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George Herbert

1593 - 1633 Person Name: G. Herbert (1593-1632) Topics: God's Church Praise and Adoration; Pentecost 3 The Church's Confidence in Christ; Pentecost 5 The Church's Mission to All; The Ascension of Christ Author of "Let all the world in every corner sing" in Hymns for Today's Church (2nd ed.) Herbert, George, M.A., the fifth son of Richard Herbert and Magdalen, the daughter of Sir Richard Newport, was born at his father's seat, Montgomery Castle, April 3, 1593. He was educated at Westminster School, and at Trinity College, Cambridge, graduating B.A. in 1611. On March 15, 1615, he became Major Fellow of the College, M.A. the same year, and in 1619 Orator for the University. Favoured by James I., intimate with Lord Bacon, Bishop Andrewes, and other men of influence, and encouraged in other ways, his hopes of Court preferment were somewhat bright until they were dispelled by the deaths of the Duke of Richmond, the Marquis of Hamilton, and then of King James himself. Retiring into Kent, he formed the resolution of taking Holy Orders. He was appointed by the Bishop of Lincoln to the Prebend of Lcighton Ecclesia and to the living of Leighton Bromswold, Hunts, July 15, 1626. He remained until 1629, when an attack of ague obliged him to remove to his brother's, house at Woodford, Essex. Not improving in health at Woodford, he removed to Dantsey, in Wiltshire, and then as Rector to Bemerton, to which he was inducted, April 26, 1630, where he died Feb. 1632. The entry in the register of Bemerton is "Mr. George Herbert, Esq., Parson of Foughleston and Bemerton, was buried 3 day of March 1632." His life, by Izaak Walton, is well known; another Memoir, by Barnabas Oley, is forgotten. Herbert's prose work, Priest to the Temple, appeared several years after his death: but The Temple, by which he is best known, he delivered to Nicholas Ferrar (q.v.), about three weeks before his death, and authorized him to publish it if he thought fit. This was done iu 1633. The work became popular, and the 13th edition was issued in 1709. It is meditative rather than hymnic in character, and was never intended for use in public worship. In 1697 a selection from The Temple appeared under the title Select Hymns Taken out of Mr. Herbert's Temple & turned into the Common Metre To Be Sung In The Tunes Ordinarily us'd in Churches. London, Parkhurst, 1697. In 1739, J. & C. Wesley made a much more successful attempt to introduce his hymns into public worship by inserting over 40 in a much-altered form in their Hymns & Sacred Poems. As some few of these came into their collection of Psalms & Hymns, 1741, revised 1743, they were long sung by the Methodists, but do not now form part of the Wesleyan Hymn Book. No further attempt seems to have been made to use the Temple poems as hymns until 1853, when some altered and revised by G. Rawson were given in the Leeds Hymn Book of that year. From that time onward more attention was paid to Herbert alike by Churchmen and Nonconformists, and some of his hymns are now widely accepted. Many editions of his works have been published, the most popular being that of the Rev. Robert Aris Wilmott, Lond., Geo. Routledge & Son, 1857; but Dr. Grosart's privately printed edition issued in his Fuller Worthies Library in 1874, in three volumes, is not only the most complete and correct, but included also his psalms not before reprinted, and several poems from a ms. in the Williams Library, and not before published. The Temple has also been pub¬lished in facsimile by Elliott Stock, 1876, with preface by Dr. Grosart; and in ordinary type, 1882, by Wells Gardner, with preface by J. A. Shorthouse. The quaintness of Herbert's lyrics and the peculiarity of several of their metres have been against their adoption for congregational purposes. The best known are: "Let all the world in every corner sing"; "My stock lies dead, and no increase"; "Throw away Thy rod"; "Sweet day, so cool, so calm"; and "Teach me, my God, and King." [William T. Brooke] --John Julian, Dictionary of Hymnology (1907)

