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Alexander Robert Reinagle

1799 - 1877 Person Name: Alexander R. Reinagle Topics: Acrostic Psalms; Confirmation; Conflict; Epiphany Season; Face of the Lord; Joy; Law; Lord's Prayer 2nd petition (your kingdom come); Presentation of the Augsburg Confession; Sanctification; School Dedication; St. John; St. Jude; St. Matthew; St. Simon; Ten Commandments 8th Commandment (You shall not give false witness); Wisdom; Witness; Word; Youth Composer of "ST. PETER" in Christian Worship Alexander Robert Reinagle United Kingdom 1799-1877. Born at Brighton, Sussex, England, gf Austrian descent, he came from a family of musicians, studying music with his father (a cellist), then with Raynor Taylor in Edinburgh, Scotland. Reinagle became a well-known organ teacher. He became organist at St Peter’s Church, Oxford (1823-1853). He was also a theatre musician. He wrote Teaching manuals for stringed instruments as well. He also compiled books of hymn tunes, one in 1830: “Psalm tunes for the voice and the pianoforte”, the other in 1840: “A collection of Psalm and hymn tunes”. He also composed waltzes. In 1846 he married Caroline Orger, a pianist, composer, and writer in her own right. No information found regarding children. In the 1860s he was active in Oxford music-making and worked with organist, John Stainer, then organist at Magdalen College. Reinagle also composed a piano sonata and some church music. At retirement he moved to Kidlington, Oxfordshire, England. He died at Kidlington. John Perry

John Milton

1608 - 1674 Topics: Advent; Christ; Jesus Christ; Judgment; Kingdom; Prophecy; Psalm Paraphrases; Second Coming; Son of God; The Lord Jesus Christ Second Coming; Watchfulness Author of "The Lord Will Come and Not be Slow" in Great Songs of the Church (Revised) Milton, John, was born in London, Dec. 9, 1608, and died there Nov. 8, 1674. His poetical excellences and his literary fame are matters apart from hymnology, and are fully dealt with in numerous memoirs. His influence on English hymn-writing has been very slight, his 19 versions of various Psalms having lain for the most part unused by hymnal compilers. The dates of his paraphrases are:— Ps. cxiv. and cxxxvi., 1623, when he was 15 years of ago. These were given in his Poems in English and Latin 1645. Ps. lxxx.-lxxxviii., written in 1648, and published as Nine Psalmes done into Metre, 1645. Ps. i., 1653; ii., “Done August 8, 1653;" iii., Aug. 9, 1653; iv. Aug. 10, 1653; v., Aug. 12, 1653; vi., Aug. 13, 1653; vii.Aug. 14, 1653; viii., Aug. 14, 1653. These 19 versions were all included in the 2nd ed. of his Poems in English and Latin, 1673. From these, mainly in the form of centos, the following have come into common use:— 1. Cause us to see Thy goodness, Lord. Ps. lxxxv. 2. Defend the poor and desolate. Ps. lxxxii. 3. God in the great assembly stands. Ps. lxxxii. 4. How lovely are Thy dwellings fair. Ps. lxxxiv. From this, "They pass refreshed the thirsty vale," is taken. 5. Let us with a gladsome [joyful] mind. Ps. cxxxvi. 6. O let us with a joyful mind. Ps. cxxxvi. 7. The Lord will come and not be slow. Ps. lxxxv. Of these centos Nos. 4 and 5 are in extensive use. The rest are mostly in Unitarian collections. There are also centos from his hymn on the Nativity, "This is the month, and this the happy morn" (q.v.). --John Julian, Dictionary of Hymnology (1907)

