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Johann Caspar Schade

1666 - 1698 Hymnal Number: 569 Author of "Mein Gott, das Herz ich bringe dir" in Vollständiges Marburger Gesang-Buch Schade, Johann Caspar, son of Jakob Schad or Schade, pastor and decan at Kühndorf, near Suhl, in Thuriugia, was born at Kühndorf, Jan. 18, 1666. He entered the University of Leipzig in 1685 (where he became a great friend of A. H. Francke), and then went to Wittenberg, where he graduated M.A. in 1687. On his return to Leipzig he began to hold Bible readings for the students. This soon raised ill-will against him among the Leipzig professors, and when, in 1690, he was invited to become diaconus at Würzen, near Leipzig, they interfered and prevented his settlement. In 1691 he was invited to become diaconus of St. Nicholas's church, at Berlin (where P. J. Spener had just become probst, or chief pastor), and entered on his work there on the 2nd Sunday in Advent. In his later years he raised a storm of feeling against himself by refusing to hear private confessions. The Elector of Brandenburg, in order to end the strife, appointed him, in June 1698, pastor at Derenburg, near Halberstadt. Meantime he was seized with a fever, which ended fatally at Berlin, July 25, 1698 (Koch, iv. 222, 468; Wetzel, iii. p. 23, &c). Schade was a most earnest and faithful pastor and preacher, and specially interested himself in the children of his flock. As a hymnwriter he was not particularly prolific, but of his 45 hymns a good many passed into the German hymnbooks of the period. His hymns are clear and simple in style, are composed in a considerable variety of metres, and are full of fervent love to the Lord Jesus, and of zeal for a living and practical Christianity; but they are frequently spun out, or are too subjective. A number appeared in A. Luppius's Andächtig singender Christenmund Wosel, 1692-94, and in the Geistreiches Gesang-Buch, Halle, 1697. They were collected and posthumously published as Fasciculus Cantionum, Das ist zusammen getragene geistliche Lieder, &c, Cüstrin, N.D. [1699]. Those of Schade's hymns which have passed into English are:— i. Auf! Hinauf! zu deiner Freude. Faith. First published in the Geistreiches Gesang-Buch, Halle, 1697, p. 402, in 6 stanzas of 8 lines; repeated in 1699, as above, p. 83. Recently, as No. 403, in the Unverfälschter Liedersegen 1851. The translations in common use are:— 1. Up! yes upward to thy gladness Rise, my heart. This is a good and full translation by Miss Winkworth, in her Lyra Germanica, 2nd Ser., 1858, p. 171, repeated in full in Reid's Praise Book, 1872, and, omitting st. v., in Kennedy, 1863. In her Chorale Book for England, 1863, No. 157, it is slightly altered, and st. iii. is omitted. 2. Rise, my soul! with joy and gladness. A translation of st. i., ii., vi., by F. C. C, as No. 233 in Dr. Pagenstecher's Collection, 1864. Other translations are:— (1) "Look up, my soul, to Christ thy joy," by J. B. Holmes, as No. 1099 in the Supplement of 1808 to the Moravian Hymn Book, 1801 (1886, No. 600), repeated in Bishop Kyle's Collection, 1860. (2) "Upwards, upwards to thy gladness," by Miss Dunn, 1857, p. 13. (3) "Up! yes upward to thy gladness, Rise, my soul," by W. Reid in his Praise Book, 1872. ii. Heine Seel ermuntre dich. Passiontide. In the Geistreiches Gesang-Buch, Halle, 1697, p. 215, in 15 stanzas of 6 lines, repeated in 1699, as above, p. 9, entitled "Contemplation of the suffering of Christ and surrender of His will." In the Unverfälschter Liedersegen, 1851, No. 106. Tr. as, "Rouse thyself, my Soul, and dwell." In the Supplement to German Psalmody , ed. 1765, p. 20, and in Select Hymns from German Psalmody, Tranquebar, 1754, p. 31. iii. Meine Seele willt du ruhn. This hymn, frequently ascribed to Schade, is noted under Scheffler. [Rev. James Mearns, M.A.] --John Julian, Dictionary of Hymnology (1907)

Heinrich Müller

1500 - 1600 Person Name: Heinrich Mueller Hymnal Number: 48 Author of "Hilf, Gott, dass mirs gelinge" in Vollständiges Marburger Gesang-Buch Müller (Mueller), Heinrich , was a native of Nürnberg. About 1526 or 1527 he was imprisoned as a Lutheran by Duke Georg of Saxony, but was released after the Duke died on April 17, 1539. Thereafter, till about 1580, he kept a school for writing and arithmetic at Annaberg in Saxony. Bartholom äus Muller, sometime schoolmaster at Zwickau in Saxony, in a petition presented to the Elector Christian I. in 1587, and in another petition presented to the Elector Christian II. in 1601, described himself as the son of this Heinrich Müller, and declared that the hymn noted below was written by his father during his imprisonment (see Koch i. 417; Wetzel's Analecta Hymnica ii. 720, &c). The hymn in question is:— Hilf Gott, dass mir gelinge. History of the Passion. In his Bibliographie, 1855, p. 100, Wackernagel cites two broadsheets as of 15.27. In his D. Kirchenlied iii. p. 85, the earliest source from which he prints the text, is however the Bergkreyen, Nürnberg, 1536, though he says it had appeared in print in 1524 (apparently a mis¬print for 1527). He speaks of the Magdeburg Gesang-Buch, 1534, as the earliest hymnbook in which it is included, This is however an oversight, as it is found in the Rostock Gesang-Buch1531, where it is entitled “A new hymn on the Word of God and His bitter sufferings," and begins "Help God mi mach gelingen." It is in 13 st. of 7 1., the initial letters of the stanzas giving the name Heinrich Müler, and the two concluding lines being "Hat Hein rich Müller gesungen In dem Gefängniss sein." From the above note it is clear that the hymn was written by a Heinrich Müller, during an imprisonment, and was in print at least as early as 1531. The ascription to Heinrich Müller, professor at Wittenberg, is therefore impossible, seeing he was only born in 1530. The ascription to Heinrich von Zütphen [born at Zütphen in Gelderlaud, c. 1488, became an Augustinian monk, and in 1515 prior of the Augustinian monastery at Dordrecht; began to preach as a Reformer in Bremen, Nov. 9, 1522; murdered at Heide near Meldorf, in Holstein, Dec. 10, 1524] is also untenable, for neither by himself nor by his contemporaries was he ever styled Heinrich Müller, and there was during his life no period of imprisonment during which he might have written this hymn. The history of the Nürnberg Müller noted above is not indeed very clear, but his claim has at least much more appearance of truth than that of any other. The hymn was a great favourite during the Reformation period, was included by Luther in V. Babst's Gesang-Buch 1545, and passed into many later books. It is a ballad rather than a hymn properly so called, and has now fallen out of use in Germany. The only translation is: “Help, God, the formar of all thing." In the Gude and Godlie Ballates, ed. 1568, f. 22 (1868, p. 37). [Rev. James Mearns, M.A.] --John Julian, Dictionary of Hymnology (1907)

