Person Results

Switch back to the old search page.Advanced Search

Showing 1,841 - 1,850 of 2,021Results Per Page: 10 20 50

Nancy Elze

Topics: Rites of the Church Rite of Christian Initiation of Adults: Second Scrutiny (4th Sunday of Lent) Composer of "[Those who see light can walk in the dark]" in Glory and Praise (3rd. ed.)

Charles William Humphreys

1840 - 1921 Person Name: Charles W. Humphreys (1840-1921) Topics: Lent (first Sunday) Translator of "From Glory to Glory" in Common Praise (1998)

Evelyn Danzig

1902 - 1996 Topics: Lent; Year A Lent 1; Year B Lent 1; Year C Lent 1 Composer of "SCARLET RIBBONS" in Complete Anglican Hymns Old and New

I-to Loh

b. 1936 Topics: Year C Lent 1 Phonetic Transcriber of "Sekai no Tomo (Hear, O God, Your Servants Gather)" in The New Century Hymnal

1868 - 1948 Topics: Year B Lent 1 Transcriber of "BY AND BY" in The New Century Hymnal F. A. Clark (Francis A.) was a respected Black musician and composer from Philadelphia. Dianne Shapiro, from "Charles Albert Tindley: Progenitor of Black-American Gospel Music," by Horace Clarence Boyer, in The Black Perspective in Music Vol. 11, No. 2 (Autumn, 1983), pp. 103-132 (retrieved online from JSTOR, 8/27/2020)

Randy Scruggs

Topics: Christian Year Lent Author of "Lord, Prepare Me to Be a Sanctuary" in More Voices Randy Lynn Scruggs (born August 3, 1953 in Nashville, Tennessee) is a music producer, songwriter and guitarist. He had his first recording at the age of 13. He has won a Grammy Award and was twice named "Musician of the Year" at the Country Music Association Awards. He is the middle son of Earl Scruggs. As a songwriter, Scruggs's credits include "We Danced Anyway", "Love Don't Care (Whose Heart It Breaks)", "Love Has No Right", "Don't Make It Easy for Me", "Chance of Lovin' You", and "Angel in Disguise". Scruggs has worked with many artists, including Michael Card, The Talbot Brothers, Waylon Jennings, George Strait and Emmylou Harris. His career dates back to the 1970 with the release of All the Way Home, a collaboration with his older brother Gary. Scruggs recorded his debut solo LP, Crown of Jewels, in 1998. In 1994, Scruggs teamed up with Earl Scruggs and Doc Watson to contribute the song "Keep on the Sunny Side" to the AIDS benefit album Red Hot + Country produced by the Red Hot Organization. ----en.wikipedia.org/wiki

Samuel Webbe

1770 - 1843 Topics: Lent 2 Year B; Lent 3 Year B; Lent 5 Year C Harmonizer of "COMMUNION (ROCKINGHAM)" in Voices United Samuel Webbe, Jr. (1770-1843), adapted the tune RICHMOND. He was organist at Paradise Street Unitarian Church, Liverpool (1798). Later he succeeded his father as organist at the Spanish Ambassador’s Chapel, London (1817), and then St. Nicholas’ Church and St. Patrick’s Roman Catholic Chapel, Liverpool. --The Presbyterian Hymnal Companion, 1993

Christopher Tye

1497 - 1572 Topics: Ash Wednesday and Lent Composer of "WINDSOR" in The Hymnal Tye, Christopher, MUS. D., born at Westminster in the reign of Henry VIII. He was celebrated as a musician, and was granted the degree of MUS. D. at Cambridge in 1545. He was musical tutor to King Edward VI., and organist of the Chapel Royal under Queen Elizabeth. Besides composing numerous anthems, he rendered the first fourteen chapters of the Acts of the Apostles into metre, which were set to music by him and sung in Edward 6th's Chapel, and published in 1553. He died circa 1580. -- John Julian, Dictionary of Hymnology (1907)

Jonathan Evans

1748 - 1809 Person Name: J. Evans (1748-1809) Topics: Lent 5, The King and the Kingdom The Victory of the Cross Author of "Hark! the voice of love and mercy" in Hymns for Today's Church (2nd ed.) Evans, Jonathan, born at Coventry in 1748 or 1749. He was the son of a working man, and as a youth was employed in a ribbon manufactory. About 1778 he joined the congregation at Coventry, over which the Rev. G. Burder was pastor. He began preaching at Foleshill, near Coventry, in 1782, and in 1795 he began his stated ministry there, retaining the same to his death on Aug. 31, 1809. Two biographical notices of him appeared in the Evangelical Magazine (Oct. 1809, and March 1847), and also several of his hymns. Two of his hymns appeared in Burder's Collection, 1784, and another in the 2nd edition the same year. His best known hymns are, "Come, Thou soul-transforming Spirit,” and "Hark! the voice of love and mercy;" q.v. He published no poetical work or collection of hymns. -- John Julian, Dictionary of Hymnology (1907)

