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Jane Euphemia Saxby

1811 - 1898 Hymnal Number: 176 Author of "Thou'rt with me, O my Father" in Sacred Songs For Public Worship Saxby, Jane Euphemia, née Browne, daughter of William Browne of Tallantire Hall, Cumberland, and sister of Lady Teignmouth, was born Jan. 27, 1811, and married, in 1862, to the Rev. S. H. Saxby, Vicar of East Clevedon, Somersetshire. Her work, The Dove on the Cross, was published in 1849. It has passed into numerous editions, and from it several hymns have come into common use. This was followed by The Voice of the Bird, in 1875; and Aunt Effie’s Gift to the Nursery, 1876. Sometimes Mrs. Saxby's Dove on the Cross is dated 1819, but in error. The compilation known as Hymns and Thoughts for the Sick and Lonely, by a Lady, London, J Nisbet & Co., 1848, although it contains several of her hymns in an altered form, is ascribed to her in error. Mrs. Saxby's hymns in common use include: 1. Father, into Thy loving hands. Resignation. 2. O Jesus Christ, the holy One. Holy Communion. 3. O Holy Ghost, the Comforter. Whitsuntide. 4. Shew me the way, O Lord. Guidance desired. 5. Thou art with me, O my Father. God everywhere. 6. Thou God of love, beneath Thy sheltering wings. Burial. Of these hymns, Nos. 1, 3, 4, and 6, appeared in her Dove on the Cross, 1849. No. 2 appeared in the English Presbyterian Psalms & Hymns for Divine Worship, 1867, No. 840, in 5 stanzas of 4 lines. It was supplied to Dr. W. F. Stevenson in manuscript in 6 stanzas for his Hymns for the Church and Home, 1873. The additional stanza (the 4th) given in his Notes is:— As Thou hast placed beyond my reach Thy richest means of grace, Teach me without them, Saviour, teach My soul to see Thy face." The point and meaning of this stanza is explained by the fact that this hymn "was written for one who by illness was prevented joining in the Communion." The hymn was included in The Voice of the Bird, 1875. Mrs. Saxby's hymns are very plaintive and tender. This is explained by her thus:— "I wrote most of my published hymns during a very long and distressing illness, which lasted many years. I thought probably that I was then in the 'Border Land’ and wrote accordingly." Died Mar. 25, 1898. --John Julian, Dictionary of Hymnology (1907)