Johann Mathesius

1504 - 1565 Person Name: Johann Matthesius Hymnal Number: 114 Author of "Herr Gott, der du mein Vater bist" in Vollständiges Marburger Gesang-Buch Mathesius, Johannes, son of Wolfgang Mathesius, town councillor at Rochlitz, was born at Rochlitz, June 24, 1504. He studied for a short time at the University of Ingolstadt. Thereafter he acted as family tutor at Odelzhausen, near Munich, where, in 1526, he found Luther's Von den guten Werken (Wittenberg, 1523); and then while living at Bruck (Fürstenfeld-bruck), near Munich, read two of Luther's tractates on the Holy Communion. Attracted thus to Wittenberg he matriculated there May 30, 1529, studied with great zeal and graduated M.A. in 1530. In the end of 1530 he joined the staff of the school at Altenburg, and in the spring of 1532 was appointed rector of the gymnasium at Joachimsthal in Bohemia. He resigned this post in 1540, and returned to Wittenberg to complete his studies in theology. Thereafter he was, in 1541, appointed diaconus, and, in 1545, pastor at Joachimsthal. While preaching on the Gospel for the 16th Sunday after Trinity, Oct. 7, 1565 (his subject being the "Son of the widow of Nain, and the hope of eternal life"), he was struck with paralysis, and, being carried to his house, died there some three hours later (Koch, i. 380, ii. 475; Herzog's Real-Encyklopädie, ix. 398, &c). Mathesius was of most lovable and charitable spirit, and a model pastor, who thoroughly adapted himself to his life among a mining population. He was a distinguished preacher, his sermons ranking among the best of the period, the most famous being those in his Sarepta oder Bergpostill, Nürnberg, 1562, founded on those passages of Scripture referring to metallurgy or mining, the title being suggested by Sarepta or Zarephath. (1 Kings xvii. 9), the Hebrew name meaning smelting-place. Besides other volumes of sermons aud devotional works he also published a life of Luther (Historian von .. . Doctoris Martini Luthers Anfang, Lehr, Leben und Sterben, Nürnberg, 1566) completed just before his death, and with a preface dated Oct. 5, 1565. His hymns are few in number, and appeared scattered in his various publications. Wackernagel, iii. pp. 1150-1161, gives 21 pieces, of which 15 may be called hymns; and 15 of these pieces with a memoir by K. F. Ledderhose appeared at Halle in 1855. The finest of all his hymns, the beautiful cradle song, "Nun schlaf mein liebes Kindelein" [Wackernagel iii. p. 1152, from a Nürnberg broadsheet (not dated), c. 1560, in 15 st. of 4 1.; and in the Berlin Geistliche Lieder ed., 1863, No. 1416] does not seem to have been translated into English. Those of Mathesius's hymns which have passed into English are:— i. Aus meines Herzens Grunde. Morning. This has generally, though apparently without ground, been ascribed to Mathesius, and is included in the 1855 edition of his Geistliche Lieder, p. 149. But it is not found in any of his original works now extant, nor in the collected edition of his Schöne geistliche Lieder, Nürnberg, 1580; and the ascription to him has not been traced earlier than in M. Pratorius's Musae Sioniae, 1610. Wackernagel, v. pp. 177-184, gives 8 forms varing from 6 to 15 st. (some beginning "Von meines Herzens Grunde"); the oldest, in 7 st. of 8 1., being from a Gesangbüchlein published at Hamburg in 1592. He ranks it as anonymous. The text of 1592 is No. 440 in the Unverfälschter Liedersegen, 1851. The hymn was a great favourite with Gustavus Adolphus, and was often sung by his army at morning prayer. The translations from the text of 1592, are :— 1. My heart its incense burning. In full, by Dr. H. Mills, in his Horae Germanica, 1856, p. 220, repeated, abridged, in M. W. Stryker's Christian Chorals, 1885, reading "her incense." 2. My inmost heart now raises. A good translation omitting st. iv., v., by Miss Winkworth, in her Chorale Book for England, 1863, No. 164. 3. My heart with deep emotion. Omitting st. iii., v. by E. Cronenwett as No. 294 in the Ohio Lutheran Hymnal, 1880. Other translations are:— (1) "O let Thy angels always dwell" (st. v.). As No. 325 in pt. i. of the Moravian Hymn Book, 1754. (2) "May Jesus' grace and blessing" (st. iii. 11. 1, 2; vii. 11. 4-8). By F. W. Foster, as No. 749 in the Moravian Hymn Book, 1789 (1886, No. 1167). (3) "O God, my heart is full of praise." By Dr. G. Walker, 1860, p. 59. ii. Gott Vater, Sohn, heiliger Geist, Durchs Sprechen gut Erz wachsen heisst. Miner's Song. First published as Ein geistlich Bercklied, 1556, and thence in Wackernagel, iii. p. 1151, in 9 st. Translated as "O, Father, Son, and Holy Ghost, Thou God, dost fix the miner's post." By Miss Winkworth, 1869, p. 144. [Rev. James Mearns, M.A.] -- John Julian, Dictionary of Hymnology (1907)

