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Lela B. Long

1896 - 1951 Meter: 8.7.8.7 with refrain Author of "Jesus Is the Sweetest Name I Know" She’s an almost unknown personality, except for the song associated with her name. Perhaps that’s the way Lela B. Long wanted it…to be faceless, almost nameless, in favor of making His name more well-known. “Jesus Is the Sweetest Name I Know” must have been a statement her family and friends could remember her saying, but we don’t have to rely on any published biography to learn this. She recorded her opinion for us. What opinions do I have that I would want to survive me? Just any pontification probably wouldn’t last, but what makes Lela’s opinion notable is that it strikes a chord with us still today. There’s not much information on Lela B. Long, other than a record with the words she wrote that suggests the song was written prior to 1925. That would suggest she was an adult who was born in the late 19th or early 20th Century, and went on to eternity prior to the end of the 20th Century. She must have had some affinity with people she knew, including unspoken names she says in verse one had moved her emotionally. But, she makes it clear that those names paled next to ‘Jesus’. Why would His name be so special to Long? Had she been affected by poor health, or events of her time like World War I, which robbed its survivors of friends and loved ones? What life circumstances drew her toward Him? We only know that she wrote three verses and a refrain (see the link below for access to them) to carry her message, though most often we hear only the refrain. She has us say repeatedly throughout the refrain that he’s genuine, as authentic and loveable as one can imagine Him. Isn’t that really the root of love, that this person to whom I cling is not a fake, but true? He’s worth my worship, she declares. Can I identify with what Lela says? I live in a different time than her, but what’s really different? There are still people around, many of whom move me in different ways, as some evidently did for Lela Long in her life. She must have experienced illness, or other calamities that threatened her faith. War? The war she must have known was once known as the ‘war to end all wars’. Did it really accomplish this? How sweet was its conclusion for those who signed the peace at Versailles (see picture), if they lived to see what happened a generation later? Lies like that are too common. Likewise, health is too fragile for me to become complacent in my comfort. I must find something that won’t go sour. Lela did. It’s still pretty tasty, even decades after she savored it. Link to the song’s scant history and the three verses that accompany the chorus-refrain: http://www.hymntime.com/tch/htm/j/i/s/jisnikno.htm Posted by David Cain at 12:23 PM http://songscoops.blogspot.com/2012/02/jesus-is-sweetest-name-i-know-lela-b.html

Dan Damon

b. 1955 Person Name: Daniel Charles Damon, 1955- Meter: 8.7.8.7 with refrain Author of "Eat This Bread and Never Hunger" in Worship and Rejoice Daniel Charles Damon (b. 1955) is an internationally published writer of hymn texts and tunes and is Associate Editor of Hymnody for Hope Publishing Company, Carol Stream, Illinois. Damon is also a jazz pianist and has played in many hotels and clubs in the San Francisco Bay area. He holds degrees from Greenville College, Greenville, Illinois (BME, 1977) and Pacific School of Religion, Berkeley, California (MDiv, 1987). He is an ordained Elder in the United Methodist Church in the San Francisco Bay area and a life member of the Hymn Society in the United States and Canada. Several single-author collections of Damon's hymns have been published: Faith Will Sing (Carol Stream, 1993), The Sound of Welcome (Carol Stream, 1998), To the Thirsty World (Nashville, 2002), Fields of Mercy (Carol Stream, 2007), and Garden of Joy (Carol Stream, 2011). He collaborated with text writer Gracia Grindal in A Treasury of Faith: Lectionary Hymns Series A (Colfax. 2012). Damon's hymns have been included in several major hymnals and supplements. He has also written hymn translations from Vietnamese, Portuguese, and Shona languages, and, with Patrick Matsikenyiri, edited Njalo, A Collection of 16 Hymns in the African Tradition (Nashville, 1996). He has released three recordings of hymns, carols, and traditional songs, and a solo piano recording of jazz standards (available at www.damonstuneshop.com). Damon has presented his work at national conferences of the Hymn Society in the United States and Canada and the Fellowship of United Methodists in Music and Worship Arts. He is a contributor to the Canterbury Dictionary of Hymnology. In 2016, Damon was made a Fellow of the hymn Society, the highest honor The Hymn Society can confer. Dan Damon

David Nelson

1793 - 1844 Meter: 8.7.8.7 with refrain Author of "For now we stand on Jordan's strand" in The Presbyterian Book of Praise Nelson, David, M.D., son of Henry Nelson, was born near Jonesborough, East Tennessee, Sept. 24, 1793. He graduated at Washington College, Virginia, in 1810, and took his M.D. degree at Philadelphia in 1812. He acted for some time as a surgeon in the war against Great Britain. During that time he became an infidel, but returning to the faith, he, in 1823, resigned medicine and took up theology, and subsequently became a Presbyterian Minister. He held several appointments, and founded two manual-labour colleges, one at Greenfields, and the second near Quincy, Illinois. He died Oct. 17, 1844. His hymn, "My days are gliding swiftly by" (Death Anticipated), was written in 1835, to be sung to the tune of "Lord Ullin's Daughter." It is exceedingly popular. [Rev. F. M. Bird, M.A.] --John Julian, Dictionary of Hymnology (1907)