Alexander Pope

1688 - 1744 Person Name: A. Pope Hymnal Number: 63 Author of "Father of all! in every age" in Sacred Songs For Public Worship Alexander Pope was born in London, in 1688. His parents were Roman Catholics. He had a feeble constitution, was deformed in person, and attained the age of only fifty-six. He early acquired the means of independence by his literary gifts, and purchased his celebrated villa at Twickenham, whither he went to reside at the age of thirty. Of his many published works, his translation of the "Iliad" and "Odyssey" of Homer has given him the greatest reputation. As an English satirist, also, he stands very high. Nearly all his works, however, are imitations. He died at Tickenham, in 1744. --Annotations of the Hymnal, Charles Hutchins, M.A., 1872 ======== Pope, Alexander, the poet, son of a wholesale linen merchant in Lombard Street, London, was born in Plough Court, Lombard Street, May 21, 1688. His father being a Roman Catholic, he was first placed under the charge of Father Taverner, who taught him the rudiments of Greek and Latin. Later he attended a school at Winchester, and then at Hyde Park Corner. When about twelve he retired with his parents to Binfield, in Windsor Forest, and from thenceforth his education was mainly in his own hands. His subsequent success as a writer and poet is a matter of history, and has been dealt with in detail by Dr. Johnson in his Lives of the Poets, and by others. He died May 30, 1744, and was buried in a vault in Twickenham Church. For distinct public use, so far as we are aware, Pope wrote no hymns. His "Messiah"; his "Universal Prayer"; and his "Vital Spark" (q.v.), have been made use of for congregational purposes, but as a Roman Catholic he had no object in writing a hymn in a language which, at that time, his Church would refuse to use. In modern hymn-books his name is identified with the following pieces:-- 1. Father of all, in every age. Universal Prayer. The Lord's Prayer. This Prayer was published in 1738, as a conclusion to his Essay on Man, in 13 st. of 4 1. Warburton in his Advertisement of the 1748 ed. of the Essay, says:— "Concerning the Universal Prayer which concludes the Essay, it may be proper to observe that some pas¬sages in the Essay having been unjustly suspected of a tendency towards Fate and Naturalism, the author composed that Prayer as the sum of all, to show that hi a system was founded in Freewill, and terminated in Piety: that the First Cause was as well the Lord and Governor as the Creator of the Universe; and that by submission to His will (the great principle enforced throughout the Essay) was not meant the suffering ourselves to be carried along with a blind determination; but a religious acquiescence, and confidence full of hope and immortality. To give all this the greater weight and reality, the Poet chose for his model The Lord's Prayer, which of all others best deserves the title prefixed to his Paraphrase." The title here referred to is "The Universal Prayer, Deo Opt. Max." The hymn is found in common use in the following forms:— (1.) Father of all in every age. This is an abbreviated form, and has been in use, especially in Unitarian hymnbooks, from an early date. (2.) Father of all, [and] Thou God of love. This cento was given in 6 st. of 4 1. in the 1815 edition of Cotterill's Selections, No. 2; again in the 1819 ed., 141; in Stowell's Psalms & Hymns, 1831, No. 179; and again in later collections. (3.) Not to this earth's contracted span. In Collyer's Collection 1812, No. 629, in 4 st. of 4 1., and others. (4.) Teach me to feel another's woe. Also in Collyer's Collection, 1812, No. 630, in 4 st. of 4 1., and others. (5.) Thou Great First Cause, least understood. Also in Collyer's Collection, 1812, No. 628, in 4 st. of 4 1., and later hymnals. (6.) When I am right Thy grace impart. Given in Kennedy, 1863, No. 1166. 2. Ye nymphs of Solyma! begin the song. The Messiah. In No. 378 of the Spectator for Wednesday, May 14, 1712, Addison gave this poem with the introduction :— "I will make no apology for entertaining the reader with the following poem, which is written by a great genius, a friend of mine, in the country, who is not ashamed to employ his wit in the praise of his Maker." Then follows the poem with the heading, “Messiah. A Sacred Eclogue, composed of several passages of Isaiah the Prophet. Written in imitation of Virgil's Pollio." It consists of 107 lines. When republished by Pope this heading was expanded into a paragraph as an "Advertisement." As a poem it is unknown to the hymn-book; but from it the following centos have passed into common use:-- (1.) As the Good Shepherd tends his fleecy care. This was given in Collyer's Collection, 1812, No. 626, in 6 st. of 4 1., and has been repeated in later hymnals, but usually in an abridged form. (2.) From Jesse's root, behold a branch arise No. 624 in Collyer's Collection, 1812, in 5 st. of 4 1.; and again in later hymnals. (3.) Hark! a glad voice the lonely desert cheers. No. 625 in Collyer's Collection, 1812, in 4 st. of 4 1.; in Bishop Heber's posthumous Hymns, &c, 1827, p. 106; and again in later collections. (4.) Rise crowned with light, imperial Salem rise. In the Leeds Hymn Book, 1853, No. 687, in 3 st. of 8 1., and several later collections. (5.) The Saviour comes! by ancient seers foretold. In Mercer's Church Psalm & Hymn Book, 1864, and others. It may be noted that 1. 46 of The Messiah reads in the original "He wipes the tears for ever from our eyes." This was altered by Pope at the suggestion of Steele, made to Pope in a letter dated June 1, 1712, to "From every face He wipes off every tear." This latter is the poet's authorized reading, is given in his Works, and is found also in the book form reprints of the Spectator. -- John Julian, Dictionary of Hymnology (1907)

