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Samuel Webbe

1740 - 1816 Person Name: S. Webbe Hymnal Number: 202 Composer of "[¡Oh santísimo, felicísimo]" in Himnario Cristiano para uso de las Iglesias Evangélicas Samuel Webbe (the elder; b. London, England, 1740; d. London, 1816) Webbe's father died soon after Samuel was born without providing financial security for the family. Thus Webbe received little education and was apprenticed to a cabinetmaker at the age of eleven. However, he was determined to study and taught himself Latin, Greek, Hebrew, French, German, and Italian while working on his apprenticeship. He also worked as a music copyist and received musical training from Carl Barbant, organist at the Bavarian Embassy. Restricted at this time in England, Roman Catholic worship was freely permitted in the foreign embassies. Because Webbe was Roman Catholic, he became organist at the Portuguese Chapel and later at the Sardinian and Spanish chapels in their respective embassies. He wrote much music for Roman Catholic services and composed hymn tunes, motets, and madrigals. Webbe is considered an outstanding composer of glees and catches, as is evident in his nine published collections of these smaller choral works. He also published A Collection of Sacred Music (c. 1790), A Collection of Masses for Small Choirs (1792), and, with his son Samuel (the younger), Antiphons in Six Books of Anthems (1818). Bert Polman

John H. Stockton

1813 - 1877 Person Name: G. H. Stockton Hymnal Number: 99 Composer of "[La tierna voz del Salvador]" in Himnario Cristiano para uso de las Iglesias Evangélicas Stockton, John Hart, a Methodist minister, was born in 1813, and died in 1877. He was a member of the New Jersey Annual Conference of the Methodist Episcopal Church, and the successive pastoral charges that he filled as a member of that Conference are found in the Conference Journal. He was not only a preacher, but a musician and composer of tunes, as well as hymn writer. He published two gospel song books: Salvation Melodies, 1874, and Precious Songs, 1875. Hymn Writers of the Church by Charles Nutter, 1911 =============== Stockton, John Hart, b. April 19, 1813, and d. March 25, 1877, was the author of "Come, every soul by sin oppressed" (Invitation), in I.D. Sankey's Sacred Songs and Solos, 1878, and of "The Cross, the Cross, the blood¬stained Cross" (Good Friday) in the same collection. --John Julian, Dictionary of Hymnology, Appendix, Part II (1907) =============== Stockton, John Hart. (New Hope, Pennsylvania, April 19, 1813--March 25, 1877). Born of Presbyterian parents, he was converted at a Methodist camp meeting in 1838, being received into full membership in the New Jersey Conference in 1857. Because of ill health he twice took the "supernumerary relations." He withdrew from actual pastoral work in 1874 and engaged in compiling and publishing gospel hymn books, issuing Salvation Melodies that year and Precious Songs in 1875, writing both words and music for a number of the songs. He died suddenly after attending a Sunday morning service at Arch Street Church, Philadelphia. Our Hymnody, McCutchan, has, perhaps, the fullest account of him readily available. --Robert G. McCutchan, DNAH Archives

J. H. Fillmore

1849 - 1936 Hymnal Number: 232 Composer of "[Yo espero la mañana]" in Himnario Cristiano para uso de las Iglesias Evangélicas James Henry Fillmore USA 1849-1936. Born at Cincinnati, OH, he helped support his family by running his father's singing school. He married Annie Eliza McKrell in 1880, and they had five children. After his father's death he and his brothers, Charles and Frederick, founded the Fillmore Brothers Music House in Cincinnati, specializing in publishing religious music. He was also an author, composer, and editor of music, composing hymn tunes, anthems, and cantatas, as well as publishing 20+ Christian songbooks and hymnals. He issued a monthly periodical “The music messsenger”, typically putting in his own hymns before publishing them in hymnbooks. Jessie Brown Pounds, also a hymnist, contributed song lyrics to the Fillmore Music House for 30 years, and many tunes were composed for her lyrics. He was instrumental in the prohibition and temperance efforts of the day. His wife died in 1913, and he took a world tour trip with single daughter, Fred (a church singer), in the early 1920s. He died in Cincinnati. His son, Henry, became a bandmaster/composer. John Perry

