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Carey Landry

b. 1944 Person Name: Carey Landry, b. 1944 Topics: Creation; Creation; Creation Author of "We Have Been Baptized in Christ" in Glory and Praise (3rd. ed.)

b. 1956 Topics: The Creation Author of "May the Words of My Mouth" in Psalms for All Seasons LEE, DAVID (b. 1956): B.Sc. Geology with Geophysics, University of Durham; M.Sc. Computing Science, University of Newcastle upon Tyne. Working life in I. T. Support in university and scientific research. He has been active in church music since his early teens. He is member of the Hymn Society of Great Britain and Ireland, and in 2007 was elected to serve on its executive committee.Hymn, song and anthem settings appear in (amongst others) Singing the Faith, RSCM (Royal School of Church Music) collections, Lutheran Service Book (LCMS), Psalms for All Seasons., In Melody and Songs David Lee(from In Melody and Song, Darcey Press, 2014, and previous (uncited) bio

Anne K. LeCroy

1930 - 2016 Person Name: Anne K. LeCroy, b. 1930 Topics: Creation Alterer of "Christ, Mighty Savior" in Worship (3rd ed.) Rev. Anne LeCroy was a professor of English at East Tennessee State University. Following her work as a translator she was a vocational deacon in the diocese of East Tennessee, serving St. Timothy's in Kingsport, and St. John's in Johnson City. Dianne Shapiro, from email sent by Rev. Margaret Zeller, Rector, St. Christopher's, Kingsport

Maurillo López Lázaro

b. 1919 Person Name: Maurilio López Lázaro, n. 1919 Topics: Creation Author of "Corazones to ofrecemos (Loving Hearts We Bring before You)" in Santo, Santo, Santo

Keith Landis

Person Name: Keith Landis, 1922- Topics: New Creation Author of ""Arise, Dead Lazarus, Come Forth!"" in The Covenant Hymnal

Geoffrey Laycock

b. 1927 Person Name: Geoffrey Laycock, b. 1927 Topics: New Creation Harmonizer of "CAPTIVITY (KAS DZIEDAJA)" in Psalms for All Seasons Geoffrey Laycock (b. 1927) was director of music at a teachers college in Norwich. --The Presbyterian Hymnal Companion, 1993

Bertram Luard-Selby

1853 - 1918 Person Name: B. Luard-Selby (1853-1918) Topics: The Creation Composer of "IVYHATCH" in Hymns for Today's Church (2nd ed.)

Maria Ling

Topics: God in Creation and Providence Gifts of Paraphraser (English) of "We All Believe in One God of Love (Kasip oko sid kinoringan)" in Sound the Bamboo

Aleksēi Federovich L'vov

1798 - 1870 Person Name: A. F. Lvov (1799-1870) Topics: The Creation Composer of "RUSSIAN ANTHEM" in Hymns for Today's Church (2nd ed.) Alexis Federovich L’vov Estonia 1798-1870. Born at Reval, Estonia, son of the St. Petersburg imperial court chapel director, he learned violin as a child and gave regular concerts in his home at age 9. Studying under a number of teachers until age 19, he then studied independently and developed his own personal style of playing. He entered the Russian army in 1818, became a civil engineer there eventually a General in 1828, when he was appointed Aide-de-camp to Tsar Nicholas I. He married Praskovya Aggeyevna, and they had a son and two daughters. He eventually took over his father’s post after he died in 1837 and stayed at that position for 24 years. He formed a string quartet in St. Petersburg and held weekly concerts at his private residence, which were attended by members of high society, including Franz Liszt, Robert and Clara Schumann, and Berlioz. In charge of the Russian chapel choir, it was described by Berlioz as of exceptional quality, expressing regret that Europeans were unable to hear the extraordinary sounds of the chapel choir (80 singers). L’vov took his quartet on several European tours where he could play to public audiences. He met Mendelssohn, Meyerbeer, and Spontini, who became personal friends. L’vov codified the Russian liturgical musical style ‘Obikhod’, the standard repertory of most Russian Orthodox churches in the world. L’vov was a member of the Russian musical establishment. Two of his friends who attained musical fame were Glinka and Berlioz, both impressed with L’vov’s superb violin playing and composing abilities. He composed violin music, operas and various religious pieces. His opera “Undine” (1846) became famous. In 1850 he founded the Russian Concert Society. His musical style was eclectic, combining traditions of Russian culture with Italian and German influences. He retired in 1867 due to deafness. He died near Kovno, Lithuania. John Perry