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Asa Hull

1828 - 1907 Composer of "[One by one are autumn leaves]" in Gospel Praise Book. Asa Hull USA 1828-1907. Born in Keene, NY, he became a music publisher in New York City. He married Emma F Atherton, and they had a daughter, Harriett. He wrote many tunes and authored temperance rallying songs. He published 33 works, of which 21 were songbooks, between 1863-1895. He died in Philadelphia, PA. John Perry

Evelyn Simpson-Curenton

b. 1953 Person Name: Evelyn Simpson-Curenton, b. 1953 Arranger of "[I'm gonna send thee one by one]" in African American Heritage Hymnal Evelyn Simpson Curenton (born 1953) is a leading African-American composer, pianist, organist, and vocalist. Simpson Curenton began piano lessons at age 5, began to perform with the Singing Simpsons of Philadelphia, a family group, and earned a B.M., Music Education and Voice from Temple University. She has been commissioned to write works for the American Guild of Organists, George Shirley, the late Duke Ellington, and her sister, the late Joy Simpson, arranged music for Kathleen Battle, Jessye Norman, and the Porgy and Bess Chorus of the New York Metropolitan Opera, and has performed with musical organizations such as Philadelphia's National Opera Ebony (later renamed Opera North). Based in the Washington, D.C., area, Curenton is Music Director of the Washington Performing Arts Society's Men and Women of the Gospel and an associate of the Smithsonian Institution. She has given lectures and participated in workshops on early 18th-century black religious music and the music of African-Americans during the Civil Rights era. --en.wikipedia.org

E. H. Stokes

1815 - 1897 Author of "One by one, one by one" in The Canadian Hymnal He was president of the Ocean Grove Campmeeting Association.

W. Oliver Cooper

1885 - 1963 Person Name: W. O. C. Author of "Dear Lord, I Pray, Forgive, Forgive" in Redeeming Grace Use pseudonym Oscar J. Schwab

