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A Compilation of the Litanies and Vespers Hymns and Anthems as they are sung in the Catholic Church adapted to the voice or organ
Publication Date: 1788 Publisher: [John Aiitken] Hymnal Languages: Latin; English Publication Place: Philadelphia Editors: John Aitken
A Compilation of the Litanies and Vespers Hymns and Anthems as they are sung in the Catholic Church adapted to the voice or organ
A Collection of Psalms, Hymns, Anthems, &c. to Which is Added the Rosary of the Blessed Virgin
Publication Date: 1844 Publisher: Robert Coddington Hymnal Languages: English; Latin Publication Place: New York, N.Y. Editors: Robert Coddington
A Collection of Psalms, Hymns, Anthems, &c. to Which is Added the Rosary of the Blessed Virgin
May Blossoms, a collection of hymns to the Blessed Virgin
Publication Date: 1872 Publisher: Oliver Ditson & Co. Hymnal Languages: English; Latin Publication Place: Cincinnati Editors: Sisters of Notre Dame; Oliver Ditson & Co.
May Blossoms, a collection of hymns to the Blessed Virgin
Rejoice! rejoice! Emmanuel
Author: John M. Neale Appears in 516 hymnals Hymnal Languages: English; Latin First Line: O come, O come, Emmanuel Used With Tune: VENI EMMANUEL, NO. 1 Text Sources: Latin Hymn, 12th Cent.
Rejoice! rejoice! Emmanuel
Hark! a thrilling voice is sounding
Author: Edward Caswall Appears in 141 hymnals Hymnal Languages: English; Latin Used With Tune: CROSS OF JESUS Text Sources: Latin hymn, 5th cent.
Hark! a thrilling voice is sounding
Light's abode, celestial Salem
Author: John M. Neale Appears in 93 hymnals Hymnal Languages: English; Latin Used With Tune: BENEDIC ANIMA Text Sources: Latin hymn, 15th cent.
Light's abode, celestial Salem
BEACH SPRING
Meter: 8.7.8.7 D Appears in 226 hymnals Composer and/or Arranger: Randall DeBruyn, b. 1947 Hymnal Languages: English; Latin Tune Sources: The Sacred Harp, 1844 Tune Key: F Major or modal Incipit: 11213 32161 16561 Used With Text: Lord, Whose Love in Humble Service
BEACH SPRING
The Litany of Loretto in Latin
Hymnal: A Compilation of the Litanies and Vespers Hymns and Anthems as they are sung in the Catholic Church adapted to the voice or organ #17 (1788) Hymnal Languages: Latin; English First Line: Kyrie eleison Lyrics: Kyrie eleison, Christe eleison, Kyrie eleison,
Christe, audi nos, Christe exaudi nos.
Pater de Coelis Deus, miserere nobis.
Fili Redemptor mundi Deus, miserere nobis.
Spiritus sancte Deus miserere nobis.
Sancta Trinitas unus Deus, miserere nobis.
Sancta Maria, ora pro nobis.
Sancta Dei genitrix, ora pro nobis.
Sancta Virgo Virginum, ora pro nobis.
Mater Christe, ora pro nobis.
Mater purissima, ora pro nobis.
Mater castissima, ora pro nobis.
Mater inviolata, ora pro nobis.
Mater intemerata, ora pro nobis.
Mater amabilis, ora pro nobis.
Mater admirabilis, ora pro nobis.
Mater Creatoris, ora pro nobis.
Mater Salvatoris, ora pro nobis.
Virgo prudentissima, ora pro nobis.
Virgo veneranda, ora pro nobis.
Virgo predicanda, ora pro nobis.
Virgo potens, ora pro nobis.
Virgo clemens, ora pro nobis.
Virgo fidelis, ora pro nobis.
Speculum justitiae, ora pro nobis.
Sedes sapientiae, ora pro nobis.
Causa nostrae laetitia, ora pro nobis.
Vas spirituale, ora pro nobis.
Vas honorabile, ora pro nobis.
Vas insigne devotionis, ora pro nobis.
Rosa mystica, ora pro nobis.
Turris Davidica, ora pro nobis.
Turris eburnea, ora pro nobis.
Domus aurea, ora pro nobis.
Federis arca, ora pro nobis.
Janua coeli, ora pro nobis.
Stella matutina, ora pro nobis.
Salus infirmorum, ora pro nobis.
Refugium peccatorum, ora pro nobis.
Consolatrix afflictorum, ora pro nobis.
Auxilium Christianorum, ora pro nobis.
Regina Angelorum, ora pro nobis.
Regina Patriarcharum, ora pro nobis.
Regina Prophetarum, ora pro nobis.
Regina Apostolorum, ora pro nobis.
Regina Martyrum, ora pro nobis.
