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Beulah Bells
Publication Date: 1924 Publisher: Excelsior Music Co. Publication Place: Ramer, Tenn. Editors: S. A. Berrie; Excelsior Music Co.
Beulah Bells
My Savior will welcome me
Author: A. L. Burnett Appears in 2 hymnals First Line: A place is prepared up in heaven Refrain First Line: My home is near, 'twill soon appear
My Savior will welcome me
Has the Lord called you
Author: M. M. Boteler Appears in 3 hymnals First Line: As the Lord once called to the ones he loved
Has the Lord called you
Hark, the glad sound, the Savior comes
Author: Philip Doddridge Appears in 822 hymnals
Hark, the glad sound, the Savior comes
The angels wait within the gates
Author: W. E. Bayles Hymnal: BB1924 #d1 (1924) First Line: A band of shining angels waits you over there Languages: English
The angels wait within the gates
My Savior will welcome me
Author: A. L. Burnett Hymnal: BB1924 #d2 (1924) First Line: A place is prepared up in heaven Refrain First Line: My home is near, 'twill soon appear Languages: English
My Savior will welcome me
And crown him Lord of all
Author: John Rippon; Edward Perronet Hymnal: BB1924 #d3 (1924) First Line: All hail the power of Jesus' name, Let angels prostrate fall Languages: English
And crown him Lord of all
Edward Perronet
1721 - 1792 Hymnal Number: d3 Author of "And crown him Lord of all" in Beulah Bells Edward Perronet was the son of the Rev. Vincent Perronet, Vicar of Shoreham, Kent. For some time he was an intimate associate of the Wesleys, at Canterbury and Norwich. He afterwards became pastor of a dissenting congregation. He died in 1792. In 1784, he published a small volume, entitled "Occasional Verses, Moral and Social;" a book now extremely rare. At his death he is said to have left a large sum of money to Shrubsole, who was organist at Spafield's Chapel, London, and who had composed the tune "Miles Lane" for "All hail the power of Jesus' Name!"
--Annotations of the Hymnal, Charles Hutchins, M.A. 1872.
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Perronet, Edward. The Perronets of England, grandfather, father, and son, were French emigres. David Perronet came to England about 1680. He was son of the refugee Pasteur Perronet, who had chosen Switzerland as his adopted country, where he ministered to a Protestant congregation at Chateau D'Oex. His son, Vincent Perronet, M.A., was a graduate of Queen's College, Oxford, though his name is not found in either Anthony Woods's Athenae Oxonienses nor his Fasti, nor in Bliss's apparatus of additional notes. He became, in 1728, Vicar of Shoreham, Kent. He is imperishably associated with the Evangelical Revival under the Wesleys and Whitefield. He cordially cooperated with the movement, and many are the notices of him scattered up and down the biographies and Journals of John Wesley and of Selina, Countess of Huntingdon. He lived to the venerable age of ninety-one; and pathetic and beautiful is the account of John Wesley's later visits to the white-haired saint (b. 1693, d. May 9, 1785).* His son Edward was born in 1726. He was first educated at home under a tutor, but whether he proceeded to the University (Oxford) is uncertain. Born, baptized, and brought up in the Church of England, he had originally no other thought than to be one of her clergy. But, though strongly evangelical, he had a keen and searching eye for defects. A characteristic note to The Mitre, in referring to a book called The Dissenting Gentleman's answer to the Rev. Mr. White, thus runs:—"I was born, and am like to die, in the tottering communion of the Church of England; but I despise her nonsense; and thank God that I have once read a book that no fool can answer, and that no honest man will". The publication of The Mitre is really the first prominent event in his life. A copy is preserved in the British Museum, with title in the author's holograph, and manuscript notes; and on the fly-leaf this:— "Capt. Boisragon, from his oblig'd and most respectful humble servt. The Author. London, March 29th, 1757." The title is as follows:— The Mitre; a Sacred Poem (1 Samuel ii. 30). London: printed in the year 1757. This strangely overlooked satire is priceless as a reflex of contemporary ecclesiastical opinion and sentiment. It is pungent, salted with wit, gleams with humour, hits off vividly the well-known celebrities in Church and State, and is well wrought in picked and packed words. But it is a curious production to have come from a "true son" of the Church of England. It roused John Wesley's hottest anger. He demanded its instant suppression; and it was suppressed (Atmore's Methodist Memorial, p. 300, and Tyerman, ii. 240-44, 264, 265); and yet it was at this period the author threw himself into the Wesleys' great work. But evidences abound in the letters and journals of John Wesley that he was intermittently rebellious and vehement to even his revered leader's authority. Earlier, Edward Perronet dared all obloquy as a Methodist. In 1749 Wesley enters in his diary:
"From Rochdale went to Bolton, and soon found that the Rochdale lions were lambs in comparison with those of Bolton. Edward Perronet was thrown down and rolled in mud and mire. Stones were hurled and windows broken" (Tyerman's Life and Times of the Rev. John Wesley, M.A., 3 vols., 1870 ; vol. ii. 57).
In 1750 John Wesley writes:
”Charles and you [Edward Perronet] behave as I want you to do; but you cannot, or will not, preach where I desire. Others can and will preach where I desire, but they do not behave as I want them to do. I have a fine time between the one and the other. I think Charles and you have in the general a right sense of what it is to serve as sons in the gospel; and if all our helpers had had the same, the work of God would have prospered better both in England and Ireland. I have not one preacher with me, and not six in England, whose wills are broken to serve me" (ibid. ii. 85, and Whitehead's Life of Wesley, ii. 259).