Christoph Tietze

1641 - 1703 Hymnal Number: 525 Author of "Ich armer Mensch, ich armer Suender" in Vollständiges Marburger Gesang-Buch Titius, Christoph, son of Christoph Titius or Tietze, pastor at Wilkau, near Kamslau, in Silesia, was born at Wilkau, May 24, 1641. He entered the St. Mary Magdalene Gymnasium, at Breslau, in 1654, and the Aegidien (St. Giles) Gymnasium at Nürnberg, in 1660. He matriculated as a student of Theology at the University of Altdorf, in 1662. After completing his studies at the University of Jena, in 1664, he acted for two years as a family tutor. On Aug. 24, 1666, he was ordained as pastor of Laubenzedel, near Gunzenhausen, in Franconia; and then became, in 1671, pastor at Henfenfeld, near Nürnberg. In 1685 he was appointed diaconus at Hersbruck, near Nürnberg, became archidiaconus in June, 1701, and in Nov., 1701, was appointed chief pastor and inspector of schools. He died at Hersbruck, Feb. 21, 1703 . Titius had begun to write hymns while at the Nürnberg Gymnasium, and his best known hymns originated either then or during his University course. They appeared in his Sünden-Schmertzen, Trost im Hertzen, Todten-Kertzen, erwecket, entdecket, angestecket von Christophoro Titio Silesio, Theol. St., at Nürnberg, 1663 [Library of the Prediger-Serninar at Hannover], with 15 hymns; in the 2nd enlarged edition, published as Himmel-Heise, Seelen-Speise, Engel-Weise, &c. , Nürnberg, 1670 [Berlin Library], with 45 hymns; and in the 3rd further enlarged ed. published as Vorige und neue Morgen- und Abend-Catechismus . . . Lieder, &c., Nürnberg, 1701 [Gottingen Library] with 55 hymns. The most popular were those of the first edition many of which passed into the German hymn-books of the 17th century, and various of which are still found in recent collections. The best of them are hearty and popular in style, earnest and scriptural in tone, and sententious. Two of Titius's hymns have passed into English, viz.:— i. 0 du Schopfer aller Dinge. Holy Communion. This is a hymn of penitence before Holy Communion, and was first published in 1663, as above, as No. ii., in 9 stanzas of 8 lines. Translated as "Bow Thine ear, I now implore Thee." By Dr. H. Mills, 1845, p. 38. ii. Sollt es gleich bisweilen scheinen. Cross and Consolation. His most popular hymn, first published in 1663, as No. vi., in 10 stanzas of 4 lines, entitled ”Hymn of Consolation." Included in Crüger's Praxis, 1675, the Nürnberg Gesang-Buch, 1676, Freylinghausen's Gesang-Buch, 1704, the Berlin Geistliche Lieder, 1863, No. 856, and many others, sometimes printed as 5 stanzas of 8 lines. Lauxmann relates (Koch, viii. 488) that C. A. Dann, chief pastor of St. Leonard's Church, at Stuttgart, having spoken somewhat freely at the funeral of one of the courtplayers, had been relegated in 1812 to the village of Oieschingen in the Swabian Alb [in 1819 to the neighbouring village of Mössingen]. The king at last granted the earnest desire of the Stuttgart people for his return, and on Feb. 5, 1824, recalled him to Stuttgart. That night four friends walked over to Mössingen, and in the early morning conveyed the news to Dann by singing this hymn at the door of his room. The translation in common use is:— Seems it in my anguish lone. This is a good translation, omitting st. vi., by Miss Winkworth, in her Lyra Ger, 2nd Ser., 1858, p. 201; repeated in her Chorale Book for England, 1863, No. 146. Included in full in the Ohio Lutheran Hymnal, 1880, and abridged in the St. Aidan's College Hymn Book, 1864. Other translations are:— (1) "Yea should it ev'n to man appear." This is a translation of st. i., as st. v. of No. 1062, in the Supplement of 1808 to the Moravian Hymn Book, 1801 (1886, No. 505). (2) “Deem we sometimes, spirit-shaken." In L. Rehfuess's Church at Sea, 1868, p. 44, only st. i., vi. being from this hymn. [Rev. James Mearns, M.A.] -- Excerpts from John Julian, Dictionary of Hymnology (1907)

Adam Reissner

1496 - 1575 Hymnal Number: 150 Author of "In dich hab' ich gehoffet, Herr" in Vollständiges Marburger Gesang-Buch Reissner, Adam, was born in 1496 at Mündelsheim (now Mündelheim) in Swabian Bavaria. He first studied at Wittenberg, and then, about 1521, he learned Hebrew and Greek under Johann Keuchlin. He then became private secretary to Georg von Freundsberg (who died Aug. 20, 1528), and accompanied him during the campaign in Italy, 1530-27. After the capture of Rome in 1527 he went back to Germany, and spent some time at Strassburg, where he became a friend and adherent of Caspar Schwenkfeldt. He seems to have been living at Frankfurt-am-Main in 1563, but thereafter returned to Mündelheim, where he was still living in 1572. He appears to have died there about 1575. (Koch, ii. 156; Preface to his Historia Herrn Georgen unnd Herrn Casparn von Fründsberg’s [died Aug. 31, 1536] Vatters und Sons .... Kriegesthaten, Frankfurt-am-Main, 1568. The British Museum copy is unmistakably dated on title 1568, but the preface is dated Jan. 31, 1572.) Three of Reissner's earlier hymns are in Zwick's Gesang-Buch, 1536-40. His later hymns, including a translation of the hymns of Prudentius, are collected in two manuscripts, both dated 1596 (see Teglichs Gesangbuch . . . durch Adam Reusner, and contains over 40 hymns which may be regarded as by Reissner, the rest being by other writers of the school of Schwenckfeldt. Wackernagel, vol. iii., gives Nos. 170-194 under his name. The only hymn by Reissner translated into English is:— In dich hab ich gehoffet, Herr. Ps. xxxi. First published in the Form und ordnung Gaystlicher Gesang und Psalmen, Augsburg, 1533, and thence in Wackernagel, iii. p. 133, in 7 stanzas of 6 lines. It was included in V. Babst's Gesang-Buch , 1545, and repeated in almost all the German hymnbooks up to the period of Rationalism. It is one of the best Psalm-versions of the Reformation period. Included in the Unverfälschter Liedersegen, 1851, No. 629. The translation in common use is:-- In Thee, Lord, have I put my trust. A good translation, omitting st. vii., by Miss Winkworth, in her Chorale Book for England, 1863, No. 120. Other translations are:— (1) "Lord, let me never be confoundit." In the Gude and Godly Ballates, ed. 1568, f. 82; ed. 1868, p. 141. (2) "Great God! in Thee I put my Trust." By J. C. Jacobi, 1725, p. 33 (1732, p. 116). Repeated in the Moravian Hymn Book, 1754, pt. i., No. 118. (3) "Lord, I have trusted in Thy name." By Dr. H. Mills, 1856, p. 171. (4) "On Thee, O Lord, my hopes I lean." By N. L. Frothingham, 1870, p. 263. [Rev. James Mearns, M.A.] --John Julian, Dictionary of Hymnology (1907)

Michael Praetorius

1571 - 1621 Hymnal Number: 329 Author of "Ich dank' dir schon durch deinen Sohn" in Vollständiges Marburger Gesang-Buch Born into a staunchly Lutheran family, Michael Praetorius (b. Creuzburg, Germany, February 15, 1571; d. Wolfenbüttel, Germany, February 15, 1621) was educated at the University of Frankfort-an-der-Oder. In 1595 he began a long association with Duke Heinrich Julius of Brunswick, when he was appointed court organist and later music director and secretary. The duke resided in Wolfenbüttel, and Praetorius spent much of his time at the court there, eventually establishing his own residence in Wolfenbüttel as well. When the duke died, Praetorius officially retained his position, but he spent long periods of time engaged in various musical appointments in Dresden, Magdeburg, and Halle. Praetorius produced a prodigious amount of music and music theory. His church music consists of over one thousand titles, including the sixteen-volume Musae Sionae (1605-1612), which contains Lutheran hymns in settings ranging from two voices to multiple choirs. His Syntagma Musicum (1614-1619) is a veritable encyclopedia of music and includes valuable information about the musical instruments of his time. Bert Polman

