My Starred Hymns
My Hymnals
My Purchased Files
Planning worship?
Check out our sister site, ZeteoSearch.org,
for 20+ additional resources related to your search.
- |
User Links
Search Results
My Soul Gives Glory to My God
Author: Miriam Therese Winter Meter: 8.6.8.6 Appears in 12 hymnals Topics: Year A Advent 3 Scripture: Luke 1:46-55 Used With Tune: MORNING SONG
My Soul Gives Glory to My God
My Lord, What a Morning
Meter: Irregular Appears in 44 hymnals Topics: A New Heaven and A New Earth Completion of Creation and City of God; Choruses and Refrains; City/City of God; Eternal Life; Funerals and Memorial Services; Hallelujah; Heaven(s)/Paradise; Judgment; Morning; Nation; Saints; Spirituals; Star(s); Witness; Advent 1 Year A; Proper 11 Year A; Advent 1 Year C; Easter 3 Year C; Proper 14 Year C; Proper 19 Year C; Proper 28 Year C First Line: You'll hear the trumpet sound Lyrics: Refrain:
My Lord, what a morning.
my Lord, what a morning.
My Lord, what a morning
when the stars begin to fall.
1 You'll hear the trumpet sound,
to wake the nations underground,
looking to my God's right hand,
when the stars begin to fall. [Refrain]
2 You’ll hear the sinner cry,
to wake the nations underground,
looking to my God’s right hand,
when the stars begin to fall. [Refrain]
3 You’ll hear the Christian shout,
to wake the nations underground,
looking to my God’s right hand,
when the stars begin to fall. [Refrain] Used With Tune: BURLEIGH Text Sources: African-American spiritual
My Lord, What a Morning
Mary, Woman of the Promise
Author: Mary Frances Fleischaker Meter: 8.7.8.7 Appears in 5 hymnals Topics: Advent 3 Year A Used With Tune: GRATIA PLENA
Mary, Woman of the Promise
MENDELSSOHN
Meter: 7.7.7.7 D with refrain Appears in 632 hymnals Composer and/or Arranger: Felix Mendelssohn; William Hayman Cummings Topics: Advent 3 Year B Tune Key: F Major Incipit: 51171 33255 54323 Used With Text: Hark! the herald angels sing
MENDELSSOHN
MAJESTAS
Meter: 6.6.5.5.6.6.6.4 Appears in 13 hymnals Composer and/or Arranger: Michael Baughen (born 1930); Noël Tredinnick (born 1949) Topics: Advent 4 The Annunciation; God, Saviour Praised and Worshipped; Pentecost 3 The Church's Confidence in Christ; The Ascension of Christ Tune Key: C Major Incipit: 51234 56354 32234 Used With Text: Name of all majesty
MAJESTAS
Midt igjennem Nød og Fare
Author: Brorson Hymnal: Salmebog for Lutherske Kristne i Amerika #106 (1919) Topics: Første Søndag I Advent Til Aftengudstjeneste - Til Sekund Tekstrækkes Lektie; First Sunday in Advent; Third Sunday in Advent; Sjette Søndag efter Hellig 3 Kongers Dag Til Aftengudstjeneste; Sixth Sunday after Epiphany; Tredje Søndag I Faste Til Aftengudstjeneste - Til Tredje Tekstrækkes Lektie; Third Sunday in Lent; Tjuefjerde Søndag efter Trefoldiheds Fest Til Høimesse -Til Tredje Teksxtækkes Evangelium; Twenty fourth Sunday after Trinity Sunday; Tjuefemte Søndag efter Trefoldiheds Fest Til Høimesse -Til Tredje Teksxtækkes Evangelium; Twenty fifth Sunday after Trinity Sunday; Twenty fifth Sunday after Trinity Sunday; Twenty fifth Sunday after Trinity Sunday; Endens Tid; End of Time; Kamp og Seier; Struggle and Victory; Pilgrimsvandring, de Kristnes; The Christian Pilgrimage; Anden Søndag I Advent Til Høimesse -Til Tredje Teksxtækkes Evangelium; Anden Søndag I Advent Til Høimesse; Tjuefemte Søndag efter Trefoldiheds Fest Til Aftengudstjeneste - Til Anden Tekstrækkes Epistel; Tjuefemte Søndag efter Trefoldiheds Fest Til Høimesse -Til Anden Tekstrækkes Evangelium; Tredje Søndag I Advent Til Høimesse -Til Anden Tekstrækkes Evangelium Lyrics: 1 Midt igjennem Nød og Fare
Veien gaar til Paradis.