Charles Wesley

1707 - 1788 Person Name: Carlos Wesley Hymnal Number: 100 Author of "Precepto es del Señor" in Himnario Cristiano para uso de las Iglesias Evangélicas Charles Wesley, M.A. was the great hymn-writer of the Wesley family, perhaps, taking quantity and quality into consideration, the great hymn-writer of all ages. Charles Wesley was the youngest son and 18th child of Samuel and Susanna Wesley, and was born at Epworth Rectory, Dec. 18, 1707. In 1716 he went to Westminster School, being provided with a home and board by his elder brother Samuel, then usher at the school, until 1721, when he was elected King's Scholar, and as such received his board and education free. In 1726 Charles Wesley was elected to a Westminster studentship at Christ Church, Oxford, where he took his degree in 1729, and became a college tutor. In the early part of the same year his religious impressions were much deepened, and he became one of the first band of "Oxford Methodists." In 1735 he went with his brother John to Georgia, as secretary to General Oglethorpe, having before he set out received Deacon's and Priest's Orders on two successive Sundays. His stay in Georgia was very short; he returned to England in 1736, and in 1737 came under the influence of Count Zinzendorf and the Moravians, especially of that remarkable man who had so large a share in moulding John Wesley's career, Peter Bonier, and also of a Mr. Bray, a brazier in Little Britain. On Whitsunday, 1737, [sic. 1738] he "found rest to his soul," and in 1738 he became curate to his friend, Mr. Stonehouse, Vicar of Islington, but the opposition of the churchwardens was so great that the Vicar consented that he "should preach in his church no more." Henceforth his work was identified with that of his brother John, and he became an indefatigable itinerant and field preacher. On April 8, 1749, he married Miss Sarah Gwynne. His marriage, unlike that of his brother John, was a most happy one; his wife was accustomed to accompany him on his evangelistic journeys, which were as frequent as ever until the year 1756," when he ceased to itinerate, and mainly devoted himself to the care of the Societies in London and Bristol. Bristol was his headquarters until 1771, when he removed with his family to London, and, besides attending to the Societies, devoted himself much, as he had done in his youth, to the spiritual care of prisoners in Newgate. He had long been troubled about the relations of Methodism to the Church of England, and strongly disapproved of his brother John's "ordinations." Wesley-like, he expressed his disapproval in the most outspoken fashion, but, as in the case of Samuel at an earlier period, the differences between the brothers never led to a breach of friendship. He died in London, March 29, 1788, and was buried in Marylebone churchyard. His brother John was deeply grieved because he would not consent to be interred in the burial-ground of the City Road Chapel, where he had prepared a grave for himself, but Charles said, "I have lived, and I die, in the Communion of the Church of England, and I will be buried in the yard of my parish church." Eight clergymen of the Church of England bore his pall. He had a large family, four of whom survived him; three sons, who all became distinguished in the musical world, and one daughter, who inherited some of her father's poetical genius. The widow and orphans were treated with the greatest kindness and generosity by John Wesley. As a hymn-writer Charles Wesley was unique. He is said to have written no less than 6500 hymns, and though, of course, in so vast a number some are of unequal merit, it is perfectly marvellous how many there are which rise to the highest degree of excellence. His feelings on every occasion of importance, whether private or public, found their best expression in a hymn. His own conversion, his own marriage, the earthquake panic, the rumours of an invasion from France, the defeat of Prince Charles Edward at Culloden, the Gordon riots, every Festival of the Christian Church, every doctrine of the Christian Faith, striking scenes in Scripture history, striking scenes which came within his own view, the deaths of friends as they passed away, one by one, before him, all furnished occasions for the exercise of his divine gift. Nor must we forget his hymns for little children, a branch of sacred poetry in which the mantle of Dr. Watts seems to have fallen upon him. It would be simply impossible within our space to enumerate even those of the hymns which have become really classical. The saying that a really good hymn is as rare an appearance as that of a comet is falsified by the work of Charles Wesley; for hymns, which are really good in every respect, flowed from his pen in quick succession, and death alone stopped the course of the perennial stream. It has been the common practice, however for a hundred years or more to ascribe all translations from the German to John Wesley, as he only of the two brothers knew that language; and to assign to Charles Wesley all the original hymns except such as are traceable to John Wesley through his Journals and other works. The list of 482 original hymns by John and Charles Wesley listed in this Dictionary of Hymnology have formed an important part of Methodist hymnody and show the enormous influence of the Wesleys on the English hymnody of the nineteenth century. -- Excerpts from John Julian, Dictionary of Hymnology (1907) ================== Charles Wesley, the son of Samuel Wesley, was born at Epworth, Dec. 18, 1707. He was educated at Westminster School and afterwards at Christ Church, Oxford, where he graduated M.A. In 1735, he took Orders and immediately proceeded with his brother John to Georgia, both being employed as missionaries of the S.P.G. He returned to England in 1736. For many years he engaged with his brother in preaching the Gospel. He died March 29, 1788. To Charles Wesley has been justly assigned the appellation of the "Bard of Methodism." His prominence in hymn writing may be judged from the fact that in the "Wesleyan Hymn Book," 623 of the 770 hymns were written by him; and he published more than thirty poetical works, written either by himself alone, or in conjunction with his brother. The number of his separate hymns is at least five thousand. --Annotations of the Hymnal, Charles Hutchins, M.A., 1872.