William Gaskell

1805 - 1884 Person Name: Gaskell Hymnal Number: 89 Author of "Our Father, through the coming year" in Sacred Songs For Public Worship Gaskell, William, M.A., son of Mr. William Gaskell, was born at Latchford (a suburb of Warrington, on the Cheshire side of the Mersey), 24 July, 1805. He was educated at Manchester New College and at the University of Glasgow, where he graduated M.A. in 1825. In 1828 he became co-pastor with the Rev. J. G. Robberds at Cross Street Unitarian Chapel, Manchester, a position he held until his death. Mr. Gaskell was a man of cultivated mind and considerable literary ability. His publications include Lectures on the Lancashire Dialect, 1853, a small volume of Temperance Rhymes, 1839, and various theological works. In 1832 he married Elizabeth Cleghorn Stevenson, who afterwards attained celebrity as the authoress of Mary Barton, and of other popular tales. He died June 11, 1884, and is buried at Knutsford. To the second edition, 1856, of the 1st Series of Lyra Germanica Mr. Gaskell contributed "A sure Stronghold our God is He," a translation of Luther's “ Ein' feste Burg" (q.v.), replacing a version by Miss Winkworth in the first edition. He also contributed 79 hymns to Beard's Unitarian Collection of Hymns for Public and Private Worship, 1837. [George Arthur Crawford, M.A.] The following hymns by Gaskell still in common use are found chiefly in Unitarian hymnbooks, including Martineau's Hymns, &c, 1840, and Hymns of Praise and Prayer, 1873; Hedge & Huntington's Hymns for the Church of Christ, Boston, U.S.A., 1853; Longfellow & Johnson's Book of Hymns, Boston, 1848, and their Hymns of the Spirit, Boston, 1864; and the American Unitarian Association's Hymn [& Tune] Book, &c, Boston, 1868 :— 1. Dark, dark indeed the grave would be. Death and Burial. 2. Darkness o'er the world was brooding. The Dayspring. 3. Dark were the paths our Master trod. Sympathy with Christ. 4. Father, glory be to Thee. Doxology. 5. Forth went the heralds of the cross. Power of Faith. 6. How long, O Lord, his brother's blood? In time of War. From this "O hush, great God, the sounds of war," is taken. 7. I am free, I am free, I have broken away. The New Birth. 8. In vain we thus recall to mind. Holy Communion. 9. Mighty God, the first, the last. Infinite Knowledge. 10. No more, on earth no more. Death and Heaven. 11. Not in this simple rite alone. Holy Communion. 12. Not on this day, 0 God, alone. Sunday. 13. O God, the darkness roll away. Missions. 14. O God, to Thee our hearts would pay. Old Year. 15. 0 God, who knowest how frail we are. Seeking Strength. 16. 0 not to crush with abject fear. Christ's Work. 17. Our Father, through the coining year. The original begins, "Father, throughout the coming year." 18. Press on, press on, ye sons of light. Continuance in well-doing. 19. Sleep not, soldier of the cross. Faithfulness. 20. Thanks, thanks unto God! Who in mercy hath spoken. Gratitude for the Gospel. 21. Through all this life's eventful road. Walking with God. 22. To Thee, the Lord Almighty. Doxology. 23. Unto Thy temple, God of Love. Divine Worship. 24. We join to [crave] pray with wishes kind. Holy Matrimony. 25. We would leave, 0 God, to Thee. Original: "We would cast, 0 God, on Thee." Rest in God. 26. When arise the thoughts of sin. Looking to Jesus. These hymns all appeared in Beard's Collection, 1837. In addition there are:— 27. Calmly, calmly lay him down. 28. 0 Father, [gladly] humbly we repose. 29. 0 hush, great God, the sounds of war. For Peace. The dates of these hymns we have not been able to determine. No. 27 is in Hopps's Hymns for Public Worship, 1858 ; and Nos. 28 and 29 are in Hedge & Huntington's Hymns for the Church of Christ, 1853. -- John Julian, Dictionary of Hymnology (1907)

John Sterling

1806 - 1844 Hymnal Number: 28 Author of "O Source divine and Life of all" in Sacred Songs For Public Worship Sterling was born at Kames Castle, Bute, July 20, 1806, and died at Ventnor, Isle of Wight, Sep. 18, 1844. --John Julian, Dictionary of Hymnology, Appendix, Part II (1907 ================ Sterling, J., p. 1595, ii. (Under "When up to nightly skies," &c.) Another of his hymns which was given in the American Hymns of the Spirit, 1864 and Martineau's Hymns of Praise and Prayer, 1873, No. 31, "0 Source divine and Life of all" (Reverence and Love), has passed into a few modern American collections, including The Pilgrim Hymnal, 1904. It is dated 1840. --John Julian, Dictionary of Hymnology, New Supplement (1907)