Johann Walter

1496 - 1570 Person Name: Johann Walther Topics: The Church Year Second Sunday in Lent; The Church Year Second Sunday in Lent Composer of "[Out of the depths I cry to Thee]" in The Lutheran Hymnary Johann Walther (b. Kahla, Thuringia, Germany, 1496: d. Torgau, Germany, 1570) was one of the great early influences in Lutheran church music. At first he seemed destined to be primarily a court musician. A singer in the choir of the Elector of Saxony in the Torgau court in 1521, he became the court's music director in 1525. After the court orchestra was disbanded in 1530 and reconstituted by the town, Walther became cantor at the local school in 1534 and directed the music in several churches. He served the Elector of Saxony at the Dresden court from 1548 to 1554 and then retired in Torgau. Walther met Martin Luther in 1525 and lived with him for three weeks to help in the preparation of Luther's German Mass. In 1524 Walther published the first edition of a collection of German hymns, Geystliche gesangk Buchleyn. This collection and several later hymnals compiled by Walther went through many later editions and made a permanent impact on Lutheran hymnody. Bert Polman ================ Walther, Johann, was born in 1496 at a village near Cola (perhaps Kahla, or else Colleda, near Sachsenburg) in Thuringia. In 1524 we find him at Torgau, as bassist at the court of Friedrich the Wise, Elector of Saxony. The Elector Johann of Saxony made him "Sengermeister" (choirmaster) in 1526. When the Electoral orchestra (Kapelle) at Torgau was disbanded in 1530, it was reconstituted by the town, and in 1534 Walther was also appointed cantor (singing-master) to the school at Torgau. On the accession of the Elector Moritz of Saxony, in 1548, Walther went with him to Dresden as his Kapellmeister. He was pensioned by decree of Aug. 7, 1554, and soon after returned to Torgau, still retaining the title of "Sengermeister." He died at Torgau, perhaps on March 25, or at least before April 24, 1570. (Monatshefte für Musikgeschichte, 1871, p. 8, and 1878, p. 85; Archiv für Litteraturgeschichte, vol. xii., 1884, p. 185; Dr. Otto Taubert's Pflege der Musilz in Torgau, 1868, and his Gymnasial Singe-Chor zu Torgau, n.d., 1870, &c.) Walther was more distinguished as a musician than as a hymnwriter. In 1524 he spent three weeks in Luther's house at Wittenberg, helping to adapt the old church music to the Lutheran services, and harmonising the tunes in five parts for the Geystliche gesangk Bucklyn, published at Wittenberg in 1524. He was also present in the Stadtkirche at Wittenberg, when, on Oct. 29, 1525, the service for the Holy Communion, as rearranged by Luther and himself, was first used in German. His hymns appeared mostly in his Das christlich Kinderlied D. Martini Lutheri, Erhalt uns Herr, &c. Auffs new in sechs Stimmen gesetzt, und rait etlichen schönen Christlichen Texten, Lateinischen und Teutschen Gesengen gemehrt, &c, Wittenberg. Those of Walther's hymns which have passed into English are:— i. Herzlich Lieb hab ich dich, mein Gott. Trinity Sunday. First published in 1566 as above, and thence in Wackernage, iii. p. 204, in 4 stanzas of 8 lines. Translated as:— 0 God, my Rock! my heart on Thee. This is a good translation of stanza i., iii., iv., by A. T. Russell, as No. 133 in his Psalms & Hymns, 1851. ii. Herzlich thut mich erfreuen. Eternal Life. First published separately, in 33 stanzas, at Wittenberg, in 1552, entitled "A beautiful spiritual and Christian new miner's song, of the Last Day and Eternal Life" [Konigsberg Library]. Thence in Wackernagel, iii. p. 187, in 34 stanzas, stanza 33 being added from the Dresden reprint of 1557. It is set to the melody of a popular song on the Joys of Summer. It is a fresh and beautiful hymn, but is only partially available on account of its length. Translated as:— 1. Now fain my joyous heart would sing. This is a translation of stanza 1, 4, 5, 17, 33, 34, by Miss Winkworth, in her Lyra Germanica 2nd Ser., 1858, p. 223. Her translations of stanzas 1, 4, 5, were included in the English Presbyterian Psalms & Hymns, 1867, No. 325. 2. Soon will the heavenly Bridegroom come. This is by Dr. Kennedy, in his Hymn. Christanza, 1863, No. 1009, and follows the text of the Geistliche Lieder omitting stanza 16, 18, 13. It is repeated in the Laudes Domini, N. Y., 1884, &c. 3. The Bridegroom soon will call us. By Dr. M. Loy, from the Geistliche Lieder, but omitting stanzas 18, 13, as No. 24 in the Ohio Lutheran Hymnal, 1880. [Rev. James Mearns, M.A. ] --Excerpts from John Julian, Dictionary of Hymnology (1907)