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Dwelling Place
Author: John Foley, SJ, b. 1939 Appears in 6 hymnals Scripture: Ephesians 1:2 First Line: I fall on my knees to the Father of Jesus Refrain First Line: May Christ find a dwelling place of faith in our hearts Topics: Dance; Faith; Grace; Peace; Strength; Trinity; Trust Used With Tune: [I fall on my knees to the Father of Jesus]
Dwelling Place
Doxology
Author: Thomas Ken, 1637-1711 Appears in 1,245 hymnals Scripture: Ephesians 1:3 First Line: Praise God from whom all blessings flow Lyrics: Praise God, from whom all blessings flow;
Praise Him, all creatures here below;
Praise Him above, ye heav'nly host;
Praise Father, Son, and Holy Ghost.
Topics: Blessings; Doxologies; God Glory and Power; Praise; Service Music; Trinity Used With Tune: OLD HUNDREDTH
Doxology
Down at the Cross
Author: Elisha A. Hoffman, 1839-1929 Appears in 807 hymnals Scripture: Ephesians 1:7-8 First Line: Down at the cross where my Savior died Refrain First Line: Glory to his name Lyrics: 1 Down at the cross where my Savior died,
Down where for cleansing from sin I cried;
there to my heart was the blood applied:
glory to his name.
Refrain:
Glory to his name,
Glory to his name!
There to my heart was the blood applied:
Glory to his name.
2 I am so wondrously saved from sin,
Jesus so sweetly abides within;
there at the cross where he took me in:
glory to his name. [Refrain]
3 Oh, precious fountain that saves from sin,
I am so glad I have entered in;
there Jesus saves me and keeps me clean:
glory to his name. [Refrain]
4 Come to this fountain so rich and sweet;
cast your poor soul at the Savior’s feet;
plunge in today, and be made complete:
glory to his name. [Refrain] Topics: Lent; Holy Week, The Three Days; Name of Jesus; Trust Used With Tune: GLORY TO HIS NAME
Down at the Cross
DARWALL’S 148TH
Meter: 6.6.6.6.8.8 Appears in 490 hymnals Composer and/or Arranger: John Darwall; Sydney Hugo Nicholson Scripture: Ephesians 1:20-21 Tune Key: C Major Incipit: 13153 17654 32231 Used With Text: Rejoice, the Lord Is King!
DARWALL’S 148TH
DIVINUM MYSTERIUM
Meter: 8.7.8.7.8.7.7 Appears in 168 hymnals Composer and/or Arranger: C. Winfred Douglas Scripture: Ephesians 1:4 Tune Sources: Plainsong, Mode V Tune Key: E Flat Major Incipit: 12343 23213 45653 Used With Text: In a Deep, Unbounded Darkness
DIVINUM MYSTERIUM
Doxology
Author: Thomas Ken, 1637-1711 Hymnal: Total Praise #638 (2011) Scripture: Ephesians 1:3 First Line: Praise God from whom all blessings flow Lyrics: Praise God, from whom all blessings flow;
Praise Him, all creatures here below;
Praise Him above, ye heav'nly host;
Praise Father, Son, and Holy Ghost.
Topics: Blessings; Doxologies; God Glory and Power; Praise; Service Music; Trinity Languages: English Tune Title: OLD HUNDREDTH
Doxology
Doxology
Author: Thomas Ken, 1637-1711 Hymnal: African American Heritage Hymnal #651 (2001) Meter: 8.8.8.8 Scripture: Ephesians 1:3 First Line: Praise God from whom all blessings flow Lyrics: Praise God, from whom all blessings flow;
Praise Him, all creatures here below;
Praise Him above, ye heav'nly host;
Praise Father, Son, and Holy Ghost.
Topics: Doxologies Languages: English Tune Title: OLD 100TH
Doxology
Down at the Cross
Author: Elisha A. Hoffman, 1839-1929 Hymnal: This Far By Faith #72 (1999) Scripture: Ephesians 1:7-8 First Line: Down at the cross where my Savior died Refrain First Line: Glory to his name Lyrics: 1 Down at the cross where my Savior died,
Down where for cleansing from sin I cried;
there to my heart was the blood applied:
glory to his name.
Refrain:
Glory to his name,
Glory to his name!
There to my heart was the blood applied:
Glory to his name.
