Search Results

All:now let the heav'ns be joyful

Planning worship? Check out our sister site, ZeteoSearch.org, for 20+ additional resources related to your search.

Texts

text icon
Text authorities
TextPage scans

He who erected heav'n's bright arch

Meter: 8.6.8.6 Appears in 1 hymnal Lyrics: 6 He who erected heav’ns bright arch, and bade the planets roll, who ... now, shall be accomplish'd too. 12 Sing to the Lord in joyful strains! let ... earth his praise resound, ye who upon the ... Scripture: Isaiah 42:6-15 Used With Tune: CREDITON
TextPage scans

How bless'd are they, who always keep

Appears in 55 hymnals Lyrics: ... Statues undefac'd, Shall be my constant Joy; The strict Remembrance of thy ... to the Earth doth cleave; Revive me, LORD, and let me now Thy ... me. 76 O let thy tender Mercy now Afford me needful Aid ... Thy Word, establish'd in the Heav'ns, Does all their Orbs sustain ... Topics: Description of Glory of the Law; Description of Happiness of Man; Prayers When zealous for the Knowledge and Fear of God; Soul's Desire Of Believers Scripture: Psalm 119 Used With Tune: [How bless'd are they, who always keep]
TextPage scansFlexScore

How Lovely Shines the Morning Star!

Author: Philipp Nicolai Meter: 8.8.7.8.8.7.4.4.4.4.8 Appears in 13 hymnals Lyrics: ... of graces, filling all the heav'nly places. 2 Though ... hear our supplication. 3 Now richly to my waiting ... blest body let me be, e'en as the branch is ... him I see, I joy in tribulation. What bliss ... heav'ns; thou earth reply; with praise, ye sinners, fill the ... Topics: Christ advent of; Christ As Bridegroom; Christ Exaltation of; Christ As Friend; Christ As Son of David; Election Scripture: Psalm 45 Used With Tune: WIE SCHÖN LEUCHTET Text Sources: Trans. composite

Tunes

tune icon
Tune authorities
FlexScoreAudio

HERZLICH TUT MICH ERFREUEN

Meter: 7.6.7.6.7.6.7.6 Appears in 12 hymnals Tune Sources: Johann Walter, Ein Schöner Geistlicher Berckreyen, 1552 Tune Key: D Major Incipit: 11131 55175 65315 Used With Text: The Day of Resurrection
FlexScoreAudio

HERR, DIR IST NIEMAND ZU VERGLEICHEN

Meter: 9.9.8.9.9.8.9.8.9.8 Appears in 19 hymnals Composer and/or Arranger: Justin H. Knecht, 1752-1817 Tune Key: A Major Incipit: 11131 43213 33234 Used With Text: Praise Ye the Lord
Page scans

[How bless'd are they, who always keep]

Appears in 2 hymnals Tune Key: D Major Incipit: 12321 17132 55455 Used With Text: How bless'd are they, who always keep

Instances

instance icon
Published text-tune combinations (hymns) from specific hymnals
TextPage scan

How Lovely Shines the Morning Star!

Author: Philipp Nicolai Hymnal: Trinity Psalter Hymnal #296 (2018) Meter: 8.8.7.8.8.7.4.4.4.4.8 Lyrics: ... of graces, filling all the heav'nly places. 2 Though ... hear our supplication. 3 Now richly to my waiting ... blest body let me be, e'en as the branch is ... him I see, I joy in tribulation. What bliss ... heav'ns; thou earth reply; with praise, ye sinners, fill the ... Topics: Christ advent of; Christ As Bridegroom; Christ Exaltation of; Christ As Friend; Christ As Son of David; Election Scripture: Psalm 45 Languages: English Tune Title: WIE SCHÖN LEUCHTET
TextPage scan

How bless'd are they, who always keep

Hymnal: The Psalms of David #CXIX (1767) Lyrics: ... Statues undefac'd, Shall be my constant Joy; The strict Remembrance of thy ... to the Earth doth cleave; Revive me, LORD, and let me now Thy ... me. 76 O let thy tender Mercy now Afford me needful Aid ... Thy Word, establish'd in the Heav'ns, Does all their Orbs sustain ... Topics: Description of Glory of the Law; Description of Happiness of Man; Prayers When zealous for the Knowledge and Fear of God; Soul's Desire Of Believers Scripture: Psalm 119 Languages: English Tune Title: [How bless'd are they, who always keep]
TextPage scan

He who erected heav'n's bright arch

Hymnal: The Irish Presbyterian Hymnbook #R23b (2004) Meter: 8.6.8.6 Lyrics: 6 He who erected heav’ns bright arch, and bade the planets roll, who ... now, shall be accomplish'd too. 12 Sing to the Lord in joyful strains! let ... earth his praise resound, ye who upon the ... Scripture: Isaiah 42:6-15 Languages: English Tune Title: CREDITON

People

person icon
Authors, composers, editors, etc.

