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Margaret Mackay

1802 - 1887 Hymnal Number: d18 Author of "Asleep in Jesus, blessed sleep" in The Golden Harp Mackay, Margaret, was born in 1802, and the only daughter of Captain Robert Mackay, of Hedgefield, Inverness. She was married in 1820 to Major William Mackay, of the 68th Light Infantry (afterwards Lt. Colonel) a distinguished officer who died in 1845. Mrs. Mackay died at Cheltenham, Jan. 5, 1887. In addition to various prose works Mrs. Mackay published Thoughts Redeemed; or Lays of Leisure Hours, 1854, which contained 72 original hymns and poems. [Rev. James Mearns, M.A.] -- John Julian, Dictionary of Hymnology (1907)

Anna L. Barbauld

1743 - 1825 Hymnal Number: d112 Author of "How blest the righteous when he dies" in The Golden Harp Barbauld, Anna Laetitia, née Aikin, daughter of the Rev. John Ailrin, D.D., a dissenting minister, was b. at Kibworth-Harcourt, Leicestershire, June 20, 1743. In 1753 Dr. Aikin became classical tutor at a dissenting academy at Warrington. During her residence there she contributed five hymns to Dr. W. Enfield's Hymns for Public Worship, &c, Warrington, 1772. In the following year these were included in her Poems, Lond., J. Johnson, 1773. In May, 1774, Miss Aikin was married to the Rev. Rochemont Barbauld, a descendant of a French Protestant family, and a dissenting minister. For some years Mr. Barbauld conducted, in addition to his pastoral work, a boarding school at Palgrave, Suffolk. From this he retired in 1785. In 1786 he undertook the charge of a small congregation at Hampstead, and from thence he passed to the dissenting chapel (formerly Dr. Price's) at Newington Green, in 1802. He d. Nov. 11, 1808. Mrs. Barbauld continued to reside in the neighbourhood until her death, March 9, 1825. In the latter part of the same year her niece published The Works of Anna Laetitia Barbauld, with Memoir, by Lucy Aikin, 2 vols., Lond., Longman, 1825. As a writer of hymns Mrs. Barbauld was eminently successful. Their use, however, with the exception of five contributed to Dr. W. Enfield's collection, is almost exclusively confined to the Unitarian hymnals of Great Britain and America. Including these hymnals, the whole of her hymns are still in common use. These hymns appeared thus:— i. In Dr. W. Enfield's Hymns, &c., 1772. 1. Again the Lord of life and light. Easter. 2. Awake, my soul, lift up thine eyes. Conflict. 3. Behold, where breathing love divine. Christian Charity. 4. Jehovah reigns, let every nation hear. God's Dominion. A part of this was given in Collyer's Sel., 1812, No. 586, as:— 5. This earthly globe, the creature of a day. 6. Praise to God, Immortal praise. Harvest. ii. Poems, 1773 (Preface dated Dec. 1, 1772). The whole of the above, and also:— 7. God of my life and author of my days. To God the Father. This is an “Address to the Deity," in 80 1. It is given in Martineau's Collection, 1840 and 1873. From it the following centos were given in Collyer's Selection> 1812:— 8. God, our kind Master, merciful as just. 9. If friendless in the vale of tears I stray. iii. Poems revised 1792. 10. Come, said [says] Jesus' sacred voice. Invitation. 11. How blest the sacred tie that binds. Christian Fellowship. 12. Lo where a crowd of pilgrims toil. Pilgrimage of Life. From this is taken:— 13. Our country is Immanuel's ground [land]. iv. Leisure Hour Improved (Ironbridge), 1809. 14. Sweet is the scene when virtue dies. Death. v. Supplement to the Unitarian Coll. of Kippis, Bees, and others, 1807. 15. When as returns the solemn day. Sunday. 16. Sleep, sleep to day, tormenting cares. Sunday. 17. How may earth and heaven unite. Worship. vi. Works, with Memoir, 1825. In vol. i. most of the above are reprinted, and the following are added :— 18. Joy to the followers of the Lord. Joy. (c. 1820.) 19. Pure spirit, O where art thou now. Bereavement. This is dated 1808. 20. Salt of the earth, ye virtuous few. Salt of the Earth. 21. When life as opening buds is sweet. Death. This is dated " November, 1814." The more important of these hymns are annotated in this Dictionary under their first lines. Mrs. Barbauld's Hymns in Prose for Children, originally published in 1781, were long popular and have been translated into French, Italian, Spanish, and other languages. -- John Julian, Dictionary of Hymnology (1907) =================== Barbauld, Anna L., p. 113, ii. No. 18 on p. 114, i.,should be dated circa 1820. Another hymn in common use from Mrs. Barbauld's Works, &c, 1825, is, "O Father! though the anxious fear" (E. Taylor, p. 1117, in error). --John Julian, Dictionary of Hymnology, Appendix, Part II (1907) See also in: Hymn Writers of the Church

