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E. J. Hopkins

1818 - 1901 Person Name: Edward J. Hopkins Composer of "ST. RAPHAEL" in The Hymnal Dr Edward John Hopkins MusDoc United Kingdom 1818-1901. Born at Westminster, England, the son of a clarinetist with the Royal Opera House orchestra, he became an organist (as did two of his brothers) and a composer. In 1826 he became a chorister of the Chapel Royal and sang at the coronation of King William IV in Westminster Abbey. He also sang in the choir of St. Paul’s Cathedral, a double schedule requiring skill and dexterity. On Sunday evenings he would play the outgoing voluntary at St. Martin’s in-the-field. He left Chapel Royal in 1834 and started studying organ construction at two organ factories. He took an appointment at Mitcham Church as organist at age 16, winning an audition against other organists. Four years later he became organist at the Church of St. Peter, Islington. In 1841 he became organist at St. Luke’s, Berwick St., Soho. Two Years later he was organist at Temple Church, which had a historic organ (built in 1683). He held this position for 55 years. In 1845 he married Sarah Lovett, and they had four sons and five daughters. He was closely associated with the Bach Society and was organist for the first English performances of Bach’s St. Matthew Passion. In 1855 he collaborated with Edward Rimbault publishing “The organ, its history and construction” (3 editions 1855-70-77). In 1864 he was one of the founders of the “College of organists”. In 1882 he received an honorary Doctorate of Music from the Archbishop of Canterbury. He composed 30+ hymn tunes and some psalm chants, used by the Church of England. He died in London, England. John Perry

Joseph Barnby

1838 - 1896 Person Name: J. Barnby Composer of "BLESSING" in Church Hymns and Tunes Joseph Barnby (b. York, England, 1838; d. London, England, 1896) An accomplished and popular choral director in England, Barby showed his musical genius early: he was an organist and choirmaster at the age of twelve. He became organist at St. Andrews, Wells Street, London, where he developed an outstanding choral program (at times nicknamed "the Sunday Opera"). Barnby introduced annual performances of J. S. Bach's St. John Passion in St. Anne's, Soho, and directed the first performance in an English church of the St. Matthew Passion. He was also active in regional music festivals, conducted the Royal Choral Society, and composed and edited music (mainly for Novello and Company). In 1892 he was knighted by Queen Victoria. His compositions include many anthems and service music for the Anglican liturgy, as well as 246 hymn tunes (published posthumously in 1897). He edited four hymnals, including The Hymnary (1872) and The Congregational Sunday School Hymnal (1891), and coedited The Cathedral Psalter (1873). Bert Polman

George J. Elvey

1816 - 1893 Person Name: Sir George J. Elvey Composer of "PILGRIMAGE" in The Book of Common Praise George Job Elvey (b. Canterbury, England, 1816; d. Windlesham, Surrey, England, 1893) As a young boy, Elvey was a chorister in Canterbury Cathedral. Living and studying with his brother Stephen, he was educated at Oxford and at the Royal Academy of Music. At age nineteen Elvey became organist and master of the boys' choir at St. George Chapel, Windsor, where he remained until his retirement in 1882. He was frequently called upon to provide music for royal ceremonies such as Princess Louise's wedding in 1871 (after which he was knighted). Elvey also composed hymn tunes, anthems, oratorios, and service music. Bert Polman