Joachim Neander

1650 - 1680 Hymnal Number: 549 Author of "Abermal ein Tag [Nacht] [Jahr] verflossen" in Vollständiges Marburger Gesang-Buch Neander, Joachim, was born at Bremen, in 1650, as the eldest child of the marriage of Johann Joachim Neander and Catharina Knipping, which took place on Sept. 18, 1649, the father being then master of the Third Form in the Paedagogium at Bremen. The family name was originally Neumann (Newman) or Niemann, but the grandfather of the poet had assumed the Greek form of the name, i.e. Neander. After passing through the Paedagogium he entered himself as a student at the Gymnasium illustre (Academic Gymnasium) of Bremen in Oct. 1666. German student life in the 17th century was anything but refined, and Neander seems to have been as riotous and as fond of questionable pleasures as most of his fellows. In July 1670, Theodore Under-Eyck came to Bremen as pastor of St. Martin's Church, with the reputation of a Pietist and holder of conventicles. Not long after Neander, with two like-minded comrades, went to service there one Sunday, in order to criticise and find matter of amusement. But the earnest words of Under-Eyck touched his heart; and this, with his subsequent conversations with Under-Eyck, proved the turning-point of his spiritual life. In the spring of 1671 he became tutor to five young men, mostly, if not all, sons of wealthy merchants at Frankfurt-am-Main, and accompanied them to the University of Heidelberg, where they seem to have remained till the autumn of 1673, and where Neander learned to know and love the beauties of Nature. The winter of 1673-74 he spent at Frankfurt with the friends of his pupils, and here he became acquainted with P. J. Spener (q.v.) and J. J. Schütz (q.v.) In the spring of 1674 he was appointed Rector of the Latin school at Düsseldorf (see further below). Finally, in 1679, he was invited to Bremen as unordained assistant to Under-Eyck at St. Martin's Church, and began his duties about the middle of July. The post was not inviting, and was regarded merely as a stepping stone to further preferment, the remuneration being a free house and 40 thalers a year, and the Sunday duty being a service with sermon at the extraordinary hour of 5 a.m. Had he lived, Under-Eyck would doubtless have done his best to get him appointed to St. Stephen's Church, the pastorate of which became vacant in Sept., 1680. But meantime Neander himself fell into a decline, and died at Bremen May 31, 1680 (Joachim Neander, sein Leben und seine Lieder. With a Portrait. By J. F. Iken, Bremen, 1880; Allgemeine Deutsche Biographie, xxiii. 327, &c.) Neander was the first important hymn-writer of the German Reformed Church since the times of Blaurer and Zwick. His hymns appear to have been written mostly at Düsseldorf, after his lips had been sealed to any but official work. The true history of his unfortunate conflict has now been established from the original documents, and may be summarized thus. The school at Düsseldorf was entirely under the control of the minister and elders of the Reformed Church there. The minister from about July, 1673, to about May, 1677, was Sylvester Lürsen (a native of Bremen, and only a few years older than Neander), a man of ability and earnestness, but jealous, and, in later times at least, quarrelsome. With him Neander at first worked harmoniously, frequently preaching in the church, assisting in the visitation of the sick, &c. But he soon introduced practices which inevitably brought on a conflict. He began to hold prayer meetings of his own, without informing or consulting minister or elders; he began to absent himself from Holy Communion, on the ground that he could not conscientiously communicate along with the unconverted, and also persuaded others to follow this example; and became less regular in his attendance at the ordinary services of the Church. Besides these causes of offence he drew out a new timetable for the school, made alterations on the school buildings, held examinations and appointed holidays without consulting any one. The result of all this was a Visitation of the school on Nov. 29, 1676, and then his suspension from school and pulpit on Feb. 3, 1677. On Feb. 17 he signed a full and definite declaration by which "without mental reservations" he bound himself not to repeat any of the acts complained of; and thereupon was permitted to resume his duties as rector but not as assistant minister. The suspension thus lasted only 14 days, and his salary was never actually stopped. The statements that he was banished from Düsseldorf, and that he lived for months in a cave in the Neanderthal near Mettmann are therefore without foundation. Still his having had to sign such a document was a humiliation which he must have felt keenly, and when, after Lürsen's departure, the second master of the Latin school was appointed permanent assistant pastor, this feeling would be renewed. Neander thus thrown back on himself, found consolation in communion with God and Nature, and in the composition of his hymns. Many were without doubt inspired by the scenery of the Neanderthal (a lovely valley with high rocky sides, between which flows the little river Düssel); and the tradition is probable enough that some of them were composed in a cave there. A number were circulated among his friends at Düsseldorf in MS., but they were first collected and published after his removal to Bremen, and appeared as:— A und Ώ, Joachimi Neandri Glaub-und Liebesübung: — auffgemuntert durch ein fällige Bundes Lieder und Danck-Psalmen, Bremen, Hermann Brauer, 1680; 2nd ed. Bremen, 1683 ; 3rd ed. Bremen, 1687; 4th ed. Frankfurt, 1689. These editions contain 57 hymns. In the 5th ed., Frankfurt and Leipzig, 1691, edited by G. C. Strattner, eight hymns were added as being also by Neander. [The whole of these eds. are in the Royal Library, Berlin. The so-called 3rd. ed. at Wesel, 1686, also found in Berlin, was evidently pirated.] Other editions rapidly followed till we find the complete set (i.e. 57 or 58) formally incorporated as part of a hymnbook, e.g. in the Marburg Reformed Gesang-Buch, 1722, where the first part consists of Lobwasser's Psalter, the second of Neander's Bundeslieder, and the third of other hymns. Neander's Bundeslieder also form a division of the Lemgo Reformed Gesang-Buch, 1722; and of a favourite book used in the meetings conducted by G. Tersteegen, which in the 5th ed., Solingen, 1760, has the title Gott-geheiligtes Harfen-Spiel der Kinder Zion; bestehend in Joachimi Neandri sämtlichen Bundes-Liedern, &c. In this way, especially in the district near Düsseldorf and on the Ruhr, Neander's name was honoured and beloved long after it had passed out of memory at Bremen. Many of Neander's hymns were speedily received into the Lutheran hymnbooks, and are still in universal use. The finest are the jubilant hymns of Praise and Thanksgiving, such as his "Lobe den