Sebastian Streeter

1783 - 1867 Hymnal Number: d159 Author of "Join every heart and every tongue" in The Golden Harp Streeter, Rev. Sebastian. (North Adams, Massachusetts, April 15, 1783--June 2, 1867, Newtonville, Mass.). A Universalist minister in New England, his longest pastorate was with the First Universalist Church, Boston, 1824-1854. He was one of the compilers of the hymn book Hymns composed by different authors, by order of the General Convention of Universalists in New England (1808), to which he contributed 46 hymns, and, with this brother, Russell Streeter, he compiled The New Hymn Book designed for Universalist Societies (Boston, 1829), which was widely used. Four of his hymns are included in Chursth Harmonies: New and Old, 1895: 1. A King shall reign in righteousness, 2. Here in thy temple, Lord, we meet, 3. Join every heart and every tongue, 4. What glorious tidings do I hear. --Henry Wilder Foote, DNAH Archives

William Roscoe

1753 - 1831 Hymnal Number: d166 Author of "Let one loud song of praise arise" in The Golden Harp Roscoe, William, the father, was born March 8, 1753, in Liverpool, of humble origin. After very meagre schooling, and three years of work in his father's market garden, he was articled to an attorney, and subsequently practised in Liverpool till 1796, when he withdrew from the profession. From the first literature was his chief delight, and throughout a long career of public usefulness he united its pursuit with the efforts of enlightened patriotism and the advocacy of higher education and reform. Liverpool was a centre of the old slave-trade, and Roscoe was one of the first to raise his voice against the iniquity. At the age of 20 he had already uttered a protest in his descriptive poem Mount Pleasant, and in 1787 he published a longer poem, The Wrongs of Africa (Pt. ii. 1788), devoted to the subject. During his brief parliamentary experience as member for Liverpool, in 1807, he had further opportunity of advocating the cause of liberty and humanity. His first great historical work, the Life of Lorenzo dé Medici, was published in 1796, and the Life and Pontificate of Leo the Tenth, in 1805. After withdrawing from his legal practice, Roscoe had hoped to be able to devote himself entirely to letters, but the claims of friendship induced him in 1800 to enter into a banking business, which involved him in commercial troubles, ending in 1820 in his bankruptcy. His library had to be sold, but part of it was bought by friends, and presented to the Liverpool Athenæum, which in 1789 Roscoe had been instrumental in founding. In 1822 he published Illustrations of the Life of Lorenzo dé Medici, defending the views adopted in his former history, and two years later edited a new edition of Pope's works, with a life of the poet. He died June 30, 1831. (Cf. The Life of William Roscoe, by his son, Henry Roscoe, in 2 vols., London, T. Cadell, 1833.) As a member of the congregation of Unitarians meeting in Renshaw Street Chapel, Liverpool, Roscoe took part in preparing A Selection of Psalms and Hymns for Public and Private Worship, printed for their use in 1818. He contributed eight hymns and the concluding anthem. Of these hymns the following are in common use at the present time:— 1. Let our loud song of praise arise. Praise. 2. Go, suffering habitant of earth. Life, a Warfare. 3. Great God, beneath Whose piercing eye. Divine Providence. 4. Thus said Jesus, Go and do. Love to our Neighbour. 5. What is the first and great command ? The Commandments. These hymns are in several Unitarian collections, including Martineau's Hymns, 1840. No. 3 was written in 1788, as a "secular hymn" of ten stanzas, to be sung at the Benn's Garden Chapel on the Centenary of the Revolution. --John Julian, Dictionary of Hymnology (1907)

David E. Ford

1797 - 1875 Hymnal Number: d128 Author of "How vain is all beneath the skies [sky]" in The Golden Harp Ford, David Everard, son of a Congregational Minister at Long Melford, was born there on Sept. 13, 1797. He became pastor of the Congregational Church at Lymington, in Oct. 1821; Travelling Secretary to the Congregational Union in 1841; and pastor of Greengate Chapel, Salford, Manchester, in 1843. He died at Bedford, Oct. 23, 1875. Mr. Ford published several works including, Hymns chiefly on the Parables of Christ, 1828. From this is taken, (1) "Earthly joys no longer please us" (Heaven Anticipated). (2) "How vain is all beneath the skies" (Heaven Anticipated). These are in American common use. See Hymns of the Church, 1869, and Laudes Domini, 1884. Another of his hymns in common use from the same work, p. 107, is:—"Almighty Father, heavenly Friend" (Old and New Year). This is in Dale's English Hymn Book, 1874. --John Julian, Dictionary of Hymnology, Appendix, Part II (1907)