James John Cummins

1795 - 1867 Person Name: James J. Cummins Author of "Jesus, Lord of life and glory" in The Hymnal Cummins, James John, son of a merchant in Cork, Ireland, was born in Cork, May 5, 1795. In 1834 he removed to London, and was for many years a Director of the Union Bank of Australia. He died at Wildecroft, Buckland, Surrey, Nov. 23, 1867. He devoted much time to the study of Hebrew and Theology. He prepared for the use of his children in their preparation for Confirmation, Seals of the Covenant Opened in the Sacraments. This work, including several hymns and poems, was published in 1839. The hymns and other poetical pieces were also published in 1839 as Poetical Meditations and Hymns by the Author of The Seals of the Covenant Opened. In 1849 this work was republished with additions as Hymns, Meditations, and other Poems. The title on the cover of this work is Lyra Evangelica, and by this title it is usually known. The hymns, "Jesus, Lord of life and glory," 1839, (A Litany); "Shall hymns of grateful love," 1839, (The New Song), and others are from this work. -- John Julian, Dictionary of Hymnology (1907) ================== Cummins, James John, p. 273, i. This author’s hymn, "Jesus, Lord of life and glory," is given in a few hymnals as, "Jesus, Lord, we kneel before Thee." --John Julian, Dictionary of Hymnology, Appendix, Part II (1907)

Jean-Jacques Rousseau

1712 - 1778 Person Name: J. J. Rousseau Composer of "ROUSSEAU'S DREAM" in The Book of Common Praise Jean Jacques Rousseau; b. 1712, Geneva; d. 1778, Paris. Born in the city-state of Geneva in the Swiss Confederacy, his mother died whenhe was 9 days old. Rousseau's father was a watchmaker, but got into trouble with local officials and left the town, leaving his son with an uncle who had Rousseau and his own son board with a Calvinist minister for 2 years. He was later apprenticed to a notary and then to an engraver, who beat him. He ran away from Geneva at 16. In nearby Savoy, he sheltered with a Roman Catholic priest. He was sent to Italy to convert to Catholicism. He supported himself as a servant, secretary, and tutor. His life was filled with personal and political upheaval, and his writings infuriated many, to the point he had to leave several habitations. He had many friends and enemies due to his philosophies on life, religion, and God. He was concerned with decay of society (having experienced the French Revolution) and became a philosopher, writer, botanist, and composer, he influenced the Enlightenment period through his political philosophy, both in France and across Europe, including aspects of the French Revolution and overall development of modern political and educational thought. A member of the Jacobin Club, he was the most popular of philosophers. He believed that self-preservation was the highest virtue and that we should study to understand how society operates and where pitfalls lie. His personal family life was very chaotic as a result of his outspoken opinions and writings. He returned to his Calvinistic beliefs in later life, but digressed from them on several issues important to that church. John Perry

Charles F. Gounod

1818 - 1893 Person Name: Charles Gounod Composer of "REDEMPTION" in The Presbyterian Book of Praise Charles F. Gounod (b. Paris, France, 1818; d. St. Cloud, France, 1893) was taught initially by his pianist mother. Later he studied at the Paris Conservatory, won the "Grand Prix de Rome" in 1839, and continued his musical training in Vienna, Berlin, and Leipzig. Though probably most famous for his opera Faust (1859) and other instrumental music (including his Meditation sur le Prelude de Bach, to which someone added the Ave Maria text for soprano solo), Gounod also composed church music-four Masses, three Requiems, and a Magnificat. His smaller works for church use were published as Chants Sacres. When he lived in England (1870-1875), Gounod became familiar with British cathedral music and served as conductor of what later became the Royal Choral Society. Bert Polman

Jonathan Evans

1748 - 1809 Arranger of "AUSTIN" in Common Praise Evans, Jonathan, born at Coventry in 1748 or 1749. He was the son of a working man, and as a youth was employed in a ribbon manufactory. About 1778 he joined the congregation at Coventry, over which the Rev. G. Burder was pastor. He began preaching at Foleshill, near Coventry, in 1782, and in 1795 he began his stated ministry there, retaining the same to his death on Aug. 31, 1809. Two biographical notices of him appeared in the Evangelical Magazine (Oct. 1809, and March 1847), and also several of his hymns. Two of his hymns appeared in Burder's Collection, 1784, and another in the 2nd edition the same year. His best known hymns are, "Come, Thou soul-transforming Spirit,” and "Hark! the voice of love and mercy;" q.v. He published no poetical work or collection of hymns. -- John Julian, Dictionary of Hymnology (1907)