L. O. Emerson

1820 - 1915 Composer of "[One by one the sands are flowing]" in Joyful Greeting Luther Orlando Emerson was born at Parsonsfield, Maine, August 3, 1820. He descended from distinguished English ancestry. His parents were quite musical, and while the family circle were together, they had a choir and orchestra of their own. The father played the violoncello, the mother was an excellent singer, the flute and violin added their sweet tones, till the quiet homestead rang with melody. Mr. Emerson's education was obtained at the district school, Parsonsfield Seminary and Effingham Academy. He was full of energy, quick and versatile, an apt scholar, and with a view to entering the profession of medicine he entered Dracut Academy, Mass. But his great love for music swerved him from that course, and now, having far better opportunities for cultivating and enjoying this taste and ability, he soon determined upon music as the profession of his choice. He accordingly commenced a course of musical instruction under the late I. B. Woodbury, then a popular teacher of music. After several years of study on the voice, piano, organ and in harmony, Mr. Emerson went to Salem, Mass., began teaching, and took charge of his first choir at a salary of one hundred dollars per year. Here he commenced the composition of music for his own choir, whiich was so popular with its members and the congregation, that Mr. Emerson was encouraged to seek a larger hearing by publishing a collection of church music. Among the tunes was that of Sessions, named after his pastor, which was destined to have a perennial popularity, and is often used in worship in the place of Old Hundred, for the Doxology. At the great Peace Jubilee it was received with applause when sung by a chorus of ten thousand voices, accompanied by an orchestra of two hundred instruments and a great pipe organ. The effect was sublime beyond expression. In 1847 occurred the marriage of Mr. Emerson to Miss Mary Gore, daughter of a prominent Boston merchant. She was a lady of much musical taste and ability. In 1853 he decided to make an effort to put his music before the public, and accordingly went to Boston in search of a publisher. Like most young and unknown authors, he met with but little encouragement, but finally found a publisher in the person of Mr. B. B. Muzzy. Thus was the Romberg Collection published. The book was not pushed — hence it found no market. After a residence of eight years in Salem, Mr. Emerson removed to Boston, accepting the position of organist and musical director at the Bulfinch Street Church, then under the pastoral care of Rev. Wm. R. Alger, which he filled for four years. He eagerly improved the rare means of culture which were once more enjoyed, meanwhile teaching and composing music. In 1857 he formed the connection with Oliver Ditson Company, of Boston, of author and publisher, which has continued to the present time with but one interruption (a single volume brought out by another firm), the Golden Wreath, which at once became popular, and sold forty thousand during the first year, this being the initial volume in the long series since brought out by these publishers. In 1858 came the Golden Harp, which was also a success. These successes gave him not only encouragement, but reputation. Mr. Emerson now entered upon a career of usefulness and popularity for which he had been preparing during the years of self-denying struggle and discipline. He was called to take charge of the music in the Second Congregational Church, Greenfield, Mass., and also of the musical department of Power's Institute, at Bernardston. Amid nature's most beautiful surroundings, he had a quiet retreat for the pursuit of his true vocation, the composition of church music. The first fruit of his genius here was the Sabbath Harmony, in 1860. This book was also a success. In 1863 followed the Harp of Judah, which had the remarkable sale of nearly fifty thousand copies in the first three months. This book probably gave Mr. Emerson his preeminence as a composer of church music, containing as it did his anthem, Guide Me, O Thou Great Jehovah, and many of his finest compositions. Having declined the solicitations of Dr. Lowell Mason to become his associate in music, Mr. Emerson started forth on his own plans, and attained the highest rank among those who loved the pure and beautiful in song. Mr. W. S. B. Mathews, a musical critic, pronounces him the best melodist of all the psalmodic writers. In 1866 the equally successful Jubilate appeared, followed by the Choral Tribute, the Standard and the Leader. In the last two Dr. I. R. Pahner was associated with him. Later on came the Salutation, Voice of Worship, Herald of Praise, etc. The diligence with which Mr. Emerson plied his pen can be estimated when one recalls the fact that he has made seventy-two collections of music, embracing music for churches, singing schools, public schools, choral societies and conventions, instruction books for voice, organ, etc. He has also composed and published scores of songs, quartets and instrumental pieces. The great amount of work this represents can only be appreciated by those who have undertaken similar labors. Some years ago the degree of Doctor of Music was conferred upon Professor Emerson by the Faculty of Findlay College, Findlay, Ohio. For many years past. Dr. Emerson has devoted his energies to the grand purpose of elevating the general character of music in our churches, and thus largely advancing the interests of true worship. He places great stress upon the mission of church music. He regards sacred music as the best expression of devotional feeling that exists. He looks upon sacred song as prayer, and believes that it inspires and intensifies prayer. With this view he has taken an active and prominent part in musical festivals and conventions, of which he has conducted over three hundred throughout the United States and Canada. As a conductor, he stands in the front rank. As a teacher. Dr. Emerson has an exceedingly happy faculty of imparting in a concise manner to his classes. His very pleasing address enables him to command the undivided attention of his pupils. As a singer, he has always held high rank, and has sung much in public. His voice is a baritone of great compass, and quite powerful. As a lecturer upon music, Dr. Emerson has attracted much attention. His most popular lecture is entitled The World of Music, in which he traces its origin and progress, and gives some excellent traits of the lives of the great composers. In this lecture he also shows the design of music, and how it has been prized in every age of the world, among all nations — its power in the Church and State, and the need of its influence in the family — in joy and sorrow — for this life and the life to come. -Biography of Gospel Song and Hymn Writers

Henry Barraclough

1891 - 1983 Composer of "[We are going through the valley one by one]" in Alexander's Hymns No. 4 Barraclough was educated in England, and studied organ and piano from the age of five. He worked for a while as a claims adjuster for the Car and General Insurance Company. From 1911-13, he was secretary to Member of Parliament George Scott Robertson. He then joined the Chapman-Alexander evangelistic team as a pianist, and traveled with them to America and remained there. He fought in World War I, rising to the rank of sergeant major, then became secretary, and later an administrator, of the General Assembly of the Presbyterian Church (1919-61). He wrote words for 20 hymns and tunes to 120. © The Cyber Hymnal™ (www.hymntime.com/tch)

