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Saviour, blessed Saviour
Author: Rev. Godfrey Thring Meter: 6.5.6.5 D Appears in 329 hymnals Topics: Jesus Christ the Lord Praise to Christ the Lord; Adoration; Anniversaries; Atonement; Christ Ascension; Christ Exaltation of; Christ Praise to Christ; Christ Saviour, Our; Consecration; Dedication of Life; Forgiveness; Praise; Redemption Lyrics: 1 Saviour, blessed Saviour,
Listen while we sing,
Hearts and voices raising
Praises to our King.
All we have we offer,
All we hope to be,
Body, soul, and spirit,
All we yield to Thee.
2 Nearer, ever nearer,
Christ, we draw to Thee,
Deep in adoration
Bending low the knee:
Thou for our redemption
Cam'st on earth to die;
Thou, that we might follow,
Hast gone up on high.
3 Clearer still, and clearer,
Dawns the light from heaven,
In our sadness bringing
News of sins forgiven;
Life has lost its shadows;
Pure the light within;
Thou hast shed Thy radiance
On a world of sin.
4 Great, and ever greater,
Are Thy mercies here;
True and everlasting
Are the glories there,
Where no pain or sorrow,
Toil or care, is known,
Where the angel legions
Circle round Thy throne.
Amen. Used With Tune: DAVID
Saviour, blessed Saviour
Safely through another week
Author: John Newton Appears in 1,013 hymnals Topics: Adoration and Worship The Lord's Day Used With Tune: SABBATH
Safely through another week
Songs of Thankfulness and Praise
Author: Christopher Wordsworth, 1807-1885 Meter: 7.7.7.7 D Appears in 127 hymnals Topics: Epiphany of the Lord; Baptism of the Lord; Healing; Incarnation; Jesus Christ; Praise; Presence of God; Salvation; Sickness; Thanksgiving, Gratitude; Worship and Adoration Lyrics: 1 Songs of thankfulness and praise,
Jesus, Lord, to you we raise,
Manifested by the star
To the sages from afar;
Branch of royal David's stem
In your birth at Bethlehem;
Anthems be to you addressed,
God in flesh made manifest.
2 Manifest at Jordan's stream,
Prophet, Priest, and King supreme;
And at Cana, wedding guest,
In your God-head manifest;
Manifest in pow'r divine,
Changing water into wine;
Anthems be to you addressed,
God in flesh made manifest.
3 Manifest in making whole
Palsied limbs and fainting soul;
Manifest in valiant fight,
Quelling all the devil's might;
Manifest in gracious will,
Ever bringing good from ill;
Anthems be to you addressed,
God in flesh made manifest.
4 Grant us grace to see you, Lord,
Present in your holy word.
By that grace which you endow,
Help us imitate you now,
That we, pure like you, may be
At your great epiphany;
And may praise you, ever blest,
God in flesh made manifest. Scripture: Matthew 2:1-12 Used With Tune: SALZBURG
Songs of Thankfulness and Praise
SCHMÜCKE DICH
Meter: 8.8.8.8 Appears in 138 hymnals Composer and/or Arranger: Johann Crüger Topics: The Sacraments and Rites of the Church Eucharist (Holy Communion or The Lord's Supper); Adoration and Praise; Holy Communion Tune Key: D Major Incipit: 32123 54353 43213 Used With Text: Deck Thyself, My Soul, with Gladness
SCHMÜCKE DICH
Song: I Cry Out
Author: Craig Musseau, b. 1965 Hymnal: Psalms for All Seasons #107B (2012) Topics: Blessing; Church Year Easter; Elements of Worship Baptism; Elements of Worship Lord's Supper; Elements of Worship Praise and Adoration; Elements of Worship Testimony; Fear; God as Deliverer; God's Sorrow; God's Sovereignty; God's Wonders; God's Deeds; God's Faithfulness; God's Goodness; God's Love; God's People (flock, sheep); God's Promise of Redemption; Gratitude; Life Stages Children; Love; Mercy; Poverty; Prayer; Return from Exile; Salvation; Ten Commandments 3rd Commandment (do not take the name of the Lord in vain); The Needy; Victory; Year A, Ordinary Time after Pentecost, October 30-November 5; Year B, Lent, 4th Sunday; Year B, Ordinary Time after Pentecost, June 19-25 (if after Trinity Sunday); Year C, Ordinary Time after Pentecost, July 31-August 6 First Line: I cry out for your hand of mercy to heal me Scripture: Psalm 107 Languages: English Tune Title: [I cry out for your hand of mercy to heal me]
Song: I Cry Out
Sing Hallelujah, Praise the Lord!
