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Richard Proulx

1937 - 2010 Person Name: Richard T. Proulx Topics: Advent; Conflict; Creation; Eternal Life; God as Glory; Gospel; Grace; Healing; Law; Lenten; Morning; Nature; Prophecy; Providence; Ten Commandments 9th and 10th Commandments (You shall not covet); Wisdom; Word Composer (refrain) of "[Lord, you have the words of everlasting life]" in Christian Worship Richard Proulx (b. St. Paul, MN, April 3, 1937; d. Chicago, IL, February 18, 2010). A composer, conductor, and teacher, Proulx was director of music at the Holy Name Cathedral in Chicago, Illinois (1980-1997); before that he was organist and choirmaster at St. Thomas' Episcopal Church in Seattle, Washington. He contributed his expertise to the Roman Catholic Worship III (1986), The Episcopal Hymnal 1982, The United Methodist Hymnal (1989), and the ecumenical A New Hymnal for Colleges and Schools (1992). He was educated at the University of Minnesota, MacPhail College of Music in Minneapolis, Minnesota, St. John's Abbey in Collegeville, Minnesota, and the Royal School of Church Music in England. He composed more than 250 works. Bert Polman

Charles Wesley

1707 - 1788 Topics: Law of God and the Gospel Author of "The law of love" in Hymnal of the Methodist Episcopal Church Charles Wesley, M.A. was the great hymn-writer of the Wesley family, perhaps, taking quantity and quality into consideration, the great hymn-writer of all ages. Charles Wesley was the youngest son and 18th child of Samuel and Susanna Wesley, and was born at Epworth Rectory, Dec. 18, 1707. In 1716 he went to Westminster School, being provided with a home and board by his elder brother Samuel, then usher at the school, until 1721, when he was elected King's Scholar, and as such received his board and education free. In 1726 Charles Wesley was elected to a Westminster studentship at Christ Church, Oxford, where he took his degree in 1729, and became a college tutor. In the early part of the same year his religious impressions were much deepened, and he became one of the first band of "Oxford Methodists." In 1735 he went with his brother John to Georgia, as secretary to General Oglethorpe, having before he set out received Deacon's and Priest's Orders on two successive Sundays. His stay in Georgia was very short; he returned to England in 1736, and in 1737 came under the influence of Count Zinzendorf and the Moravians, especially of that remarkable man who had so large a share in moulding John Wesley's career, Peter Bonier, and also of a Mr. Bray, a brazier in Little Britain. On Whitsunday, 1737, [sic. 1738] he "found rest to his soul," and in 1738 he became curate to his friend, Mr. Stonehouse, Vicar of Islington, but the opposition of the churchwardens was so great that the Vicar consented that he "should preach in his church no more." Henceforth his work was identified with that of his brother John, and he became an indefatigable itinerant and field preacher. On April 8, 1749, he married Miss Sarah Gwynne. His marriage, unlike that of his brother John, was a most happy one; his wife was accustomed to accompany him on his evangelistic journeys, which were as frequent as ever until the year 1756," when he ceased to itinerate, and mainly devoted himself to the care of the Societies in London and Bristol. Bristol was his headquarters until 1771, when he removed with his family to London, and, besides attending to the Societies, devoted himself much, as he had done in his youth, to the spiritual care of prisoners in Newgate. He had long been troubled about the relations of Methodism to the Church of England, and strongly disapproved of his brother John's "ordinations." Wesley-like, he expressed his disapproval in the most