Thomas H. Troeger

1945 - 2022 Topics: Belief; Daily Living; Darkness; Day of the Lord; Forgiveness; Giving; Griefs; Hope; Jesus Christ Promised Coming; Jesus Christ Second Coming; Justice; Love (Human) For Jesus Christ; Preparation; Present; Promises; Service Music Offertory; Watchfulness; Witness; World; Belief; Christian Year and Observances Advent; Daily Living; Darkness; Day of the Lord; Forgiveness; Giving; Griefs; Hope; Jesus Christ Promised Coming; Jesus Christ Second Coming; Justice; Love (Human) For Jesus Christ; Preparation; Present; Promises; Promised Coming of Christ; Service Music Offertory; Watchfulness; Witness; World Author of "View the Present through the Promise" in Worship and Song Thomas Troeger (1945-2022), professor of Christian communication at Yale Divinity school, was a well known preacher, poet, and musician. He was a fellow of Silliman College, held a B.A. from Yale University; B.D. Colgate Rochester Divinity School; S.T. D. Dickinson College, and was awarded an honorary D.D. from Virginia Theological Seminary. He was ordained in the Presbyterian Church in 1970 and the Episcopal Church in 1999, and remained dually aligned with both traditions. Troerger led conferences and lectures in worship and preaching throughout North America, as well as in Denmark, Holland, Australia, Japan, and Africa. He served as national chaplain to the American Guild of Organists, and for at least three years he hosted the Season of Worship broadcast for Cokesbury. He was president of the Academy of Homiletics as well as Societas Homiletica. He had, as of 2009, written 22 books in the areas of preaching, poetry, hymnody, and worship. Many of his hymn texts are found in New Hymns for the Lectionary (Oxford, 1992), and God, You Made All Things for Singing (Oxford, 2009). Laura de Jong

A. H. Mann

1850 - 1929 Person Name: Arthur H. Mann, 1850-1929 Topics: Christmas Season; Holy Family; Mary, Mother of God; Epiphany of the Lord; Funeral Sacraments; Children's Hymns; Heaven; Incarnation; Second Coming Harmonizer of "IRBY" in Lead Me, Guide Me (2nd ed.) Arthur Henry ‘Daddy’ Mann MusB MusD United Kingdom 1850-1929. Born at Norwich, Norfolk, England, he graduated from New College, Oxford. He married Sarah Ransford, and they had five children: Sarah, Francis, Arthur, John, and Mary. Arthur died in infancy. Mann was a chorister and assistant organist at Norwich Cathedral, then, after short stints playing the organ at St Peter’s, Wolverhampton (1870-71); St. Michael’s Tettenhall Parish Church (1871-75); and Beverley Minster (1875-76); he became organist at King’s College Chapel, Cambridge (1876-1929), Cambridge University organist (1897-1929), and music master and organist at the Leys School, Cambridge (1894-1922). In addition to composing an oratorio and some hymn tunes, he was music editor of the Church of England Hymnal (1894). In 1918 he directed the music and first service of “Nine lessons & carols” at King’s College Chapel. He was an arranger, author, composer, and editor. His wife, Sarah, died in 1918. He died at Cambridge, England. John Perry

Thomas Olivers

1725 - 1799 Person Name: Thomas Olivers, 1725 - 1799 Topics: Christ, the Lord Jesus Advent of; Christians Triumph of; God: His Being, Word and Works God the Son: His Coming in Power; Resurrection of Believers Adapter (Melody) of "HELMSLEY" in The Book of Praise Thomas Olivers was born in Tregonan, Montgomeryshire, in 1725. His youth was one of profligacy, but under the ministry of Whitefield, he was led to a change of life. He was for a time apprenticed to a shoemaker, and followed his trade in several places. In 1763, John Wesley engaged him as an assistant; and for twenty-five years he performed the duties of an itinerant ministry. During the latter portion of his life he was dependent on a pension granted him by the Wesleyan Conference. He died in 1799. --Annotations of the Hymnal, Charles Hutchins, M.A., 1872. ================== Olivers, Thomas, was born at Tregynon, near Newtown, Montgomeryshire, in 1725. His father's death, when the son was only four years of age, followed by that of the mother shortly afterwards, caused him to be passed on to the care of one relative after another, by whom he was brought up in a somewhat careless manner, and with little education. He was apprenticed to a shoemaker. His youth was one of great ungodliness, through which at the age of 18 he was compelled to leave his native place. He journeyed to Shrewsbury, Wrexham, and Bristol, miserably poor and very wretched. At Bristol he heard G. Whitefield preach from the text "Is not this a brand plucked out of the fire?" That sermon turned the whole current of his life, and he became a decided Christian. His intention at the first was to join the followers of Whitefield, but being discouraged from doing so by one of Whitefield's preachers, he subsequently joined the Methodist Society at Bradford-on-Avon. At that town, where he purposed carrying on his business of shoemaking, he met John Wesley, who, recognising in him both ability and zeal, engaged him as one of his preachers. Olivers joined Wesley at once, and proceeded as an evangelist to Cornwall. This was on Oct. 1, 1753. He continued his work till his death, which took place suddenly in London, in March 1799. He was buried in Wesley's tomb in the City Road Chapel burying ground, London. Olivers was for some time co-editor with J. Wesley of the Arminian Magazine, but his lack of education unfitted him for the work. As the author of the tune Helmsley, and of the hymn “The God of Abraham praise," he is widely known. He also wrote “Come Immortal King of glory;" and "O Thou God of my salvation," whilst residing at Chester; and an Elegy on the death of John Wesley. His hymns and the Elegy were reprinted (with a Memoir by the Rev. J. Kirk) by D. Sedgwick, in 1868. --John Julian, Dictionary of Hymnology (1907)