Herren”, and those setting forth the Majesty of God in His works of beauty and wonder in Nature, such as his "Himmel, Erde", and "Unbegreiflich Gut"; while some of his hymns of Penitence, such as his "Sieh hier bin ich, Ehrenkönig" (q.v.), are also very beautiful. Many are of a decidedly subjective cast, but for this the circumstances of their origin, and the fact that the author did not expect them to be used in public worship, will sufficiently account. Here and there there are doubtless harshnesses, and occasionally imagery which is rather jarring; and naturally enough the characteristic expressions and points of view of German 17th cent. Pietism and of the "Covenant Theology" are easily enough detected. But the glow and sweetness of his better hymns, their firm faith, originality, Scripturalness, variety and mastery of rhythmical forms, and genuine lyric character fully entitled them to the high place they hold. Of the melodies in the original edition of 1680 there are 19 by Neander himself, the best known being those to Nos. viii. and xi. below. The hymns by Neander which have passed into English, and have not already been referred to, are:— Hymns in English common use: i. Meine Hoffnung stehet feste. Thanksgiving. Founded on 1 Tim. vi. 17. 1680 as above, p. 115, in 5 stanzas of 7 lines, entitled "Grace after meat." In the Unverfälschter Liedersegen, 1851, No. 712. Translated as:— All my hope is grounded surely. A full and good translation by Miss Winkworth, as No. 8 in her Chorale Book for England, 1863. Another translation is: "All my Hope is fix'd and grounded." By J. C. Jacobi, 1720, p. 17, repeated in his ed., 1732, p. 64, altered and beginning, "All my Hope is firmly grounded." ii. Unbegreiflich Gut, wahrer Gott alleine. Summer. According to tradition this was written in the summer of 1677, in a cave in the Neanderthal near Düsseldorf, while Neander was in enforced absence from his school duties (Koch, vi. 20). It is founded on Ps. civ. 24. 1680, p. 165, in 12 stanzas of 6 lines, and entitled, "The Joys of Summer and Autumn in Field and Forest." The following note shows that the "Feeling for Nature" is not entirely modern. “It is also a travelling hymn in summer or autumn for those who, on their way to Frankfurt on the Main, go up and down the river Rhine, where between Cologne and Mainz, mountains, cliffs, brooks and rocks are to be beheld with particular wonder; also in the district of Berg in the rocky region [the ‘Gestein' now called the Neanderthal], not far from Düsseldorf." The hymn is in Knapp's Evangelischer Lieder-Schatz 1850, No. 2163 (1865, No. 2231), omitting st. x. Translated as:-— 0 Thou true God alone. A very good translation, omitting st. x., by Miss Winkworth, in her Christian Singers, 1869, p. 286. Her translation of st. i., iii.-v. altered in metre, and beginning "Thou true God alone," are No. 53 in M. W. Stryker's Christian Chorals, 1885. Hymns not in English common use:—— iii. Auf, auf, mein Geist, erhebe dich zum Himmel. Holy Communion. Founded on Ps. xxiii. 6. 1860, as above, p. 27, in 5 stanzas, entitled, "The soul strengthened and refreshed. After the reception of the Holy Communion." In Porst's Gesang-Buch, ed. 1855, No. 218. In the Moravian London Gesang-Buch, 1753, No. 697, it begins, "Den Himmels-Vorschmack hab' ich auf der Erde," and in the Brüder Gesang-Buch, 1778, No. 1178, it was further recast (by C. Gregor?) and altered to "hab'ich schon hinieden." Translated as "Heav'n's foretaste I may here already have." By F W. Foster & J. Miller, as No. 596, in the Moravian Hymn Book, 1789. In the 1801 ed. (1849, No. 1003) it begins, “Since Jesus dy'd, my guilty soul to save." iv. Der Tag ist hin, mein Jesu, bei mir bleibe. Evening. Founded on St. Luke xxiv. 29. 1680, p. 15, in 6 stanzas entitled, "The Christian returning thanks at eventide." In the Unverfälschter Liedersegen, 1851, No. 512. The translations are: (1) "The Day is gone, come Jesu my Protector." In the Supplement to German Psalmody, ed. 1765, p. 72. (2) "The day is past, Thou Saviour dear, still dwell my breast within." By H. J. Buckoll, 1842, p. 82. (3) "The day is gone, abide with me tonight." By E. Massie, 1867, p. 192. (4) "The day is gone, abide with me, 0 Jesus." By R. Massie, in the Day of Rest, 1877. v. Grosser Prophete, mein Herze begehret. Love to Christ. Founded on 1 Cor. xvi. 22. 1680, p. 191, in 4 stanzas. Translated as “Heavenly Prophet, my Heart is desiring." By J. C. Jacobi, 1720, p. 40. vi. Jehovah ist mein Licht und Gnadensonne. God's Perfections. Founded on 1 John i. 7. 1680, p. 19 in 4 stanzas, entitled, "Walking in the Light." Translated as, "Jehovah is my light, salvation showing." By Dr. H. Mills, 1845 (1856, p. 6). vii. 0 allerhöchster Menschenhüter. Morning. A hymn of praise to our Almighty Preserver. 1680, p. 11, in 6 stanzas, founded on Ps. lix. 16; and entitled, "The Christian singing at Morning." Translated as, "O Thou Most Highest! Guardian of mankind." By Miss Winkworth, 1858, p. 72. viii. Unser Herrscher, unser König. Thanksgiving. Founded on Acts viii. 2. 1680, p. 147, in 6 stanzas, entitled, "The glorious Jehovah." In the Unverfälschter Liedersegen 1851, No. 344. The well-known melody (in the Society for Promoting Christian Knowledge Church Hymns called Munich) is also by Neander, and appeared along with the hymn. Translated as, "Sovereign Ruler, King victorious," in the British Herald, Dec, 1865, p. 185, and Reid's Praise Book, 1872. ix. Wie fleucht dahin der Menschenzeit. For the Dying. A powerful hymn on the vanity of the earthly, founded on Ps. xc. 12. 1680, p. 174, in 7 stanzas, entitled, "He that counts his days." In the Unverfälschter Liedersegen, 1851, No. 845. The translations are: (1) "This life is like a flying dream" (beginning with st. ii. "Das Leben ist gleich wie ein Traum"). By Mrs. Findlater, in Hymns from the Land of Luther, 1858, p. 24 (1884, p. 146). (2) "Though hastening onward to the grave." By E. Massie, 1867, p. 36. x. Wo soil ich hin? wer helfet mir? Lent. Founded on Romans vii. 24. 1680, p. 51, in 5 st. entitled “The distressed one longing for Redemption." In the Unverfälschter Liedersegen, 1851, No. 393. The translations are: (1) "For help, O whither shall I flee." By Dr. H. Mills, 1845 (1856, p. 146). (2) "How shall I get there? who will aid?" By Miss Warner, 1858, p. 52. xi. Wunderbarer König. Thanksgiving. Founded on Ps. cl. 6. 1680, p. 159, in 4 stanzas, entitled, "Inciting oneself to the Praise of God." In the Unverfälschter Liedersegen, 1851, No. 787. The melody, a very fine one (called by Mr. Mercer Groningen), is also by Neander, and appeared along with the hymn. The translations are: (1) "Wonderful Creator." By J. C. Jacobi, 1722, p. 88. (2) "Wonderful and blessed." By J. D. Burns in his Memoir and Remains, 1869, p. 230. (3) "Wondrous King Almighty." By N. L. Frothingham, 1870, p. 266. [Rev. James Mearns, M.A.] --John Julian, Dictionary of Hymnology (1907)