outspoken fashion, but, as in the case of Samuel at an earlier period, the differences between the brothers never led to a breach of friendship. He died in London, March 29, 1788, and was buried in Marylebone churchyard. His brother John was deeply grieved because he would not consent to be interred in the burial-ground of the City Road Chapel, where he had prepared a grave for himself, but Charles said, "I have lived, and I die, in the Communion of the Church of England, and I will be buried in the yard of my parish church." Eight clergymen of the Church of England bore his pall. He had a large family, four of whom survived him; three sons, who all became distinguished in the musical world, and one daughter, who inherited some of her father's poetical genius. The widow and orphans were treated with the greatest kindness and generosity by John Wesley. As a hymn-writer Charles Wesley was unique. He is said to have written no less than 6500 hymns, and though, of course, in so vast a number some are of unequal merit, it is perfectly marvellous how many there are which rise to the highest degree of excellence. His feelings on every occasion of importance, whether private or public, found their best expression in a hymn. His own conversion, his own marriage, the earthquake panic, the rumours of an invasion from France, the defeat of Prince Charles Edward at Culloden, the Gordon riots, every Festival of the Christian Church, every doctrine of the Christian Faith, striking scenes in Scripture history, striking scenes which came within his own view, the deaths of friends as they passed away, one by one, before him, all furnished occasions for the exercise of his divine gift. Nor must we forget his hymns for little children, a branch of sacred poetry in which the mantle of Dr. Watts seems to have fallen upon him. It would be simply impossible within our space to enumerate even those of the hymns which have become really classical. The saying that a really good hymn is as rare an appearance as that of a comet is falsified by the work of Charles Wesley; for hymns, which are really good in every respect, flowed from his pen in quick succession, and death alone stopped the course of the perennial stream. It has been the common practice, however for a hundred years or more to ascribe all translations from the German to John Wesley, as he only of the two brothers knew that language; and to assign to Charles Wesley all the original hymns except such as are traceable to John Wesley through his Journals and other works. The list of 482 original hymns by John and Charles Wesley listed in this Dictionary of Hymnology have formed an important part of Methodist hymnody and show the enormous influence of the Wesleys on the English hymnody of the nineteenth century. -- Excerpts from John Julian, Dictionary of Hymnology (1907) ================== Charles Wesley, the son of Samuel Wesley, was born at Epworth, Dec. 18, 1707. He was educated at Westminster School and afterwards at Christ Church, Oxford, where he graduated M.A. In 1735, he took Orders and immediately proceeded with his brother John to Georgia, both being employed as missionaries of the S.P.G. He returned to England in 1736. For many years he engaged with his brother in preaching the Gospel. He died March 29, 1788. To Charles Wesley has been justly assigned the appellation of the "Bard of Methodism." His prominence in hymn writing may be judged from the fact that in the "Wesleyan Hymn Book," 623 of the 770 hymns were written by him; and he published more than thirty poetical works, written either by himself alone, or in conjunction with his brother. The number of his separate hymns is at least five thousand. --Annotations of the Hymnal, Charles Hutchins, M.A., 1872.