Regina Confessorum, ora pro nobis.
Regina Virginum, ora pro nobis.
Agnus Dei, qui tollis peccata mundi, parce nobis, Domine.
Agnus Dei, qui tollis peccata mundi exaudi nos, Domine.
Agnus Dei qui tollis peccata mundi miserere nobis.
Christe audi nos, Christe exaudi nos.
Kyrie eleison, Christe eleison. Kyrie eleison. Languages: Greek; Latin Tune Title: [Kyrie eleison]
The Litany of Loretto in Latin
The Litany of Loretto in Latin
Hymnal: A Compilation of the Litanies and Vespers Hymns and Anthems as they are sung in the Catholic Church adapted to the voice or organ #17b (1788) Hymnal Languages: Latin; English First Line: Kyrie eleison Lyrics: Kyrie eleison, Christe eleison, Christe te audinos, Christe ex audinos.
Pater de Coelis Deus, miserere nobis.
Fili Redemptor mundi Deus, miserere nobis.
Spiritus sancte Deus miserere nobis.
Sancta Trinitas unus Deus, miserere nobis.
Sancta Maria, ora pro nobis.
Sancta Dei genitrix, ora pro nobis.
Sancta Virgo Virginum, ora pro nobis.
Mater Christe, ora pro nobis.
Mater purissima, ora pro nobis.
Mater casussima, ora pro nobis.
Mater inviolata, ora pro nobis.
Mater intemerara, ora pro nobis.
Mater amabilis, ora pro nobis.
Mater admirabilis, ora pro nobis.
Mater Creatoris, ora pro nobis.
Mater Salvatoris, ora pro nobis.
Virgo prudentissima, ora pro nobis.
Virgo veneranda, ora pro nobis.
Virgo piadicanda, ora pro nobis.
Virgo potens, ora pro nobis.
Virgo clemens, ora pro nobis.
Virgo fidelis, ora pro nobis.
Speculum justitiae, ora pro nobis.
Sedes sapientiae, ora pro nobis.
Causa nostrae laetitia, ora pro nobis.
Vas spirituale, ora pro nobis.
Vas honorabile, ora pro nobis.
Vas insigne devotionis, ora pro nobis.
Rosa mystica, ora pro nobis.
Turris Davidica, ora pro nobis.
Turris eburnca, ora pro nobis.
Domus aurea, ora pro nobis.
Federis arca, ora pro nobis.
Janua coeli, ora pro nobis.
Stella matutina, ora pro nobis.
Salus infirmorum, ora pro nobis.
Refugium peccatorum, ora pro nobis.
Confolatrix afflictorum, ora pro nobis.
Auxilium Christianovum, ora pro nobis.
Regina Angelorum, ora pro nobis.
Regina Patriarcharum, ora pro nobis.
Regina Prophetarum, ora pro nobis.
Regina Apostolorum, ora pro nobis.
Regina Marytrum, ora pro nobis.
Regina Confessorum, ora pro nobis.
Regina Virginum, ora pro nobis.
Agnus Dei, qui tollis peccata mundi, parce nobis, Domine.
Agnus Dei, qui tollis peccata mundi exaudinos, Domine.
Agnus Die qui tollis pieccata munid miserer nobis.
Christe audinos, Christe ex audinos.
Kyrie eleison, Christe eleison. Kyrie eleison.
Tune Title: [Kyrie eleison]
The Litany of Loretto in Latin
The Litany of Loretto in Latin
Hymnal: A Compilation of the Litanies and Vespers Hymns and Anthems as they are sung in the Catholic Church adapted to the voice or organ #17c (1788) Hymnal Languages: Latin; English First Line: Kyrie eleison Lyrics: Kyrie eleison, Christe eleison, Christe te audinos, Christe ex audinos.
Pater de Coelis Deus, miserere nobis.
Fili Redemptor mundi Deus, miserere nobis.
Spiritus sancte Deus miserere nobis.
Sancta Trinitas unus Deus, miserere nobis.
Sancta Maria, ora pro nobis.
Sancta Dei genitrix, ora pro nobis.
Sancta Virgo Virginum, ora pro nobis.
Mater Christe, ora pro nobis.
Mater purissima, ora pro nobis.
Mater casussima, ora pro nobis.
Mater inviolata, ora pro nobis.
Mater intemerara, ora pro nobis.
Mater amabilis, ora pro nobis.
Mater admirabilis, ora pro nobis.
Mater Creatoris, ora pro nobis.
Mater Salvatoris, ora pro nobis.
Virgo prudentissima, ora pro nobis.
Virgo veneranda, ora pro nobis.
Virgo piadicanda, ora pro nobis.
Virgo potens, ora pro nobis.
Virgo clemens, ora pro nobis.
Virgo fidelis, ora pro nobis.