Julia Ward Howe

1819 - 1910 Person Name: Julia W. Howe, 1819-1910 Topics: Judgment; Patriotic; Power of God; Second Coming; The Liturgical Year The Transfiguarion of the Lord (August 6) Author of "Mine Eyes Have Seen the Glory" in Glory and Praise (3rd. ed.) Born: May 27, 1819, New York City. Died: October 17, 1910, Middletown, Rhode Island. Buried: Mount Auburn Cemetery, Cambridge, Massachusetts. Howe, Julia, née Ward, born in New York City in 1819, and married in 1843 the American philanthropist S. G. Howe. She has taken great interest in political matters, and is well known through her prose and poetical works. Of the latter there are Passion Flower, 1854; Words of the Hour, 1856; Later Lyrics, 1866; and From Sunset Ridge, 1896. Her Battle Hymn of the Republic, "eyes have seen the glory of the coming of the Lord," was written in 1861 at the outbreak of the Civil War, and was called forth by the sight of troops for the seat of war, and published in her Later Lyrics, 1806, p. 41. It is found in several American collections, including The Pilgrim Hymnal, 1904, and others. [M. C. Hazard, Ph.D.] --John Julian, Dictionary of Hymnology, New Supplement (1907) ============================ Howe, Julia Ward. (New York, New York, May 27, 1819--October 17, 1910). Married Samuel Gridley Howe on April 26, 1843. She was a woman with a distinguished personality and intellect; an abolitionist and active in social reforms; author of several book in prose and verse. The latter include Passion Flower, 1854; Words of the Hours, 1856; Later Lyrics, 1866; and From a Sunset Ridge, 1896. She became famous as the author of the poem entitled "Battle Hymn of the Republic," which, in spite of its title, was written as a patriotic song and not as a hymn for use in public worship, but which has been included in many American hymn books. It was written on November 19, 1861, while she and her husband, accompanied by their pastor, Rev. James Freeman Clarke, minister of the (Unitarian) Church of the Disciples, Boston, were visiting Washington soon after the outbreak of the Civil War. She had seen the troops gathered there and had heard them singing "John Brown's body lies a-mouldering in the grave" to a popular tune called "Glory, Hallelujah" composed a few years earlier by William Steffe of Charleston, South Carolina, for Sunday School use. Dr. Clarke asked Julie Howe if she could not write more uplifting words for the tune and as she woke early the next morning she found the verses forming in her mind as fast as she could write them down, so completely that later she re-wrote only a line or two in the last stanza and changed only four words in other stanzas. She sent the poem to The Atlantic Monthly, which paid her $4 and published it in its issue for February, 1862. It attracted little attention until it caught the eye of Chaplain C. C. McCable (later a Methodist bishop) who had a fine singing voice and who taught it first to the 122nd Ohio Volunteer Infantry regiment to which he was attached, then to other troops, and to prisoners in Libby Prison after he was made a prisoner of war. Thereafter it quickly came into use throughout the North as an expression of the patriotic emotion of the period. --Henry Wilder Foote, DNAH Archives