Edward Miller

1735 - 1807 Person Name: Edward Miller, 1731-1807 Topics: Affliction; Atonement; Biblical Names and Places Jerusalem; Church Year All Saints' Day; Church Year Baptism of the Lord; Church Year Easter; Church Year Maundy Thursday; Commitment; Darkness; Despair; Discipleship; Doubt; Elements of Worship Lord's Supper; Elements of Worship Praise and Adoration; Elements of Worship Testimony; Fear; Freedom; God Obedience to; God Trust in; God's Word; God's Forgiveness; God's Goodness; God's Love; God's Name; God's People (flock, sheep); God's Promises; Grace; Gratitude; Grave; Guilt; Jesus Christ Incarnation; Life Stages Death; Loneliness; Love for God; Mercy; Occasional Services Dedication to Discipleship; Offering of Sacrifice; Prayer Answer to; Prayer; Rejoicing; Remnant of Isarel; Rest; Sorrow; Suffering; The Fall; The Incarnation; Vows; Year A, B, C, Holy Week, Maundy Thursday; Year A, Easter, 3rd Sunday; Year A, Ordinary Time after Pentecost, June 12-18 (if ater Trinity Sunday); Year B, Ordinary Time after Pentecost, September 11-17 Adapter of "ROCKINGHAM" in Psalms for All Seasons Edward Miller, Born in the United Kingdom. The son of a pavior (stone paver), Miller left home to study music at King's Lynn. He was a flautist in Handel's orchestra. In 1752 he published “Six Solos for the German Flute”. In 1756 he was appointed organist of St. George Minster Doncaster, continuing in that post for 50 years. He also gave pianoforte lessons. He published hymns and sonatas for harpsichord, 16 editions of “The Institues of Music”, “Elegies for Voice & Pianoforte”, and Psalms of David set to music, arranged for each Sunday of the year. That work had over 5000 subscribers. He published his thoughts on performance of Psalmody in the Church of England, addressed to clergy. In 1801 he published the Psalms of Watts and Wesley for use by Methodists, and in 1804 the history and antiques of Doncaster with a map. John Perry

S. B. Whitney

1842 - 1914 Person Name: Samuel B. Whitney Topics: The Life in Christ Loyalty and Courage; All Saints' Day; Christ Captain, Our; Christ Son of God; Conflict With Sin; Courage and Loyalty; Loyalty and Courage; Processionals; Recessionals; Soldiers of Christ; Zeal Composer of "CRUSADER" in The Hymnal Samuel Brenton Whitney; b. June 4, 1842, Woodstock, Vt..; d. there Aug. 3 at age of 72; organist and composer

John Darwall

1732 - 1789 Person Name: John Darwall, 1731-89 Topics: Ascension; Consummation in Christ; Jesus Christ Reign; Jesus Christ Resurrection; Kingdom of God; Resurrection; Saints Days and Holy Days St Michael and All Angels; Satan; Sovereignty of God; Worship Earthly and Heavenly Composer of "DARWALL" in Together in Song John Darwall (b. Haughton, Staffordshire, England, 1731; d. Walsall, Staffordshire, England, 1789) The son of a pastor, he attended Manchester Grammar School and Brasenose College, Oxford, England (1752-1756). He became the curate and later the vicar of St. Matthew's Parish Church in Walsall, where he remained until his death. Darwall was a poet and amateur musician. He composed a soprano tune and bass line for each of the 150 psalm versifications in the Tate and Brady New Version of the Psalms of David (l696). In an organ dedication speech in 1773 Darwall advocated singing the "Psalm tunes in quicker time than common [in order that] six verses might be sung in the same space of time that four generally are." Bert Polman