O du Lammets Brudeskare,
Du maa gjennem Torneris,
Du maa over Berg og Dal
Hjem til Zions Brudesal!
Dog – det bliver let at glemme
Første Øieblik derhjemme.
2 Ei, saa lad dig intet trykke,
Jesu Brud, paa denne Jord,
Efterdi hun er, din Lykke,
Saa sorunderlig og stor!
Er du dog saa salig her,
Hvor langt mere evig der!
Faa Minutter om at gjøre,
Kan man dig for Thronen høre.
3 Derfor, Fader uden Lige,
Sendte du din Søn herned,
Os at vinde Himmerige,
Som med Usseldommen stred.
Ham vi favne frydelig,
Og vort Støv skal takke dig
Her og hist med mange, mange
Evig søde Brudesange.
Languages: Norwegian
Midt igjennem Nød og Fare
Mary, blessed teenage mother
Author: Michael Forster, b. 1946 Hymnal: Complete Anglican Hymns Old and New #442 (2000) Meter: 8.7.8.7.7.7 Topics: Year A Advent 3; Year B Advent 3 Scripture: Luke 1:26-38 Languages: English Tune Title: BLACK MADONNA
Mary, blessed teenage mother
My Heart Sings Out with Joyful Praise
Author: Ruth Duck Hymnal: The New Century Hymnal #106 (1995) Meter: 8.6.8.6 D Topics: Year A Advent 3 Scripture: Luke 1:46-55 Languages: English Tune Title: MARIAS LOVSÅNG
My Heart Sings Out with Joyful Praise
Felix Mendelssohn-Bartholdy
1809 - 1847 Person Name: Felix Mendelssohn Topics: Advent 3 Year B Composer of "MENDELSSOHN" in Voices United Felix Mendelssohn-Bartholdy (b. Hamburg, Germany, 1809; d. Leipzig, Germany, 1847) was the son of banker Abraham Mendelssohn and the grandson of philosopher Moses Mendelssohn. His Jewish family became Christian and took the Bartholdy name (name of the estate of Mendelssohn's uncle) when baptized into the Lutheran church. The children all received an excellent musical education. Mendelssohn had his first public performance at the age of nine and by the age of sixteen had written several symphonies. Profoundly influenced by J. S. Bach's music, he conducted a performance of the St. Matthew Passion in 1829 (at age 20!) – the first performance since Bach's death, thus reintroducing Bach to the world. Mendelssohn organized the Domchor in Berlin and founded the Leipzig Conservatory of Music in 1843. Traveling widely, he not only became familiar with various styles of music but also became well known himself in countries other than Germany, especially in England. He left a rich treasury of music: organ and piano works, overtures and incidental music, oratorios (including St. Paul or Elijah and choral works, and symphonies. He harmonized a number of hymn tunes himself, but hymnbook editors also arranged some of his other tunes into hymn tunes.