Thomas Cotterill

1779 - 1823 Topics: God's Word and Law; Gospel Excellency of; Grace; Obedience Alterer of "God, in the Gospel of His Son" in Trinity Psalter Hymnal Thomas Cotterill (b. Cannock, Staffordshire, England, 1779; d. Sheffield, Yorkshire, England, 1823) studied at St. John's College, Cambridge, England, and became an Anglican clergyman. A central figure in the dispute about the propriety of singing hymns, Cotterill published a popular collection of hymns (including many of his own as well as alterations of other hymns), Selection of Psalms and Hymns in 1810. But when he tried to introduce a later edition of this book in Sheffield in 1819, his congregation protested. Many believed strongly that the Church of England should maintain its tradition of exclusive psalm singing. In a church court the Archbishop of York and Cotterill reached a compromise: the later edition of Selection was withdrawn, and Cotterill was invited to submit a new edition for the archbishop's approval. The new edition was published in 1820 and approved as the first hymnal for the Anglican church of that region. Cotterill's suppressed book, however, set the pattern for Anglican hymnals for the next generation, and many of its hymns are still found in modern hymnals. Bert Polman =============== Thomas Cotterill was born in 1779; studied at S. John's College, Cambridge, graduating M.A.; ordained in 1806, and enterred upon parochial work at Tutbury; afterwards removed to Lane End, where he remained for nine years among the Potteries; in 1817, became perpetual Curate of S. Paul's, Sheffield. He died in 1823. He was the author of several books; among them, "A Selection of Psalms and Hymns for Public and Private Use, adapted to the Services of the Church of England." In the preparation of this collection (the 8th ed., 1819), he had the assistance of Montgomery, who in this work did what he condemned in others, viz., altering and remodeling other authors' hymns. --Annotations of the Hymnal, Charles Hutchins, M.A., 1872. ====================== Cotterill, Thomas, M.A., was the son of a woolstapler at Cannock, Staffordshire, where he was born Dec. 4, 1779. After attending the local boarding-school of the Rev. J. Lomax, he proceeded to the Free School, Birmingham. He graduated at St. John's College, Cambridge (B.A. 1801, M.A. 1805), of which he became a Fellow. Taking Holy Orders, he became Curate of Tutbury in June, 1803 (not 1806, as stated by Miller in Singers & Songs of the Church). His subsequent charges were the Incumbency of Lane End, Staffordshire, 1808-17, and the Perpetual Curacy of St. Paul's Sheffield, 1817-23. He died at Sheffield Dec. 29, 1823 (not Jan. 5, 1824, as in the Gentleman’s Magazine), aged 44. His volume of Family Prayers attained to the sixth edi¬tion in 1824. As a hymn-writer, Cotterill is less known than as the compiler of a Selection of Psalms and Hymns which has had a most marked effect on modern hymnals. The first edition of that Selection was published in 1810, and the 9th in 1820. All subsequent issues were reprints of the last. The most important edition is the 8th, 1819. To that Selection Cotterill contributed at various dates 25 original hymns and versions of individual psalms. These, in common with all the hymns in the Selection, are given without author's name. Through the aid, however, of marked copies [in the collections of Brooke and Julian] and of members of Cotterill's family, we are enabled to identify most, if not all, of his original productions. In addition to those which are annotated under their first lines, we have— i. In his Selection of Psalms & Hymns for Public and Private Use, adapted to the Festivals of the Church of England, &c, 1st ed., 1810:— 1. Awake, O sword, the Father cried. Atonement. 2. Before Thy throne of grace, O Lord. Lent. 3. From Sinai's mount, in might array'd. The Law and the Gospel. 4. From Thine all-seeing Spirit, Lord. Ps. 139. 5. In all the ways and works of God. Ps. 145. 6. Out of the deeps, O Lord, we call. Ps. 130. 7. The Lord, who once on Calvary. The Intercessor. This is based on “Where high the heavenly temple stands," q. v. ii. In the Appendix to the 6th ed. of the same Selection, Staffordshire, 1815:— 8. Blessed are they who mourn for sin. Lent. 9. Father of mercies, let our songs [way, ways]. Thanksgiving. 10. I was alive without the law. Lent. 11. Lord of the Sabbath, 'tis Thy day. Sunday. iii. In the 8th edition of the same, 1819 :— 12. Help us, O Lord, Thy yoke to wear. Charity Sermons. This is sometimes given as "Lord, let us learn Thy yoke to wear," as in Kennedy, 1863, &c. 13. I love the Lord, for He hath heard. Ps. 116. 14. Lo in the East a star appears. Epiphany. This in an altered form begins in Kennedy, 1863, No. 188, with stanza ii., "The ancient sages from afar." 15. Lord, cause Thy face on us to shine. For Unity. 16. When Christ, victorious from the grave. Easter. The 9th ed. of the Selection, 1820, was practically a new work. It was compiled by Cotterill, but revised by Dr. Harcourt, the Archbishop of York, and was dedi¬cated to him. It was the outcome of the compromise in the legal proceedings over the 8th ed., 1819. The 8th ed. contained 367 hymns in addition to 128 versions of the Psalms and 6 Doxologies, the 9th only 152. Its full title was A Selection of Psalms and Hymns for Public Worship, Lond., T. Cadell, 1820. It may be noted that copies of the 8th ed., 1819, are found with two distinct title-pages. One of these, accompanied with the preface, was for the general public, the second, without the preface, for the use of the congregations of St. James's and St. Paul's, Sheffield. Of Cotterill's hymns the most popular are, "O'er the realms of pagan darkness," "Let songs of praises fill the sky," and "Jesus exalted far on high," but these are not distinguished by any striking features of excellence. He was more happy in some of his alterations of older hymns, and in the com¬piling of centos. Many of the readings introduced into the great hymns of the Church first appeared in his Selection. The most notable amongst these are, "Rock of Ages," in 3 stanzas, as in Hymns Ancient & Modern, 1861, the Wesleyan Hymn Book, and other collections; "Lo! He comes with clouds descending;" and “Great God, what do I see and hear." Cotterill's connection with the Uttoxeter Psalms & Hymns, 1805, is given in detail in the article on Staffordshire Hymn-books, and his lawsuit over the 8th ed. of his Selection, 1819, in the article on England Hymnody, Church of. --John Julian, Dictionary of Hymnology (1907)