Claude Goudimel

1514 - 1572 Topics: The Christian Year Reign of Christ; Church Ecumenism; Compassion; Courage; Discipleship and Service; Empowerment; Gift(s); Guidance; Healing; Hope; Hunger; Jesus Christ Cross; Jesus Christ Example; Jesus Christ Guide and Leader; Jesus Christ Images of; Jesus Christ Kingship, Conqueror; Jesus Christ Life In; Jesus Christ Reign; Light; Manna, Bread of Life; Mercy; Ministry; Mission and Outreach; Opening Hymns; Peace (World); Providence; Service Music Offering; Sin; Social Concerns; Struggle and Conflict; Temptation; Trust; Unity; Walking with God/Jesus Christ; World; Advent 2 Year A; Epiphany 5 Year A; Epiphany 6 Year A; Ascension Year A; Proper 6 Year A; Proper 12 Year A; Proper 17 Year A; Proper 23 Year A; Proper 28 Year A; Epiphany 4 Year B; Easter 7 Year B; Proper 10 Year B; Proper 11 Year B; Proper 13 Year B; Proper 22 Year B; Proper 23 Year B; Advent 4 Year C; Epiphany 6 Year C; Lent 5 Year C; All Saints Year C; Proper 28 Year C; Ash Wednesday Year ABC Harmonizer of "DONNE SECOURS" in Voices United The music of Claude Goudimel (b. Besançon, France, c. 1505; d. Lyons, France, 1572) was first published in Paris, and by 1551 he was composing harmonizations for some Genevan psalm tunes-initially for use by both Roman Catholics and Protestants. He became a Calvinist in 1557 while living in the Huguenot community in Metz. When the complete Genevan Psalter with its unison melodies was published in 1562, Goudimel began to compose various polyphonic settings of all the Genevan tunes. He actually composed three complete harmonizations of the Genevan Psalter, usually with the tune in the tenor part: simple hymn-style settings (1564), slightly more complicated harmonizations (1565), and quite elaborate, motet-like settings (1565-1566). The various Goudimel settings became popular throughout Calvinist Europe, both for domestic singing and later for use as organ harmonizations in church. Goudimel was one of the victims of the St. Bartholomew's Day massacre of Huguenots, which occurred throughout France. Bert Polman