John Taylor

1750 - 1826 Person Name: J. Taylor Hymnal Number: 36 Author of "Like shadows gliding o'er the plain" in Sacred Songs For Public Worship Taylor, John, born July 30, 1750, was the son of Richard Taylor, of Norwich, and grandson of Dr. John Taylor (1694-1761, the eminent Hebrew scholar, who was for many years minister of the Octagon Chapel, Norwich, and afterwards Divinity tutor at the Warrington Academy. Dr. Taylor published A Collection of Tunes in Various Airs, one of the first collections of its kind, and his grandson was one of the most musical of Unitarian hymn-writers). Young Taylor, after serving his apprenticeship in his native place, was for two years in a banking house in London, at which time he was an occasional poetical contributor to the Morning Chronicle. In 1773 he returned to Norwich, where he spent the rest of his life, first as a manufacturer, and afterwards as a wool and yarn factor. For nearly fifty years he was a deacon at the Octagon Chapel. At the time of the French Revolution he joined in the support of The Cabinet, a periodical brought out by the Liberals of Norwich, in conjunction with Dr. Enfield, William Taylor, Miss Alderson (Mrs. Opie), and others, and, as a "poet of the olden time," he contributed five poems thereto. These, and other political songs and poems relating to family events, &c, together with 50 hymns, were collected in Hymns and Miscellaneous Poems, Reprinted for Private Distribution, 1863, with a Memoir taken from the Monthly Repository of Sept. 1826, by his son, Edward Taylor, then Gresham Professor of Music. An earlier and less complete edition, containing 43 hymns, he had himself caused to be printed by his sons, Richard and Arthur Taylor, London, 1818. He died June 23, 1826. Of his hymns the following 9 were contributed to Dr. Enfield's Selection of Hymns for Social Worship, Norwich, 1795:— 1. Far from mortal cares retreating. Divine Worship. 2. Father divine, before Thy view. Divine Providence. 3. Father of our feeble race. Christian Love. This begins in Horder's Congregational Hymns, 1884, and others, with st. ii., "Lord, what offering shall we bring?" 4. Glory be to God on high. Divine glories celebrated. The first stanza is by C. Wesley, and the rest are by Taylor. 5. God of mercy, God of love [grace], Hear our sad repentant song. Penitence. 6. 0 sing to the Lord a new song. Praise to the Supreme Ruler and Judge. 7. Praise to God, the great Creator. Praise to the Father. The hymn "Saints with pious zeal attending" in Hatfield's Church Hymns, &c.,N.Y., 1872, begins with line 4 of stanza i. of this hymn. 8. Raise your voice and joyful sing. Praise. 9. Rejoice, the Lord is King. Providence acknowledged in the Seasons. The first stanza and 11. 5 and 6 of all are by C. Wesley, and the rest are by Taylor. J. Taylor edited Hymns intended to be used at the Commencement of Social Worship, London, 1802. To that collection he contributed 10 hymns, including:— 10. At the portals of Thy house. Divine Worship. In a few American collections a cento from this hymn is given as, "Lord, before thy presence come." 11. Blessed Sabbath of our [the] Lord. Sunday. 12. 0 how delightful is the road. Divine Worship. 13. Supreme o'er all Jehovah reigns.. Divine Worship. All the foregoing, except No. 8, were re-published in the Norwich Collectionof 1814. That edition contained 33 of Taylor's hymns. To the 2nd ed., 1826, he added 9 more. To R. Aspland's Selection of Psalms and Hymns for Unitarian Worship, Hackney, 1810, he contributed 26 hymns, old and new, including :— 14. Like shadows gliding o'er the plain. Time and Eternity. 15. The Mighty God who rolls [rules] the spheres. God the Preserver of Man. These 15 are the best known of Taylor's hymns, and are largely found in Unitarian collections. See especially Dr. Martineau's Hymns, &c, of 1840, and of 1873. [Rev. Valentine D. Davis, B.A.] -- John Julian, Dictionary of Hymnology (1907)

John Johns

1801 - 1847 Person Name: Johns Hymnal Number: 116 Author of "Come, kingdom of our God" in Sacred Songs For Public Worship Johns, John, born at Plymouth, March 17, 1801, the son of an artist. Educated at the grammar school and by the Rev. I. Worsley, Unitarian minister at Plymouth, and afterwards spent two years at Edinburgh. In 1820 became minister of the old Presbyterian chapel at Crediton, where he remained till his removal to Liverpool in 1836, as Minister to the Poor. He was a man of fine poetic temperament and retiring disposition, but his work among the people called out his great practical and organising ability. He died a sacrifice to the fever which raged in the district where he laboured, June 23, 1847. Besides his reports to the Liverpool Domestic Mission Society, and frequent contributions to the Monthly Repository, Christian Reformer, and Christian Teacher, he published three volumes of poetry, Dews of Castalie; a collection of Poems, 1828; The Valley of the Nymphs, 1829; and Georgics of Life, 1846. There are 35 of his hymns in Dr. Beard's Collection, 1837, and several of them are in other Unitarian books. The best known of his hymns are:— 1. Come, Kingdom of our God. Prayer for the Kingdom of God. 2. Farewell, our blighted treasure. Death of a Child. 3. Great God, avert from us the thought. Heaven. 4. Hush the loud cannon's roar. Common Brother' hood and Peace Universal. 5. O know ye not that ye. Purity. This is altered from “What, know ye not that ye?" 6. Thanks to God for these who came. Preachers of the Word. Altered from "Welcome, welcome these who came." 7. Thou must be born again. Necessity of the New Birth. These hymns were contributed to Beard's Collection, 1837, and passed thence into other collections. (Rev. Valentine D. Davis, B.A.] --John Julian, Dictionary of Hymnology (1907)