Dean B. McIntyre

Person Name: Dean McIntyre Topics: Law and Gospel; Law and Gospel Author of "How Shall I Come Before the Lord" in Worship and Song

Johannes Tauler

1300 - 1361 Person Name: Tauler Topics: Law and Gospel Author of "Hvorhen skal jeg dog fly" in Salmebog for Lutherske Kristne i Amerika Tauler, Johannes, was born at Strassburg about 1300, and seems to have been the son of Nikolus Tauler or Taweler, of Finkweiler, who in 1304 was a member of the Strassburg Town Council (Mitglied des Raths). About the year 1318 he entered the Dominican convent at Strassburg. He studied for eight years at Strassburg, where the famous Meister Eckhart (d. 1327) was Dominican Professor of Theology from 1312 to 1320. He then went to Cologne to undergo a further training, in theory and practical work, extending over four years. Thereafter he returned to Strassburg where he soon came into note as an eloquent and practical preacher. When much of Germany was laid under interdict by Pope John XXII., because of resenting his interference with the election of the German Emperor in 1324, the Dominicans at Strassburg still continued to preach, to celebrate mass, and to administer to the people the consolations of the Church, even though Strassburg was under the Papal bann. After the Diet of Frankfurt in 1338 the strife between Emperor and Pope (now Benedict XII., Pope since 1334) became more pronounced. Up to 1339 the Dominicans at Strassburg still continued to sing mass, but were then compiled to cease doing so by command of the superiors of their Order. As the Strassburg magistracy still remained faithful to the Emperor, they resented this submission, and accordingly closed the Dominican convent in 1339, and it stood empty lor three years and a half. About the beginning of 1339 we find Tauler in Basel, where he remained for some years, in close connection with Heinrich of Nördlingen and others of the so-called "Friends of God" in that city and neighbourhood. About 1346 he was again in Strassburg, aud he spent most of the remainder of his life there and at Cologne. He died at Strassburg on June 16, 1361.

