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C. Hubert H. Parry

1848 - 1918 Person Name: Charles Hubery Hastings Parry, 1848-1918 Scripture: James 3:13-18, 4:1-3 Composer of "JERUSALEM" in Common Praise (1998) Charles Hubert Hastings Parry KnBch/Brnt BMus United Kingdom 1848-1918. Born at Richmond Hill, Bournemouth, England, son of a wealthy director of the East India Company (also a painter, piano and horn musician, and art collector). His mother died of consumption shortly after his birth. His father remarried when he was three, and his stepmother favored her own children over her stepchildren, so he and two siblings were sometimes left out. He attended a preparatory school in Malvern, then at Twyford in Hampshire. He studied music from 1856-58 and became a pianist and composer. His musical interest was encouraged by the headmaster and by two organists. He gained an enduring love for Bach’s music from S S Wesley and took piano and harmony lessons from Edward Brind, who also took him to the ‘Three Choirs Festival in Hereford in 1861, where Mendelssohn, Mozart, Handel, and Beethoven works were performed. That left a great impression on Hubert. It also sparked the beginning of a lifelong association with the festival. That year, his brother was disgraced at Oxford for drug and alcohol use, and his sister, Lucy, died of consumption as well. Both events saddened Hubert. However, he began study at Eton College and distinguished himself at both sport and music. He also began having heart trouble, that would plague him the rest of his life. Eton was not known for its music program, and although some others had interest in music, there were no teachers there that could help Hubert much. He turned to George Elvey, organist of St George’s Chapel, Windsor Castle, and started studying with him in 1863. Hubert eventually wrote some anthems for the choir of St George’s Chapel, and eventually earned his music degree. While still at Eton, Hubert sat for the Oxford Bachelor of Music exam, the youngest person ever to have done so. His exam exercise, a cantata: “O Lord, Thou hast cast us out” astonished the Heather Professor of Music, Sir Frederick Ouseley, and was triumphantly performed and published in 1867. In 1867 he left Eton and went to Exeter College, Oxford. He did not study music there, his music concerns taking second place, but read law and modern history. However, he did go to Stuttgart, Germany, at the urging of Henry Hugh Pierson, to learn re-orchestration, leaving him much more critical of Mendelssohn’s works. When he left Exeter College, at his father’s behest, he felt obliged to try insurance work, as his father considered music only a pastime (too uncertain as a profession). He became an underwriter at Lloyd’s of London, 1870-77, but he found the work unappealing to his interests and inclinations. In 1872 he married Elizabeth Maude Herbert, and they had two daughters: Dorothea and Gwendolen. His in-laws agreed with his father that a conventional career was best, but it did not suit him. He began studying advanced piano with W S Bennett, but found it insufficient. He then took lessons with Edward Dannreuther, a wise and sympathetic teacher, who taught him of Wagner’s music. At the same time as Hubert’s compositions were coming to public notice (1875), he became a scholar of George Grove and soon an assistant editor for his new “Dictionary of Music and Musicians”. He contributed 123 articles to it. His own first work appeared in 1880. In 1883 he became professor of composition and musical history at the Royal College of Music (of which Grove was the head). In 1895 Parry succeeded Grove as head of the college, remaining in the post the remainder of his life. He also succeeded John Stainer as Heather Professor of Music at the University of Oxford (1900-1908). His academic duties were considerable and likely prevented him from composing as much as he might have. However, he was rated a very fine composer, nontheless, of orchestrations, overtures, symphonies, and other music. He only attempted one opera, deemed unsuccessful. Edward Elgar learned much of his craft from Parry’s articles in Grove’s Dictionary, and from those who studied under Parry at the Royal College, including Ralph Vaughn Williams, Gustav Holst, Frank Bridge, and John Ireland. Parry had the ability when teaching music to ascertain a student’s potential for creativity and direct it positively. In 1902 he was created a Baronet of Highnam Court in Gloucester. Parry was also an avid sailor and owned several yachts, becoming a member of the Royal Yacht Squadron in 1908, the only composer so honored. He was a Darwinian and a humanist. His daughter reiterated his liberal, non-conventional thinking. On medical advice he resigned his Oxford appointment in 1908 and produced some of his best known works. He and his wife were taken up with the ‘Suffrage Movement’ in 1916. He hated to see the WW1 ravage young potential musical talent from England and Germany. In 1918 he contracted Spanish flu during the global pandemic and died at Knightsscroft, Rustington, West Sussex. In 2015 they found 70 unpublished works of Parry’s hidden away in a family archive. It is thought some may never have been performed in public. The documents were sold at auction for a large sum. Other works he wrote include: “Studies of great composers” (1886), “The art of music” (1893), “The evolution of the art of music” (1896), “The music of the 17th century” (1902). His best known work is probably his 1909 study of “Johann Sebastian Bach”. John Perry