Author: John Swertner Hymnal: The Celebration Hymnal #13 (1997) Meter: 8.6.8.6.8.8.8.6 Topics: Praise the Lord; Adoration and Praise God Our Father; Adoration and Praise Jesus Our Savior First Line: Sing hallelujah, praise the Lord! Lyrics: 1 Sing hallelujah, praise the Lord!
Sing with a cheerful voice;
Exalt our God with one accord,
And in His Name rejoice.
Ne'er cease to sing, O ransomed host,
Praise Father, Son and Holy Ghost,
Until in realms of endless light
Your praises shall unite.
2 There we for all eternity
Shall join th'angelic praise;
And songs in perfect harmony
To God, our Savior, raise.
He has redeemed us by His blood,
And made us kings and priests to God;
For us, for us the Lamb was slain!
Praise ye the Lord! Amen.
Languages: English Tune Title: BECHLER
Sing Hallelujah, Praise the Lord!
Surrexit Christus (The Lord is Risen)
Hymnal: Psalms for All Seasons #118J (2012) Topics: Antiphonal Psalms; Biblical Names and Places Aaron; Biblical Names and Places Israel; Church Year Easter; Church Year Passion/Palm Sunday; Elements of Worship Call to Worship; Elements of Worship Lord's Supper; Elements of Worship Praise and Adoration; Freedom; God's Triumph; God's Goodness; God's House; God's House; God's Name; God's People (flock, sheep); Mercy; Occasional Services Dedication / Consecration / Anniversary; Prayer; Processions; Salvation; Temple; Unity and Fellowship; Worship; Year A, B, C, Easter, Resurrection of the Lord; Year A, B, C, Lent, Liturgy of the Palms; Year C, Easter, 2nd Sunday; Texts in Languages Other than English Latin First Line: Give thanks to the Lord, for he is good Refrain First Line: Surrexit Christus, alleluia (The Lord is risen, alleluia) Lyrics: Refrain:
O Surrexit Chirstus, alleluia!
O Cantate Domino, alleluia!
O Surrexit Chirstus, alleluia!
O Cantate Domino, alleluia!
1 Give thanks to the Lord, for he is good,
for God's love has no end.
2 The Lord is my strength, the Lord is my song:
God has been my Savior.
3 I shall not die, I shall live,
I shall live and recount God's deeds. Scripture: Psalm 118 Tune Title: [Surrexit Christus, alleluia]
Surrexit Christus (The Lord is Risen)
Joseph A. Seiss
1823 - 1904 Topics: Adore the Lord Translator (st. 4) of "Fairest Lord Jesus" in The Celebration Hymnal Joseph A. Seiss was born and raised in a Moravian home with the original family name of Seuss. After studying at Pennsylvania College in Gettysburg and completing his theological education with tutors and through private study, Seiss became a Lutheran pastor in 1842. He served several Lutheran congregations in Virginia and Maryland and then became pastor of St. John's Lutheran Church (1858-1874) and the Church of the Holy Communion (1874-1904), both in Philadelphia. Known as an eloquent and popular preacher, Seiss was also a prolific author and editor of some eighty volumes, which include The Last Times (1856), The Evangelical Psalmist (1859), Ecclesia Lutherana (1868), Lectures on the Gospels (1868-1872), and Lectures on the Epistles (1885). He contributed to and compiled several hymnals.
Bert Polman
Joseph A. Seiss
Samuel Stennett
1727 - 1795 Person Name: Rev. Samuel Stennett Topics: Jesus Christ the Lord Praise to Christ the Lord; Adoration; Christ Beauty of; Christ Exaltation of; Christ Praise to Christ; Christ Sympathy of; Consecration; Dedication of Life; Love and Communion Author of "Majestic sweetness sits enthroned" in The Hymnal Samuel Stennett was born at Exeter, in 1727. His father was pastor of a Baptist congregation in that city; afterwards of the Baptist Chapel, Little Wild Street, London. In this latter pastorate the son succeeded the father in 1758. He died in 1795. Dr. Stennett was the author of several doctrinal works, and a few hymns.
--Annotations of the Hymnal, Charles Hutchins, M.A. 1872.