Reginald Heber

1783 - 1826 Person Name: Reginald Heber, 1783-1826 Author of "Praise Ye the Lord" in The Christian Hymnary. Bks. 1-4 Reginald Heber was born in 1783 into a wealthy, educated family. He was a bright youth, translating a Latin classic into English verse by the time he was seven, entering Oxford at 17, and winning two awards for his poetry during his time there. After his graduation he became rector of his father's church in the village of Hodnet near Shrewsbury in the west of England where he remained for 16 years. He was appointed Bishop of Calcutta in 1823 and worked tirelessly for three years until the weather and travel took its toll on his health and he died of a stroke. Most of his 57 hymns, which include "Holy, Holy, Holy," are still in use today. -- Greg Scheer, 1995 ==================== Heber, Reginald, D.D. Born at Malpas, April 21, 1783, educated at Brasenose College, Oxford; Vicar of Hodnet, 1807; Bishop of Calcutta, 1823; died at Trichinopoly, India, April 3, 1826. The gift of versification shewed itself in Heber's childhood; and his Newdigate prize poem Palestine, which was read to Scott at breakfast in his rooms at Brazenose, Oxford, and owed one of its most striking passages to Scott's suggestion, is almost the only prize poem that has won a permanent place in poetical literature. His sixteen years at Hodnet, where he held a halfway position between a parson and a squire, were marked not only by his devoted care of his people, as a parish priest, but by literary work. He was the friend of Milman, Gifford, Southey, and others, in the world of letters, endeared to them by his candour, gentleness, "salient playfulness," as well as learning and culture. He was on the original staff of The Quarterly Review; Bampton Lecturer (1815); and Preacher at Lincoln's Inn (1822). His edition of Jeremy Taylor is still the classic edition. During this portion of his life he had often had a lurking fondness for India, had traced on the map Indian journeys, and had been tempted to wish himself Bishop of Calcutta. When he was forty years old the literary life was closed by his call to the Episcopate. No memory of Indian annals is holier than that of the three years of ceaseless travel, splendid administration, and saintly enthusiasm, of his tenure of the see of Calcutta. He ordained the first Christian native—Christian David. His first visitation ranged through Bengal, Bombay, and Ceylon; and at Delhi and Lucknow he was prostrated with fever. His second visitation took him through the scenes of Schwartz's labours in Madras Presidency to Trichinopoly, where on April 3,1826, he confirmed forty-two persons, and he was deeply moved by the impression of the struggling mission, so much so that “he showed no appearance of bodily exhaus¬tion." On his return from the service ”He retired into his own room, and according to his invariable custom, wrote on the back of the address on Confirmation 'Trichinopoly, April 3, 1826.' This was his last act, for immediately on taking off his clothes, he went into a large cold bath, where he had bathed the two preceding mornings, but which was now the destined agent of his removal to Paradise. Half an hour after, his servant, alarmed at his long absence, entered the room and found him a lifeless corpse." Life, &c, 1830, vol. ii. p. 437. Heber's hymns were all written during the Hodnet period. Even the great missionary hymn, "From Greenland's icy mountains," notwithstanding the Indian allusions ("India's coral strand," "Ceylon's isle"), was written before he received the offer of Calcutta. The touching funeral hymn, "Thou art gone to the grave," was written on the loss of his first babe, which was a deep grief to him. Some of the hymns were published (1811-16) in the Christian Observer, the rest were not published till after his death. They formed part of a ms. collection made for Hodnet (but not published), which contained, besides a few hymns from older and special sources, contributions by Milman. The first idea of the collection appears in a letter in 1809 asking for a copy of the Olney Hymns, which he "admired very much." The plan was to compose hymns connected with the Epistles and Gospels, to be sung after the Nicene Creed. He was the first to publish sermons on the Sunday services (1822), and a writer in The Guardian has pointed out that these efforts of Heber were the germs of the now familiar practice, developed through the Christian Year (perhaps following Ken's Hymns on the Festivals), and by Augustus Hare, of welding