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J. H. Rosecrans

1845 - 1926 Person Name: J. H. R. Composer of "[There is a name I love to hear]" in The Voice of Joy James Holmes Rosecrans stu­died at the Baxter Un­i­ver­si­ty of Mu­sic in Friend­ship, New York. Af­ter teaching for two years, he joined the Fill­more Bro­thers Mu­sic House in Cin­cin­na­ti, Ohio. As of 1880, he was teach­ing mu­sic in Doug­las Coun­ty, Col­o­ra­do. In 1884, was an evan­gel­ist in California, and later was as­so­ci­ated with evan­gel­is­tic efforts in Tex­as, and taught mu­sic and Bi­ble at Carl­ton College in Bon­ham, Tex­as. He pub­lished over 20 music col­lect­ions in his life­time. © The Cyber Hymnal™ (www.hymntime.com/tch)
J. H. Rosecrans

Carl Reinecke

1824 - 1910 Composer of "[There is a Name I love to hear]" in The New Children's Hymnal
Carl Reinecke

B. C. Unseld

1843 - 1923 Composer of "[There is a name I love to hear, so sweet, so sweet]" in Sifted Wheat Benjamin Carl Unseld, 1843-1923 Born: Oc­to­ber 18, 1843, Shep­herd­stown, West Vir­gin­ia. Died: No­vem­ber 19, 1923. Buried: Elm­wood Ceme­te­ry, Shep­herd­stown, West Vir­gin­ia. After leav­ing school at age 14, Un­seld worked as a clerk in a coun­try store. He re­ceived his first mu­sic­al in­struct­ion around age 15, from a com­pan­ion who had at­tend­ed a sing­ing school. He was shown the rep­re­sen­ta­tion of the scale in the old Car­mi­na Sac­ra, and had it sung for him. At the friend’s sug­gest­ion, he got per­mis­sion from his pas­tor to prac­tice on the church or­gan. Since both boys worked, their on­ly chance to prac­tice was af­ter the store closed at 9:00 p.m., and oc­casion­al­ly at noon­time. They went to the church to­ge­ther and took turns, one at the key­board and the other at the bel­lows. Shortly af­ter the Bat­tle of An­tie­tam in Sep­tem­ber 1862, some of which Un­seld wit­nessed, he left home and be­came a book­keep­er in the gen­er­al of­fic­es of a rail­road in Co­lum­bia, Penn­syl­van­ia. He sang in a choir, and gained fur­ther prac­tice read­ing mu­sic. He rent­ed a mel­o­de­on and spent much time in his room im­pro­vis­ing on it. He bought a co­py of Wood­bur­y’s Har­mo­ny and Mu­sic­al Com­po­si­tion, and stu­died it as well as he could with­out a teach­er. He ac­cept­ed an in­vi­ta­tion to play the or­gan in the lo­cal Meth­od­ist church, on the con­di­tion that he re­ceived the tunes ear­ly in the week so he could learn them. This was his first po­si­tion as an or­ga­nist. In the spring of 1866, he en­tered the Mu­sic­al In­sti­tute in Pro­vi­dence, Rhode Is­land, con­duct­ed by Eben Tour­jée (found­er of the New Eng­land Con­serv­a­to­ry in Bos­ton, Mass­a­chu­setts, and fa­ther of Liz­zie Tour­jée). There he stu­died voice, pi­a­no, or­gan, and har­mo­ny. Af­ter learn­ing of Un­seld’s bus­i­ness ex­per­i­ence, Dr. Tour­jée made him sec­re­ta­ry of the school; in 1867, Un­seld be­came the first sec­re­ta­ry of the New Eng­land Con­ser­va­to­ry. Starting in 1870, Un­seld at­tend­ed schools led by The­o­dore F. Sew­ard. There he met George Webb, Low­ell Mason, James Mc­Gran­a­han, Charles Case, and other not­a­bles in the mu­sic com­mun­i­ty. In 1874, Uns­eld taught at Fisk Un­i­ver­si­ty in Nash­ville, Ten­nes­see, and helped train Fisk’s Ju­bi­lee Sing­ers for their Eur­o­pe­an trip. In 1877 and 1878, he was or­gan­ist and choir mas­ter at St. James’ Epis­co­pal Church, Lan­cas­ter, Penn­syl­van­ia. In 1879, Un­seld moved to New York Ci­ty, and for 15 years taught, led choirs, com­posed and pub­lished. In New York, his mu­sic­al head­quar­ters was the pub­lish­ing house of Big­low & Main Com­pa­ny, where he was in al­most dai­ly con­tact with the pop­u­lar com­pos­ers and teach­ers of the day: Ira San­key, Ho­ra­tio Palm­er, Hu­bert Main, Ro­bert Low­ry, et al. In 1894, Un­seld moved to Cin­cin­na­ti, Ohio, and worked as an ed­it­or for the Fill­more Mu­sic House. In 1898, he moved to Day­ton, Ohio, and worked in a sim­i­lar ca­pa­ci­ty for the Lo­renz Pub­lishing Com­pa­ny. He moved back to New York Ci­ty in 1901, then to Ha­gers­town, Ma­ry­land in 1905. He and his wife Sal­lie were ap­par­ent­ly liv­ing in Ten­nes­see as of 1920. Un­seld’s works in­clude: The Chor­al Stan­dard (New York: Fill­more Bro­thers, 1895) Progress in Song, with E. T. Hil­de­brand (Cin­cin­na­ti, Ohio: The Fill­more Bro­thers Com­pa­ny) Unseld was in­duct­ed in­to the South­ern Gos­pel Mu­sic As­so­ci­a­tion Hall of Fame in 2004. Sources-- Hall, pp. 239-44 Music-- Ancyra Euphemia He Is Ris­en Hordville Make Haste! Meschach Twilight Is Fall­ing Unseld Wonderful Mess­age --www.hymntime.com/tch
B. C. Unseld