Ira B. Wilson

1880 - 1950 Person Name: Ira B. Wilson, 1880-1950 Scripture: James 4:7 Composer of "MAY GOD DEPEND ON YOU?" in The Christian Hymnary. Bks. 1-4 Ira Bishop Wilson, 1880-1950 Born: Sep­tem­ber 6, 1880, Bed­ford, Io­wa. Died: Ap­ril 3, 1950, Los An­ge­les, Cal­i­for­nia. Buried: For­est Lawn Me­mor­i­al Park, Glen­dale, Cal­i­for­nia. Pseudonym: Fred B. Hol­ton. Wilson’s sis­ter taught him to play the vi­o­lin and or­gan while still at home. Around 1902, Ira be­gan stu­dies at the Moo­dy Bi­ble In­sti­tute in Chi­ca­go, Il­li­nois. In 1905, he went to work for the Lorenz Pub­lish­ing Com­pa­ny in Day­ton, Ohio. His com­po­si­tions ap­peared in The Choir Lead­er and The Choir Her­ald; he al­so served as ed­it­or in chief of The Vol­un­teer Choir. His works in­clude: The King’s Mes­sage, with Ed­mund Lo­renz (New York: Lo­renz Pub­lish­ing Com­pa­ny, 1910) The Be­gin­ners’ Choir, with Ed­mund Lor­enz (Day­ton, Ohio: Lor­enz Pub­lish­ing Com­pa­ny, 1911) Praise Ye, a Col­lect­ion of Sac­red Songs, with Ed­mund Lor­enz (New York: Lor­enz Pub­lish­ing Com­pa­ny, 1913) His Worthy Praise, with Ed­mund Lor­enz (Day­ton, Ohio: Lor­enz Pub­lish­ing Com­pa­ny, 1915) Sources-- Hall, pp. 413-5 Lyrics-- Go For­ward to Con­quer Look Above Make Me a Bless­ing © 1924 My Sav­ior’s Voice This Won­der­ful Christ Is Mine Trustingly Fol­low Music-- Across the Temp­led Hills Angels’ Chor­us, The Christ Is Born Christ the Lord Is Born Christmas Lull­a­by Conchita Exalt the King Give Praise God Is Good­ness, God Is Love God Is So Good He Arose To­day His Love Is Al­ways True Jesus Wants Us to Help Joy to the World Loving Je­sus Christ Marching For­ward May God De­pend on You? Night of Nights O Star of Match­less Splen­dor On Cal­va­ry’s Cross One Day Out in the High­ways and By­ways of Life Rejoice! Re­joice! Ring, Sweet Bells Song of the Morn­ing, The Stars of De­cem­ber Walking with Je­sus Was There Ev­er a Friend So True? We Come To­day What Do the Flow­ers Say? Who Will Our Pi­lot Be? Win One --hymntime.com/tch

John R. Sweney

1837 - 1899 Person Name: John R. Sweney (1837-1899) Scripture: James 4:4 Composer of "[Dejo el mundo y sigo a Cristo]" in Himnario Adventista del Séptimo Día John R. Sweney (1837-1899) was born in West Chester, Pennsylvania, and exhibited musical abilities at an early age. At nineteen he was studying with a German music teacher, leading a choir and glee club, and performing at children’s entertainments. By twenty-two he was teaching at a school in Dover, Delaware. Soon thereafter, he was put in charge of the band of the Third Delaware Regiment of the Union Army for the duration of the Civil War. After the war, he became Professor of Music at the Pennsylvania Military Academy, and director of Sweney’s Cornet Band. He eventually earned Bachelor and Doctor of Music degrees at the Academy. Sweney began composing church music in 1871 and became well-known as a leader of large congregations. His appreciators stated “Sweney knows how to make a congregation sing” and “He had great power in arousing multitudes.” He also became director of music for a large Sunday school at the Bethany Presbyterian Church in Philadelphia of which John Wanamaker was superintendent (Wanamaker was the founder of the first major department store in Philadelphia). In addition to his prolific output of hymn melodies and other compositions, Sweney edited or co-edited about sixty song collections, many in collaboration with William J. Kirkpatrick. Sweney died on April 10, 1899, and his memorial was widely attended and included a eulogy by Wanamaker. Joe Hickerson from "Joe's Jottings #9" used by permission