P. H. Brown

1783 - 1861 Person Name: Phoebe H. Brown Hymnal Number: d138 Author of "I love to steal awhile away" in The Golden Harp Brown, Phoebe, née Hinsdale. A member of the Congregational body, born at Canaan, Columbia County, New York, May 1, 1783, she was left an orphan when two years old. At nine she fell into the hands of a relative who kept a county gaol. These, says her son, "were years of intense and cruel suffering. The tale of her early life which she has left her children is a narrative of such deprivations, cruel treatment, and toil, as it breaks my heart to read." Escaping from this bondage at 18, she was sought by kind people, and sent for three months to a common school at Claverack, N.Y., where she learned to write, and made profession of faith in Christ. In 1805 she was married to Timothy H. Brown, a painter, and subsequently lived at East Windsor and Ellington, Connecticut, Monison, Mass., and at Marshall, Henry County, Illinois. She died at the last-named place, Oct 10, 1861. Most of her hymns were written at Monison, Mass. Through a life of poverty and trial she was "a most devoted mother, wife, and Christian." Her son, the Rev. S. R. Brown, D.D. became the first American Missionary to Japan, and two of her grandchildren are now in the same mission. In addition to her hymns, two or more volumes of prose by her have been published. Her Autobiography and Poems were being prepared for publication, when the editor died, and they are yet to appear. Despite all her disadvantages, Mrs. Brown's talents and work are superior to those of any other early female hymnist of America. It is hoped that her manuscript may some day be competently examined, and selected portions from them be published. Four of her hymns appeared in Nettleton's Village Hymns, 1824, with the signature "B." 1. As once the Saviour took His seat. Penitence. 2. Go, messenger of love, and bear. Missions. 3. I love to steal awhile away. Retirement. 4. Welcome, ye hopeful heirs of heaven. Young Converts. Of these No. 2 is a Missionary hymn, written in 1817, but first published in the Village Hymns, 1824; No. 3 was written in 1818, and few hymns have a more pathetic history. It is this:— Mrs. Brown was living at Ellington with "four little children, in a small unfinished house, a sick sister in the only finished room, and not a place above or below where I could retire for devotion." Not far off stood the finest house in the neighbourhood, with a large garden. To-wards this the poor woman used to bend her steps at dusk, loving, as she writes, “to smell the fragrance of fruits and flowers, though I could not see them," and commune with Nature and God. This she did, never dreaming that she was intruding, her habits watched, or her motives misconstrued, till one day the lady of the mansion turned rudely upon her with "Mrs. Brown, why do you come up at evening so near our house, and then go back without coming in? If you want anything, why don't you come in and ask for it?" Mrs. B. adds, "There was something in her manner more than her words, that grieved me. I went home, and that evening was left alone. After my children were all in bed, except my baby, I sat down in the kitchen with my child in my arms, when the grief of my heart burst forth in a flood of tears. I took pen and paper, and gave vent to my oppressed heart." The Poem then written is headed "An Apology for my Twilight Rambles, addressed to a Lady, Aug. 1818.” The original has nine stanzas, the second beginning “I love to steal awhile away.” Years after, when Nettleton was seeking original matter for his Village Hymns (1824), this piece was abridged and altered into the present familiar form, either by Mrs. Brown herself, her pastor (Mr. Hyde), or Nettleton. Its popularity was great from the first. In 1853 it was included in the Leeds Hymn Book, and thus became known to English collections. It is found in Lyra Sacra Americana, p. 29. In 1819 Mrs. Brown wrote two hymns which were strangely overlooked by Nettleton, and did not appear till 1831 in Hastings's Spiritual Songs. These are:— 5. How sweet the melting lay. Morning. 6. 0 Lord, Thy work revive. For a Revival. Both are found in Lyra Sacra Americana, pp. 28-30. No. 6 was altered by the author for Nason's Congregational Hymn Book, 1857. This, according to Nason, is her authorized text. It is widely used in America, and is also found in a few English collections, including Reed's Hymn Book and the New Congregational Hymn Book, and sometimes is attributed in error to Hastings. 7. Great God, we would to Thee make known. This appeared in the Mother's Hymn Book, 1834. 8. We come, 0 Lord, before Thy throne. For Sailors. 9. Grant the abundance of the sea. For Sailors. Two hymns for sailors, which appeared in Linsley and Davis's Select Hymns, 1836. 10. Assembled at [round] Thine altar, Lord. Holy Communion. This also appeared in the Select Hymns, 1836, and was altered for Nason's Congregational Hymn Book, 1857. It is a good hymn, and deserves wider adoption. 11. Jesus, this mid-day hour. Noon. "Written by special request for the Fulton Street [Noon] Prayer Meeting," about 1857. In addition to the foregoing there are four hymns by her in Parish Hymns (Phila.), 1843, to which they were contributed; and there may be many others in various collections which are uncredited. [Rev. F. M. Bird, M.A.] -- John Julian, Dictionary of Hymnology (1907)

