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Basil Woodd

1760 - 1831 Scripture: Matthew 2:11 Author of "Hail, Thou Source of Every Blessing" in The Lutheran Hymnal Woodd, Basil , M.A., was born at Richmond in Surrey, Aug. 5, 1760. The influences of his home and of his widowed mother were most salutary, and produced the best results. As a boy he studied under the Rev. T. Clarke, of Chesham Bois, and at seventeen he entered Trinity College, Oxford. Taking Holy Orders in 1783, he was chosen lecturer of St. Peter's Cornhill, in 1784; morning preacher at Bentinck Chapel, Marylebone in 1785, and Rector of Drayton Beauchamp, Buckinghamshire, in 1808. Bentinck Chapel being a proprietary chapel, he purchased the lease in 1793, and held the Incumbency, together with the Rectory of Drayton, from 1808 to his death on April 12, 1831. He took a deep interest in the great religious societies, and in the anti-slavery movement. His prose works were not numerous or important. He is associated with hymnody through the publication of the following:— (l) The Psalms of David.....Adapted to the Services of the Church of England, &c, 1794. 2nd edition, 1800. (2.) The Psalms of David and other portions of the Sacred Scriptures arranged according to the Order of the Church of England, for every Sunday in the Year, &c, London: Printed and sold by Watts and Bridgewater, n.d. circa 1810-20. The Preface is signed "B. W." (3.) A New Metrical Version of the Psalms of David; with an Appendix of select Psalms and Hymns, adapted to the service of the United Church of England and Ireland ... .By the Rev. Basil Woodd, M.A., &c, London: Printed and sold by E. Bridgwater, 1821. Dedicated to the Bishop of Durham. A portion of the preface of No. 2 was repeated; but the preface as a whole, was more historical than the preceding. With the exception of 4 hymns, and 4 doxologies at the end, this collection is a reprint of No. 2, with a new title-page, a dedication, and an enlarged preface. Very few of Basil Woodd's hymns and paraphrases of the psalms are now in common use. The best known is "Hail, Thou Source of every blessing". The rest include:— 1. Blest be Jehovah, mighty Lord. Ps. cxliv. 1794. 2. Holy Ghost inspire our praises. Whitsuntide, circa 1810-20. 3. In Thee, O Lord, I trust, My hope is in Thy Name. Ps. xxxi. 1794. 4. Lord of glory and salvation. Praise, circa 1810-20. A short Memoir of the Rev. Basil Woodd, M.A. By the Rev. S. G. Wilks, M.A., was published by Hatchard & Son, London, 1831. -- John Julian, Dictionary of Hymnology (1907)

Joseph Joubert

b. 1958 Person Name: Jospeh Joubert, b.1958 Scripture: Matthew 2:1-10 Arranger of "[There's a star in the East on Christmas morn]" in Lead Me, Guide Me (2nd ed.)

William Mercer

1811 - 1873 Person Name: William Mercer, 1811-1873 Scripture: Matthew 2:1-12 Translator and Adapter of "How Bright Appears the Morning Star" in Common Praise (1998) Mercer, William, M.A., born at Barnard Castle, Durham, 1811, and educated at Trinity College, Cambridge (B.A., 1835). In 1840 he was appointed Incumbent of St. George's, Sheffield. He died at Leavy Greave, Sheffield, Aug. 21, 1873. His principal work was:—- The Church Psalter and Hymn Book, comprising The Psalter, or Psalms of David, together with the Canticles, Pointed for Chanting; Four Hundred Metrical Hymns and Six Responses to the Commandments; the whole united to appropriate Chants and Tunes, for the use of Congregations and Families, by the Rev. William Mercer, M.A. . .. Assisted by John Goss, Esq…., 1854; enlarged 1856; issued without music, 1857; quarto edition 1860; rearranged edition (Oxford edition) 1864; Appendix 1872. For many years this collection was at the head of all the hymn-books in the Church of England, both in circulation and influence. Its large admixture of Wesleyan hymns, and of translations from the German gave it a distinct character of its own, and its grave and solemn music was at one time exceedingly popular. To it Mercer contributed several translations and paraphrases from the Latin and German, the latter mainly from the Moravian hymn-books; but his hymn-writing was far less successful than his editing, and has done nothing to increase his reputation. -- John Julian, Dictionary of Hymnology (1907)

Vicente P. Mendoza

1875 - 1955 Person Name: Vicente Mendoza Scripture: Matthew 2:2 Author of "Jesús es mi Rey soberano (O Jesus, my King)" in El Himnario Vicente Mendoza Born: December 24, 1875, Guadalajara, Mexico. Died: 1955, Mexico City, Mexico. Mendoza studied initially under Don Aurelio Ortega. At age of 11 he went to work in a Protestant print shop in Mexico City and helped produce El Evangelista Mexicano (The Mexican Evangelist) for the Methodist Church of the South; he rose to become its director for 17 years. Looking to improve himself, Mendoza entered a night school for workers, but later feeling the call to preach the Gospel, he entered the Presbyterian Seminary in Mexico City. When the seminary closed temporarily, Mendoza entered the Methodist Institute of Puebla, where he finished the course in theology. In 1898 he became a member of the Annual Conference of the Mexican Methodist Church. From 1915 to 1917, he belonged to the Southern Methodist Conference of California. Mendoza worked on several periodicals, including El Mundo Cristiano (The Christian World), El Abogado Cristiano (The Christian Advocate), and El Evangelista Cristiano (The Christian Evangelist). © The Cyber Hymnal™ (hymntime.com/tch)

