after his sermons, giving expression to the meaning of the text upon which he had preached. Montgomery calls Watts "the greatest name among hymn-writers," and the honour can hardly be disputed. His published hymns number more than eight hundred. Watts died November 25, 1748, and was buried at Bunhill Fields. A monumental statue was erected in Southampton, his native place, and there is also a monument to his memory in the South Choir of Westminster Abbey. "Happy," says the great contemporary champion of Anglican orthodoxy, "will be that reader whose mind is disposed, by his verses or his prose, to imitate him in all but his non-conformity, to copy his benevolence to men, and his reverence to God." ("Memorials of Westminster Abbey," p. 325.) --Annotations of the Hymnal, Charles Hutchins, M.A., 1872. ================================= Watts, Isaac, D.D. The father of Dr. Watts was a respected Nonconformist, and at the birth of the child, and during its infancy, twice suffered imprisonment for his religious convictions. In his later years he kept a flourishing boarding school at Southampton. Isaac, the eldest of his nine children, was born in that town July 17, 1674. His taste for verse showed itself in early childhood. He was taught Greek, Latin, and Hebrew by Mr. Pinhorn, rector of All Saints, and headmaster of the Grammar School, in Southampton. The splendid promise of the boy induced a physician of the town and other friends to offer him an education at one of the Universities for eventual ordination in the Church of England: but this he refused; and entered a Nonconformist Academy at Stoke Newington in 1690, under the care of Mr. Thomas Rowe, the pastor of the Independent congregation at Girdlers' Hall. Of this congregation he became a member in 1693. Leaving the Academy at the age of twenty, he spent two years at home; and it was then that the bulk of the Hymns and Spiritual Songs (published 1707-9) were written, and sung from manuscripts in the Southampton Chapel. The hymn "Behold the glories of the Lamb" is said to have been the first he composed, and written as an attempt to raise the standard of praise. In answer to requests, others succeeded. The hymn "There is a land of pure delight" is said to have been suggested by the view across Southampton Water. The next six years of Watts's life were again spent at Stoke Newington, in the post of tutor to the son of an eminent Puritan, Sir John Hartopp; and to the intense study of these years must be traced the accumulation of the theological and philosophical materials which he published subsequently, and also the life-long enfeeblement of his constitution. Watts preached his first sermon when he was twenty-four years old. In the next three years he preached frequently; and in 1702 was ordained pastor of the eminent Independent congregation in Mark Lane, over which Caryl and Dr. John Owen had presided, and which numbered Mrs. Bendish, Cromwell's granddaughter, Charles Fleetwood, Charles Desborough, Sir John Hartopp, Lady Haversham, and other distinguished Independents among its members. In this year he removed to the house of Mr. Hollis in the Minories. His health began to fail in the following year, and Mr. Samuel Price was appointed as his assistant in the ministry. In 1712 a fever shattered his constitution, and Mr. Price was then appointed co-pastor of the congregation which had in the meantime removed to a new chapel in Bury Street. It was at this period that he became the guest of Sir Thomas Abney, under whose roof, and after his death (1722) that of his widow, he remained for the rest of his suffering life; residing for the longer portion of these thirty-six years principally at the beautiful country seat of Theobalds in Herts, and for the last thirteen years at Stoke Newington. His degree of D.D. was bestowed on him in 1728, unsolicited, by the University of Edinburgh. His infirmities increased on him up to the peaceful close of his sufferings, Nov. 25, 1748. He was buried in the Puritan restingplace at Bunhill Fields, but a monument was erected to him in Westminster Abbey. His learning and piety, gentleness and largeness of heart have earned him the title of the Melanchthon of his day. Among his friends, churchmen like Bishop Gibson are ranked with Nonconformists such as Doddridge. His theological as well as philosophical fame was considerable. His Speculations on the Human Nature of the Logos, as a contribution to the great controversy on the Holy Trinity, brought on him a charge of Arian opinions. His work on The Improvement of the Mind, published in 1741, is eulogised by Johnson. His Logic was still a valued textbook at Oxford within living memory. The World to Come, published in 1745, was once a favourite devotional work, parts of it being translated into several languages. His Catechisms, Scripture History (1732), as well as The Divine and Moral Songs (1715), were the most popular text-books for religious education fifty years ago. The Hymns and Spiritual Songs were published in 1707-9, though written earlier. The Horae Lyricae, which contains hymns interspersed among the poems, appeared in 1706-9. Some hymns were also appended at the close of the several Sermons preached