Nikolaus Herman

1500 - 1561 Person Name: Nicolaus Hermann Hymnal Number: 67 Author of "Erscheinen ist der herrlich Tag" in Vollständiges Marburger Gesang-Buch Herman, Nicolaus, is always associated with Joachimsthal in Bohemia, just over the mountains from Saxony. The town was not of importance till the mines began to be extensively worked about 1516. Whether Herman was a native of this place is not known, but he was apparently there in 1518, and was certainly in office there in 1524. For many years he held the post of Master in the Latin School, and Cantor or Organist and Choirmaster in the church. Towards the end of his life he suffered greatly from gout, and had to resign even his post as Cantor a number of years before his death. He died at Joachimsthal, May 3, 1561. (Koch, i. 390-398; Allgemeine Deutsche Biographie, xii. 186-188, &c.) He was a great friend and helper of J. Mathesius (q.v.) (who in 1532 became rector of the school, but in 1541 diaconus and in 1545 pastor of the church), and it was said that whenever Mathesius preached a specially good sermon Herman straightway embodied its leading ideas in a hymn. His hymns, however, were not primarily written for use in church, but were intended for the boys and girls in the schools, to supplant profane songs in the mouths of the young men and women, or for the daily life of the “housefathers and housemothers" in Joachimsthal, at home, and in their work in the mines. He is a poet of the people, homely, earnest, and picturesque in style; by his naiveté reminding us of Hans Sachs. He was an ardent lover of music and a very good organist. The chorales which he published with his hymns are apparently all of his own composition, and are among the best of the Reformation period. Many of Herman's hymns soon passed into Church use in Germany, and a number are found in almost all books in present use. About 190 in all, they appeared principally in:— (1) Die Sontags Evangelia uber des gantze Jar, in Gesenge verfasset, für die Kinder und christlichen Haussvetter, &c, Wittenberg, 1560 (dedication by Herman dated Trinity Sunday, 1559), with 101 hymns and 17 melodies. The best are those interspersed specially meant for children and not directly founded on the Gospel for the day. (2) Die Historien von der Sindfludt, Joseph, Mose, Helia, Elisa und der Susanna, sampt etlichen Historien aus den Evangelisten, &c., Wittenberg, 1562 (preface by Herman dated St. Bartholomew's Day, 1560), with 73 hymns and 20 melodies. In this case also the general hymns are the best. A selection of 60 (really 61) of his hymns, with a memoir by K. F. Ledderhose, was published at Halle, 1855. One of Herman's hymns is noted under “Wenn mein Stündlein vorhanden ist." The others which have passed into English are:— i. Bescher uns, Herr, das täglioh Brod. Grace before Meat. 1562, as above, and thence in Wackernagel, iii. p. 1228, in 6 stanzas of 4 lines; in Ledderhose, p. 70; and in the Berlin Geistliche Lieder, ed. 1863, No. 1133. Translated as:— 1. Thou art our Father and our God. This, by P. H. Molther, a translation of stanza vi., as No. 180 in the Moravian Hymn Book, 1789 (1849, No. 220, st. v.). 2. As children we are owned by Thee, a translation of stanza vi., as st. iii. of No. 191 in the Moravian Hymn Book, 1801 (1849, No. 220, stanza iii.). ii. Die helle Sonn leucht jetzt herfür. Morning. 1560, as above, and thence in Wackernagel, iii. p. 1184, in 4 stanzas of 4 lines, in Ledderhose, p. 87; and in the Unverfälschter Liedersegen, 1851, No. 450. Translated as:— The morning beam revives our eyes, a good and full translation by. A. T. Russell, as No. 71 in the Dalston Hospital Hymn Book 1848. iii. Erschienen ist der herrliche Tag. Easter. 1560, as above, in 14 stanzas of 4 lines, entitled, "A new Spiritual Song of the Joyful Resurrection of our Saviour Jesus Christ; for the maidens of the girls' school in Joachimsthal”; and thence in Wackernagel, iii. p. 1175; in Ledderhose p. 23, and Unverfälschter Liedersegen, 1851, No. 134. It has reminiscences of the "Erstanden ist der heil'ge Christ". Translated as:— The day hath dawn'd—-the day of days, a good translation by A. T. Russell of stanzas i., ii., xiii., xiv., as No. 113 in his Psalms & Hymns, 1851. Another tr. is, "At length appears the glorious day," by Dr. G. Walker, 1860, p. 28. iv. Hinunter ist der Sonnen Schein. Evening. 1560, as above, and thence in Wackernagel, iii. p. 1184, in 4 stanzas of 4 lines; in Ledderhose, p. 88; and in the Unverfälschter Liedersegen1851, No. 523. Some of the phrases may have been suggested by the "Christe qui lux es et dies" (q. v.). Translated as:— 1. Sunk is the sun's last beam of light, a full and good translation by Miss Cox in her Sacred Hymns from the German, 1841, p. 57. Included in Alford's Psalms & Hymns, 1844, and Tear of Praise, 1867; in Dale's English Hymn Book, 1875; in the Pennsylvania Lutheran Church Book, 1868, and others. It is also given considerably altered and beginning, "Sunk is the Sun! the daylight gone," in W. J. Blew's Church Hymn and Tune Book, 1851-55. 2. The happy sunshine all is gone, in full, by Miss Winkworth in her Lyra Germanica, 1st Ser., 1855, p. 225; repeated in her Chorale Book for England, 1863, and the Ohio Lutheran Hymnal, 1880. Other translations are: (1) "Did I perhaps Thee somewhat grieve," a translation of stanza iii. in the Moravian Hymn Book, 1789, No. 756. In the 1801 and later eds. (1886, No. 1181, st. iii.), it begins, "Where'er I Thee this day did grieve." (2) "The sun’s fair sheen is past and gone," by H. J. Buckoll, 1842, p. 68. (3) "The sun hath run his daily race," by Lady E. Fortescue, 1843, p. 14. v. Lobt Gott, ihr Christen alle gleich. Christmas. Written c. 1554, but first published 1560 as above, as the first of "Three Spiritual Christmas Songs of the new-born child Jesus, for the children in Joachimsthal." Thence in Wackernagel iii. p. 1169, in 8 stanzas of 4 lines; in Ledderhose, p. 1; and in the Unverfälschter Liedersegen, 1851, No. 47. It is one of the most popular German Christmas hymns. The melody set to it in 1560 is also by Herman; in 1554 to his "Kommt her ihr liebsten Schwesterlein" [in the Hymnal Companioncalled "St. George's (old)"]. Translated as :— 1. Let all together praise our God, a good translation of stanzas i., iii., vi., viii., by A. T. Russell, as No. 52 in his Psalms & Hymns, 1851. Repeated in Kennedy, 1863, adding a translation of st. ii., and beginning, "Let all creation praise our God." 2. Praise ye the Lord, ye Christians I yea, in full, by E. Cronenwett, as No. 31 in the Ohio Lutheran Hymnal 1880. Other translations are: (1) "A wondrous change He with us makes," a tr. of stanza viii., ix. as No. 438 in pt. i. of the Moravian Hymn Book, 1754, repeated 1789-1826. (2) "Come, brethren, lets the song arise," by Dr. G. Walker, 1860, p. 26. (3) "Praise God, now Christians, all alike," by Miss Manington, 1864, p. 9. (4) "Praise God, upon His throne on high," in the Sunday Magazine, 1874, p. 384, signed "P. J." The hymn “Shepherds rejoice, lift up your eyes," given by J. C. Jacobi in his Psalmodia Germanica, 1722, p. 8, to Herman's melody (which was first published 1554) is, as stated in his Preface, taken from Bk. i. of Isaac Watts's Horse Lyricae vi. So wahr ich leb, spricht Gott der Herr. Absolution. 1560, as above, in 11 stanzas of 4 lines, entitled "A hymn on the power of the keys and the virtue of holy absolution; for the children in Joachimsthal." Thence in Wackernagel, iii. p. 1183; in Ledderhose, p. 47; and the Unverfälschter Liedersegen, 1851, No. 429. It probably suggested the better known hymn, "So wahr ich lebe," q. v., by Johann Heermann. Translated as:— Yea, as I live, Jehovah saith, I do not wish the sinner's death, in full, by Dr. M. Loy, as No. 245, in the Ohio Lutheran Hymnal, 1880. [Rev. James Mearns, M.A.] --John Julian, Dictionary of Hymnology (1907)