S. J. Henderson

Author of "Saved by the Blood" in Timeless Truths Early 20th Century

Alton H. Howard

1925 - 2006 Arranger of "SAVED BY THE BLOOD" in Songs of Faith and Praise

Theodore E. Perkins

1831 - 1912 Person Name: T. E. Perkins Composer of "[One by one we cross the river]" in Showers of Blessing Theodore E. Perkins was born at Poughkeepsie, on the Hudson, N.Y., July 21, 1831. His father was a Baptist clergyman. The family of ten brothers and sisters sang and played various instruments, forming among themselves both choir and orchestra. His musical education began at the early age of three years. During his father's pastorate at Hamilton, N. Y., the choir rehearsals were often held at the parsonage, and the leader used to place the three-year-old on a small stool, on the table around which the choir was assembled, giving him a chance to both see and hear. Later on he played the violincello in church, standing on a stool in order to finger the instrument. The home gatherings — especially on Thanksgiving Day, are the recollections among the happiest of his childhood. His father became pastor of the Berean Baptist Church in New York City, in 1839, giving him the opportunity of studying the pianoforte, of which he became a proficient player. His fine alto voice soon gave him notoriety. At the age of nineteen while filling a position as clerk in New York, all his spare time was given to the study of voice and piano. In 1851 he went to Hamilton, N. Y., taught music in Madison University (now Colgate), and in the Female Seminary. In 1854 he went to Port Jervis, N. Y., where he taught singing school, and April 30, 1855, married Mary Frances Caskey, who was for years his soprano soloist in many musical Festivals and Conventions. Soon after marriage he removed to Salem, N. J., where his lifework as singing school teacher really began, including Bridgeton and prominent towns in southern New Jersey. During the summer of 1856 he and his wife were pupils of the Normal Academy of Music at North Reading, Mass., conducted by Drs. Lowell Mason and Geo. F. Root. During 1856-1858 he was given the position of assistant teacher and manager. His association with these two great men gave an inspiration to all his future work. In 1859 he was co-principal with Wm. B. Bradbury at the Normal Academy of Music, Geneseo, N. Y. He remained at Geneseo until 1863. Professor Perkins also held very successful schools in North Pelham Province of Ontario, Canada, and in 1864-1868 was principal in schools at Tunkhannock and Meadville, Pa. In 1860, The Olive Branch, his first book of church music, was published by F. J. Huntington, New York City, the sales reaching 100,000. Next was Oriental, which sold over 30,000. The Union, Glees and Anthems, and Sabbath Anthems followed ; then The Sacred Lute, which sold over 300,000. His Sunday-school books commenced with The Evergreen, followed by the Shining Star and New Shining Star. Then came Psalm King, which was the last of the books published by Mr. Huntington. Hallowed Songs was published by Philip Phillips; The Sunday School Banner was published by Wm. B. Bradbury. The Royal Standard was published in Toronto, Canada. The Golden Promise, Sabbath Carols, The Mount Zion Collection were published under his own supervision. His Free Sunday School Songs several times numbered over 500,000 a month. Coronation Songs with Rev. Dr. Deems as hymn editor was published by A. S. Barnes Co., who also published Psalms and Hymns