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J. R. Baxter

1887 - 1960 Person Name: J. R. Baxter, Jr. Arranger of "[O for a thousand tongues to sing]" in Calvary Songs Jesse Randall (Pap) Baxter, Jr. (1887-1960) Born: December 8, 1887, Lebanon, Alabama. Died: January 21, 1960. Baxter grew up in De­Kalb Coun­ty, Al­a­ba­ma. In 1926, he bought part of Vir­gil Stamps’ Gos­pel mu­sic firm, which be­came the Stamps-Bax­ter Mu­sic and Print­ing Com­pa­ny, one of the most suc­cess­ful Gos­pel mu­sic pub­lish­ers of the ear­ly 20th Century. Bax­ter ran the com­pa­ny’s Chat­ta­noo­ga, Ten­nes­see, of­fice un­til Stamps’ death in 1940, then moved to Dall­as, Tex­as, to run the main of­fice. Af­ter Bax­ter’s death, his wife, Clarice, ran the bus­i­ness un­til she died; it was then sold to Zon­der­van. Bax­ter was in­duct­ed in­to the South­ern Gos­pel Music As­so­ci­a­tion Hall of Fame in 1997. Lyrics-- After the Sun­rise Farther Along God Shall Wipe Away All Tears (© 1940) He Bore It All I Have Peace in My Soul I Hold His Hand (© 1929) I Love My Sav­ior, Too I Want to Help Some Wea­ry Pil­grim I’m Liv­ing in Ca­naan Now Living Grace Praise the Lamb of God Something Hap­pens Travel the Sun­lit Way Try Je­sus When He Blessed My Soul When We Meet to Part No More © Cyber Hymnal™ (www.hymntime.com/tch)

Charles Wesley

1707 - 1788 Author of "Blessed Be the Name" in Baptist Hymnal 1991 Charles Wesley, M.A. was the great hymn-writer of the Wesley family, perhaps, taking quantity and quality into consideration, the great hymn-writer of all ages. Charles Wesley was the youngest son and 18th child of Samuel and Susanna Wesley, and was born at Epworth Rectory, Dec. 18, 1707. In 1716 he went to Westminster School, being provided with a home and board by his elder brother Samuel, then usher at the school, until 1721, when he was elected King's Scholar, and as such received his board and education free. In 1726 Charles Wesley was elected to a Westminster studentship at Christ Church, Oxford, where he took his degree in 1729, and became a college tutor. In the early part of the same year his religious impressions were much deepened, and he became one of the first band of "Oxford Methodists." In 1735 he went with his brother John to Georgia, as secretary to General Oglethorpe, having before he set out received Deacon's and Priest's Orders on two successive Sundays. His stay in Georgia was very short; he returned to England in 1736, and in 1737 came under the influence of Count Zinzendorf and the Moravians, especially of that remarkable man who had so large a share in moulding John Wesley's career, Peter Bonier, and also of a Mr. Bray, a brazier in Little Britain. On Whitsunday, 1737, [sic. 1738] he "found rest to his soul," and in 1738 he became curate to his friend, Mr. Stonehouse, Vicar of Islington, but the opposition of the churchwardens was so great that the Vicar consented that he "should preach in his church no more." Henceforth his work was identified with that of his brother John, and he became an indefatigable itinerant and field preacher. On April 8, 1749, he married Miss Sarah Gwynne. His marriage, unlike that of his brother John, was a most happy one; his wife was accustomed to accompany him on his evangelistic journeys, which were as frequent as ever until the year 1756," when he ceased to itinerate, and mainly devoted himself to the care of the Societies in London and Bristol. Bristol was his headquarters until 1771, when he removed with his family to London, and, besides attending to the Societies, devoted himself much, as he had done in his youth, to the spiritual care of prisoners in Newgate. He had long been troubled about the relations of Methodism to the Church of England, and strongly disapproved of his brother John's "ordinations." Wesley-like, he expressed his disapproval in the most outspoken fashion, but, as in the case of Samuel at an earlier period, the differences between the brothers never led to a breach of friendship. He died in London, March 29, 1788, and was buried in Marylebone churchyard. His brother John was deeply grieved because he would not consent to be interred in the burial-ground of the City Road Chapel, where he had prepared a grave for himself, but Charles said, "I have lived, and I die, in the Communion of the Church of England, and I will be buried in the yard of my parish church." Eight clergymen of the Church of England bore his pall. He had a large family, four of whom survived him; three sons, who all became distinguished in the musical world, and one daughter, who inherited some of her father's poetical genius. The widow and orphans were treated with the greatest kindness and generosity by John Wesley. As a hymn-writer Charles Wesley was unique. He is said to have written no less than 6500 hymns, and though, of course, in so vast a number some are of unequal merit, it is perfectly marvellous how many there are which rise to the highest degree of excellence. His feelings on every occasion of importance, whether private or public, found their best expression in a hymn. His own conversion, his own marriage, the earthquake panic, the rumours of an invasion from France, the defeat of Prince Charles Edward at Culloden, the Gordon riots, every Festival of the Christian Church, every doctrine of the Christian Faith, striking scenes in Scripture history, striking scenes which came within his own view, the deaths of friends as they passed away, one by one, before him, all furnished occasions for the exercise of his divine gift. Nor must we forget his hymns for little children, a branch of sacred poetry in which the mantle of Dr. Watts seems to have fallen upon him. It would be simply impossible within our space to enumerate even those of the hymns which have become really classical. The saying that a really good hymn is as rare an appearance as that of a comet is falsified by the work of Charles Wesley; for hymns, which are really good in every respect, flowed from his pen in quick succession, and death alone stopped the course of the perennial stream. It has been the common practice, however for a hundred years or more to ascribe all translations from the German to John Wesley, as he only of the two brothers knew that language; and to assign to Charles Wesley all the original hymns except such as are traceable to John Wesley through his Journals and other works. The list of 482 original hymns by John and Charles Wesley listed in this Dictionary of Hymnology have formed an important part of Methodist hymnody and show the enormous influence of the Wesleys on the English hymnody of the nineteenth century. -- Excerpts from John Julian, Dictionary of Hymnology (1907) ================== Charles Wesley, the son of Samuel Wesley, was born at Epworth, Dec. 18, 1707. He was educated at Westminster School and afterwards at Christ Church, Oxford, where he graduated M.A. In 1735, he took Orders and immediately proceeded with his brother John to Georgia, both being employed as missionaries of the S.P.G. He returned to England in 1736. For many years he engaged with his brother in preaching the Gospel. He died March 29, 1788. To Charles Wesley has been justly assigned the appellation of the "Bard of Methodism." His prominence in hymn writing may be judged from the fact that in the "Wesleyan Hymn Book," 623 of the 770 hymns were written by him; and he published more than thirty poetical works, written either by himself alone, or in conjunction with his brother. The number of his separate hymns is at least five thousand. --Annotations of the Hymnal, Charles Hutchins, M.A., 1872.