Bert Polman
Felix Mendelssohn-Bartholdy
James Montgomery
1771 - 1854 Topics: Advent 3 Year C Author of "Hail to God's Own Anointed" in Voices United James Montgomery (b. Irvine, Ayrshire, Scotland, 1771; d. Sheffield, Yorkshire, England, 1854), the son of Moravian parents who died on a West Indies mission field while he was in boarding school, Montgomery inherited a strong religious bent, a passion for missions, and an independent mind. He was editor of the Sheffield Iris (1796-1827), a newspaper that sometimes espoused radical causes. Montgomery was imprisoned briefly when he printed a song that celebrated the fall of the Bastille and again when he described a riot in Sheffield that reflected unfavorably on a military commander. He also protested against slavery, the lot of boy chimney sweeps, and lotteries. Associated with Christians of various persuasions, Montgomery supported missions and the British Bible Society. He published eleven volumes of poetry, mainly his own, and at least four hundred hymns. Some critics judge his hymn texts to be equal in quality to those of Isaac Watts and Charles Wesley . Many were published in Thomas Cotterill's Selection of Psalms and Hymns (1819 edition) and in Montgomery's own Songs of Zion (1822), Christian Psalmist (1825), and Original Hymns (1853).
Bert Polman
========================
Montgomery, James, son of John Montgomery, a Moravian minister, was born at Irvine, Ayrshire, Nov. 4, 1771. In 1776 he removed with his parents to the Moravian Settlement at Gracehill, near Ballymena, county of Antrim. Two years after he was sent to the Fulneck Seminary, Yorkshire. He left Fulneck in 1787, and entered a retail shop at Mirfield, near Wakefield. Soon tiring of that he entered upon a similar situation at Wath, near Rotherham, only to find it quite as unsuitable to his taste as the former. A journey to London, with the hope of finding a publisher for his youthful poems ended in failure; and in 1792 he was glad to leave Wath for Shefield to join Mr. Gales, an auctioneer, bookseller, and printer of the Sheffield Register newspaper, as his assistant. In 1794 Mr. Gales left England to avoid a political prosecution. Montgomery took the Sheffield Register in hand, changed its name to The Sheffield Iris, and continued to edit it for thirty-one years. During the next two years he was imprisoned twice, first for reprinting therein a song in commemoration of "The Fall of the Bastille," and the second for giving an account of a riot in Sheffield. The editing of his paper, the composition and publication of his poems and hynms, the delivery of lectures on poetry in Sheffield and at the Royal Institution, London, and the earnest advocacy of Foreign Missions and the Bible Society in many parts of the country, gave great variety but very little of stirring incident to his life. In 1833 he received a Royal pension of £200 a year. He died in his sleep, at the Mount, Sheffield, April 30, 1854, and was honoured with a public funeral. A statue was erected to his memory in the Sheffield General Cemetery, and a stained glass window in the Parish Church. A Wesleyan chapel and a public hall are also named in his honour. Montgomery's principal poetical works, including those which he edited, were:—
(1) Prison Amusements, 1797; (2) The Wanderer of Switzerland, 1806; (3) The West Indies, 1807; (4) The World before the Flood, 1813; (5) Greenland and Other Poems, 1819; (6) Songs of Zion, 1822; (7) The Christian Psalmist, 1825; (8) The Christian Poet, 1825; (9) The Pelican Island, 1828; (10) The Poet’s Portfolio, 1835; (11) Original Hymns for Public, Private, and Social Devotion, 1853. He also published minor pieces at various times, and four editions of his Poetical Works, the first in 1828, the second in 1836, the third in 1841, and the fourth in 1854. Most of these works contained original hymns. He also contributed largely to Collyer's Collection, 1812, and other hymnbooks published during the next 40 years, amongst which the most noticeable was Cotterill's Selections of 1819, in which more than 50 of his compositions appeared. In his Christian Psalmist, 1825, there are 100 of his hymns, and in his Original Hymns, 1853, 355 and 5 doxologies. His Songs of Zion, 1822, number 56. Deducting those which are repeated in the Original Hymns, there remain about 400 original compositions.
Of Montgomery's 400 hymns (including his versions of the Psalms) more than 100 are still in common use. With the aid of Montgomery's MSS. we have given a detailed account of a large number. The rest are as follows:—
i. Appeared in Collyer's Collection, 1812.
1. Jesus, our best beloved Friend. Personal Dedication to Christ.
2. When on Sinai's top I see. Sinai, Tabor, and Calvary.
ii. Appeared in Cotterill's Selection, 1819.