Johann Wilhelm Petersen

1649 - 1727 Author of "Jesus, Lord of life and glory" in The Book of Worship Petersen, Johann Wilhelm, was born June 1, 1649, at Osnabrück; his father Georg Petersen, Kanzlei-beamter at Lubeck, having gone to reside at Osnabrück as representing Lübeck in the negotiations which ended in the Peace of Westphalia. Petersen matriculated at the University of Giessen, in 1669; "went in 1671 to Rostock, and was then for short periods at Leipzig, Wittenberg, and Jena; the degree of M.A. being conferred on him by Giessen in absentia. He returned to Giessen in 1673, and began to lecture on philosophy and rhetoric as private docent. About 1675 he visited Spener, at Frankfurt. This proved an important turning-point in his life. In 1677 he began to lecture at Rostock, as Professor of Poetry (D.D. from Rostock 1686), but in the same year accepted the pastorate of the St. Aegidien church at Hannover. He was then, in May, 1678, appointed by Duke August Friedrich of Holstein, as Court preacher at Eutin, and general superintendent of the diocese of Lübeck. In Advent, 1688, he became pastor of St. John's church and superintendent at Lüneburg. Here he made himself obnoxious to his fellow clergy by refusing to take fees for hearing confessions; received into his house Fraulein Rosamunde Juliane von Asseburg, and began publicly to teach her ideas of the Millennial Kingdom. Being accused of Chiliasm and having his opinions condemned by the theological faculty of Helmstädt, he was removed from his office in the end of January, 1692. Thereafter he resided at various places, made tours over Germany, during which he propagated his views, and expounded his peculiar doctrines by books and pamphlets. He finally bought a small estate at Thymer, near Zerbst, and died there, Jan. 31, 1727 (Koch vi. 121; Allgemeine Deutsche Biographie xxv. 508, &c). Apart from his importance as a theological writer, Petersen deserves attention as the author of several hymns. A considerable number of them are in Latin, his manuscript being entitled Cithara sacra. Of these he contributed seven to Freylinghausen's Geistreiches Gesang-Buch , 1704. Two of these have passed into English, viz.: "Cerne lapsum servulum", and "Salve crux beata, salve" (q.v.). His German hymns were published as (1) Stimmen aus Zion, in two parts, Halle, 1698 and 1701 [Wernigerode Library]. These are hymns in prose and not versions of the Psalter; and 8 passed into Freylinghausen's Gesang-Buch 1704. (2) ccc. Stimmen aus Zion, N. P. 1721 [British Museum and Wernigerode]. These are obscure, mystical, and diffuse, and do not appear to have come at all into use. (3) Others of his hymns appeared in the Pietistic hymn-books of the period, 1692-1704. One of this last class is translated into English, viz:— Liebster Jesu, liebstes Leben. Spiritual Watchfulness. In A. Luppius's Andächtig Singender Christen-Mund, Wesel, 1692, p. 150, in 5 st., repeated in Freylinghausen, 1704, and the Berlin Geistliche Lieder, ed. 1863, No. 651. Translated as, "Jesus, Lord of life and glory" (st. v.), as No. 1188 in the Supplement of 1808 to the Moravian Hymn Book 1801 (1886, No. 980). [Rev. James Mearns, M.A.] -- John Julian, Dictionary of Hymnology (1907)

Daniel Protheroe

1866 - 1934 Composer of "HEBRON" in Cân a Mawl

W. S. Hoyte

1844 - 1917 Person Name: William S. Hoyte Composer of "MARGARET STREET" in Hymns of the Church Born: September 22, 1844, Sidmouth, England. Died: July 2, 1917. Buried: Sidmouth, England. Hoyte studied under John Goss and George Cooper. He played the organ at various locations, finally at All Saints, Margaret Street, London (1868-1907). He was also a professor of organ at the Royal College of Music (1888), and at the Royal Academy of Music (1893), and professor of the pianoforte at the Guildhall School. He was a member of the Philharmonic Society, and received his DMus degree from the Archbishop of Canterbury in 1904. --www.hymntime.com/tch