and Spiritual Songs, in which Dr. C. S. Robinson was hymn editor, who with Professor Perkins edited Calvary Songs, published by the American S. S. Union. Gospel Tent Songs was evangelical. The Safe-Guard Singer was his temperance book. Mr. Perkins was musical director in the following churches in Brooklyn: The Lafayette Avenue Presbyterian Church, Rev. Dr. Cuyler; Strong Place Baptist Church, Rev. E. E. L. Taylor, D. D.; Madison Avenue Baptist Church, Rev. H. G. Weston, D. D., L. L. D.; Fifth Avenue Presbyterian Church, Rev. Dr. Rice, followed by Dr. John Hall; The Memorial Presbyterian Church, Rev. Dr. C. S. Robinson, who was his close friend; The Church of the Holy Trinity, Rev. Dr. Tyng, Jr. ; Trinity Baptist Church, Rev. Dr. J. B. Simmons, and Washington Square M. E. Church. In Philadelphia: The Fifth Baptist Church, Rev. Dr. Chase; The Eleventh Baptist Church, Rev. Dr. Colman; The Tabernacle M. E. Church, Rev. George Gaul, D. D. He was leader and singer in Evangelistic Services, at the Rink, The Old Madison Square Garden and Cooper Union, all of New York City. The music of the first great meeting of the world's Evangelical Alliance, held for ten days in New York City, was under his direction, as was the first National Sunday School convention, held in Newark, N. J. He was also conductor at the Golden Anniversary of the Female Guardian Society, leading a chorus of forty-two hundred children. In the opening chorus, Great is the Lord, by Dr. Calcott, the word "Great" was given with so much decision and power that the clergymen on the platform sprang to their feet and remained standing until the chorus was finished. He taught voice culture in Princeton and Lafayette Universities, The Union Theological Seminary, New York City; Crozer Seminary, Chester, Pa., and organized the music department of Temple University, Philadelphia, continuing in charge four years. He had charge of the children's choir of Howard Mission, New York City, for twenty-five years, and thinks that some of the happiest and most restful of the working hours were spent in teaching the poor children of the fourth and sixth wards to sing the Gospel. Mr. Sankey said to Mr. Perkins that " Jesus of Nazareth was my banner song for eight years." Jesus is Mine has been sung at the Christian's death-bed, the grave, and once as the convict was going to the scaffold. His Christmas Carol Sweetly Carol had a very large sale in this country, and was republished in England, France, Italy, and Germany. For a period of forty years he has made the study of the voice special work. The most thorough investigations of the voice and its possibilities were made with the assistance of the late John Howard, extending over a period of twenty-five years, during which he has had the care of over two thousand voices. He published a work entitled, Physiological Yoice Culture, edited by his son, the late T. Edward Perkins, M. D., physician and throat specialist of Philadelphia. Mr. Perkins also completed a method of voice culture based on the principles of John Howard's Physiology of Artistic Singing." During these years of work he has found time to edit thirty-four books of church, Sunday-school, day-school, and glee music, the larger portion having been previously mentioned. Also songs and ballads in sheet form, and a cantata entitled, The Excursion, libretto by Fanny Crosby, with whom there has existed an unbroken friendship for over forty years. -Biography of Gospel Song and hymn Writers