in London, published in 1721-24. The Psalms were published in 1719. The earliest life of Watts is that by his friend Dr. Gibbons. Johnson has included him in his Lives of the Poets; and Southey has echoed Johnson's warm eulogy. The most interesting modern life is Isaac Watts: his Life and Writings, by E. Paxton Hood. [Rev. H. Leigh Bennett, M.A.] A large mass of Dr. Watts's hymns and paraphrases of the Psalms have no personal history beyond the date of their publication. These we have grouped together here and shall preface the list with the books from which they are taken. (l) Horae Lyricae. Poems chiefly of the Lyric kind. In Three Books Sacred: i.To Devotion and Piety; ii. To Virtue, Honour, and Friendship; iii. To the Memory of the Dead. By I. Watts, 1706. Second edition, 1709. (2) Hymns and Spiritual Songs. In Three Books: i. Collected from the Scriptures; ii. Composed on Divine Subjects; iii. Prepared for the Lord's Supper. By I. Watts, 1707. This contained in Bk i. 78 hymns; Bk. ii. 110; Bk. iii. 22, and 12 doxologies. In the 2nd edition published in 1709, Bk. i. was increased to 150; Bk. ii. to 170; Bk. iii. to 25 and 15 doxologies. (3) Divine and Moral Songs for the Use of Children. By I. Watts, London, 1715. (4) The Psalms of David Imitated in the Language of the New Testament, And apply'd to the Christian State and Worship. By I. Watts. London: Printed by J. Clark, at the Bible and Crown in the Poultry, &c, 1719. (5) Sermons with hymns appended thereto, vol. i., 1721; ii., 1723; iii. 1727. In the 5th ed. of the Sermons the three volumes, in duodecimo, were reduced to two, in octavo. (6) Reliquiae Juveniles: Miscellaneous Thoughts in Prose and Verse, on Natural, Moral, and Divine Subjects; Written chiefly in Younger Years. By I. Watts, D.D., London, 1734. (7) Remnants of Time. London, 1736. 454 Hymns and Versions of the Psalms, in addition to the centos are all in common use at the present time. --Excerpts from John Julian, Dictionary of Hymnology (1907) ================================== Watts, I. , p. 1241, ii. Nearly 100 hymns, additional to those already annotated, are given in some minor hymn-books. --John Julian, Dictionary of Hymnology, Appendix, Part II (1907) ================= Watts, I. , p. 1236, i. At the time of the publication of this Dictionary in 1892, every copy of the 1707 edition of Watts's Hymns and Spiritual Songs was supposed to have perished, and all notes thereon were based upon references which were found in magazines and old collections of hymns and versions of the Psalms. Recently three copies have been recovered, and by a careful examination of one of these we have been able to give some of the results in the revision of pp. 1-1597, and the rest we now subjoin. i. Hymns in the 1709 ed. of Hymns and Spiritual Songs which previously appeared in the 1707 edition of the same book, but are not so noted in the 1st ed. of this Dictionary:— On pp. 1237, L-1239, ii., Nos. 18, 33, 42, 43, 47, 48, 60, 56, 58, 59, 63, 75, 82, 83, 84, 85, 93, 96, 99, 102, 104, 105, 113, 115, 116, 123, 124, 134, 137, 139, 146, 147, 148, 149, 162, 166, 174, 180, 181, 182, 188, 190, 192, 193, 194, 195, 197, 200, 202. ii. Versions of the Psalms in his Psalms of David, 1719, which previously appeared in his Hymns and Spiritual Songs, 1707:— On pp. 1239, U.-1241, i., Nos. 241, 288, 304, 313, 314, 317, 410, 441. iii. Additional not noted in the revision:— 1. My soul, how lovely is the place; p. 1240, ii. 332. This version of Ps. lxiv. first appeared in the 1707 edition of Hymns & Spiritual Songs, as "Ye saints, how lovely is the place." 2. Shine, mighty God, on Britain shine; p. 1055, ii. In the 1707 edition of Hymns & Spiritual Songs, Bk. i., No. 35, and again in his Psalms of David, 1719. 3. Sing to the Lord with [cheerful] joyful voice, p. 1059, ii. This version of Ps. c. is No. 43 in the Hymns & Spiritual Songs, 1707, Bk. i., from which it passed into the Ps. of David, 1719. A careful collation of the earliest editions of Watts's Horae Lyricae shows that Nos. 1, 7, 9, 10, 11, 12, 14, 16, p. 1237, i., are in the 1706 ed., and that the rest were added in 1709. Of the remaining hymns, Nos. 91 appeared in his Sermons, vol. ii., 1723, and No. 196 in Sermons, vol. i., 1721. No. 199 was added after Watts's death. It must be noted also that the original title of what is usually known as Divine and Moral Songs was Divine Songs only. --John Julian, Dictionary of Hymnology, New Supplement (1907) =========== See also in: Hymn Writers of the Church

A. N.

Scripture: Ezekiel 34:11 Author of "Seeking for Me" in Gospel Hymns No. 5

E. E. Hasty

1840 - 1914 Scripture: Ezekiel 34:11 Composer of "[Jesus, my Saviour, to Bethlehem came]" in Gospel Hymns No. 5 Emerson Eaton Hasty USA 1840-1914. Born in ME, his family moved to OH when he was three. He was a beekeeper most of his life. He married Annette (Nettie) Wilson, and they had five children: William, Nettie, Arthur, Elliott, and Julia. He translated Georgia’s 4th Georgic. He also wrote gospel songs. Other written works include: “What is Christianity?” and “Reasons for not joining church societies”. He also submitted articles to a newsletter on beekeeping. He died in Ottawa Hills, OH. John Perry