R. C. Waterston

1812 - 1893 Person Name: Mrs. Waterston Hymnal Number: 124 Author of "In each breeze that wanders free" in Sacred Songs For Public Worship Waterston, Robert Cassie, M.A., son of Robert Waterston, was born at Kennebunk, in 1812, but has resided from his infancy at Boston, Massachusetts. He studied Theology at Cambridge; had for five years the charge of a Sunday school for the children of seamen; was associated for several years with the Pitts Street Unitarian Chapel, Boston; and then pastor for seven years of the Unitarian Church of the Saviour in the same city. Much of his time has been given to literature, and a long list of his papers of various kinds is given in Putnam's Singers and Songs of the Liberal Faith, 1874. He also interested himself largely in educational matters. He contributed one hymn to the American Unitarian Cheshire Pastoral Association Christian Hymns, 1844; to his own popular Supplement to Greenwood's Psalms and Hymns, 1845, and others to various works. Putnam gives 20 poetical pieces in his Singers and Songs, &c, 1874, amongst which are the following, which are in common use at the present time:— 1. In darkest hours I hear a voice. Looking unto Jesus. Contributed to Putnam's Singers and Songs, &c, 1874, and found in a few collections. 2. In each breeze that wanders free. Nature and the Soul. Published before 1853, and again in Putnam, 1874. The hymn "Nature, with eternal youth," in Hedge and Huntington's Hymns for the Church of Christ, 1853, No. 185, is composed of stanza iv-vii. of this piece. 3. One sweet [bright] flower has drooped and faded. Death of a Child. Appeared in the American Unitarian Cheshire Pastoral Association Christian Hymns, 1844, No. 668, and again in Putnam, 1874, as “One bright flower, &c." It is in several collections. In the Christian Hymns the heading is "Death of a Pupil;" and Putnam, "On the Death of a Child. Sung by her classmates." In Putnam there are other pieces by him which are worthy of attention. [Rev. F. M. Bird, M.A.] -- John Julian, Dictionary of Hymnology (1907)

John O. Thomson

1782 - 1818 Person Name: James Thomson Hymnal Number: 91 Author of "Our Father, God! thy gracious power" in Sacred Songs For Public Worship Thomson, John, M.D., 1783-1818. A Leeds physician, who contributed to Aspland's Collection, 1310:— 1. To God, the universal King. To the One God. 2. Jehovah, God ! thy gracious power. Omnipresence of God. 3. To thee my heart, eternal King. Praise. --John Julian, Dictionary of Hymnology (1907)

N. L. Frothingham

1793 - 1870 Hymnal Number: 8 Author of "O God, whose presence glows in all" in Sacred Songs For Public Worship Frothingham, Nathaniel Langdon, D.D., born at Boston July 23rd, 1793, and graduated at Harvard 1811, where he was also sometime Tutor. From 1815 to 1850 he was Pastor of the First Church (Unitarian), Boston, and subsequently attended as a worshipper the church where he had been 35 years minister till his sight and strength failed him. He died April 4th, 1870. His Metrical Pieces, in 2 volumes, were published in 1855 and 1870. 1. O God, Whose presence glows in all. Ordination. This was written in 1828 for the ordination of W. B. Lunt, New York. 2. We meditate the day . Installation. Written in 1835 for Mr. Lunt's installation at Quincy, Mass., as Co-pastor with Peter Whitney. 3. O Lord of life and truth and grace . Ordination. Also a special hymn. It was composed for the ordination of H. W. Bellowes, New York, 1839. It is found in common with Nos. 1 and 2 in Frothingham's Metrical Pieces, 1855. These Metrical Pieces are unknown to the English Collections. [Rev. F. M. Bird, M.A.] --John Julian, Dictionary of Hymnology (1907) ================ Frothingham, N. L. , p. 400, ii. Other hymns are:— 1. O Saviour, Whose immortal word. Opening of a Place of Worship. Written "For the Dedication of the Church of the Saviour, Boston, November 16, 1847." 2. Remember Me, the Saviour said. Holy Communion. 3. They passed away from sight. Death and Burial. 4. When I am weak, I'm strong. Spiritual Strength. Nos. l, 2, and 4 are from his Metrical Pieces, Translated and Original, 1855, --John Julian, Dictionary of Hymnology, Appendix, Part II (1907)