J. H. Hall

1855 - 1941 Person Name: J. H. H. Arranger of "[Praise God from whom all blessings flow]" in Crowning Day No. 4 Jacob Henry Hall, 1855-1941 Born: Jan­u­a­ry 2, 1855, near Har­ris­on­burg, Vir­gin­ia. Died: De­cem­ber 22, 1941. Buried: Day­ton, Vir­gin­ia. Son of farm­er George G. Hall and Eliz­a­beth Thom­as Hall, Ja­cob at­tend­ed sing­ing schools taught by Tim­o­thy Funk when he was a boy. As his love of mu­sic pro­gressed, he earned mo­ney by trap­ping quail and bought a Ger­man ac­cor­di­on; he soon learned to play one part while sing­ing an­o­ther. Af­ter he and his bro­ther joint­ly pur­chased an or­gan, he taught him­self to play hymn tunes, Gos­pel songs, and an­thems. He went on to stu­dy mu­sic the­ory, har­mo­ny, and com­po­si­tion in Har­ris­on­burg and else­where, and in 1877 at­tend­ed a Nor­mal Mu­sic School in New Mar­ket, Vir­gin­ia, taught by Ben­ja­min Un­seld and P. J. Merges. Af­ter­ward, he par­tnered with H. T. Wart­man for two years to con­duct sing­ing schools and con­ven­tions. In 1890, Hall at­tend­ed Da­na’s Mu­sical In­sti­tute in War­ren, Ohio, and a nor­mal school run by George & F. W. Root at Sil­ver Lake, New York. He lat­er served as prin­ci­pal of the Na­tion­al Nor­mal School of Mu­sic. Hall’s works in­clude: Hall’s Songs of Home, 1885 The Star of Beth­le­hem (Day­ton, Vir­gin­ia: Rue­bush-Kief­fer Com­pa­ny) Musical Mil­lion (as­sis­tant ed­it­or) Spirit of Praise, with Will­iam Kirk­pat­rick & Charles Case (Day­ton, Vir­gin­ia: The Rue­bush-Kieff­er Com­pa­ny, 1911) Hall’s Quar­tettes for Men, 1912 Biography of Gos­pel Song and Hymn Writ­ers/em> (New York: Flem­ing H. Re­vell Com­pa­ny, 1914) Sources-- Hall, pp. 329-34 Lyrics-- Glorious Morn­ing Dawns, The O Thou Whose Match­less Pow­er Con­trols --hymntime.com/tch