Johann Burchard Freystein

1671 - 1718 Person Name: J. B. Freystein Hymnal Number: 531 Author of "Mache dich, mein Geist, bereit, wache" in Vollständiges Marburger Gesang-Buch Freystein, Johann Burchard, son of A. S. Freystein, vice-chancellor of Duke August of Saxony and inspector of the Gymnasium at Weissenfels, was born at Weissenfels, April 18, 1671. At the University of Leipzig he studied law, mathematics, philosophy and architecture. He resided for some time at Berlin and Halle and then went to Dresden as assistant to a lawyer. After graduating L.L.D. at Jena in 1695, he began an independent legal practice at Dresden. In 1703 he became Rath at Gotha, but returned to Dresden in 1709 as Hof-und Justizrath, and was also, in 1713, appointed a member of the Board of Works. Enfeebled by his professional labours, he died of dropsy at Dresden, April 1, 1718 (Bode, p. 70; Blätter für Hymnologie, 1884, pp. 22-24; Koch, iv. 222). Of the six hymns of this pious lawyer and disciple of Spener, five seem to have first appeared in the Merseburg Gesang-Buch, 1716. The other (which has been translated into English) is:— Mache dich, mein Geist, bereit. [Watchfulness.] This fine hymn, a stirring call to fight against the World, the Flesh, and the Devil, founded on St. Matthew xxvi. 41; first appeared in the Geistreiches Gesang-Buch, Halle, 1697, p. 393, in 10 stanzas of 8 lines, entitled, "On the words Watch and Pray." It was repeated in Wagner's Gesang-Buch, Leipzig, 1697, vol. iv. p. 1280; in Freylinghausen's Gesang-buch, 1704, and many later collections, and in the Unverfälschter Liedersegen, 1851. The translations in common use are:— 1. Rise, my soul, to watch and pray, omitting stanzas 2, 4, 8, 10, by Miss Winkworth in her Chorale Book for England, 1863, No. 125, repeated in J. Robinson's Collection, 1869, No. 10. 2. Up, my soul, gird thee with power, omitting st. iv.-vi., by E. Cronenwett, as 396 in the Ohio Lutheran Hymnal, 1880. Other translations are: (l) "O my soul, with prayers and cries," in Lyra Davidica, 1708, p. 53. (2) "Wake, my soul, wake up from sleep," by J. S. Stallybrass in the Tonic Solfa Reporter, January, 1859. (3) “Have thy armour on, my soul," by Miss Burlingham in the British Herald, Feb. 1865, p. 29. The hymn "O my spirit, wake, prepare," by A. T. Russell, as No. 104 in the Dalston Hospital Hymn Book, 1848, and repeated as No. 196 in Dr. Pagenstecher's Collection, 1864, while not a translation, is based on st. iii., viii., ix. of the German. [Rev. James Mearns, M.A.] --John Julian, Dictionary of Hymnology