Catherine Winkworth

1827 - 1878 Person Name: Cath. Winkworth Hymnal Number: 137 Translator of "Ever find I joy in reading" in Sacred Songs For Public Worship Catherine Winkworth (b. Holborn, London, England, 1827; d. Monnetier, Savoy, France, 1878) is well known for her English translations of German hymns; her translations were polished and yet remained close to the original. Educated initially by her mother, she lived with relatives in Dresden, Germany, in 1845, where she acquired her knowledge of German and interest in German hymnody. After residing near Manchester until 1862, she moved to Clifton, near Bristol. A pioneer in promoting women's rights, Winkworth put much of her energy into the encouragement of higher education for women. She translated a large number of German hymn texts from hymnals owned by a friend, Baron Bunsen. Though often altered, these translations continue to be used in many modern hymnals. Her work was published in two series of Lyra Germanica (1855, 1858) and in The Chorale Book for England (1863), which included the appropriate German tune with each text as provided by Sterndale Bennett and Otto Goldschmidt. Winkworth also translated biographies of German Christians who promoted ministries to the poor and sick and compiled a handbook of biographies of German hymn authors, Christian Singers of Germany (1869). Bert Polman ======================== Winkworth, Catherine, daughter of Henry Winkworth, of Alderley Edge, Cheshire, was born in London, Sep. 13, 1829. Most of her early life was spent in the neighbourhood of Manchester. Subsequently she removed with the family to Clifton, near Bristol. She died suddenly of heart disease, at Monnetier, in Savoy, in July, 1878. Miss Winkworth published:— Translations from the German of the Life of Pastor Fliedner, the Founder of the Sisterhood of Protestant Deaconesses at Kaiserworth, 1861; and of the Life of Amelia Sieveking, 1863. Her sympathy with practical efforts for the benefit of women, and with a pure devotional life, as seen in these translations, received from her the most practical illustration possible in the deep and active interest which she took in educational work in connection with the Clifton Association for the Higher Education of Women, and kindred societies there and elsewhere. Our interest, however, is mainly centred in her hymnological work as embodied in her:— (1) Lyra Germanica, 1st Ser., 1855. (2) Lyra Germanica, 2nd Ser., 1858. (3) The Chorale Book for England (containing translations from the German, together with music), 1863; and (4) her charming biographical work, the Christian Singers of Germany, 1869. In a sympathetic article on Miss Winkworth in the Inquirer of July 20, 1878, Dr. Martineau says:— "The translations contained in these volumes are invariably faithful, and for the most part both terse and delicate; and an admirable art is applied to the management of complex and difficult versification. They have not quite the fire of John Wesley's versions of Moravian hymns, or the wonderful fusion and reproduction of thought which may be found in Coleridge. But if less flowing they are more conscientious than either, and attain a result as poetical as severe exactitude admits, being only a little short of ‘native music'" Dr. Percival, then Principal of Clifton College, also wrote concerning her (in the Bristol Times and Mirror), in July, 1878:— "She was a person of remarkable intellectual and social gifts, and very unusual attainments; but what specially distinguished her was her combination of rare ability and great knowledge with a certain tender and sympathetic refinement which constitutes the special charm of the true womanly character." Dr. Martineau (as above) says her religious life afforded "a happy example of the piety which the Church of England discipline may implant.....The fast hold she retained of her discipleship of Christ was no example of ‘feminine simplicity,' carrying on the childish mind into maturer years, but the clear allegiance of a firm mind, familiar with the pretensions of non-Christian schools, well able to test them, and undiverted by them from her first love." Miss Winkworth, although not the earliest of modern translators from the German into English, is certainly the foremost in rank and popularity. Her translations are the most widely used of any from that language, and have had more to do with the modern revival of the English use of German hymns than the versions of any other writer. -- John Julian, Dictionary of Hymnology (1907) ============================ See also in: Hymn Writers of the Church