Edmund Butcher

1757 - 1822 Hymnal Number: d108 Author of "Hosanna, let us join to [and] sing" in The Golden Harp Butcher, Edmund, born at Colchester, Essex, in 1757, and brought up as a linen-draper. After undergoing a preliminary training for the Unitarian Ministry, he was appointed to the charge of Leather Lane Chapel, Holborn, in 1789. From thence he removed to Sidbury Vale, Sidmouth, in 1798. Died April 14, 1822. Memoir in the Christian Moderator, 1827. His works include Picture of Sidmouth; Tour through various parts of England; Sermons, to which are added suitable Hymns, 1798; and the Substance of the Holy Scriptures Methodized, 1801. His hymns were given in the two latter works, in the Protestant Dissenters’ Magazine (of which he was some time editor); in Kippis's Collection, 1795; the Christian Guardian, 1802-1808; Aspland's Selection, 1810; and from his manuscript in Howse's Selection of Hymns and Psalms, 1837. They number 116 in all; but few, however, have attained to any position in modern hymnals. These include the following: 1. Blest is the man that [who] fears the Lord. Ps. cxii. Published in the Exeter Unitarian Collection, 1812, in 5 stanzas of 4 lines. It is in common use in Great Britain and America. 2. Father of all, where shall we find? Divine Worship. In Dr. Martineau's Hymns, 1840, &c. 3. Great God, as seasons disappear. Harvest. This is the most popular of his hymns. It is annotated under its first line. 4. Hosanna! let us join to sing. Resurrection. Contributed to Aspland's Selection, 1810, No. 290; and repeated in Dr. Martineau's Hymns, 1840, &c. 5. With deepest reverence at Thy throne. God's Unsearchableness. This is in American common use as in Laudes Domini, 1884, No. 248. It was contributed to Aspland's Selection, 1810, No. 146. -- John Julian, Dictionary of Hymnology (1907)

J. Rusling

1788 - 1839 Person Name: Joseph Rusling Hymnal Number: d336 Author of "This morning, Lord, attend" in The Golden Harp Rusling, J., p. 931, i. 255, b. 1788, d. 1839. From this American writer there is a mutilated fragment in Stryker's College Hymnal, 1904: "The morn, O Christian, breaketh o'er thee" (Death and Heaven anticipated). In H. W. Beecher's Plymouth Collection, 1855, this hymn begins “Christian, the morn breaks sweetly o'er thee." It is usually dated 1832. --John Julian, Dictionary of Hymnology, New Supplement (1907)

James Freeman Clarke

1810 - 1888 Hymnal Number: d355 Author of "To thee, O God in heaven, this little one we bring" in The Golden Harp Clarke, James Freeman, D.D., is a grandson of James Freeman (q. v.)> from whom he was named. He was born at Hanover, New Hampshire, April 4, 1810, and graduated at Harvard College, in Arts, in 1829, and in Divinity, 1833. Receiving ordination as a Unitarian Minister, he was Pastor at Louisville, Kentucky, from 1833 to 1840; of the Church of the Disciples, Boston, from 1811 to 1830; and also from 1853. Dr. Clarke for some time edited, whilst at Louisville, The Western Messenger, and is the author of Orthodoxy, its Truths and Errors, 1866; The Christian Doctrine of Forgiveness, 1852; The Christian Doctrine of Prayer, 1854, and other works. In 1844 he published the Hymn Book for the Church of the Disciples. This he enlarged in 1852. To each edition be contributed five hymns. Of these ten hymns five are found in the Lyra Sacra Americana The best known of Dr. Clarke's hymns are:— 1. Father, to us Thy children, humbly kneeling. [thoughts desired.] Dr. Clarke says this was manufactured from:— 2. Infinite Spirit, who art round us ever. [Holy thoughts desired], “which was written in Kentucky about 1833, and printed in the Dial soon after." 3. Brother, hast thou wandered far! [The Prodigal Son.] This appeared in his Disciples' Hymn Book, 1844, and is somewhat extensively used. It appeared in an Brother abbreviated form as, "Hast thou wasted all the powers?" beginning with stanza ii., in Hymns for the Church of Christ, Boston, 1853; Beecher's Plymouth Collection, 1855, and subsequently in others in Great Britain and America. The next three are also in one or two English collections. 4. To Thee, 0 God, in heaven. [Holy Baptism.] 1844. 5. To Him who children blessed. [Holy Baptism.] 1844. 6. Friend, whose presence in the house. [Christ's presence desired.] 1855. The beauty and value of this last hymn have been partly, and deserve to be more fully, recognized. It is found in Lyra Sac. Amer., which also has the following on "The Protestant Reformation":— 7. For all Thy gifts we praise Thee, Lord. This hymn was sung at the collation given by the Unitarians of New York and Brooklyn to the Members of the Convention assembled in the former city, Oct. 22, 1845. As originally written it contained 8 stanzas; the last two are omitted from both Lyra Sac. Americana and Putnam's Singers and Songs of the Liberal Faith. [Rev. F. M. Bird, M.A.] --John Julian, Dictionary of Hymnology (1907)

