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Herbert Sanders

1878 - 1938 Person Name: Dr. Herbert Sanders, 1879- Composer of "BENSON" in Methodist Hymn and Tune Book

1685 - 1750 Person Name: Johann S. Bach Harmonizer of "VATER UNSER" in The Cyber Hymnal Johann Sebastian Bach was born at Eisenach into a musical family and in a town steeped in Reformation history, he received early musical training from his father and older brother, and elementary education in the classical school Luther had earlier attended. Throughout his life he made extraordinary efforts to learn from other musicians. At 15 he walked to Lüneburg to work as a chorister and study at the convent school of St. Michael. From there he walked 30 miles to Hamburg to hear Johann Reinken, and 60 miles to Celle to become familiar with French composition and performance traditions. Once he obtained a month's leave from his job to hear Buxtehude, but stayed nearly four months. He arranged compositions from Vivaldi and other Italian masters. His own compositions spanned almost every musical form then known (Opera was the notable exception). In his own time, Bach was highly regarded as organist and teacher, his compositions being circulated as models of contrapuntal technique. Four of his children achieved careers as composers; Haydn, Mozart, Beethoven, Mendelssohn, Schumann, Brahms, and Chopin are only a few of the best known of the musicians that confessed a major debt to Bach's work in their own musical development. Mendelssohn began re-introducing Bach's music into the concert repertoire, where it has come to attract admiration and even veneration for its own sake. After 20 years of successful work in several posts, Bach became cantor of the Thomas-schule in Leipzig, and remained there for the remaining 27 years of his life, concentrating on church music for the Lutheran service: over 200 cantatas, four passion settings, a Mass, and hundreds of chorale settings, harmonizations, preludes, and arrangements. He edited the tunes for Schemelli's Musicalisches Gesangbuch, contributing 16 original tunes. His choral harmonizations remain a staple for studies of composition and harmony. Additional melodies from his works have been adapted as hymn tunes. --John Julian, Dictionary of Hymnology (1907)

William Henry Monk

1823 - 1889 Person Name: W. H. Monk Composer of "ST. MATTHIAS" in The Book of Common Praise William H. Monk (b. Brompton, London, England, 1823; d. London, 1889) is best known for his music editing of Hymns Ancient and Modern (1861, 1868; 1875, and 1889 editions). He also adapted music from plainsong and added accompaniments for Introits for Use Throughout the Year, a book issued with that famous hymnal. Beginning in his teenage years, Monk held a number of musical positions. He became choirmaster at King's College in London in 1847 and was organist and choirmaster at St. Matthias, Stoke Newington, from 1852 to 1889, where he was influenced by the Oxford Movement. At St. Matthias, Monk also began daily choral services with the choir leading the congregation in music chosen according to the church year, including psalms chanted to plainsong. He composed over fifty hymn tunes and edited The Scottish Hymnal (1872 edition) and Wordsworth's Hymns for the Holy Year (1862) as well as the periodical Parish Choir (1840-1851). Bert Polman

Dmitri Stepanovich Bortnianski

1751 - 1825 Person Name: Dmitri Stepanovitch Bortnianski, 1752-1825 Composer of "ST. PETERSBURG" in The Hymnary of the United Church of Canada Dimitri Stepanovitch Bortniansky (1751-1825) Ukraine 1751-1825 Born in Glukhov, Ukraine, he joined the imperial choir at age 8 and studied with Galuppi, who later took the lad with him to Italy, where he studied for 10 years, becoming a composer, harpsichordist, and conductor. While in Italy he composed several operas and other instrumental music, composing more operas and music later in Russia. In 1779 he returned to Russia, where he was appointed Director to the Imperial Chapel Choir, the first as a native citizen. In 1796 he was appointed music director. With such a great instrument at his disposal, he produced many compositions, 100+ religious works, sacred concertos, cantatas, and hymns. He influenced Rachmaninoff and Tchaikovshy, the latter editing Bortniansky's sacred work, amassing 10 volumnes. He died in St. Petersburg. He was so popular in Russia that a bronze statue was erected in his honor in the Novgorod Kremlin. He composed in different musical styles, including choral works in French, Italian, Latin, German, and Church Slavonic. John Perry

