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August Hermann Niemeyer

1754 - 1828 Person Name: A. H. Niemeyer Author of "Ehre sei Gott in der Höhe" in Fröhliche Weihnacht

Kathy Galloway

b. 1952 Person Name: Kathryn Galloway (b. 1952) Author of "Sing for God's glory that colours the dawn of creation" in Church Hymnary (4th ed.)

Christian Friedrich Daniel Schubart

1739 - 1791 Person Name: Ch. F. D. Schubert Author of "Alles ist euer! o Worte des ewigen Lebens!" in Gesangbuch der Evangelischen Gemeinschaft Schubart, Christian Friedrich Daniel, son of Johann Jakob Schubart, schoolmaster and assistant clergyman at Obersontheim near Hall, in Württemberg (after 1740, at Aalen), was born at Obersontheim, March 26, 1739, and in 1758 entered the University of Erlangen as a student of theology. Thereafter he was for some time a private tutor at Königsbronn. In 1764 he was appointed organist and schoolmaster at Geisslingen, near Ulm. In 1768 he became organist and music-director at Ludwigsburg; but, in 1772, on account of misconduct, he was deprived of his office. After that, he led for some time a wandering life, and then settled down in Ulm, where he edited a political newspaper, entitled the Deutsche Chronik, with success. By his scurrilous attacks on the clergy, especially on the Eoman Catholics, and in particular upon the Jesuits, and by a satirical poem on the Duke of Württemberg, he made himself obnoxious. Unsuspectingly accepting an invitation to Blaubeuren, he was handed over to the Duke's adjutant, and, on Jan. 23, 1777, was imprisoned in the castle of Hohenasperg, where he remained, without even the shadow of a trial, till May 11, 1787. As a recompense for his long imprisonment, the Duke made him Court and theatre poet at Stuttgart, where he died of fever, Oct. 10, 1791 (Koch, vi. 376; K. H. Jördens's Lexicon deutscher Dichter und Prosaisten, vol. iv. 1809, p. 639). Schubart was a man of versatile genius, who might have attained distinction in half a dozen lines of life, had he only stuck to any of them. He was a man who could make himself most popular, spite of the fact that he possessed hardly any tact. His moral principles were anything but strong; and the Ten Commandments (especially the seventh) seemed to have little restraining influence over him. As a writer of secular poems, especially of lyrics, he displayed vigour and spirit; but his literary workmanship was often very careless. His hymns, over 130 in all, were written during the two periods when he led an orderly and Christian life, viz., in the years 1764-66, immediately after his marriage, and in the years 1777-87, during his enforced absence from temptation. His captive state, his reading of the devotional books in the commandant's library, and the visits which he then received from P. M. Hahn, pastor at Kornwestheim, awakened in him a repentance, sincere if not altogether lifelong; one of the principal results being the series of hymns included in his so-called Gedichte aus dem Kerker (Zürich, 1785). These were composed at a time when he was deprived of writing materials, and were dictated through a wall to a fellow prisoner in the next cell. They were published without his knowledge or supervision. In self defence he asked the Duke's permission to pubish an authorised edition of his poems; and this appeared at Stuttgart, in 2 vols., 1785-86, as his Sämmtliche Gedicht (a number of copies, printed beyond the subscription, bear the date 1787, and the name of a Frankfurt publisher, e.g. the copy in the British Museum); and this also included most of those in his Todesgesänge, originally published at Ulm in 1767. Being printed at the Ducal print¬ing office at Stuttgart, the poems were subjected to an official revision. Schubart meant to issue a genuine author's edition, but did not live to do so; and that published by his son, as his father's Gedichte, in two parts, at Frankfurt, 1802, is really a selection, and contains only about half of his hymns. The best of Schubart's hymns are those first published in 1785, which are more genuine and spiritual than his earlier productions. A considerable number became popular, and passed into the Württemberg Gesang-Buch, 1791, and other collections, up to 1850; and a few still con¬tinue in common use. They are, however, too personal and subjective, and not sufficiently natural in style for general use. Of Schubart's hymns the following have been translated into English, viz.:— i. Urquell aller Seligkeiten. Supplication for Spiritual Blessings. This fine hymn was written about 1780, and first pub. in his Gedichte aus dem Kerker, Zurich, 1785, p. 102, in 16 stanzas of 4 lines, entitled, "Supplication." The full text is in Koch, 2nd ed., vol. iv., p. 740. Translated as:— Though by sorrows overtaken. This can hardly be called a translation, but is rather a hymn suggested by the German, and is in 6 st. of 4 1. It appeared in A. R. Reinagle's Collection of Psalm and Hymn Tunes as sung in the Parish Church of St. Peter in the East, Oxford, published at Oxford in 1840, p. 138…. Other hymns by Schubart are:— ii. Alles ist euer! 0 Worte des ewigen Lebens. Thanksgiving. Translated as, "All things are yours! O sweet message of mercy divine." By Miss Borthwick, in Hymns from the Land of Luther, 1855, p. 5. iii. Der Trennung Last liegt schwer auf mien. Reunion in Heaven. On the sorrow of parting with friends whom one hopes to meet in heaven. Tr. as, “I die and grieve from those to go." By Dr. G. Walker, 1860, p. 58. iv, Hier stand ein Mensch! Hier fieler nieder. Sudden death of a Sinne. Translated as, “Now one in health Death, instant, crushes." By Dr. H. Mills, 1845. v. Kommt heut an eurem Stabe. For the Aged. On the Presentation in the Temple; and founded on St. Luke ii. 22 -32. Tr. as, "Ye who with years are sinking." By Dr. H. Mills, 1845 (1856, p. 275). [Rev. James Mearns, M.A.] --Excerpts from John Julian, Dictionary of Hymnology (1907)