Carrie E. Rounsefell

1861 - 1930 Person Name: C. E. Rounsefell Hymnal Number: 111 Composer of "[En la montaña podrá no ser]" in Himnario Cristiano para uso de las Iglesias Evangélicas Carrie Esther Parker Rounsefell USA 1862-1930. Born at Merrimack, NH, she grew up in Manchester, NH. She married William Rounsefell, a bookkeeper. She was known as a singing evangelist throughout New England and New York, where she toured with a small autoharp (zither). She died at Durham, ME. John Perry

Leandro Garza Mora

1854 - 1938 Person Name: Garza y Mora Hymnal Number: 225 Translator of "¡Oh, qué amigo nos es Cristo!" in Himnario Cristiano para uso de las Iglesias Evangélicas Born: August 10, 1854, Rancho del Rosario, Hidalgo County, Texas. Died: December 19, 1938, Montemorelos, Nuevo León, Mexico. Buried: Montemorelos, Nuevo León, Mexico. Garza Mora’s father died when he was five years old. He came to Christ around age 20, under the influence of Dr. Tomas Graybill. At the time, he was working as a bartender in Matamoros, Mexico. He eventually started theological studies and served as a Presbyterian minister for seven decades. © The Cyber Hymmal™ (hymntime.com/tch)

James Langran

1835 - 1909 Person Name: J. Langran Hymnal Number: 50 Composer of "[Mira mis manos por ti llagadas]" in Himnario Cristiano para uso de las Iglesias Evangélicas James Langran (b. St. Pancras, London, England, November 10, 1835; d. Tottenham, London, England, June 8, 1909) studied organ as a youth but did not receive his Bachelor of Music degree from Oxford until he was forty-nine years old. He had several organist positions–the longest was at St. Paul's Church, Tottenham, England, from 1870 to 1909. He also taught music at St. Katherine's Training College for Schoolmistresses (1878-1909). Music editor of theNew Mitre Hymnal　(1875), Langran composed around fifty hymn tunes and contributed several of them to early editions of Hymns Ancient and Modern. Bert Polman

Friedrich Filitz

1804 - 1876 Person Name: F. Filitz Hymnal Number: 78 Composer of "[Ven á nuestras almas]" in Himnario Cristiano para uso de las Iglesias Evangélicas Friedrich Filitz PhD Germany 1804-1876. Born at Arnstadt. Thuringia, he was a German composer and musicologist. He collected church music. He also studied philosophy. In 1833 he worked in Berlin as a music critic and at other employment. He was also a music historian. With Ludwig Erck, he published a collection of 15th & 17th Century chorales in 1845. He moved to Munich and published a chorale book in 1847. His legacy of vauable church music was donated to the Bavarian State Library, where it has made many forgotten works available once again. He died in Bonn, Germany. John Perry

Giovanni Battista Pergolesi

1710 - 1736 Person Name: G. B. Pergolese Hymnal Number: 29 Composer of "[Hijos del celeste Rey]" in Himnario Cristiano para uso de las Iglesias Evangélicas

Frank M. Davis

1839 - 1896 Hymnal Number: 211 Composer of "[Guíame ¡oh Salvador!]" in Himnario Cristiano para uso de las Iglesias Evangélicas Frank Marion Davis USA 1839-1896. Born at Marcellus, NY, he became a teacher and professor of voice, a choirmaster and a good singer. He traveled extensively, living in Marcellus, NY, Vicksburg, MS, Baltimore, MD, Cincinnati, OH, Burr Oak and Findley, MI. He compiled and published several song books: “New Pearls of Song” (1877), “Notes of Praise” (1890), “Crown of gold” (1892), “Always welcome” (1881), “Songs of love and praise #5” (1898), “Notes of praise”, and “Brightest glory”. He never married. John Perry