John Barnard

b. 1948 Scripture: Matthew 2:1-12 Arranger of "THE VIRGIN MARY" in The Faith We Sing

Carolyn Jennings

b. 1936 Scripture: Matthew 2:1-12 Translator (English) of "Los magos (The magi)" in El Himnario Carolyn Jennings (born August 16, 1936) is a Professor Emerita of Music at St. Olaf College where she taught for many years and also served in administrative roles, including Chair of the Music Department and Associate Dean for the Fine Arts. Carolyn Jennings is a graduate of the University of Iowa with a Bachelor of Arts degree in music magna cum laude and the University of Michigan where she received her Master of Music degree as a Woodrow Wilson Fellow. She also served as a church musician for over thirty years, at St. John's Lutheran Church in Northfield, Minnesota. Over many years she has served on arts advisory panels, as a workshop presenter, and in leadership roles in several professional organizations. She has been active in promoting the use of inclusive language in texts for singing, and has worked to heighten awareness of how language shapes as well as expresses thought. Her compositions and arrangements include works for voices, orchestra, and piano. She particularly enjoys composing for voices. Among her many commissioned works are a children's musical, a choral song cycle, a composition for the Minnesota Aids Quilt Songbook, and many compositions for church, school and community choirs. She has received major grants from the Composers Commissioning Program through the Minnesota Composers Forum. Choral compositions and arrangements by Carolyn Jennings are widely sung by church, community, college and school choirs. Her publications include over a hundred choral compositions and arrangements, a number of text translations, contributions to several hymnals, and articles for professional journals. She has been active in the American Choral Directors Association, the Music Teachers National Association, the Minnesota Composers Forum, the Association of Lutheran Church Musicians, and as a guest conductor and workshop leader. --apimusic.org/composers

Johann Flitner

1618 - 1678 Person Name: J. Flitner, 1618-1678 Scripture: Matthew 2:1-12 Author of "Wer im herzen will erfahren" in Deutsches Gesangbuch für die Evangelisch-Luterische Kirche in den Vereinigten Staaten Flitner, Johann, was born Nov. 1, 1618, at Suhl, Saxony, where his father was an ironmaster. After studying theology at Wittenberg, Jena, Leipzig, and Rostock, he became in 1644 precentor, and in 1646 diaconus at Grimmen, near Greifswald. On the outbreak of the first Prusso-Swedish war he was forced to flee to Stralsund, but returned to Grimmen in May, 1660. At the death of his senior in 1664, he ought, according to custom, to have been appointed town preacher, but was passed over not only then but also in 1673 and 1676, when the post again became vacant. The outbreak of the second Prusso-Swedish war, immediately after this third disappointment, forced him again to flee to Stralsund, where he died Jan. 7, 1678 (Koch, ii. 442-445; Mohnike's Hymnologia Forschungen, pt. ii., 1832, pp. 3-54). His hymns seem to have been written during his enforced leisure at Stralsund. They appeared, with melodies, entitled Suscitabulum Musicum, as pt v. of his Himlisches Lust-Gärtlein. Greifswald, 1661 (Hamburg Library). The only one translation into English is:— Ach was soil ich Sünder machen. [Lent]. The most popular of his hymns. Appeared 1661 as above, p. 462, in 7 stanzas of 6 lines, each stanzas ending "Meinen Jesum lass ich nicht" (see note on Krymann) and with the motto "Omnia si perdam, Jesum servare studebo!" Included in the Leipzig Vorrath, 1673, No. 1089, and recently in the Unverfälscher Liedersegen 1851, No. 357. The only translation in common use is:—. What shall I a sinner do? A good translation, omitting stanza vi., as No. 110 in Miss Winkworth's Chorale Book for England, 1863. Another translation is: “What to do in my condition," is the Supplement to German Psalmody, edition 1765, p. 48. --John Julian, Dictionary of Hymnology (1907)

Samuel McFarland

Scripture: Matthew 2:11 Composer of "DUNLAP'S CREEK" in Church Hymnary (4th ed.)

Neil Dougall

1776 - 1862 Person Name: Neil Dougall, 1776-1862 Scripture: Matthew 2:11 Composer of "KILMARNOCK" in Common Praise Born: December 9, 1776, Greenock, Renfrewshire, Scotland. Died: October 1, 1862, Greenock, Scotland. Buried: Greenock, Scotland. Neil’s father, wheelwright Neill Dougall, was drafted into the army, and died in Ceylon (now Sri Lanka) when his son was only four years old. At age 15, Neil became an apprentice on the ship Britannia. In 1795, while he was loading a gun to fire the second volley of a salute to commemorate Lord Howe’s victory over the French, an explosion blinded him and took his arm. After recovering, he began his musical career. In 1798, he attended a singing class under Robert Duncan, and in the fall of the next year opened his own class, which he ran until 1844. He gave annual concerts in Greenock from 1800 [sic, Frost] to 1860. --www.hymntime.com/tch