Caroline L. Smith

1827 - 1886 Person Name: Mrs. C. S. Smith Meter: 8.7.8.7 with refrain Author of "Tarry with Me" in Songs of Faith and Praise Smith, Caroline Louisa, née Sprague, was born at Salem, Massachusetts, and married to the Rev. Charles Smith, pastor of the South Congregational Church, Andover. Mrs. Smith is the author of:— Tarry with me, O my Saviour. An Old Man's Prayer. Mrs. Smith's account of this hymn is "About the year 1853 [in the summer of 1852], I heard the Rev. Dr. H. M. Dexter preach a sermon on 'The Adaptedness of Religion to the Wants of the Aged.' I went home and embodied the thought in the hymn 'Tarry with me, 0 my Saviour!' I sent it to Mr. Hallock, for The Messenger. He returned it as 'not adapted to the readers of the paper.' Years after I sent it, without any signature, to the little Andover paper .... I send it to you in its original form, in a little paper of which my sister, Mrs. Terry [Rochester, N.Y.], is editoress." (Hatfield's Poets of the Church, N.Y., 1884, p. 564.) Hatfield gives the full text in 1 stanza of 6 lines. In the Plymouth Collection, 1855, No. 1337, in 5 stanzas of 4 lines, was compiled from st. i., ii., vi., vii. This was repeated in The Sabbath Hymn Book, 1858, and others. Of this text st. ii. is sometimes omitted. --John Julian, Dictionary of Hymnology (1907)

Richard Lloyd

1933 - 2021 Meter: 8.7.8.7 with refrain Arranger (version 2) of "IRIS" in Complete Anglican Hymns Old and New

Michel Guimont

b. 1950 Person Name: Michel Guimont, b. 1950 Meter: 8.7.8.7 with refrain Composer of "GRACIOUS GIFT" in Worship (4th ed.)

J. B. O. Clemm

1855 - 1927 Meter: 8.7.8.7 with refrain Composer of "CLEMM" in Psalter Hymnal (Blue) James Bowman Overton Clemm

María Eugenia Cornou

b. 1969 Person Name: María Eugenia Cornou, b. 1969 Meter: 8.7.8.7 with refrain Translator (vs. 5) of "Angels, from the Realms of Glory (Ángeles de alta gloria)" in Santo, Santo, Santo

Ken Barker

b. 1955 Meter: 8.7.8.7 with refrain Arranger (choral ending) of "HEAVEN" in The Celebration Hymnal

John Kempthorne

1775 - 1838 Person Name: J. Kempthorne Meter: 8.7.8.7 with refrain Author of "Praise the Lord" in Songs of Faith and Praise Born: June 24, 1775, Plymouth, England. Died: November 6, 1838, Gloucester, England. Kempthorne, John, B.D., s. of Admiral Kempthorne, was born at Plymouth, June 24, 1775, and educated at St. John's, Cambridge (B.A. 1796, B.D. 1807), of which he subsequently became a Fellow. On taking Holy Orders, he became Vicar of Northleach, Gloucestershire, in 1816; Vicar of Wedmore, Somersetshire, 1827, and the same year Rector of St. Michael's, and Chaplain of St. Mary de Grace, Gloucester. He was also a Prebendary in Lichfield Cathedral from 1826, and sometime Examining Chaplain to the Bishop of that diocese. He died at Gloucester, Nov. 6, 1838. His hymnological work is:— Select Portions of Psalms from Various Translations, and Hymns,from Various Authors. The whole Arranged according to the yearly Seasons of the Church of England , with attempts at corrections and improvements. By the Rev. John Kempthorne, B.D.....London. Batchard. 1810. In this collection there are a few hymns of merit, as ”Forgive, O Lord, our wanderings past," "Great God, to Thee our songs we raise," and "Praise the Lord, ye heavens adore Him," which are usually ascribed, on D. Sedgwick's authority, to J. Kempthorne. These hymns, however, are not by Kempthorne, but were taken by him for his collection from the Foundling Hospital Psalms & Hymns, 1796 and 1801-9; and there is no evidence whatever that he had anything to do with that hymn-book. As that book is frequently quoted by hymnologists, we append the title-page of the 1801 ed., which is a reprint of that of 1797:— Psalms, Hymns, and Anthems; sung in the Chapel of the Hospital for the Maintenance and Education of Exposed and Deserted Young Children. London, Printed in the Year M.DCCC.I. At the end of some copies of this edition there is pasted in a four-paged sheet of hymns which include, with others, "Praise the Lord, ye heavens, adore Him (q.v.) In the first edition of his own Selection of Portion of Psalms, &c, 1810, Kempthorne did not in any way indicate his own hymns, but in the 2nd ed. of 1813 (which is a reprint of the 1st ed. with an Appendix of 11 hymns) he says in his Preface:— “For Hymn 140 and Hymn, p. 267. Appendix; for almost all of Ps. 42, p. 197; Ps. 51, p. 57 and 61; Ps. 84, p. 195; Ps. 86, p. 134; Ps. 115, p. 49; Hymn 127 ; and for a considerable part of Ps. 22, p. 64; Ps. 122, p. 103; Ps. 133, p. 141; Ps. 139, p. 38; Hymns 20, 43, 54, 81, 97, 101, 118, and several others, the Editor is responsible, and acknowledges his obligations to some kind friends." Of these hymns and psalm versions, which Kempthorne claims as his own, only one or two are in common use. --John Julian, Dictionary of Hymnology (1907)