together sermon, hymnal, and liturgy. Heber tried to obtain from Archbishop Manners Sutton and the Bishop of London (1820) authorization of his ms. collection of hymns by the Church, enlarging on the "powerful engine" which hymns were among Dissenters, and the irregular use of them in the church, which it was impossible to suppress, and better to regulate. The authorization was not granted. The lyric spirit of Scott and Byron passed into our hymns in Heber's verse; imparting a fuller rhythm to the older measures, as illustrated by "Oh, Saviour, is Thy promise fled," or the martial hymn, "The Son of God goes forth to war;" pressing into sacred service the freer rhythms of contemporary poetry (e.g. "Brightest and best of the sons of the morning"; "God that madest earth and heaven"); and aiming at consistent grace of literary expression.. Their beauties and faults spring from this modern spirit. They have not the scriptural strength of our best early hymns, nor the dogmatic force of the best Latin ones. They are too flowing and florid, and the conditions of hymn composition are not sufficiently understood. But as pure and graceful devotional poetry, always true and reverent, they are an unfailing pleasure. The finest of them is that majestic anthem, founded on the rhythm of the English Bible, "Holy, Holy, Holy, Lord God Almighty." The greatest evidence of Heber's popularity as a hymnwriter, and his refined taste as a compiler, is found in the fact that the total contents of his ms. collection which were given in his posthumous Hymns written and adapted to the Weekly Church Service of the Year. London, J. Murray, 1827; which included 57 hymns by Heber, 12 by Milman, and 29 by other writers, are in common in Great Britain and America at the present time. [Rev. H. Leigh Bennett, M.A.] Of Bishop Heber's hymns, about one half are annotated under their respective first lines. Those given below were published in Heber's posthumous Hymns, &c, 1827. Some of them are in extensive use in Great Britain and America; but as they possess no special histories they are grouped together as from the Hymns, &c, 1827:— 1. Beneath our feet, and o'er our head. Burial. 2. Creator of the rolling flood. St. Peter's Day, or, Gospel for 6th Sunday after Trinity. 3. Lo, the lilies of the field. Teachings of Nature: or, Gospel for 15th Sunday after Trinity. 4. 0 God, by Whom the seed is given. Sexagesima. 6. 0 God, my sins are manifold. Forgiveness, or, Gospel for 22nd S. after Trinity. 6. 0 hand of bounty, largely spread. Water into Wine, or, Gospel for 2nd S. after Epiphany. 7. 0 King of earth, and air, and sea. Feeding the Multitude; or, Gospel for 4th S. in Lent. 8. 0 more than merciful, Whose bounty gave. Good Friday. 9. 0 most merciful! 0 most bountiful. Introit Holy Communion. 10. 0 Thou, Whom neither time nor space. God unsearchable, or, Gospel for 5th Sunday in Lent. 11. 0 weep not o'er thy children's tomb. Innocents Day. 12. Room for the proud! Ye sons of clay. Dives and Lazarus, or, Gospel for 1st Sunday after Trinity. 13. Sit thou on my right hand, my Son, saith the Lord. Ascension. 14. Spirit of truth, on this thy day. Whit-Sunday. 15. The feeble pulse, the gasping breath. Burial, or, Gospel for 1st S. after Trinity. 16. The God of glory walks His round. Septuagesima, or, the Labourers in the Marketplace. 17. The sound of war in earth and air. Wrestling against Principalities and Powers, or, Epistle for 2lst Sunday after Trinity. 18. The world is grown old, her pleasures are past. Advent; or, Epistle for 4th Sunday in Advent. 19. There was joy in heaven. The Lost Sheep; or, Gospel for 3rd S. after Trinity. 20. Though sorrows rise and dangers roll. St. James's Day. 21. To conquer and to save, the Son of God. Christ the Conqueror. 22. Virgin-born, we bow before Thee. The Virgin Mary. Blessed amongst women, or, Gospel for 3rd S. in Lent. 23. Wake not, 0 mother, sounds of lamentation. Raising the Widow's Son, or, Gospel for 16th S. after Trinity. 24. When on her Maker's bosom. Holy Matrimony, or, Gospel for 2nd S. after Epiphany. 25. When through the torn sail the wild tempest is streaming. Stilling the Sea, or, Gospel for 4th Sunday after Epiphany. 26. Who yonder on the desert heath. The Good Samaritan, or, Gospel for 13th Sunday after Trinity. This list is a good index of the subjects treated of in those of Heber's hymns which are given under their first lines, and shows that he used the Gospels far more than the Epistles in his work. --John Julian, Dictionary of Hymnology (1907)