3. Come to Calvary's holy mountain. The Open Fountain.
4. God in the high and holy place. God in Nature. The cento in Com. Praise, 1879, and others, "If God hath made this world so fair," is from this hymn.
5. Hear me, O Lord, in my distress. Ps. cxliii.
6. Heaven is a place of rest from sin. Preparation for Heaven.
7. I cried unto the Lord most just. Ps. cxlii.
8. Lord, let my prayer like incense rise. Ps. cxxxix.
9. O bless the Lord, my soul! His grace to thee proclaim. Ps. ciii.
10. Out of the depths of woe. Ps. cxxx. Sometimes "When from the depths of woe."
11. The world in condemnation lay. Redemption.
12. Where are the dead? In heaven or hell? The Living and the Dead.
iii. Appeared in his Songs of Zion, 1822.
13. Give glory to God in the highest. Ps. xxix.
14. Glad was my heart to hear. Ps. cxxii.
15. God be merciful to me. Ps. lxix.
16. God is my strong salvation. Ps. xxvii.
17. Hasten, Lord, to my release. Ps. lxx.
18. Have mercy on me, O my God. Ps. li.
19. Hearken, Lord, to my complaints. Ps. xlii.
20. Heralds of creation cry. Ps. cxlviii.
21. How beautiful the sight. Ps. cxxxiii.
22. How precious are Thy thoughts of peace. Ps. cxxxix.
23. I love the Lord, He lent an ear. Ps. cxvi.
24. In time of tribulation. Ps. lxxvii.
25. Jehovah is great, and great be His praise. Ps. xlviii. Sometimes, "0 great is Jehovah, and great is His Name."
26. Judge me, O Lord, in righteousness. Ps. xliii.
27. Lift up your heads, ye gates, and wide. Ps.xxiv.
28. Lord, let me know mine [my] end. Ps. xxxi.
29. Of old, 0 God, Thine own right hand. Ps. lxxx.
30. O God, Thou art [my] the God alone. Ps. lxiii.
31. 0 Lord, our King, how excellent. Ps. viii. Sometimes, "0 Lord, how excellent is Thy name."
32. O my soul, with all thy powers. Ps. ciii.
33. One thing with all my soul's desire. Ps. xxvii. From this, "Grant me within Thy courts a place."
34. Searcher of hearts, to Thee are known. Ps. cxxxix.
35. Thank and praise Jehovah's name. Ps. cvii.
36. Thee will I praise, O Lord in light. Ps. cxxxviii.
37. The Lord is King; upon His throne. Ps. xciii.
38. The Lord is my Shepherd, no want shall I know. Ps. xxiii.
39. The tempter to my soul hath said. Ps. iii.
40. Thrice happy he who shuns the way. Ps. i.
41. Thy glory, Lord, the heavens declare. Ps. xix.
42. Thy law is perfect, Lord of light. Ps. xix.
43. Who make the Lord of hosts their tower. Ps. cxxv.
44. Yea, I will extol Thee. Ps. xxx.
iv. Appeared in his Christian Psalmist. 1825.
45. Fall down, ye nations, and adore. Universal adoration of God desired.
46. Food, raiment, dwelling, health, and friends. The Family Altar.
47. Go where a foot hath never trod. Moses in the desert. Previously in the Leeds Congregational Collection, 1822.
48. Green pastures and clear streams. The Good Shepherd and His Flock.
49. Less than the least of all. Mercies acknowledged.
50. Not to the mount that burned with fire [flame]. Communion of Saints.
51. On the first Christian Sabbath eve. Easter Sunday Evening.
52. One prayer I have: all prayers in one. Resignation.
53. Our heavenly Father hear. The Lord's Prayer.
54. Return, my soul, unto thy rest. Rest in God.
55. Spirit of power and might, behold. The Spirit's renewing desired.
56. The Christian warrior, see him stand. The Christian Soldier. Sometimes, "Behold the Christian warrior stand."
57. The days and years of time are fled. Day of Judgment.
58. The glorious universe around. Unity.
59. The pure and peaceful mind. A Children's Prayer.
60. This is the day the Lord hath made (q. v.). Sunday.
61. Thy word, Almighty Lord. Close of Service.
62. What secret hand at morning light ? Morning.
63. While through this changing world we roam. Heaven.
64. Within these walls be peace. For Sunday Schools.
v. Appeared in his Original Hymns, 1853.