R. E. Hudson

1843 - 1901 Person Name: Ralph E. Hudson Author (refrain) of "Blessed Be the Name" in Baptist Hymnal 1991 Ralph Hudson (1843-1901) was born in Napoleon, OH. He served in the Union Army in the Civil War. After teaching for five years at Mt. Union College in Alliance he established his own publishing company in that city. He was a strong prohibitionist and published The Temperance Songster in 1886. He compiled several other collections and supplied tunes for gospel songs, among them Clara Tear Williams' "All my life long I had panted" (Satisfied). See 101 More Hymn Stories, K. Osbeck, Grand Rapids, MI: Kregel Publications, 1985). Mary Louise VanDyke

W. H. v. S.

Author of "Preiset Gott den Herrn" in Silberklänge

J. M. Hunt

1855 - 1919 Harmonizer of "[O for a thousand tongues to sing]" in Victory Songs As of 1885, Hunt lived in Lampasas, Texas. His works include: Harvest Bells, with William Penn Harvest Bells No. 2, with William Penn (Cincinnati, Ohio: The John Church Company, 1885) The Gospel Alarm, with Sanford Miller Brown (St. Louis, Missouri: Central Baptist, 1886) The Missionary Triumph, with Sanford Miller Brown (Cincinnati, Ohio: The John Church Company, 1889) Songs of Zion, with Sanford Miller Brown (Kansas City, Missouri: Word and Way Publishing Company, 1898) --www.hymntime.com/tch

Fawwaz Omeish

? - 2012 Person Name: فواز عميش Transaltor of "مجدا لاسم الرب . مجدا لاسم الرب" in ترانيم الإيمان فواز عميش

Honorato T. Reza

1912 - 2000 Person Name: H. T. Reza Translator of "Gloria Demos al Salvador" in Himnario Bautista Born: Oc­to­ber 27, 1912, Alahuixtlan, Guer­re­ro, Mex­i­co. Died: 2000, Kansas City. Reza’s ed­u­ca­tion be­gan at age six in the home of a Pro­test­ant pas­tor, and con­tin­ued in a board­ing school in Tel­o­lo­a­pan, and lat­er in Mex­i­co City. Re­za be­came a Chris­tian at age 11 af­ter hear­ing a sermon by Ruth Del­ga­do. He turned away from the faith as a teen, but was re­con­ciled in 1930. He grad­u­at­ed from the Bi­ble In­sti­tute in Mex­i­co Ci­ty in 1935, and took his first pas­tor­ate in Ma­tí­as Ro­me­ro, Oa­xa­ca. Reza en­rolled at the Un­i­ver­si­ty of Pas­a­de­na, California, in 1937, re­ceived his ba­che­lor’s de­gree in 1939, and re­turned to Mex­i­co Ci­ty in 1935 to open a new church. A few months lat­er, he mar­ried Ernes­ti­na Ten­to­ri. Continuing post gra­du­ate stu­dies in paral­lel with his pas­tor­al du­ties, Re­za earned a de­gree from the Un­i­ver­si­ty of Mex­i­co in 1941. H. Or­ton Wi­ley in­vit­ed him to Pas­a­de­na Un­i­ver­si­ty the fol­low­ing year to teach Span­ish and lit­er­a­ture. In ad­di­tion to his re­spon­si­bil­i­ties in Pa­sa­de­na, Re­za was dean and pro­fes­sor at a Bi­ble col­lege in Los An­geles for His­pan­ic pas­tors of the Church of the Nazarene in South­ern Cal­i­for­nia. In 1944, the Gene­ral As­sem­bly of the Church of the Na­za­rene cre­ate­d a Span­ish ra­dio prog­ram, with Re­za as its di­rec­tor. He moved with his fam­i­ly to Kan­sas Ci­ty in 1946 to sup­port that ef­fort. For 23 years, he host­ed the ra­dio pro­gram La Ho­ra Na­za­re­na, which was even­tu­al­ly broad­cast on 700 sta­tions. In 1980, Re­za be­came found­ing pre­si­dent of the Na­za­rene Sem­in­a­ry in Mex­i­co Ci­ty, guid­ing it in its ear­ly years of de­vel­op­ment. Reza’s works in­clude: Brazil’s Open Door (Na­za­rene Pub­lish­ing House, 1958) Our Task for To­day (Na­za­rene Pub­lish­ing House, 1963) Nuestra Ta­rea pa­ra Hoy (Ca­sa Na­za­rene de Pub­lic­ci­o­nes) Ambassadors to La­tin Lands, 1965 Prescription for Per­ma­nence: The Sto­ry of Our Schools for Train­ing Min­is­ters in La­tin Amer­i­ca, 1968 Missions: Both Sides of the Coin (Na­za­rene Pub­lish­ing House, 1973) Through a Long Tun­nel: A Sto­ry of Sur­viv­al in Cu­ba (Na­za­rene Pub­lish­ing House, 1976) After the Storm, the Rain­bow: The Church of the Na­za­rene in Cu­ba Tras la Tor­men­ta, el Arco Iris (Ca­sa Na­za­rene de Pub­lic­ci­o­nes, 1993) --hymntime/tch/bio/r/e/z/reza_ht.htm Himnario Bautista gives his year of birth as 1913.