Joseph Haydn

1732 - 1809 Person Name: Haydn Composer of "SALVATORI" in The New Christian Hymnal Franz Joseph Haydn (b. Rohrau, Austria, 1732; d. Vienna, Austria, 1809) Haydn's life was relatively uneventful, but his artistic legacy was truly astounding. He began his musical career as a choirboy in St. Stephen's Cathedral, Vienna, spent some years in that city making a precarious living as a music teacher and composer, and then served as music director for the Esterhazy family from 1761 to 1790. Haydn became a most productive and widely respected composer of symphonies, chamber music, and piano sonatas. In his retirement years he took two extended tours to England, which resulted in his "London" symphonies and (because of G. F. Handel's influence) in oratorios. Haydn's church music includes six great Masses and a few original hymn tunes. Hymnal editors have also arranged hymn tunes from various themes in Haydn's music. Bert Polman

Michael Haydn

1737 - 1806 Person Name: Johann Michael Haydn Composer of "GREENLAND" in The New National Baptist Hymnal (21st Century Edition) Johann Michael Haydn Austria 1737-1806. Born at Rohrau, Austria, the son of a wheelwright and town mayor (a very religious man who also played the harp and was a great influence on his sons' religious thinking), and the younger brother of Franz Joseph Haydn, he became a choirboy in his youth at the Cathedral of St. Stephen in Vienna, as did his brother, Joseph, an exceptional singer. For that reason boys both were taken into the church choir. Michael was a brighter student than Joseph, but was expelled from music school when his voice broke at age 17. The brothers remained close all their lives, and Joseph regarded Michael's religious works superior to his own. Michael played harpsichord, violin, and organ, earning a precarious living as a freelance musician in his early years. In 1757 he became kapellmeister to Archbishop, Sigismund of Grosswardein, in Hungary, and in 1762 concertmaster to Archbishop, Hieronymous of Salzburg, where he remained the rest of his life (over 40 years), also assuming the duties of organist at the Church of St. Peter in Salzburg, presided over by the Benedictines. He also taught violin at the court. He married the court singer, Maria Magdalena Lipp in 1768, daughter of the cathedral choir-master, who was a very pious women, and had such an affect on her husband, trending his inertia and slothfulness into wonderful activity. They had one daughter, Aloysia Josepha, in 1770, but she died within a year. He succeeded Wolfgang Amadeus Mozart, an intimate friend, as cathedral organist in 1781. He also taught music to Carl Maria von Weber. His musical reputation was not recognized fully until after World War II. He was a prolific composer of music, considered better than his well-known brother at composing religious works. He produced some 43 symphonies,12 concertos, 21 serenades, 6 quintets, 19 quartets, 10 trio sonatas, 4 due sonatas, 2 solo sonatas, 19 keyboard compositions, 3 ballets, 15 collections of minuets (English and German dances), 15 marches and miscellaneous secular music. He is best known for his religious works (well over 400 pieces), which include 47 antiphons, 5 cantatas, 65 canticles, 130 graduals, 16 hymns, 47 masses, 7 motets, 65 offertories, 7 oratorios, 19 Psalms settings, 2 requiems, and 42 other compositions. He also composed 253 secular vocals of various types. He did not like seeing his works in print, and kept most in manuscript form. He never compiled or cataloged his works, but others did it later, after his death. Lothar Perger catalogued his orchestral works in 1807 and Nikolaus Lang did a biographical sketch in 1808. In 1815 Anton Maria Klafsky cataloged his sacred music. More complete cataloging has been done in the 1980s and 1990s by Charles H Sherman and T Donley Thomas. Several of Michael Haydn's works influenced Mozart. Haydn died at Salzburg, Austria. John Perry