======================
Stennett, Samuel, D.D., grandson of Joseph Stennett, named above, and son of the Rev. Joseph Stennett, D.D., was born most pro;bably in 1727, at Exeter, where his father was at that time a Baptist minister. When quite young he removed to London, his father having become pastor of the Baptist Church in Little Wild Street, Lincoln's Inn Fields. In 1748, Samuel Stennett became assistant to his father in the ministry, and in 1758 succeeded him in the pastoral office at Little Wild Street. From that time until his death, on Aug. 24, 1795, he held a very prominent position among the Dissenting ministers of London. He was much respected by some of the statesmen of the time, and used his influence with them in support of the principles of religious freedom. The celebrated John Howard was a member of his congregation and an attached friend. In 1763, the University of Aberdeen conferred on him the degree of D.D. Dr. S. Stennett's prose publications consist of volumes of sermons, and pamphlets on Baptism and on Nonconformist Disabilities. He wrote one or two short poems, and contributed 38 hymns to the collection of his friend, Dr. Rippon (1787). His poetical genius was not of the highest order, and his best hymns have neither the originality nor the vigour of some of his grandfather's. The following, however, are pleasing in sentiment and expression, and are in common use more especially in Baptist congregations:—
1. And have I, Christ, no love for Thee? Love for Christ desired.
2. And will the offended God again? The Body the Temple of the Holy Ghost.
3. As on the Cross the Saviour hung. The Thief on the Cross.
4. Behold the leprous Jew. The healing of the Leper.
5. Come, every pious heart. Praise to Christ.
6. Father, at Thy call, I come. Lent.
7. Great God, amid the darksome night. God, a Sun.
8. Great God, what hosts of angels stand. Ministry of Angels.
9. Here at Thy Table, Lord, we meet. Holy Communion.
10. How charming is the place. Public Worship.
11. How shall the sons of men appear? Acceptance through Christ alone.
12. How soft the words my [the] Saviour speaks. Early Piety.
13. How various and how new. Divine Providence.
14. Not all the nobles of the earth. Christians as Sons of God.
15. On Jordan's stormy banks I stand. Heaven anticipated.
16. Prostrate, dear Jesus, at thy feet. Lent. Sometimes, "Dear Saviour, prostrate at Thy feet."
17. Should bounteous nature kindly pour. The greatest of these is Love. From this, "Had I the gift of tongues," st. iii., is taken.
18. Thy counsels of redeeming grace. Holy Scripture. From "Let avarice, from shore to shore."
19. Thy life 1 read, my dearest Lord. Death in Infancy. From this "'Tis Jesus speaks, I fold, says He."
20. 'Tis finished! so the Saviour cried. Good Friday.
21. To Christ, the Lord, let every tongue. Praise of Christ. From this,"Majestic sweetness sits enthroned," st. iii., is taken.
22. To God, my Saviour, and my King. Renewing Grace.
23. To God, the universal King. Praise to God.
24. What wisdom, majesty, and grace. The Gospel. Sometimes, “What majesty and grace."
25. Where two or three with sweet accord. Before the Sermon.
26. Why should a living man complain? Affliction. From this, "Lord, see what floods of sorrow rise," st. iii., is taken.
27. With tears of anguish I lament. Lent.
28. Yonder amazing sight I see. Good Friday.
All these hymns, with others by Stennett, were given in Rippon's Baptist Selection, 1787, a few having previously appeared in A Collection of Hymns for the use of Christians of all Denominations, London. Printed for the Booksellers, 1782; and No. 16, in the 1778 Supplement to the 3rd edition of the Bristol Baptist Selection of Ash and Evans. The whole of Stennett's poetical pieces and hymns were included in vol. ii. of his Works, together with a Memoir, by W. J. Jones. 4 vols., 1824. [Rev. W. R. Stevenson, M.A.]
--John Julian, Dictionary of Hymnology (1907)
Samuel Stennett
Johann Jakob Schütz
1640 - 1690 Person Name: Johann J. Schütz Topics: Glorify the Lord; Adoration and Praise God Our Father Author of "Sing Praise to God Who Reigns Above" in The Celebration Hymnal Schütz, Johann Jakob, was born Sept. 7, 1640, at Frankfurt am Main. After studying at Tübingen (where he became a licentiate in civil and canon law), he began to practise as an advocate in Frankfurt, and in later years with the title of Rath. He seems to have been a man of considerable legal learning as well as of deep piety. He was an intimate friend of P. J. Spener; and it was, in great measure, at his suggestion, that Spener began his famous Collegia Pietatis. After Spener left Frankfurt, in 1686, Schütz came under the influence of J. W. Petersen; and carrying out Petersen's prin¬ciples to their logical conclusion, he became a Separatist, and ceased to attend the Lutheran services or to communicate. He died at Frankfurt, May 22, 1690 (Koch, iv. 220; Blätter fur Hymnologie, Feb. 1883).