Speculum justitiae, ora pro nobis.
Sedes sapientiae, ora pro nobis.
Causa nostrae laetitia, ora pro nobis.
Vas spirituale, ora pro nobis.
Vas honorabile, ora pro nobis.
Vas insigne devotionis, ora pro nobis.
Rosa mystica, ora pro nobis.
Turris Davidica, ora pro nobis.
Turris eburnca, ora pro nobis.
Domus aurea, ora pro nobis.
Federis arca, ora pro nobis.
Janua coeli, ora pro nobis.
Stella matutina, ora pro nobis.
Salus infirmorum, ora pro nobis.
Refugium peccatorum, ora pro nobis.
Confolatrix afflictorum, ora pro nobis.
Auxilium Christianovum, ora pro nobis.
Regina Angelorum, ora pro nobis.
Regina Patriarcharum, ora pro nobis.
Regina Prophetarum, ora pro nobis.
Regina Apostolorum, ora pro nobis.
Regina Marytrum, ora pro nobis.
Regina Confessorum, ora pro nobis.
Regina Virginum, ora pro nobis.
Agnus Dei, qui tollis peccata mundi, parce nobis, Domine.
Agnus Dei, qui tollis peccata mundi exaudinos, Domine.
Agnus Die qui tollis pieccata munid miserer nobis.
Christe audinos, Christe ex audinos.
Kyrie eleison, Christe eleison. Kyrie eleison.
Tune Title: [Kyrie eleison]
The Litany of Loretto in Latin
John Mason
1645 - 1694 Hymnal Languages: English; Latin Author of "Blest day of God, most calm, most bright" in Hymns of the Church Mason, John. The known facts of his life are scanty. He was the son of a Dissenting Minister, and the grandfather of John Mason, the author of A Treatise on Self-Knowledge. He was educated at Strixton School, Northants, and Clare Hall, Cambridge. After taking his M.A., he became Curate of Isham; and in 1668, Vicar of Stantonbury, Bucks. A little more than five years afterwards he was appointed Rector of Water-Stratford. Here he composed the volume containing The Songs of Praise, his paraphrase of The Song of Solomon, and the Poem on Dives and Lazarus, with which Shepherd's Penitential Cries was afterwards bound up. This volume passed through twenty editions. Besides the Songs of Praise, it contains six Penitential Cries by Mason, and it is this portion of his work which harmonizes with the compositions of Shepherd. Probably his hymns were used in public worship, and if so, they are among the earliest hymns so used in the Church of England. Some of his hymns are often found in the early Hymn Collections of the 18th century. The most notable work besides this volume is Select Remains of the Rev, John Mason, a collection of sententious and practical sayings and Christian letters, published by his grandson, and much eulogized by Dr. Watts. His friend, Shepherd, who was at Water-Stratford at the remarkable period to which reference is made below, published two of Mason's Sermons, with a preface of his own. Mason was a man of true piety and humility; known for eminent prayerfulness; faithful, experimental, effectual preaching; "a light in the pulpit, and a pattern out of it." His friendship with Baxter, and Shepherd, the Nonconformist Minister of Braintree, probably indicates his sympathies and theological position. Baxter calls him "the glory of the Church of England," and says :—
"The frame of his spirit was so heavenly, his deportment so humble and obliging, his discourse of spiritual things so weighty, with such apt words and delightful air, that it charmed all that had any spiritual relish.”
The close of his life was sensational enough. One night, about a month before his death, he had a vision of the Lord Jesus, wearing on His head a glorious crown, and with a look of unutterable majesty in His face. Of this vision he spoke; and preached a Sermon called The Midnight Cry, in which he proclaimed the near approach of Christ's Second Advent. A report spread that this Advent would take place at Water-Stratford itself, and crowds gathered there from the surrounding villages. Furniture and provisions were brought in, and every corner of the house and village occupied. Most extraordinary scenes occurred, singing and leaping and dancing. The excitement had scarcely died out when the old man passed away (1694), still testifying that he had seen the Lord, and that it was time for the nation to tremble, and for Christians to trim their lamps. His last words were, “I am full of the loving kindness of the Lord."
[Rev. H. Leigh Bennett, M.A.]
The full titles of his Songs of Praise, and the additions thereto, are:—
(1) Spiritual Songs; or, Songs of Praise to Almighty God upon several occasions, 1683. (2) The Song of Songs which is Solomon's first Turned, then Paraphrased in English Verse. Published with the former. (3) Dives and Lazarus, incorporated with the former 1685. (4) Penitential Cries, Begun by the Author of the Songs of Praise, And carried on by another Hand. Licensed and Entered, Sept. 13, 1693. This forms the concluding part of all editions of the Songs of Praise after 1693. The complete work was reprinted by D. Sedgwick in 1859. This reprint was accompanied by a short Memoir. In this reprint Mason's Penitential Cries and Ps. 86 are given under Songs of Praise, pp. 49-61, those under Penitential Cries being all by Shepherd (q.v.). Mason's Life, by John Dunton, was published in 1694, and included some miscellaneous poems; and another, by Henry Maurice, in 1695, in which are two hymns not found elsewhere. We may add that Mason published a Catechism, with some Verses for Children. Of this, however, no copy is known to exist.