Theodore Baker

1851 - 1934 Topics: Advent; Christ; Jesus Christ; Kingdom; Prophecy; Son of God; The Lord Jesus Christ His First Coming Translator of "Lo, How a Rose E'er Blooming" in Great Songs of the Church (Revised) Theodore Baker (b. New York, NY, 1851; d. Dresden, Germany, 1934). Baker is well known as the compiler of Baker's Biographical Dictionary of Musicians (first ed. 1900), the first major music reference work that included American composers. Baker studied music in Leipzig, Germany, and wrote a dissertation on the music of the Seneca people of New York State–one of the first studies of the music of American Indians. From 1892 until his retirement in 1926, Baker was a literary editor and translator for G. Schirmer, Inc., in New York City. In 1926, he returned to Germany. Psalter Hymnal Handbook, 1987

The Venerable Bede

673 - 735 Person Name: The Venerable Bede, 673-735 Topics: Christ, The Lord Jesus; Christ Ascension; Christ Praise of; Christ Second Coming and Judgment of Author of "A hymn of glory let us sing" in Trinity Hymnal Bede (b. circa 672-673; d. May 26, 735), also known as Saint Bede or the Venerable Bede, was an English monk at Northumbrian monastery at Monkwearmouth (now Jarrow). Sent to the monastery at the young age of seven, he became deacon very early on, and then a priest at the age of thirty. An author and scholar, he is particularly known for his Ecclesiastical History of the English People, which gained him the title “Father of English History.” He also wrote many scientific and theological works, as well as poetry and music. Bede is the only native of Great Britain to have ever been made a Doctor of the Church. He died on Ascension Day, May 26, 735, and was buried in Durham Cathedral. Laura de Jong ========================== Bede, Beda, or Baeda, the Venerable. This eminent and early scholar, grammarian, philosopher, poet, biographer, historian, and divine, was born in 673, near the place where, shortly afterwards, Benedict Biscop founded the sister monasteries of Wearmouth and Jarrow, on an estate conferred upon him by Ecgfrith, or Ecgfrid, king of Northumbria, possibly, as the Rev. S. Baring-Gould, Lives of the Saints (May), p. 399, suggests, "in the parish of Monkton, which appears to have been one of the earliest endowments of the monastery." His education was carried on at one or other of the monasteries under the care of Benedict Biscop until his death, and then of Ceolfrith, Benedict's successor, to such effect that at the early age of nineteen he was deemed worthy, for his learning and piety's sake, to be ordained deacon by St. John of Beverley, who was then bishop of Hexham, in 691 or 692. From the same prelate he received priest's orders ten years afterwards, in or about 702. The whole of his after-life he spent in study, dividing his time between the two monasteries, which were the only home he was ever to know, and in one of which (that of Jarrow) he died on May 26th, 735, and where his remains reposed until the 11th century, when they were removed to Durham, and re-interred in the same coffin as those of St. Cuthbett, where they were discovered in 1104. He was a voluminous author upon almost every subject, and as an historian his contribution to English history in the shape of his Historia Ecclesiastica is invaluable. But it is with him as a hymnist that we have to do here. I. In the list of his works, which Bede gives at the end of his Ecclesiastical History, he enumerates a Liber Hymnorum, containing hymns in “several sorts of metre or rhyme." The extant editions of this work are:— (1) Edited by Cassander, and published at Cologne, 1556; (2) in Wernsdorf's Poetae Latin Min., vol. ii. pp.239-244. II. Bede's contributions to the stores of hymnology were not large, consisting principally of 11 or at most 12 hymns; his authorship of some of these even is questioned by many good authorities. While we cannot look for the refined and mellifluous beauty of later Latin hymnists in the works of one who, like the Venerable Bede, lived in the infancy of ecclesiastical poetry; and while we must acknowledge the loss that such poetry sustains by the absence of rhyme from so many of the hymns, and the presence in some of what Dr. Neale calls such "frigid conceits" as the epanalepsis (as grammarians term it) where the first line of each stanza, as in "Hymnum canentes Martyrum," is repeated as the last; still the hymns with which we are dealing are not without their peculiar attractions. They are full of Scripture, and Bede was very fond of introducing the actual words of Scripture as part of his own composition, and often with great effect. That Bede was not free from the superstition of his time is certain, not only from his prose writings, but from such poems as his elegiac "Hymn on Virginity," written in praise and honour of Queen Etheldrida, the wife of King Ecgfrith, and inserted in his Ecclesiastical History, bk. iv., cap. xx. [Rev. Digby S. Wrangham, M.A.] -- Excerpts from John Julian, Dictionary of Hymnology (1907)

