Person Results

George Hews

1806 - 1873 Composer of "[Jesus still lead on]" in Missionary Hymnal Born: January 6, 1806, Weston, Massachusetts. Died: July 6, 1873, Boston, Massachusetts.

1852 - 1934 Person Name: Dr. C. Vincent Reviser of "FATHERLAND" in The Song Companion to the Scriptures Vincent, Charles; b. 9-19-1852, Houghton-le-Spring, Durham, d. 2-28-34, Monte Carlo; English organist. Full name Charles John Vincent, Jr.

John H. Gower

1855 - 1922 Composer of "[Jesus still lead on]" in Alleluia

U. C. Burnap

1834 - 1900 Composer of "[Jesus still lead on]" in Zion's Delight Burnap ran a dry goods business in Brooklyn, though he graduated from the University of Paris with a music degree, and for 37 years played the organ at the Reformed Church in Brooklyn Heights. He was a prolific composer, and helped edit the following: Hymns of the Church, 1869 Hymns of Prayer and Praise, 1871 Hymns and Songs of Praise, 1874 --The Cyber Hymnal™ There is uncertainty about his middle name. Reynolds and the Library of Congress say it was Christopher. A contemporary obituary relied on by "The Cyber Hymnal™" says it was Cicero. It appears that there was another Uzziah C[icero] Burnap who lived (per LOC) 1794-1854.

Daniel Hughes

Person Name: D. H. Translator of "Iesu, arwain ni (Jesus still lead on)" in Mawl a chân = praise and song

B. C. Unseld

1843 - 1923 Composer of "[Jesus still lead on]" in Westminster Sabbath School Hymnal, a collection of hymns and tunes for use in sabbath-schools and social meetings Benjamin Carl Unseld, 1843-1923 Born: October 18, 1843, Shepherdstown, West Virginia. Died: November 19, 1923. Buried: Elmwood Cemetery, Shepherdstown, West Virginia. After leaving school at age 14, Unseld worked as a clerk in a country store. He received his first musical instruction around age 15, from a companion who had attended a singing school. He was shown the representation of the scale in the old Carmina Sacra, and had it sung for him. At the friend’s suggestion, he got permission from his pastor to practice on the church organ. Since both boys worked, their only chance to practice was after the store closed at 9:00 p.m., and occasionally at noontime. They went to the church together and took turns, one at the keyboard and the other at the bellows. Shortly after the Battle of Antietam in September 1862, some of which Unseld witnessed, he left home and became a bookkeeper in the general offices of a railroad in Columbia, Pennsylvania. He sang in a choir, and gained further practice reading music. He rented a melodeon and spent much time in his room improvising on it. He bought a copy of Woodbury’s Harmony and Musical Composition, and studied it as well as he could without a teacher. He accepted an invitation to play the organ in the local Methodist church, on the condition that he received the tunes early in the week so he could learn them. This was his first position as an organist. In the spring of 1866, he entered the Musical Institute in Providence, Rhode Island, conducted by Eben Tourjée (founder of the New England Conservatory in Boston, Massachusetts, and father of Lizzie Tourjée). There he studied voice, piano, organ, and harmony. After learning of Unseld’s business experience, Dr. Tourjée made him secretary of the school; in 1867, Unseld became the first secretary of the New England Conservatory. Starting in 1870, Unseld attended schools led by Theodore F. Seward. There he met George Webb, Lowell Mason, James McGranahan, Charles Case, and other notables in the music community. In 1874, Unseld taught at Fisk University in Nashville, Tennessee, and helped train Fisk’s Jubilee Singers for their European trip. In 1877 and 1878, he was organist and choir master at St. James’ Episcopal Church, Lancaster, Pennsylvania. In 1879, Unseld moved to New York City, and for 15 years taught, led choirs, composed and published. In New York, his musical headquarters was the publishing house of Biglow & Main Company, where he was in almost daily contact with the popular composers and teachers of the day: Ira Sankey, Horatio Palmer, Hubert Main, Robert Lowry, et al. In 1894, Unseld moved to Cincinnati, Ohio, and worked as an editor for the Fillmore Music House. In 1898, he moved to Dayton, Ohio, and worked in a similar capacity for the Lorenz Publishing Company. He moved back to New York City in 1901, then to Hagerstown, Maryland in 1905. He and his wife Sallie were apparently living in Tennessee as of 1920. Unseld’s works include: The Choral Standard (New York: Fillmore Brothers, 1895) Progress in Song, with E. T. Hildebrand (Cincinnati, Ohio: The Fillmore Brothers Company) Unseld was inducted into the Southern Gospel Music Association Hall of Fame in 2004. Sources-- Hall, pp. 239-44 Music-- Ancyra Euphemia He Is Risen Hordville Make Haste! Meschach Twilight Is Falling Unseld Wonderful Message --www.hymntime.com/tch

Walter Henry Hall

1862 - 1935 Composer of "[Jesus still lead on]" in Northfield Hymnal Born: April 25, 1862, London, England. Died: 1938, New York City. Buried: Boothbay Harbor, Maine, the location of his summer home. Hall studied at the Royal Academy of Music for four years under George Macfarren, H. C. Bannister, Charles Steggall, and others. He emigrated to America in 1883, where he was organist and choirmaster at St. Luke’s Church, Germantown, Pennsylvania; St. Peter’s Church, Albany, New York; Church of the Heavenly Rest, New York City; St. James’ Church, New York City; and Cathedral of St. John the Divine, New York City. He founded and conducted the Brooklyn Oratorio Society, and founded the Cathedral Festival Choir. His works include: Essentials of Choir Boy Training --www.hymntime.com/tch/

Samuel Gee

1834 - 1892 Composer of "[Jesu, still lead on]" in The Hymnal, Revised and Enlarged, as adopted by the General Convention of the Protestant Episcopal Church in the United States of America in the year of our Lord 1892 Currently, our only data on Gee is that his music appeared in a late 19th Century English carol book. --www.hymntime.com/tch/ ============= Appointed as organist to Christ Church, Clapham The Musical Times, Volume 11 (July 1, 1864) ============ Samuel Gee, A.R.A.M., Principal of North Staffordshire School of Music The Scottish Prose Psalter