65. Behold yon bright array. Opening a Place of Worship.
66. Behold the book whose leaves display. Holy Scriptures.
67. Come ye that fear the Lord. Confirmation.
68. Home, kindred, friends, and country, these. Farewell to a Missionary.
69. Let me go, the day is breaking. Jacob wrestling.
70. Not in Jerusalem alone. Consecration of a Church.
71. Praise the high and holy One. God the Creator.
In common with most poets and hymnwriters, Montgomery strongly objected to any correction or rearrangement of his compositions. At the same time he did not hesitate to alter, rearrange, and amend the productions of others. The altered texts which appeared in Cotterill's Selections, 1819, and which in numerous instances are still retained in some of the best hymnbooks, as the "Rock of Ages," in its well-known form of three stanzas, and others of equal importance, were made principally by him for Cotterill's use. We have this confession under his own hand.
As a poet, Montgomery stands well to the front; and as a writer of hymns he ranks in popularity with Wesley, Watts, Doddridge, Newton, and Cowper. His best hymns were written in his earlier years. In his old age he wrote much that was unworthy of his reputation. His finest lyrics are "Angels from the realms of glory," "Go to dark Gethsemane," "Hail to the Lord's Anointed," and "Songs of praise the angels sang." His "Prayer is the soul's sincere desire," is an expanded definition of prayer of great beauty; and his "Forever with the Lord" is full of lyric fire and deep feeling. The secrets of his power as a writer of hymns were manifold. His poetic genius was of a high order, higher than most who stand with him in the front rank of Christian poets. His ear for rhythm was exceedingly accurate and refined. His knowledge of Holy Scripture was most extensive. His religious views were broad and charitable. His devotional spirit was of the holiest type. With the faith of a strong man he united the beauty and simplicity of a child. Richly poetic without exuberance, dogmatic without uncharitableness, tender without sentimentality, elaborate without diffusiveness, richly musical without apparent effort, he has bequeathed to the Church of Christ wealth which could onlv have come from a true genius and a sanctified! heart.
--John Julian, Dictionary of Hymnology (1907)
James Montgomery
Shirley Erena Murray
1931 - 2020 Topics: Advent 3 Year B Author of "Give Thanks for Life" in Voices United Shirley Erena Murray (b. Invercargill, New Zealand, 1931) studied music as an undergraduate but received a master’s degree (with honors) in classics and French from Otago University. Her upbringing was Methodist, but she became a Presbyterian when she married the Reverend John Stewart Murray, who was a moderator of the Presbyterian Church of New Zealand. Shirley began her career as a teacher of languages, but she became more active in Amnesty International, and for eight years she served the Labor Party Research Unit of Parliament. Her involvement in these organizations has enriched her writing of hymns, which address human rights, women’s concerns, justice, peace, the integrity of creation, and the unity of the church. Many of her hymns have been performed in CCA and WCC assemblies. In recognition for her service as a writer of hymns, the New Zealand government honored her as a Member of the New Zealand Order of Merit on the Queen’s birthday on 3 June 2001. Through Hope Publishing House, Murray has published three collections of her hymns: In Every Corner Sing (eighty-four hymns, 1992), Everyday in Your Spirit (forty-one hymns, 1996), and Faith Makes the Song (fifty hymns, 2002). The New Zealand Hymnbook Trust, for which she worked for a long time, has also published many of her texts (cf. back cover, Faith Makes the Song). In 2009, Otaga University conferred on her an honorary doctorate in literature for her contribution to the art of hymn writing.
I-to Loh, Hymnal Companion to “Sound the Bamboo”: Asian Hymns in Their Cultural and Liturgical Context, p. 468, ©2011 GIA Publications, Inc., Chicago
Shirley Erena Murray