Michael Weisse

1480 - 1534 Hymnal Number: 460 Author of "Gelobt sei Gott im hoechsten Thron, Sammt seinem einigeborenen Sohn" in Vollständiges Marburger Gesang-Buch Michael Weiss was born at Neisse, in Silesia. He was a pastor among the Bohemian Brethren, and a contemporary with Luther. His hymns have received commendation. He died in 1540. --Annotations of the Hymnal, Charles Hutchins, M.A. 1872. ============ Weisse, Michael (Weiss, Wiss, Wegs, Weys, Weyss), was born circa 1480, in Neisse, Silesia, took priest's orders, and was for some time a monk at Breslau. When the early writings of Luther came into his hands, Weisse, with two other monks, abandoned the convent, and sought refuge in the Bohemian Brethren's House at Leutomischl in Bohemia. He became German preacher (and apparently founder of the German communities) to the Bohemian Brethren at Landskron in Bohemia, and Fulnck in Moravia, and died at Landskron in 1534 (Koch, ii. 115-120; Wackernagel's D. Kirchenlied, i. p. 727; Fontes rerum Austricarum, Scriptores, vol. ii. pt. ii. p. 227, Vienna, 18G3, &c). Weisse was admitted as a priest among the Brethren at the Synod of Brandeis, in 1531, and in 1532 was appointed a member of their Select Council, but he had previously performed important missions for the Brethren. He was, e.g., sent by Bishop Lucas, in 1522, along with J. Roh or Horn, to explain the views of the Bohemian Brethren to Luther; and again, in 1524, when they were appointed more especially to report on the practices and holiness of life of the followers of the German Reformers. He was also entrusted with the editing of the first German hymn-book of the Bohemian Brethren, which appeared as Ein New Gesengbuchlen at Jungen Bunzel (Jung Bunzlau) in Bohemia in 1531. This contained 155 hymns, all apparently either translations or else originals by himself. The proportion of translations is not very clear. In the preface to the 1531, Weisse addressing the German Communities at Fulnek and Landskron says, "I have also, according to my power, put forth all my ability, your old hymn-book as well as the Bohemian hymn-book (Cantional) being before me, and have brought the same sense, in accordance with Holy Scripture, into German rhyme." Luther called Weisse "a good poet, with somewhat erroneous views on the Sacrament" (i.e. Holy Communion); and, after the Sacramental hymns had been revised by Roh (1544), included 12 of his hymns in V. Babst's Gesang-Buch, 1545. Many of his hymns possess considerable merit. The style is flowing and musical, the religious tone is earnest and manly, but yet tender and truly devout, and the best of them are distinguished by a certain charming simplicity of thought and expression. At least 119 passed into the German Lutheran hymnbooks of the 16th and 17th centuries, and many are still in use. The following hymns by Weisse have also passed into English:— i. Christus ist erstanden. Von des Todes Banden. Easter. First published 1531 as above, and thence in Wackernagel, iii. p. 273, in 7 stanzas of 4 lines. It is suggested by the older hymn, "Christ ist erstanden". In the Unverfälschter Liedersegen, 1851, No. 129. The translation in common use is:— Christ the Lord is risen again! This is a full and very good translation by Miss Winkworth, in her Lyra Germanica, 2nd Ser., 1858, p. 37, and her Chorale Book for England, 1863, No. 58. It has been included in many recent English and American hymnals. Other translations are:— (1) "Christ (and 'tis no wonder"). This is No. 260 in pt. i. of the Moravian Hymn Book, 1754. (2) "Christ our Lord is risen," by Dr. H. Mills, 1856, p. 322. ii. Es geht daher des Tages Schein. Morning. 1531 as above, and thence in Wackernagel, iii. p. 318, in 7 stanzas of 4 lines. In the Unverfälschter Liedersegen, 1851, No. 455. The translations in common use are:— 1. The Light of Day again we see. In full, by H. J. Buckoll in his Hymns from German, 1842, p. 14. His translations of stanzas iii., iv., vi., vii., beginning “Great God, eternal Lord of Heaven," were included in the Rugby School Hymn Book, 1843. 2. Once more the daylight shines abroad. This is a full and very good translation by Miss Winkworth, in her Lyra Germanica, 2nd Ser., 1858, p. 69, and her Chorale Book for England, 1863, No. 18. Repeated in Thring's Collection, 1880-82. iii. Gelobt sei Gott im höchsten Thron. Easter. 1531 as above, and thence in Wackernagel, iii. p. 265, in 20 stanzas of 3 lines, with Alleluia. The translations in common use are: — 1. Praise God upon His heavenly throne. This is a free translation of stanzas 1, 4, 10, 19, 20, by A. T. Russell, as No. 112, in his Psalms & Hymns, 1851. 2. Glory to God upon His throne. By Mrs. H. R. Spaeth, in the Southern Lutheran Service and Hymns for Sunday Schools , Philadelphia, 1883. iv. Gott sah zu seiner Zeit. Christmas. 1531 as above, and thence in Wackernagel, iii. p. 244, in 10 stanzas of 9 lines. The translation in common use is:— When the due Time had taken place. By C. Kinchen, omitting stanza v., as No. 169 in the Moravian Hymn Book, 1742 (1849, No. 20). In the ed. of 1886, No. 954 consists of stanza x., beginning “Ah come, Lord Jesus, hear our prayer." v. Lob sei dem allmächtigen Gott. Advent. 1531 as above, and thence in Wackernagel, iii. p. 230, in 14 stanzas of 4 lines. Included in V. Babst's Gesang-Buch, 1545, and recently as No. 12 in the Unverfälschter Liedersegen , 1851. In the larger edition of the Moravian Hymn Book, 1886, it is marked as a translation from a Bohemian hymn, beginning "Cirkev Kristova Boha chval." The translations are:— 1. Praise be to that Almighty God. By J. Gambold, omitting stanza xi.-xiii., as No, 246, in pt. i. of the Moravian Hymn Book, 1754. In the 1789 and later eds. (1886, No. 31), it begins “To God we render thanks and praise." 2. O come, th' Almighty's praise declare. By A. T. Russell, of stanzas i.-iii., v., as No. 26 in his Psalms & Hymns, 1851. vi. O Herre Jesu Christ, der du erschienen bistanza. For Children. On Christ's Example in His early years on earth . 1531 as above, and in Wackernagel, iii. p. 326, in 7 stanzas of 7 lines. The first three stanzas are translated as “Christ Jesus, Lord most dear," in the Moravian Hymn Book, 1754, pt. i., No. 278. The form in common use is that in Knapp's Evangelischer Lieder-Schatz , 1837, No. 2951, which begins "Nun hilf uns, o Herr Jesu Christ," and is in 3 stanzas of 4 lines, entirely recast. This is translated as:— Lord Jesus Christ, we come to Thee . In full from Knapp, by Miss Winkworth, in her Chorale Book for England , 1863, No. 179. Hymns not in English common use:— vii. Den Vater dort oben. Grace after Meat. 1531, and thence in Wackernagel, iii., p. 321, in 5 stanzas of 7 lines. In the Berlin Geistliche Lieder, ed. 1863, No. 1136. Translated as, "Father, Lord of mercy," by J. V. Jacobi, 1122, p. 117. In his edition, 1732, p. 183, slightly altered, and thence in the Moravian Hymn Book, 1754, pt. i., No. 290. viii. Die Sonne wird mit ihrem Schein. Evening. 1531, and thence in Wackernagel, iii., p. 323, in 6 stanzas of 4 lines. In the Unverfälschter Liedersegen, 1851, No. 517. Translated as, "Soon from our wishful eyes awhile," by H. J. Buckoll, 1842. ix. Komm, heiliger Geist, wahrer Gott. Whitsuntide . 1531, and in Wackernagel , iii., p. 282, in 9 stanzas of 5 lines From the Bohemian as noted at p. 157, and partly suggested by the "Veni Sancte Spiritus reple " (q.v.). The translations are: (1) “Come, Holy Ghost, Lord God indeed." This is No. 285 in pt. i. of the Moravian Hymn Book, 1754. (2) "Thou great Teacher, Who instructest." This is a translation of stanza vii., as No. 234 in the Moravian Hymn Book, 1801 (1849, No. 267). x. Lob und Ehr mit stettem Dankopfer. The Creation: Septuagesima . 1531, and in Wackernagel, iii., p. 287, in 5 stanzas of 16 lines. Translated as, “Praise, glory, thanks, be ever paid," by Miss Winkworth, 1869, p. 137. xi. 0 Jesu Christ, der Heiden Licht. Epiphany. 1531, and in Wackernagel , iii. p. 248, in 2 stanzas of 14 lines. Translated as, "0 Jesus Christ, the Gentiles' Light." This is No. 253 in pt. i. of the Moravian Hymn Book, 1754. In the Brüder Gesang-Buch, 1778, No. 1467, stanza ii. was rewritten. This form begins, "Erscheine alien Auserwahlten," and is in 4 stanzas of 4 lines. Translated as, "Lord, to Thy chosen ones appear," by Miss Winkworth, 1869, p. 139. xii. Singet lieben Leut. Redemption by Christ. 1531, and in Wackernagel, iii. p. 243, in 16 stanzas of 4 lines. Translated as, "Sing, be glad, ye happy sheep." This is a translation of stanza xiv., by C. G. Clemens, as No. 299 in the Moravian Hymn Book, 1789. In the 1801 and later editions (1849, No. 403) it begins, "O rejoice, Christ's happy sheep." [Rev. James Mearns, M.A.] -- Excerpts from John Julian, Dictionary of Hymnology (1907)