Edward Miller

1735 - 1807 Topics: Access to God; Afflictions Comfort under; Anger of God Deprecated; Anger of God Restrained; Aspirations For Grace; Aspirations For Holiness; Assurance Declared; Backsliding; Christ Atonement of; Christ Minstry of; Church Divinely Furnished; Church Saved by Grace; Faith Act of; Faith Confidence of; Godly Fear Blessedness of; God Love and Mercy; God Righteousness of; Gospel Fulness of ; Grace Justifying; Grace Redeeming; Law of God; Mercy of God Prayer for; Missions Influence of; Obedience; Pardon Set Forth; Pardon Sought; Peace; Prayer For the Church; Quickening; Repentance; Revival; The Christian's Reward; Salvation God's Gift; Salvation Prayers for; Truth Arranger of "ROCKINGHAM OLD" in The Psalter Edward Miller, Born in the United Kingdom. The son of a pavior (stone paver), Miller left home to study music at King's Lynn. He was a flautist in Handel's orchestra. In 1752 he published “Six Solos for the German Flute”. In 1756 he was appointed organist of St. George Minster Doncaster, continuing in that post for 50 years. He also gave pianoforte lessons. He published hymns and sonatas for harpsichord, 16 editions of “The Institues of Music”, “Elegies for Voice & Pianoforte”, and Psalms of David set to music, arranged for each Sunday of the year. That work had over 5000 subscribers. He published his thoughts on performance of Psalmody in the Church of England, addressed to clergy. In 1801 he published the Psalms of Watts and Wesley for use by Methodists, and in 1804 the history and antiques of Doncaster with a map. John Perry

Johann Wilhelm Petersen

1649 - 1727 Person Name: Joh. Petersen Topics: Law and Gospel Author of "Hvor lystelig og yndig" in Salmebog for Lutherske Kristne i Amerika Petersen, Johann Wilhelm, was born June 1, 1649, at Osnabrück; his father Georg Petersen, Kanzlei-beamter at Lubeck, having gone to reside at Osnabrück as representing Lübeck in the negotiations which ended in the Peace of Westphalia. Petersen matriculated at the University of Giessen, in 1669; "went in 1671 to Rostock, and was then for short periods at Leipzig, Wittenberg, and Jena; the degree of M.A. being conferred on him by Giessen in absentia. He returned to Giessen in 1673, and began to lecture on philosophy and rhetoric as private docent. About 1675 he visited Spener, at Frankfurt. This proved an important turning-point in his life. In 1677 he began to lecture at Rostock, as Professor of Poetry (D.D. from Rostock 1686), but in the same year accepted the pastorate of the St. Aegidien church at Hannover. He was then, in May, 1678, appointed by Duke August Friedrich of Holstein, as Court preacher at Eutin, and general superintendent of the diocese of Lübeck. In Advent, 1688, he became pastor of St. John's church and superintendent at Lüneburg. Here he made himself obnoxious to his fellow clergy by refusing to take fees for hearing confessions; received into his house Fraulein Rosamunde Juliane von Asseburg, and began publicly to teach her ideas of the Millennial Kingdom. Being accused of Chiliasm and having his opinions condemned by the theological faculty of Helmstädt, he was removed from his office in the end of January, 1692. Thereafter he resided at various places, made tours over Germany, during which he propagated his views, and expounded his peculiar doctrines by books and pamphlets. He finally bought a small estate at Thymer, near Zerbst, and died there, Jan. 31, 1727 (Koch vi. 121; Allgemeine Deutsche Biographie xxv. 508, &c). Apart from his importance as a theological writer, Petersen deserves attention as the author of several hymns. A considerable number of them are in Latin, his manuscript being entitled Cithara sacra. Of these he contributed seven to Freylinghausen's Geistreiches Gesang-Buch , 1704. Two of these have passed into English, viz.: "Cerne lapsum servulum", and "Salve crux beata, salve" (q.v.). His German hymns were published as (1) Stimmen aus Zion, in two parts, Halle, 1698 and 1701 [Wernigerode Library]. These are hymns in prose and not versions of the Psalter; and 8 passed into Freylinghausen's Gesang-Buch 1704. (2) ccc. Stimmen aus Zion, N. P. 1721 [British Museum and Wernigerode]. These are obscure, mystical, and diffuse, and do not appear to have come at all into use. (3) Others of his hymns appeared in the Pietistic hymn-books of the period, 1692-1704. One of this last class is translated into English, viz:— Liebster Jesu, liebstes Leben. Spiritual Watchfulness. In A. Luppius's Andächtig Singender Christen-Mund, Wesel, 1692, p. 150, in 5 st., repeated in Freylinghausen, 1704, and the Berlin Geistliche Lieder, ed. 1863, No. 651. Translated as, "Jesus, Lord of life and glory" (st. v.), as No. 1188 in the Supplement of 1808 to the Moravian Hymn Book 1801 (1886, No. 980). [Rev. James Mearns, M.A.] -- John Julian, Dictionary of Hymnology (1907)