Helen Maria Williams

1762 - 1827 Hymnal Number: d401 Author of "While thee I [we] seek, protecting power" in The Golden Harp Miss Helen Maria Williams was born in the north of England, in 1762. At the age of eighteen, she went to London, and soon after took position in the literary world, publishing several poems. Subsequently she resided in Paris, where she published works in prose and poetry. She died in 1827. The eminent French preacher, Athanase Coquerel was her nephew, and received from her his early training. --Annotations of the Hymnal, Charles Hutchins, M.A., 1872. ================== Williams, Helen Maria, daughter of Charles Williams, an officer in the Army, was born in the North of England in 1762. Through the influence of Dr. A. Kippis whose help she sought in London, her first poem, Edwin and Eltruda, a legendary tale, was published in 1782. This was followed by An Ode on the Peace, 1783, and Pern, a Poem. These were all included in her Poems, 2 vols., 1786, 2nd edition 1791. Being connected by her sister's marriage with a French Protestant family, she resided in Paris during the period of the Revolution and the reign of Terror. There she became well known as a political writer of strong republican sympa-thies, but her too independent expressions of opinion led to her temporary imprisonment by Robespierre. Her Letters from France, 1790, were published in England and America, and in a French translation, in France. She also published Letters containing a Sketch of the Politics of France from the 31st May, 1793, till the 28th of July, 1794, 2 vols., 1795, and other works of a like kind; some additional Poems, and a translation of Humboldt's Personal Narratives of his Travels, 1815. The closing years of her life were spent at Amsterdam, in the house of her nephew, Athanase Coquerel, a pastor of the Reformed Church there. Miss Williams died in 1827. From her Poems, 1786, the following hymns have come into common use:— 1, My God, all nature owns Thy sway. Nature speaks of God. In Martineau's Hymns, 1840. 2. While Thee I seek, protecting Power. Safety in God. This hymn was in Dr. Priestley's Birmingham Collection, 1790; in Kippis's Collection, 1795; the Exeter Collection, 1801; and almost every other Unitarian collection to the present time. In the New Congregational Hymn Book , 1859, it begins "While Thee I seek, Almighty Power;" and in several collections a cento beginning "Father, in all our [my] comforts here," is given as in Stowell's Psalms & Hymns, 1831 and 1877, and several others. [Rev. Valentine D. Davis, B.A.] -- John Julian, Dictionary of Hymnology (1907) ================== Williams, Helen Maria, was born in the North of England in 1762. She published a volume of poems when only twenty-one years old, and in 1786 her Poems appeared in two small volumes. She visited Paris in 1788, and lived there for some years with a sister who had married a French Protestant. This was during the period of the Revolution and the Reign of Terror. She was an outspoken republican in her sympathies, 448 and was imprisoned by Robespierre because of some of her utterances in advocacy of the Girondist cause, being released from prison only after his death, in 1794. Her Letters from France (1790 and 1795) were published in England, America, and France. They dealt with political, religious, and literary questions, and showed her to be a woman of more than ordinary intellectual strength. She published many volumes between 1786 and 1823, when her last volume appeared, titled Poems on Various Occasions, being a collection of all her previously published poems. She lived partly in England, but mostly in France, though the closing years of her life were spent in Holland in the home of a nephew who lived at Amsterdam and was pastor of the reformed Church there. Her death occurred at Paris December 14, 1827. Hymn Writers of the Church Wilbur F. Tillett and Charles S. Nutter, 1915