Nikolaus Herman

1500 - 1561 Person Name: Nikolaus Herman, 1480-1561 Topics: Biblical Names and Places Jacob; Blessing; Church Year Advent; Church Year All Saints' Day; Church Year Ascension of the Lord; Church Year Christ the King; Church Year Passion/Palm Sunday; Church Year Transfiguration; Earth; Elements of Worship Call to Worship; Elements of Worship Gathering; Elements of Worship Lord's Supper; Elements of Worship Preparation for Worship; Enthronement Psalms; Faith; Freedom; God Trust in; God as Creator; God as King; God's Sovereignty; God's Armor; God's Face; God's Majesty; God's Strength; Guilt; Hope; Idols and Idolatry; Innocence; Processions; Temple; Ten Commandments 2nd Commandment (do not make graven emages); The Creation; Unity and Fellowship; Worship; Year A, B, C, Presentation of the Lord, February 2; Year B, All Saints' Day, November 1; Year B, Ordinary Time after Pentecost, July 10-16 Adapter of "LOBT GOTT, IHR CHRISTEN" in Psalms for All Seasons Herman, Nicolaus, is always associated with Joachimsthal in Bohemia, just over the mountains from Saxony. The town was not of importance till the mines began to be extensively worked about 1516. Whether Herman was a native of this place is not known, but he was apparently there in 1518, and was certainly in office there in 1524. For many years he held the post of Master in the Latin School, and Cantor or Organist and Choirmaster in the church. Towards the end of his life he suffered greatly from gout, and had to resign even his post as Cantor a number of years before his death. He died at Joachimsthal, May 3, 1561. (Koch, i. 390-398; Allgemeine Deutsche Biographie, xii. 186-188, &c.) He was a great friend and helper of J. Mathesius (q.v.) (who in 1532 became rector of the school, but in 1541 diaconus and in 1545 pastor of the church), and it was said that whenever Mathesius preached a specially good sermon Herman straightway embodied its leading ideas in a hymn. His hymns, however, were not primarily written for use in church, but were intended for the boys and girls in the schools, to supplant profane songs in the mouths of the young men and women, or for the daily life of the “housefathers and housemothers" in Joachimsthal, at home, and in their work in the mines. He is a poet of the people, homely, earnest, and picturesque in style; by his naiveté reminding us of Hans Sachs. He was an ardent lover of music and a very good organist. The chorales which he published with his hymns are apparently all of his own composition, and are among the best of the Reformation period. Many of Herman's hymns soon passed into Church use in Germany, and a number are found in almost all books in present use. About 190 in all, they appeared principally in:— (1) Die Sontags Evangelia uber des gantze Jar, in Gesenge verfasset, für die Kinder und christlichen Haussvetter, &c, Wittenberg, 1560 (dedication by Herman dated Trinity Sunday, 1559), with 101 hymns and 17 melodies. The best are those interspersed specially meant for children and not directly founded on the Gospel for the day. (2) Die Historien von der Sindfludt, Joseph, Mose, Helia, Elisa und der Susanna, sampt etlichen Historien aus den Evangelisten, &c., Wittenberg, 1562 (preface by Herman dated St. Bartholomew's Day, 1560), with 73 hymns and 20 melodies. In this case also the general hymns are the best. A selection of 60 (really 61) of his hymns, with a memoir by K. F. Ledderhose, was published at Halle, 1855. One of Herman's hymns is noted under “Wenn mein Stündlein vorhanden ist." The others which have passed into English are:— i. Bescher uns, Herr, das täglioh Brod. Grace before Meat. 1562, as above, and thence in Wackernagel, iii. p. 1228, in 6 stanzas of 4 lines; in Ledderhose, p. 70; and in the Berlin Geistliche Lieder, ed. 1863, No. 1133. Translated as:— 1. Thou art our Father and our God. This, by P. H. Molther, a translation of stanza vi., as No. 180 in the Moravian Hymn Book, 1789 (1849, No. 220, st. v.). 2. As children we are owned by Thee, a translation of stanza vi., as st. iii. of No. 191 in the Moravian Hymn Book, 1801 (1849, No. 220, stanza iii.). ii. Die helle Sonn leucht jetzt herfür. Morning. 