Susan H. Peterson

1950 - 2004 Author of "Come unto Me (Peterson)" in The Cyber Hymnal Born: October 17, 1950, Port Angeles, Washington. Died: July 23, 2004, Peralta, New Mexico. Susan was the second of two girls in the family. Her father worked for the National Park Service, so Susan enjoyed growing up in National Parks and Historic Sites across America. She did her undergraduate work at Stanford University and earned a BS in mathematics in 1972. The next year she took a one-year graduate program at Multnomah School of the Bible in Portland, Oregon, and received a Certificate of Bible upon completion. She decided not to pursue a career in computer science, as she had originally intended, instead embarking on a series of jobs in which she honed her office skills and gained some missions experience. She spent 1976 in Tanzania under the Africa Inland Mission. Upon her return, she settled in Portland, Oregon, where she learned word processing and did editing and proofreading. In 1990, Susan decided to go back to school to learn how to work with visually impaired and blind adults. She received her MA in rehabilitation teaching of the blind from the University of Arkansas at Little Rock in 1991. She then moved to Fort Collins, Colorado, where she worked as an editor and desktop publishing technician for 10 years and did volunteer rehabilitation teaching in her spare time. Much of Susan’s editing and desktop publishing work was on books produced by the Missions Commission of World Evangelical Alliance, including Working Your Way to the Nations, Too Valuable to Lose, Send Me!, Global Missiology for the 21st Century, and Doing Member Care Well. She also worked part time for Emergency World, a company that produced training materials for emergency response personnel. Susan moved back to Oregon in 2002, where she continued the same work she did in Colorado. For several years, Susan worked with Wycliffe Associates as part of a team that helped keyboard Bibles and New Testaments that were printed before the age of computers and that needed to be put into electronic format, so that they could be updated or adapted for other languages. Susan’s career as a hymn writer began in 1997, when she set a goal of writing 100 hymns. Her method was to select a passage of Scripture for each song and then find a hymn tune that seemed to fit the passage. She thus combined the enduring Word of God with melodies that have stood the test of time. Her songs were a blessing to her, and she was pleased to be able to share them with others. Lyrics: Alpha, Omega Ascribe to the Lord Our God Be Now Imitators of Your Lord Be Strong in God Behold, These Words Are Trustworthy and True Blest Are the Poor Blest Is the Man Christ a Blind Man Saw One Day Clothe Yourself with Humility Come and Hear the Words of Jesus Come unto Me Count It Joy Cursed Is the One Who Trusts in Man Do Not Be Surprised Do Not Worry Earth Belongs to the Lord, The Everyone Should Be Quick to Listen Faith Means We’re Sure Faith of Our Brothers For unto Us a Child Is Born Give Thanks to God the Lord God, Keep Me Safe God Most High, We Praise You God, the Blessed and Only Ruler God the Lord Does Ask Hallelujah, Praise the Lord! He Has Given Us His Promises Hear Now My Praise, O Lord Holy, Holy, Lord God Almighty How Can I, Lord, Keep My Way Pure? How Good It Is, Lord How Great the Love How Many Are Your Works, Lord I Am the Lord, Your God I Am the Vine I Extol You, O Lord I Kneel Before You, Lord I Praise You, Lord If Any Person Is in Christ If You Love Me If You Would Come After Me In You, O Lord, I Put My Trust It Is Good to Praise th’Almighty Jesus, the Good Shepherd Jonah Just Trust in Me Kingdom of Your Heavenly Father, The Let Not Your Hearts Be Troubled Let Your Mindset Be the Same Live with Each Other in Love Lord, I Extol Your Name Lord, We Come and Offer Praise Lord, You Have Been Our Dwelling Lord, You Have Searched Me Lord, You’ve Called Us as Your Servants Love Must Be Sincere and Honest Lovely, O Lord, Is Your Dwelling Place Majestic Is Your Name Man Named Nicodemus, A My God, in Whom I Trust My Light and My Salvation My Soul Finds Rest in God Alone Now Let Us Love Each Other Now That You’ve Tasted O Come, Let Us Sing O God, You Are My God O Lord, Life Is Sacred O Lord, You Reign o’er Earth and Sea O Lord, You’re My Shepherd O May All the Peoples Praise You O Shout for Joy Oh, How Majestic and Glorious Oh, the Depth of God’s Wisdom One Day There’ll Be New Earth and Heaven One Named Lazarus Praise Be unto Our God Ephesians Praise Him, Praise Him, Praise Him Praise, O Servants of the Lord Praise the Lord, My Soul Put Off Your Old Self Wholly Rejoice in God Savior, Like a Shepherd Since Through God’s Mercy Since We Are Now Surrounded Since We Have Confidence Sing to the Lord Sing with Joy This God’s Our God Though I Speak To Whom Will You Compare God? Trust in the Lord with All Your Heart Unto You I Lift My Soul Up Up to the Hills I Look We Now Have Peace with God We Thank You, Lord Wedding Took Place, A Well Done, Good and Faithful Servant What Good Can Come? What Shall We Say? Where Can One Look for --www.hymntime.com/tc