Wilhelm Andreas Wexels

1797 - 1866 Person Name: Wexels Topics: Law and Gospel Translator of "Hvorhen skal jeg dog fly" in Salmebog for Lutherske Kristne i Amerika Wexels, Wilhelm Andreas. (Copenhagen, Denmark, March 29, 1797--May 14, 1866, Oslo, Norway). Lutheran. After studies in Copenhagen and Christiana (Oslo), became catechist and curate of Our Savior's Lutheran Church in Christiana. Preached against the inroads of rationalism, emphasizing the need for spiritual revival. Church historians claim that his ministry was the turning point in the Church of Norway. Failed in his attempt to give Norway a hymnal, but many of his hymns survived. --J. Irving Erickson, DNAH Archives

Johann Jakob Walder

1750 - 1817 Person Name: Johann J. Walder Topics: The Word Law and Gospel Composer of "WALDER" in The Lutheran Hymnal Johann Jakob Walder, 1750-1817; wrote religious songs collaboratively with Johann Heinrich Egli LOC Name Authority files

John Berridge

1716 - 1793 Person Name: Berridge Topics: The Law and the Gospel Author of "The Law and Gospel" in A Selection of Hymns for Public Worship. In four parts (10th ed.) (Gadsby's Hymns) Berridge, John, born at Kingston, Notis, March 1, 1716, and educated at Clare Hall, Cambridge. In 1749 he was ordained as curate to the parish of Stapleford, near Cambridge, and in 1755 he was preferred to the Vicarage of Everton, where he died Jan. 22, 1793. His epitaph, written by himself for his own tombstone (with date of death filled in), is an epitome of his life. It reads:— " Here lies the remains of John Berridge, late Vicar of Everton, and an itinerate servant of Jesus Christ, who loved his Master and His work; and after running on His errands for many years, was caught up to wait on Him above. Reader! art thou born again? (No salvation without a new birth.) I was born in sin, February, 1716; remained ignorant of my fallen state till 1730; lived proudly on faith and works for salvation till 1754; was admitted to Everton Vicarage, 1755; fled to Jesus for refuge, 1755; fell asleep in Jesus, January 22,1793." The first collection of Berridge's hymns was published as A Collection of Divine Songs, 1760. This was subsequently suppressed. In 1785 his Sion's Songs; or, Hymns composed for the use of them that love and follow the Lord Jesus Christ in Sincerity were published. The work contains 342 hymns, some of which had previously appeared in the Gospel Magazine (from 1775 to 1777, 20 in all), under the signature of "Old Everton" and others were adapted from C. Wesley. The most popular of these in modern collections are, "Jesus, cast a look on me;" "O happy saints who dwell in light;” and "Since Jesus freely did appear." Concerning his hymns published in 1785, he says in his Preface:— “Twelve years ago these hymns were composed in a six months' illness, and have since laid neglected by me, often threatened with the fire, but have escaped that martyrdom." -- John Julian, Dictionary of Hymnology (1907) ================== Berridge, John, p. 138, i. The 1842 edition of his Sion's Songs has an elaborate preface by J. C. Philpot, the editor. From this collection the following additional hymns are in common use:— 1. I ask my dying Saviour dear. Sealed by Christ. 2. Lord Jesus, Who didst once appear. Holy Matrimony. An altered form of "Since Jesus freely did appear," p. 1059, i. 3. Soon as faith the Lord can see. None but Jesus. --John Julian, Dictionary of Hymnology, Appendix, Part II (1907)