George B. Holsinger

1857 - 1908 Person Name: Geo. B. Holsinger Composer of "THE PRECIOUS NAME OF JESUS" in The Brethren Hymnal Born: May 10, 1857, St. Clair Town­ship, Bed­ford Coun­ty, Penn­syl­van­ia. Died: No­vem­ber 22, 1908, As­tor­ia, Il­li­nois. Holsinger was mu­sic di­rect­or of Bridge­wa­ter Coll­ege, Vir­ginia (1882-98), and mu­sic ed­it­or for the Church of the Breth­ren (1898-1908). His works in­clude: Song Prais­es (Elgin, Il­li­nois: Breth­ren Pub­lish­ing House, 1906) Psalms and Hymns (as­so­ci­ate ed­it­or) Lyrics-- I Lift My Heart To­day in Praise Little Ones Like Me Not Far from the King­dom of Hea­ven Our Coun­try’s Needs Are Plead­ing Music-- BEAUTIFUL HOMELAND I’LL COUNT MY BLESSINGS --hymntime.com/tch
George B. Holsinger

Newt C. Keeling

Author of "There is a name" in Harmony Bells
Newt C. Keeling

W. H. Rudd

1869 - 1963 Person Name: W. H. Rudd, 1869-1963 Composer of "SAVIOR'S NAME" in Rejoice Hymns Mr Rudd was a member of the Longton (Staffs) Corps of the Salvation Army
W. H. Rudd

Harry C. Ayres

b. 1849 Author of "No Other Name But Jesus" Ayres, H. C., born about 1849, a member of the Baptist denomination, and a resident in Philadelphia, is the author of:— 1. One there is who loves thee. [Love of Christ.] A popular hymn and well known in Great Britain, through I. D. Sankey's Sacred Sings & Solos, enlarged edition, No. 310. It was written during the Centennial Exhibition in Philadelphia, the theme having been suggested by the expression," One there is Who loves and waits to bless," used by Mr. W. H. Doane (q. v.) in prayer at a meeting of friends at which Mr. Ayres was present. The manuscript was presented to Mr. Doane a day or two afterwards. It was set to music by Mr. Doane, and published forthwith. The original text and music are in Mr. Sankey's Songs & Solos as above. Mr. Ayres is also the author of:— 2. No other Name. [The Name of Jesus.] This hymn is unknown to the English collections. -- John Julian, Dictionary of Hymnology (1907)
Harry C. Ayres

T. B. McGraw

Composer of "THE SAVIOR'S NAME" in The Sacred Harp
T. B. McGraw

S. M. W.

Composer of "WOODS" in Messages of Love Hymn Book
S. M. W.

Larry Dalton

1946 - 2009 Composer of "[There is a name I love to hear]" in The New Church Hymnal Dalton was a regular performer on Hour Of Power and the700 Club, and served as music director for Oral Roberts TV. He accompanied renowned artists such as Cliff Richard, Mel Tormé, Henry Mancini, the Lettermen, the Four Freshmen, and the Drifters. A gifted arranger, he produced arrangements for Carol Lawrence, Donald O'Connor, Larry Gatlin, Ellis Marsalis, Steve Perry, Paula Abdul, Al Green, Vicki Wynans, Maurice Sklar, and Greg Buchanan. --Daniel Mahraun (from itunes.apple.com)
Larry Dalton

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