Mason's Songs are commonly presented in modern hymnbooks in the form of centos, which are sometimes compiled from a single Song, and in other instances from several Songs. Many of these are annotated under their respective first lines. The rest include:—
1. Blest be my God that I was born. Praise for the Gospel.
2. Lord, for the mercies of the night. Morning.
3. Lord of my life, Length of my days. Praise for Deliverance from Immediate danger of Death.
4. My God, a God of pardon is. Praise for Pardon of Sin.
5. My God, my only Help and Hope. Praise for Providence.
6. My God, my reconciled God. Praise for Peace of Conscience.
7. My God was with me all this night. Morning.
8. Thou wast, 0 God; and Thou wast blest. Praise for Creation.
9. Thousands of thousands stand around. Praise. A cento from Songs i. and ii.
In Griffith, Farran & Co.'s Ancient and Modern Library, No. 12, Giles Fletcher's Christ's Victory and Triumph, &c, 1888, p. 208 (edited by W. T. Brooke), a short hymn by Mason is given from Multum in Parvo: or the Jubilee of Jubilees, 1732, beginning "High praises meet and dwell within." It is an indifferent example of Mason's powers as a writer of sacred verse.
-- John Julian, Dictionary of Hymnology (1907)
====================
Mason, J., p. 716, ii. Mason's Midnight Cry, stated on p. 717, i. as having been preached in 1694, was delivered in 1691. The 1st ed. of this sermon is:—
“The Midnight Cry. A Sermon Preached On the Parable of the Ten Virgins . . . . By J. M., M.A., Rector of W. in the County of B., London: Nathanael Ranew . . 1691.
This edition has no hymns. To the 4th ed. in 1692, published by the same Nathanael Ranew, there was added:—
The Fourth Edition, with the Addition of two Hymns for the Coming of Christ. By the same Author.
The first of these hymns begins:—
"The evening of the Day
Portends a dismal night,"
and is in 12 stanzas of 8 lines. The second hymn is:—
"Come, come, my dearest, dearest Lord,
Make haste and come away."
This is in 14 stanzas of 4 lines. Of the first and fifth eds. there are copies in the Brit. Museum, and of the first in the Julian Collection of the Church House, London.
--John Julian, Dictionary of Hymnology, New Supplement (1907)
John Mason
John Chetham
1665 - 1746 Hymnal Languages: English; Latin Composer of "MARLOW" in Hymns of the Church Baptized: February 4, 1665, Ashton-under-Lyne, Lancashire, England.
Buried: 1746, Skipton, Yorkshire, England.
After attending Deckerfield School, then taking orders, Chetham became Curate of Skipton, North Yorkshire. His collection A Book of Psalmody was first published in 1718, and had at least eleven editions, through 1787.
Music:
BARRAGH
MARLOW
WIRKSWORTH
--www.hymntime.com/tch/
John Chetham
Thomas Carlyle
1795 - 1881 Person Name: Thomas Carlyle (1795-1881) Hymnal Languages: English; Latin Translator of "A safe stronghold our God is still" in The Oxford Hymn Book Thomas Carlyle (4 December 1795 – 5 February 1881) was a Scottish satirical writer, essayist, historian and teacher during the Victorian era. He called economics "the dismal science", wrote articles for the Edinburgh Encyclopedia, and became a controversial social commentator.
Coming from a strict Calvinist family, Carlyle was expected to become a preacher by his parents, but while at the University of Edinburgh he lost his Christian faith. Calvinist values, however, remained with him throughout his life. His combination of a religious temperament with loss of faith in traditional Christianity, made Carlyle's work appealing to many Victorians who were grappling with scientific and political changes that threatened the traditional social order. He brought a trenchant style to his social and political criticism and a complex literary style to works such as The French Revolution: A History (1837). Dickens used Carlyle's work as a primary source for the events of the French Revolution in his novel A Tale of Two Cities.
--en.wikipedia.org
========================
Carlyle, Thomas, the Essayist and Historian, is known to hymnody solely through his translation of Luther's "Ein feste Burg," q.v. He was born near Ecclefechan, Dumfriesshire, Dec. 4, 1795, and died at Chelsea, Feb. 5, 1881.
--John Julian, Dictionary of Hymnology (1907)
Thomas Carlyle