James Vila Blake

1842 - 1925 Translator of "Praise Ye the Lord" in The Carol Blake, James Vila. (Brooklyn, New York, January 21, 1842--April 28, 1925, Chicago, Illinois). He graduated from Harvard College in 1862 and from Harvard Divinity School in 1866, and served Unitarian churches in Massachusetts and Illinois, his last and longest pastorate being at Evanston, Illinois, 1892-1916. Author of a number of books. He shared with W.G. Gannett and F.L. Hosmer in the compilation of the first edition of Unity Hymns and Chorals, (1880), which included his hymn, "Father, Thou art calling, calling to us plainly," included also in The New Hymn and Tune Book, 1914, and in Hymns of the Spirit, 1937. the latter book also includes his hymn of the church universal, "O sing with loud and joyful song." --Henry Wilder Foote, DNAH Archives

Madeleine Forell Marshall

b. 1946 Translator of "Sing Praise to God, Who Has Shaped " in Voices United

Nancy Byrd Turner

1880 - 1971 Person Name: Nancy B.Turner, 1880- Author of "Father, We Bring Thee Our Praises" in The Children's Hymnbook Turner, Nancy Byrd. Born in Boydton, Virginia, July 29, 1880, daughter of Byrd Thornton Turner and Nancy Addison (Harrison) Turner. Composed her first verse at three. First published verse at age of 8--a romantic ballad, "Ruth in the Dentist's Chair" (he fell in love). Her father was an Episcopal minister; they lived in about a dozen small towns or rural communities during her childhood. In 1916, she went to Boston and joined the staff of Youth's Companion. She wrote under many pen names, and published in several magazines. She won numerous awards, including the "Golden Rose" of the New England Poetry Society and the Lyric Associates award of 1951. --Letter from Turner Rose to Jean Woodward Steele, Westminster Press, 1 February 1974, DNAH Archives.

Fred. C. Moyer

Person Name: F. C. Moyer Arranger of "LOBE DEN HERREN" in The Sunday School Hymnal

Emanuel Christian Gottlob Langbecker

1792 - 1843 Person Name: E. C. G. Langbecker Author of "Senke, o Vater, herab Deinen göttlichen Frieden" in Gesangbuch mit Noten Langbecker, Emanuel Christian Gottlieb, son of Christian Gottlieb Langbecker, clothier in his father's business, he entered the service of Prince Waldemar of Prussia in 1827, becoming his household secretary in 1840. He died at Berlin, Oct. 24, 1843 (Koch, vii. 39-42; Registers of St. George's Church, Berlin, &c). His hymns appeared in the Berlin Wochenblatt, 1822, &c.; in his Gedichte, Berlin, 1824, 2nd Series, 1829; and in the Berlin G. L. S., of which he was the principal editor, and for which he compiled the biographical notices in the 1st edition, 1832. He also published various hymnological works, including his historical sketch Das deutsch - evangelische Kirchenlied, Berlin, 1830; the first critical edition of P. Gerhardt's Leben und Lieder, Berlin, 1841; Gesang-Blätter aus dem xvi. Jahrhundert, Berlin, 1838, &c. One of his hymns is in English common use:— Wie wird mir sein, wann ich dich, Jesus, sehe. Longing for Heaven. Founded on 1 John iii. 2. In his Gedichte, Zweite Sammlung, Berlin, 1829, p. 65, in 5 stanzas of 6 lines, entitled, "In prospect of Eternity." It was a favourite hymn of C. H. Zeller (q.v.) Included in the Berlin Geistliche L. S., 1832, No. 1922 (1863, No. 722). The translation is:— What shall I be! my Lord, when I behold thee. A full and good translation by Mrs. Findlater, in Hymns from the Land of Luther, 2nd Ser., 1855, p. 56 (1884, p. 114). Repeated, in full, in Bp. Kyle's Collection, 1860; and, omitting stanza iv., in the Methodist New Congregational Hymn Book, 1863. [Rev. James Mearns, M.A.] --John Julian, Dictionary of Hymnology (1907)

George Taylor Rygh

1860 - 1942 Person Name: G. T. Rygh Translator of "Thou Must Increase, Lord" in American Lutheran Hymnal

B. B. Whittemore

b. 1829 Author of "Praise Ye the Lord" in Sunday School Hymnal Whittemore, Benjamin Ballou. (Troy, New York, September 14, 1829--?). A Universalist layman engaged in business in Boston, Massachusetts. He wrote a hymn beginning "Praise ye the Lord God, O worship our Father in heaven," which is included in Church Harmonies: New and Old, 1895. --Henry Wilder Foote, DNAH Archives

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