James D. Vaughan

1864 - 1941 Scripture: James 4:13-15 Composer of "[Dread not the things that are ahead]" in Praise for the Lord (Expanded Edition) Vaughan, James D(avid); b. Dec. 14, 1864, between Lawrence Co. and Giles Co., TN; d. Feb. 9, 1941, Lawrenceburg, TN; music publisher, composer and compiler of gospel songs in shape notation

Communauté de Taizé

Person Name: Taizé Community Scripture: James 4:7-8 Author of "Wait for the Lord (Contemplaré tu vida en mí)" in Santo, Santo, Santo

Jacques Berthier

1923 - 1994 Person Name: Jacques Berthier, 1923-1994 Scripture: James 4:7-8 Composer of "[Wait for the Lord, whose day is near]" in Santo, Santo, Santo Jacques Berthier (b. Auxerre, Burgundy, June 27, 1923; d. June 27, 1994) A son of musical parents, Berthier studied music at the Ecole Cesar Franck in Paris. From 1961 until his death he served as organist at St. Ignace Church, Paris. Although his published works include numerous compositions for organ, voice, and instruments, Berthier is best known as the composer of service music for the Taizé community near Cluny, Burgundy. Influenced by the French liturgist and church musician Joseph Gelineau, Berthier began writing songs for equal voices in 1955 for the services of the then nascent community of twenty brothers at Taizé. As the Taizé community grew, Berthier continued to compose most of the mini-hymns, canons, and various associated instrumental arrangements, which are now universally known as the Taizé repertoire. In the past two decades this repertoire has become widely used in North American church music in both Roman Catholic and Protestant traditions. Bert Polman

Anna L. Price

Person Name: Anna L. Price (1837-1924) Scripture: James 4:10 Author of "Above the Trembling Elements" in The Christian Hymnary. Bks. 1-4

Pedro Castro

1840 - 1887 Person Name: Pedro Castro Iriarte Scripture: James 4:7-10 Author of "Pecador, ven a Cristo Jesús" in Celebremos Su Gloria Pedro Castro Iriarte was converted to Christianity while he was a young man working for a printing company in Madrid. He then served as a pastor, organizing churches in Valladolid and Madrid. He was also a prolific writer of prose, poetry, and children's stories. He also translated many hymns. Dianne Shapiro from Celebremos su Gloria (Colombia/Illinois: Libros Alianza/Celebration), 1992

Joseph Philbrick Webster

1819 - 1875 Person Name: Joseph P. Webster Scripture: James 4:7-10 Composer of "SWEET BY AND BY" in Celebremos Su Gloria Webster composed and performed popular music. He studied with Lowell Mason and was active musically in New York, New Jersey and Connecticut, and directed a quartet company called the Euterpeans. In 1851, he moved to Madison, Indiana, followed by Chicago, Illinois (1855); Racine, Wisconsin (1856); and finally Elkhorn, Wisconsin (1859). Webster wrote over a thousand ballads and many hymns. His most famous secular song was his 1857 Lorena (words by Henry D. L. Webster). In its day, it was said to have been second in popularity only to Stephen Foster’s Suwanee River, and was sung by thousands of soldiers on both sides of the American civil war. An instrumental version appears in the 1939 film Gone with the Wind, when Scarlett O’Hara is manning the stall at the charity dance in her mourning outfit. The tune also made an appearance in two John Ford films: The Searchers, 1956, arranged by Max Steiner, and The Horse Soldiers, 1959, arranged by David Buttolph. (http://www.hymntime.com/tch)

E. R. Latta

1839 - 1915 Scripture: James 4:7 Author of "Wandering Away" in The New Gospel Song Book Rv Eden Reeder Latta USA 1839-1915. Born at Haw Patch, IN, the son of a Methodist minister, (also a boyhood friend of hymn writer Willam A Ogden) he became a school teacher. During the American Civil War he preached for the Manchester Methodist Church and other congregations (possibly as a circuit rider filling empty pulpits). In 1863 he married Mary Elizabeth Wright, and they had five children: Arthur, Robert, Jennie, two others. He taught for the public schools of Manchester, and later Colesburg, IA. He moved to Guttenberg, IA, in the 1890s, and continued writing song lyrics for several major gospel composers, including William Ogden, James McGranahan, James Fillmore, and Edmund Lorenz. He wrote 1600+ songs and hymns, many being widely popular in his day. His older brother, William, composed hymn tunes. He died at Guttenbert, IA. John Perry

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