1560, as above, and thence in Wackernagel, iii. p. 1184, in 4 stanzas of 4 lines, in Ledderhose, p. 87; and in the Unverfälschter Liedersegen, 1851, No. 450. Translated as:— The morning beam revives our eyes, a good and full translation by. A. T. Russell, as No. 71 in the Dalston Hospital Hymn Book 1848. iii. Erschienen ist der herrliche Tag. Easter. 1560, as above, in 14 stanzas of 4 lines, entitled, "A new Spiritual Song of the Joyful Resurrection of our Saviour Jesus Christ; for the maidens of the girls' school in Joachimsthal”; and thence in Wackernagel, iii. p. 1175; in Ledderhose p. 23, and Unverfälschter Liedersegen, 1851, No. 134. It has reminiscences of the "Erstanden ist der heil'ge Christ". Translated as:— The day hath dawn'd—-the day of days, a good translation by A. T. Russell of stanzas i., ii., xiii., xiv., as No. 113 in his Psalms & Hymns, 1851. Another tr. is, "At length appears the glorious day," by Dr. G. Walker, 1860, p. 28. iv. Hinunter ist der Sonnen Schein. Evening. 1560, as above, and thence in Wackernagel, iii. p. 1184, in 4 stanzas of 4 lines; in Ledderhose, p. 88; and in the Unverfälschter Liedersegen1851, No. 523. Some of the phrases may have been suggested by the "Christe qui lux es et dies" (q. v.). Translated as:— 1. Sunk is the sun's last beam of light, a full and good translation by Miss Cox in her Sacred Hymns from the German, 1841, p. 57. Included in Alford's Psalms & Hymns, 1844, and Tear of Praise, 1867; in Dale's English Hymn Book, 1875; in the Pennsylvania Lutheran Church Book, 1868, and others. It is also given considerably altered and beginning, "Sunk is the Sun! the daylight gone," in W. J. Blew's Church Hymn and Tune Book, 1851-55. 2. The happy sunshine all is gone, in full, by Miss Winkworth in her Lyra Germanica, 1st Ser., 1855, p. 225; repeated in her Chorale Book for England, 1863, and the Ohio Lutheran Hymnal, 1880. Other translations are: (1) "Did I perhaps Thee somewhat grieve," a translation of stanza iii. in the Moravian Hymn Book, 1789, No. 756. In the 1801 and later eds. (1886, No. 1181, st. iii.), it begins, "Where'er I Thee this day did grieve." (2) "The sun’s fair sheen is past and gone," by H. J. Buckoll, 1842, p. 68. (3) "The sun hath run his daily race," by Lady E. Fortescue, 1843, p. 14. v. Lobt Gott, ihr Christen alle gleich. Christmas. Written c. 1554, but first published 1560 as above, as the first of "Three Spiritual Christmas Songs of the new-born child Jesus, for the children in Joachimsthal." Thence in Wackernagel iii. p. 1169, in 8 stanzas of 4 lines; in Ledderhose, p. 1; and in the Unverfälschter Liedersegen, 1851, No. 47. It is one of the most popular German Christmas hymns. The melody set to it in 1560 is also by Herman; in 1554 to his "Kommt her ihr liebsten Schwesterlein" [in the Hymnal Companioncalled "St. George's (old)"]. Translated as :— 1. Let all together praise our God, a good translation of stanzas i., iii., vi., viii., by A. T. Russell, as No. 52 in his Psalms & Hymns, 1851. Repeated in Kennedy, 1863, adding a translation of st. ii., and beginning, "Let all creation praise our God." 2. Praise ye the Lord, ye Christians I yea, in full, by E. Cronenwett, as No. 31 in the Ohio Lutheran Hymnal 1880. Other translations are: (1) "A wondrous change He with us makes," a tr. of stanza viii., ix. as No. 438 in pt. i. of the Moravian Hymn Book, 1754, repeated 1789-1826. (2) "Come, brethren, lets the song arise," by Dr. G. Walker, 1860, p. 26. (3) "Praise God, now Christians, all alike," by Miss Manington, 1864, p. 9. (4) "Praise God, upon His throne on high," in the Sunday Magazine, 1874, p. 384, signed "P. J." The hymn “Shepherds rejoice, lift up your eyes," given by J. C. Jacobi in his Psalmodia Germanica, 1722, p. 8, to Herman's melody (which was first published 1554) is, as stated in his Preface, taken from Bk. i. of Isaac Watts's Horse Lyricae vi. So wahr ich leb, spricht Gott der Herr. Absolution. 1560, as above, in 11 stanzas of 4 lines, entitled "A hymn on the power of the keys and the virtue of holy absolution; for the children in Joachimsthal." Thence in Wackernagel, iii. p. 1183; in Ledderhose, p. 47; and the Unverfälschter Liedersegen, 1851, No. 429. It probably suggested the better known hymn, "So wahr ich lebe," q. v., by Johann Heermann. Translated as:— Yea, as I live, Jehovah saith, I do not wish the sinner's death, in full, by Dr. M. Loy, as No. 245, in the Ohio Lutheran Hymnal, 1880. [Rev. James Mearns, M.A.] --John Julian, Dictionary of Hymnology (1907)