Arthur Christopher Benson

1862 - 1925 Person Name: Arthur Christopher Benson, 1862-1925 Author of "O Lord of Hosts, who didst upraise" in The Hymnary of the United Church of Canada Benson, Arthur Christopher, M.A., son of Archbishop Benson, was born at Wellington College, April 24, 1862, and educated at Eton and King's College, Cambridge, B. A. (first class Classical Tripos) 1884. From 1885 to 1903 Assistant Master at Eton, and now (1905) Fellow of Magdalene College, Cambridge. His hymns include the following:— 1. God of all created things. [Coronation.] Written for the Coronation of King Edward VII., and published in Eight Hymns with Tunes, Novello & Co., 1902. Music by Sir Hubert Parry. 2. God of glory, King of nations. [Founder's Day Festival.] Originally written as a Processional Hymn for St. George's Chapel, Windsor, "Obiit Sunday," and subsequently adapted for general use. Printed in the Guardian, Oct. 9, 1901, and published, with music by Sir W. Parratt, by Novello & Co., 1902. 3. Hear, Holy Father, from Thy secret throne. [Holy Baptism.] Written for the baptism of Prince George of Wales, which took place at Windsor, Jan. 23, 1903. It was set to music by H.R.H. Princess Henry of Battenberg, and published by Novello & Co. 4. In the silent midnight. [Children's Hymn.] Jacob's Vision adapted as a lesson for children, written for and included in Brooke's Additional Hymns, 1903. Music by A. M. Goodhart, MUS.BAC. 5. Lie still, Beloved, lie still. [Burial.] Written in 1898, and sung at the unveiling of the Monument to Abp. Benson in Canterbury Cathedral on Sat., July 8, 1899. Published with music by C. H. Lloyd, MUS.DOC, London, Novello & Co., 1899. 6. Lord, dost Thou look from heaven and see? [Foreign Missions.] First published in Brooke's Additional Hymns, London, Novello & Co., 1903. 7. Lord of grace and holiness. [Confirmation.] Written for the occasion of the Confirmation of Prince Alexander of Battenberg, Princess Victoria Eugenie of Battenberg and Princess Patricia of Connaught, on Jan. 23, 1902. Published, with music by H.R.H. Princess Henry of Battenberg, by Novello & Co., 1902. and included-—words and music--in Church Hymns, 1903. 8. Lord of Hosts, Who hast endued us. [For Peace.] Printed in the Guardian, Oct. 24, 1900, and published by Novello & Co., with music by Sir W. Parratt, in 1900. 9. Lord of life eternal. [Coronation.] Written for the Coronation of King Edward VII., and published by Novello & Co. in Five Hymns and Tunes, 1902, with music by Dr. C. H. Lloyd. 10. Lord, to Thy loving arms. [Death of a Child or Scholar.] Published in the Council School Hymn Book, 1905, Novello & Co. 11. Lord, we uplift our voice in supplication. [Evening.] Published, with music by Dr. C. H. Lloyd, by Novello &Co., 1900. 12. 0 Lord of Hosts, Who didst upraise. [In Time of War.] Written in 1899, and published, with music by Dr. C. H. Lloyd, by Novello & Co. the same year. Words and music were included in The Public School Hymn Book, 1903. 13. The Spring again is here. [Spring.] Published in the Council School Hymn Book, 1905. 14. What can I give Jesus? [Flower Service.] Published, with music by A. M. Goodhart, MUS.BAC, by Novello & Co., 1902. In addition to the above, Mr. Benson wrote and printed the following which have not been published:— 15. God of loving-kindness. Written at the request of Queen Victoria, and sung at the Mausoleum Service, Windsor, Dec. 14, 1900. 16. She hath her heart's desire. Sung at the Mausoleum Service, Jan. 22, 1902. --John Julian, Dictionary of Hymnology, New Supplement (1907)

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