Oliver E. Murray

Person Name: Rev. O. E. Murray Adapter of "Blessed be the Name" in Songs of the Peacemaker

Austin Taylor

1881 - 1973 Person Name: A. T. Arranger of "[All praise to Him who reigns above]" in Songs of the Reapers Austin Taylor (October 14, 1881 – January 1, 1973) Austin Taylor was born October 14, 1881 in Morgantown, Kentucky. He served Churches of Christ, one of three branches of the Stone-Campbell Movement for all of his long life as a song writer, song leader, minister, preacher, teacher, and singing school leader. The school he helped to found, the Texas Normal Singing School, still holds its camp every Summer. The Taylors moved to Sherman, TX in 1890. There Austin began his music career as a singing school teacher and song writer. Two of his outstanding teachers were Horatio Richmond Palmer (1834-1907) of New York, who wrote songs such as “Master the Tempest is Raging,” “Angry Words,” and “O Lord, Our Lord,” and Dr. Horace Neely Lincoln (1859-1948) of St. Louis who specialized in lyrics. His first song book, “The Gospel Messenger,” was published in 1905. He has published some twenty-five song books, just for [the] Firm Foundation in Austin, TX. His songs can be found in some fifty plus songbooks. Practically all the song books published by members of the church contain “Closer to Thee” and “Do All In the Name of the Lord.” In the early part of the 1900’s churches received their musical instruction by singing conventions. Taylor continued teaching of singing conventions and influenced many students to follow. Some of his students began the Hartford Music Company in Nacogdoches, TX. Albert Brumley became a student of the Hartford school and later bought out the company. Austin Taylor paid the way for Will Slater to go with him to some of his schools. Slater later became a publisher and had his business in Fort Worth, TX. Frank Grammer, another student of Austin Taylor’s, founded a publishing company in California. Teaching conventions and singing for gospel meetings and revivals was a full-time career for Taylor. Austin Taylor had created a good reputation for himself on the circuit of the singing conventions, so he started receiving many invitations to lead singing for gospel meetings. For many years this became one of his main works. In 1911 Austin Taylor was appointed as music editor of the Firm Foundation Publishing Co. operated by G. H. P. Showalter. The majority of his song books were sold between 1910 and 1930. They were printed in Cincinnati. In 1914 he published Gospel Songs No. 2 for the Firm Foundation. It sold over 500,000 in one year. There were nearly one million of the paperback copies sold in a 15-year period. Taylor published over 50 different hymn books in his lifetime, many at his own expense. Edited by D. J. Bulls, from James Tackett, paperlesshymnal.com; "A Song is Born," Robert Taylor (2004 Taylor Publications);m "Our Garden of Song," Gene C. Finley (1980, Howard Publishing Co.) "The Songs of Austin Taylor," John R. Furr (Texas Normal Singing School), additional editing by Dianne Shapiro)

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