George T. Coster

1835 - 1912 Topics: The Life in Christ Loyalty and Courage; All Saints' Day; Armistice Day; Conflict With Sin; Courage and Loyalty; Loyalty and Courage; Memorial Days; Zeal Author of "March on, O soul, with strength" in The Hymnal Coster, George Thomas, was born in 1835 at Chatham, Kent; studied for the Congregational Ministry at New College, London; ordained in 1859 at Newport, Essex, and has since held pastorates at Barnstaple, Hull, South Norwood, and Whitby. He has published (besides many sermons and tracts) Pastors and People, 1869; Allegories, 1878; Lorrin and other Poems, 1859; the Rhyme of St. Peter's Fall, 1871, and Poems and Hymns, 1882. He has also contributed several poems on Scripture characters (a line in which he excels) to The Poet's Bible, and edited, in 1869 Temperance Melodies and Religious Hymns. Of his hymns the following are in common use:— 1. Dost thou bow beneath the burthen. Fellowship with God. This is an imitation of Dr. Neale's "Art thou weary." It is No. 1112 in the 1880 Supplement to the Baptist Psalms and Hymns. 2. From north and south and east and west. Missions. 3. Lord of the sea! afar from land. Sabbath at Sea. Nos. 2 and 3 are in Horder's Congregational Hymns, 1884. [Rev. W. Garrett Horder] --John Julian, Dictionary of Hymnology (1907) =============== Coster, G. T., p. 263, i. The following hymns by Mr. Coster have been written and have come into common use since 1892:— 1. Going to the Father. [The Man of Sorrows.] Written in 1899, and published in his Hessle Hymns, 1901, No. 13, in 5 stanzas of 8 lines. 2. Lord God Almighty, in Thy hand. [Praise.] Written in 1897, and published in his Hessle Hymns, 1901, No. 3, in 7 stanzas of 4 lines, and entitled "We praise Thy power." 3. Lord of the gracious sunshine. [Temperance.] Written at the request of the Rev. W. G. Horder for his Hymns Supplemental on Oct. 51893. It is in extensive use in Great Britain and America. In the author'sHessle Hymns, 1901, No. 30, and entitled "A National Foe." 4. March on, 0 Soul, with strength. [Christian Battle Song.] Written in Bedford Park, London, Aug. 3, 1897, and printed in The Evangelical Magazine, Feb., 1898. In the Hessle Hymns, 1901, No. 29, in 6 stanzas of 6 lines, and headed "Battle Song." It is in common use in America, including The Pilgrim Hymnal, 1904, and others. 5. O Friend Divine! with Thee apart. [Fellowship with Christ.] First published in the Evangelical Magazine, Sept., 1900; also in his Hessle Hymns, 1901 No. 25, in 6 stanzas of 4 lines. Included in The Pilgrim Hymnal, 1904. 6. Skill and beauty from Thee live. [Opening of a Sale of Work.] First published in his Hymns and Poems, 1882, and again in his Hessle Hymns, 1901, No. 33, in 3 stanzas of 4 lines. 7. Thou Whose great baptismal hour. [Holy Baptism.] Written in 1892, at the request of W. G. Horder, for the Baptist edition of his Worship Song, and given therein 1895, No. 697; also in the Baptist Church Hymnal, 1900, No. 504, and the author's Hessle Hymns, 1901, No. 19. 8. We join with all in every place. [Holy Communion.] Written in 1891, and first published in Border's Hymns Supplemental, 1894, and the Hessle Hymns, 1901, No. 20, in 3 stanzas of 6 lines, and entitled “United Communion Service." In addition to the above the following hymns are appearing in forthcoming collections:— 9. Comrades' names are on our banner. [National Hymn] Written at Scarborough, July, 1901, and printed in The Examiner (the weekly organ of the Congregational Churches), May 8, 1902; also in the author's When the Stars Appear, 1903, p. 11, in 6 stanzas of 6 lines, and entitled "Names on Our Banner." 10. King of the City Splendid. [National Hymn) Written at Bedford Park, London, Aug. 18, 1897, and printed in The Independent (Congregational weekly), Jan. 27, 1898. In his Hessle Hymns, 1901, No. 40, in 10 stanzas of 6 lines, and entitled "Prayer for our Cities." Concerning the three hymns noted on p. 263, i., the author says :— 1. Dost thou bow beneath the burden! "It was written in 1879, and first printed in the Evangelical Magazine, May, 1879." In the Hessle Hymns, 1901, No. 22. 2. From north and south, and east and west. "Originally written in 1864, and first printed in the Evangelical Magazine. In later collections it haft been considerably altered" In its varying forms it is the most widely known of the author's hymns. Authorised text in Hessle Hymns, 1901, No. 26. 3. Lord of the Sea, afar from land. "Written in 1874, and printed in The Christian World magazine, 1879." Included in Hessle Hymns, 1901, No. 31. Since 1890 Mr. Coster has held the pastorates of Stroud and of Hessle, near Hull. He retired from the active ministry in 1902. His later poetical works include Collected Poems, 1890; Gloria Christi, 189G; Hessle Hymns, 1901; When the Stars appear, 1903; and Beams of Christ's Glory, 1904. In these works Mr. Coster has maintained his reputation as a writer of hymns. --John Julian, Dictionary of Hymnology, New Supplement (1907)