2 I am so wondrously saved from sin,
Jesus so sweetly abides within;
there at the cross where he took me in:
glory to his name. [Refrain]
3 Oh, precious fountain that saves from sin,
I am so glad I have entered in;
there Jesus saves me and keeps me clean:
glory to his name. [Refrain]
4 Come to this fountain so rich and sweet;
cast your poor soul at the Savior’s feet;
plunge in today, and be made complete:
glory to his name. [Refrain] Topics: Lent; Holy Week, The Three Days; Name of Jesus; Trust Languages: English Tune Title: GLORY TO HIS NAME
Down at the Cross
W. Howard Doane
1832 - 1915 Person Name: William H. Doane Scripture: Ephesians 1:7 Composer of "TO GOD BE THE GLORY" in The Worshiping Church An industrialist and philanthropist, William H. Doane (b. Preston, CT, 1832; d. South Orange, NJ, 1915), was also a staunch supporter of evangelistic campaigns and a prolific writer of hymn tunes. He was head of a large woodworking machinery plant in Cincinnati and a civic leader in that city. He showed his devotion to the church by supporting the work of the evangelistic team of Dwight L. Moody and Ira D. Sankey and by endowing Moody Bible Institute in Chicago and Denison University in Granville, Ohio. An amateur composer, Doane wrote over twenty-two hundred hymn and gospel song tunes, and he edited over forty songbooks.
Bert Polman
============
Doane, William Howard, p. 304, he was born Feb. 3, 1832. His first Sunday School hymn-book was Sabbath Gems published in 1861. He has composed about 1000 tunes, songs, anthems, &c. He has written but few hymns. Of these "No one knows but Jesus," "Precious Saviour, dearest Friend," and "Saviour, like a bird to Thee," are noted in Burrage's Baptist Hymn Writers. 1888, p. 557.
--John Julian, Dictionary of Hymnology, Appendix, Part II (1907)
===================
Doane, W. H. (William Howard), born in Preston, Connecticut, 1831, and educated for the musical profession by eminent American and German masters. He has had for years the superintendence of a large Baptist Sunday School in Cincinnati, Ohio, where he resides. Although not a hymnwriter, the wonderful success which has attended his musical setting of numerous American hymns, and the number of his musical editions of hymnbooks for Sunday Schools and evangelistic purposes, bring him within the sphere of hymnological literature. Amongst his collections we have:—
(1) Silver Spray, 1868; (2) Pure Gold, 1877; (3) Royal Diadem, 1873; (4) Welcome Tidings, 1877; (5) Brightest and Best, 1875; (6) Fountain of Song; (7) Songs of Devotion, 1870; (8) Temple Anthems, &c.
His most popular melodies include "Near the Cross," "Safe in the Arms of Jesus," "Pass me Not," "More Love to Thee," "Rescue the Perishing," "Tell me the Old, Old Story," &c.
- John Julian, Dictionary of Hymnology (1907)
W. Howard Doane
John Darwall
1732 - 1789 Scripture: Ephesians 1:21 Composer of "DARWALL" in Hymns for the Living Church John Darwall (b. Haughton, Staffordshire, England, 1731; d. Walsall, Staffordshire, England, 1789) The son of a pastor, he attended Manchester Grammar School and Brasenose College, Oxford, England (1752-1756). He became the curate and later the vicar of St. Matthew's Parish Church in Walsall, where he remained until his death. Darwall was a poet and amateur musician. He composed a soprano tune and bass line for each of the 150 psalm versifications in the Tate and Brady New Version of the Psalms of David (l696). In an organ dedication speech in 1773 Darwall advocated singing the "Psalm tunes in quicker time than common [in order that] six verses might be sung in the same space of time that four generally are."
Bert Polman
John Darwall
John Bacchus Dykes
1823 - 1876 Person Name: John B. Dykes Scripture: Ephesians 1:21 Composer of "ST. OSWALD" in Church Hymnal, Mennonite As a young child John Bacchus Dykes (b. Kingston-upon-Hull' England, 1823; d. Ticehurst, Sussex, England, 1876) took violin and piano lessons. At the age of ten he became the organist of St. John's in Hull, where his grandfather was vicar. After receiving a classics degree from St. Catherine College, Cambridge, England, he was ordained in the Church of England in 1847. In 1849 he became the precentor and choir director at Durham Cathedral, where he introduced reforms in the choir by insisting on consistent attendance, increasing rehearsals, and initiating music festivals. He served the parish of St. Oswald in Durham from 1862 until the year of his death. To the chagrin of his bishop, Dykes favored the high church practices associated with the Oxford Movement (choir robes, incense, and the like). A number of his three hundred hymn tunes are still respected as durable examples of Victorian hymnody. Most of his tunes were first published in Chope's Congregational Hymn and Tune Book (1857) and in early editions of the famous British hymnal, Hymns Ancient and Modern.
Bert Polman
John Bacchus Dykes