Schütz is known as an author by two tractates; one being his Christliche Lebensregeln, Frankfurt, 1677; the other, that which contains his hymns, Christliches Gedenckbüchlein, zu Beforderung eines anfangenden neuen Lebens, &c, Frankfurt am Main, 1675 [Library of the Predigerministerium at Frankfurt]. This work includes 5 hymns, in a separate section, which is headed, “Hierauf folgen etliche Gesänge." These hymns are:—
i. Die Wollust dieser Welt.
ii. Was inich auf dieser Welt betrübt.
iii. So komm, geliebte Todes-Stund.
iv. Scheuet ihr, ihr matten Glieder.
v. Sei Lob und Ehr dem höchsten Gut.
Of these No. v. is undoubtedly by Schütz, and the other four exhibit much the same style of thought as, and frequent parallels to, the prose portions of the work. None of these have been traced earlier than 1675; and until this has been done, it is pretty safe to ascribe them all to Schütz.
Three of these hymns have passed into English, viz.:—
i. Sei Lob und Ehr dem höchsten Gut. Praise and Thanksgiving. First published in 1675, as above, No. v. It is founded on Deut. xxxii. 3; entitled, "Hymn of Thanksgiving ;" and is in 9 stanzas of 6 lines, and the refrain, "Gebt unserm Gott die Ehre”.
Koch, iv. 220, speaks of this hymn as "outweighing many hundred others; and a classical hymn, which, from its first appearance, attracted unusual attention." And Lauxmann, in Koch, viii. 334-339, relates how delighted J. J. Moser was, when, on entering church the first Sunday after his captivity at Hohentwiel, he heard this hymn, and how heartily he joined in it; how it comforted the dying G. C. Rieger, of Stuttgart, on Tuesday, in Easter Week, 1743, and many other incidents.
Translations in common use:—
1. All Glory to the Sov'reign Good. This is a full and good translation by J. OJacobi, in his Psalter Germanica, 2nd ed., 1732, p. 151, where it is entitled, "The Malabarian Hymn."
2. All glory be to God most high. A good translation by A. T. Russell, of st. i., iv., viii., for the Dalston Hospital Hymn Book, 1848, No. 59.
3. All praise and thanks to God most high. This is a good tr., omitting st. ix., by Miss Winkworth, in her Lyra Germanica, 2nd Ser., 1858, p. 146.
4. Sing praise to God Who reigns above. A good tr., omitting st. ix., contributed by Miss Cox to Lyra Eucharistica, 1864, p. 33, and included in her Hymns from the German, 1864, p. 235.
5. To God a joyful anthem raise. A good tr. of st. i., ii., iv., v., viii., by J. M. Sloan, as No. 314, in J. H. Wilson's Service of Praise, 1865.
The following are also translated into English:—
ii. So komm, geliebte Todes-Stund. For the Dying. First published in 1675, as above, No. iii., in 11 st. of 8 1., entitled, "The thoughts on Death of a Royal Princess, after the usual interpretation of Job xix. 25." This Princess was Sophie Elisabethe. daughter of Duke Philipp Ludwig, of Holstein-Sonderburg (b. at Homburg vor der Hohe, May 4, 1653; married, in 1676. to Duke Moritz, of Sachse-Zeitz; d. at Schleusingen, Aug. 19, 1684), who had been a regular attender at Spener's conferences at Frankfurt, and thus associated with Schütz. This hymn has often been ascribed to her; and she had already chosen Job xix. 25, as the text of her funeral sermon. But it is more probable that both hymns were written by Schütz for her use, or in her honour. The trs. are :—(1) "Come, happy hour of death, and close." By Dr. G. Walker, 1860, p. 56. (2) "O come, delightful hour of death." By Dr. G. Walker, 1860, p. 106.
iii. Was mich auf dieser Welt betriibt. Earthly Vanities. This hymn, on Renunciation of the World, first appeared in 1675, as above, No. ii., in 4 st. of 10 1., and entitled "From the World to God." It has sometimes been erroneously ascribed to Michael Franck. It is tr. as "The woes that weigh my body down." By Miss Manington, 1863, p. 32. [Rev. James Mearns, M.A.]
--Excerpts from John Julian, Dictionary of Hymnology (1907)
Johann Jakob Schütz