Winfred Douglas

1867 - 1944 Person Name: Charles Winfred Douglas Topics: A New Heaven and A New Earth Completion of Creation and City of God; Biblical Characters John; Brotherhood/Sisterhood; Building/Bridge; Challenge; Church Community in Christ; City/City of God; Confession; Courage; Eternal Life; Funerals and Memorial Services; God Kingdom, Majesty, Realm; Grace; Heaven(s)/Paradise; Jesus Christ Lamb of God; Jesus Christ Second Coming; Justice; Kingdom of God; Life; Petition; Second Coming; Service; Social Concerns; Strength; Vision/Dream; Proper 23 Year A; Epiphany 5 Year B; Proper 15 Year B; All Saints Year B; Easter 4 Year C; Easter 5 Year C; Easter 6 Year C; New Year Year ABC Harmonizer of "MORNING SONG" in Voices United Charles Winfred Douglas (b. Oswego, NY, 1867; d. Santa Rosa, CA, 1944), an influential leader in Episcopalian liturgical and musical life. Educated at Syracuse University and St. Andrews Divinity School, Syracuse, New York, he moved to Colorado for his health. There he studied at St. Matthew's Hall, Denver, and founded the Mission of the Transfiguration in Evergreen (1897). Ordained a priest in the Episcopal Church in 1899, he also studied in France, Germany and England, where he spent time with the Benedictines of Solesmes on the Island of Wight from 1903 to 1906. For much of his life, Douglas served as director of music at the Community of St. Mary in Peekskill, New York, and had associations with cathedrals in Denver, Colorado, and Fond du Lac, Wisconsin. He promoted chanting and plainsong in the Episcopal Church through workshops and publications such as The American Psalter (1929), the Plainsong Psalter (1932), and the Monastic Diurnal (1932). His writings include program notes for the Denver Symphony Orchestra, various hymn preludes; organ, as well as the book, Church Music in History and Practice (1937). He was editor of both the Hymnal 1916 and its significant successor, Hymnal 1940, of the Episcopal Church. Douglas's other achievements include a thorough knowledge of the life and culture of Hopi and Navajo natives, among whom he lived for a number of years. Bert Polman

John Wilson

1905 - 1992 Topics: Christ--All in all Arranger of "THIRD MODE MELODY" in Moravian Book of Worship Born January 21, 1905, in Bournville, Birmingham, England; died July 16, 1992, in Guildford, Surrey, England. He served as Vice President of the Hymn Society of Great Britain and Ireland, and was a Fellow of the Hymn Society in the United States and Canada. Leland Bryant Ross from a biographical article in the journal of the Hymn Society of Great Britain and Ireland: https://hymnsocietygbi.org.uk/1992/10/treasure-no-58-john-wilson-1905-92

A. L. Peace

1844 - 1912 Person Name: Albert L. Peace Topics: Access to God; Aspirations For Christ; Aspirations For Peace and Rest; Assurance Enjoyed; Cares; Christ Communion with; Christ Confessing; Christ Light and Guide; Christians Believers; Christians Conscious of Safety; Comfort in Trials; Faith Act of; Faith Confidence of; Fearlessness; God Fatherhood of; God Our Guardian; God Our Refuge; God Source of All Good; Gospel Acceptance of; Gospel Invitations of ; Gospel Privileges of; Grace Quickening; Invitation and Divine Pleading; Love For God; Mercy of God Prayer for; Parents and Children; Praise For Spiritual Blessings; Prayer confidence in; Prayer For Deliverance from Trouble; Prayer Importunity in ; Prayer Pleas in; Procrastination; Protection Only from God; Providence of God Over Saints; Safety Assured; Salvation Accepted Time of; Salvation Prayers for; Seeking God; Strength in God; Waiting upon God ; Worship Delightful to Saints Composer of "ST. MARGARET" in The Psalter Albert Lister Peace DMus United Kingdom 1844-1912. Born at Huddersfield, Yorkshire, England, son of a warehouseman and woolstapler, he was extremely gifted as a musician, largely self-taught, playing the organ at Holmfirth Parish Church near Huddersfield at age nine. He married Margaret Martin Steel Gilchrist, and they had three children: Lister, Archibald, and Margaret. In 1865 he was appointed organist of Trinity Congregational Church in Glasgow, Scotland. He obtained his doctorate degree from the University of Oxford in 1875. He became organist at Glasgow Cathedral in 1879. In 1897 he succeeded William Best as organist at St George’s Hall, Liverpool. In later years he was in much demand to play the organ in recitals. He did so at Canterbury Cathedral (1886), Victoria Hall, Hanley, Stoke-on-Trent (1888), and Newcastle Cathedral (1891). He composed orchestrations, sonatas, cantatas, and concert and church service anthems. He was an arranger, author, and editor. He died at Blundelsands, Liverpool, England. John Perry