W. S. Pitts

1830 - 1918 Person Name: William Pitts, 1829-1903 Topics: God The Lord Jesus Christ - His Praise; God The Lord Jesus Christ - His Resurrection and Exaltation; God The Lord Jesus Christ - His Coming in Glory; The Church of God Missions Composer of "PRINCETHORPE" in The Hymnary for use in Baptist churches William Savage Pitts MD USA 1830-1918. Born at Yates, NY, the son of Puritans, he was the 8th of nine children. He had musical ability from an early age, taking formal music lessons from a graduate of the Boston Handel & Hadyn Society. At age 19, he traveled with his family to Rock County, WI, where he worked as a rural music schoolteacher in Union, WI. He taught for several years, there and at singing schools, and for brass bands, composing much of their music. In 1857 he traveled to Fredericksburg, IA, to visit his fiancee, Ann Eliza Warren, a teacher. Along the way he stopped his horse-drawn wagon at Bradford, IA, to rest. He walked across a field and saw a picturesque wooded valley formed by the Cedar River. Viewing the spot, he envisioned a church building there. He couldn’’t get the image out of his mind. Returning home to WI, he wrote out the words to a poem about the envisioned scene, calling it “Church in the wildwood”, for his own sake. He was then at rest about it. In 1862, he was married in Union, WI, and he and his wife moved to Fredericksburg to be near her elderly parents. Upon returning to Iowa, Pitts stopped along the route at the same location he had five years before to see it again. He was surprised to see a little church being built, and being painted brown. He met with the builders and asked why it was being painted brown, finding out that it was the cheapest paint they could find.. money being tight. The church builders, learning about his poem written several years earlier, asked him to bring his church choir to the dedication and sing a dedicatory song. In 1863 he did so. This was the first time the song was sung in public. The Pitts remained at Fredersicksburg, IA, for 44 years and had five children: Nellie, Grace, Alice, William, and Kate. Pitts served as mayor of Fredericksburg for seven years, as school treasurer for 26 years, wrote a biographical local history, and was a Master Freemason. In 1865 Pitts moved to Chicago to enroll at Rush Medical College. While there, to pay expenses, he offered several songs he had written to a music publisher, who chose his song “Little brown church in the vale”, and he sold the rights to his song for $25. He completed medical school, graduating in 1868, but the song was largely forgotten for several decades. Pitts practiced medicine in Fredericksburg until 1906. His wife died in 1886, and he remarried to Martha Amelia Pierce Grannis in 1887. They moved to Clarion, IA, in 1906. She died in 1909. Pitts then moved to Brooklyn, NY, to be with his son, William, who was working for the U. S. War Department. Pitts joined Fredericksburg’s Baptist Church in 1871, then the Congregational Church in Clarion, IA, in 1906, and later the Dyker Heights Congregational Church in Brooklyn, NY, in 1909. He occasionally performed his most famous song. He died at Brooklyn, NY, but was buried in Fredericksburg, IA. John Perry

Dmitri Stepanovich Bortnianski

1751 - 1825 Person Name: Dmitri Bortnianski, 1752-1825 Topics: God The Lord Jesus Christ - His Coming in Glory; The Church of God The Lord's Supper Composer of "WELLS" in The Hymnary for use in Baptist churches Dimitri Stepanovitch Bortniansky (1751-1825) Ukraine 1751-1825 Born in Glukhov, Ukraine, he joined the imperial choir at age 8 and studied with Galuppi, who later took the lad with him to Italy, where he studied for 10 years, becoming a composer, harpsichordist, and conductor. While in Italy he composed several operas and other instrumental music, composing more operas and music later in Russia. In 1779 he returned to Russia, where he was appointed Director to the Imperial Chapel Choir, the first as a native citizen. In 1796 he was appointed music director. With such a great instrument at his disposal, he produced many compositions, 100+ religious works, sacred concertos, cantatas, and hymns. He influenced Rachmaninoff and Tchaikovshy, the latter editing Bortniansky's sacred work, amassing 10 volumnes. He died in St. Petersburg. He was so popular in Russia that a bronze statue was erected in his honor in the Novgorod Kremlin. He composed in different musical styles, including choral works in French, Italian, Latin, German, and Church Slavonic. John Perry

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