In 1755 arrangements to meet the emergency created by its own success had to be made for Methodism. As one result, both Edward and Charles Perronet broke loose from John Wesley's law that none of his preachers or "helpers" were to dispense the Sacraments, but were still with their flocks to attend the parish churches. Edward Perronet asserted his right to administer the Sacraments as a divinely-called preacher ibid. ii. 200). At that time he was resident at Canterbury, "in a part of the archbishop's old palace" (ibid. ii. 230. In season and out of season he "evangelized." Onward, he became one of the Countess of Huntingdon's "ministers" in a chapel in Watling Street, Canterbury. Throughout he was passionate, impulsive, strong-willed; but always lived near his divine Master. The student-reader of Lives of the Wesleys will be "taken captive" by those passages that ever and anon introduce him. He bursts in full of fire and enthusiasm, yet ebullient and volatile. In the close of his life he is found as an Independent or Congregational pastor of a small church in Canterbury. He must have been in easy worldly circumstances, as his will shows. He died Jan. 2, 1792, and was buried in the cloisters of the great cathedral, Jan. 8. His Hymns were published anonymously in successive small volumes. First of all came Select Passages of the Old and New Testament versified; London: Printed by H. Cock, mdcclvi. … A second similar volume is entitled A Small Collection of Hymns, &c, Canterbury: printed in the year dcclxxxii. His most important volume was the following:— Occasional Verses, moral and sacred. Published for the instruction and amusement of the Candidly Serious and Religious. London, printed for the Editor: And Sold by J. Buckland in Paternoster Row; and T. Scollick, in the City Road, Moorfields, mdcclxxxv. pp. 216 (12°). [The British Museum copy has the two earlier volumes bound up with this.] The third hymn in this scarce book is headed, “On the Resurrection," and is, ”All hail the power of Jesus' name". But there are others of almost equal power and of more thorough workmanship. In my judgment, "The Lord is King" (Psalm xcvi. 16) is a great and noble hymn. It commences:—
“Hail, holy, holy, holy Loud!
Let Pow'rs immortal sing;
Adore the co-eternal Word,
And shout, the Lord is King."
Very fine also is "The Master's Yoke—the Scholar's Lesson," Matthew xi. 29, which thus opens:—
O Grant me, Lord, that sweet content
That sweetens every state;
Which no internal fears can rent,
Nor outward foes abate."
A sacred poem is named "The Wayfaring Man: a Parody"; and another, "The Goldfish: a Parody." The latter has one splendid line on the Cross, "I long to share the glorious shame." "The Tempest" is striking, and ought to be introduced into our hymnals; and also "The Conflict or Conquest over the Conqueror, Genesis xxxii. 24". Still finer is "Thoughts on Hebrews xii.," opening:—
"Awake my soul—arise!
And run the heavenly race;
Look up to Him who holds the prize,
And offers thee His grace."
"A Prayer for Mercy on Psalm cxix. 94," is very striking. On Isaiah lxv. 19, is strong and unmistakable. "The Sinner's Resolution," and "Thoughts on Matthew viii. 2," and on Mark x. 51, more than worthy of being reclaimed for use. Perronet is a poet as well as a pre-eminently successful hymnwriter. He always sings as well as prays. It may be added that the brief paraphrase after Ovid given below, seems to echo the well-known lines in Gray's immortal elegy:—
"How many a gem unseen of human eyes,
Entomb'd in earth, a sparkling embryo lies;
How many a rose, neglected as the gem,
Scatters its sweets and rots upon its stem:
So many a mind, that might a meteor shone,
Had or its genius or its friend been known;
Whose want of aid from some maternal hand,
Still haunts the shade, or quits its native land." [Rev. A. B. Grosart, D.D., LL.D.]
* Agnew's Protestant Exiles from France in the Reign of Louis XIV. confounds Vincent the father with Edward his son.
-- John Julian, Dictionary of Hymnology (1907)
Edward Perronet
P. P. Bliss
1838 - 1876 Person Name: Philip P. Bliss Hymnal Number: d4 Author of "Almost persuaded now to believe, Almost" in Beulah Bells Philip P. Bliss (b. Clearfield County, PA, 1838; d. Ashtabula, OH, 1876) left home as a young boy to make a living by working on farms and in lumber camps, all while trying to continue his schooling. He was converted at a revival meeting at age twelve. Bliss became an itinerant music teacher, making house calls on horseback during the winter, and during the summer attending the Normal Academy of Music in Genesco, New York. His first song was published in 1864, and in 1868 Dwight L. Moody advised him to become a singing evangelist. For the last two years of his life Bliss traveled with Major D. W. Whittle and led the music at revival meetings in the Midwest and Southern United States. Bliss and Ira D. Sankey published a popular series of hymn collections entitled Gospel Hymns. The first book of the series, Gospel Songs, was published in 1874. Bliss's tragic death at the age of thirty-eight happened near the end of 1876. Philip P. Bliss and his wife were traveling to Chicago to sing for the evangelistic services led by Daniel W. Whittle at Dwight L. Moody's Tabernacle. But a train wreck and fire en route claimed their lives.
Bert Polman
=================
Bliss, Philip, b. at Clearfield County, Pennsylvania, July 9, 1838. In 1864 he went to Chicago in the employ of Dr. George F. Root, the musician, where he was engaged in conducting musical Institutes, and in composing Sunday School melodies. Originally a Methodist, he became, about 1871, a choirman of the First Congregational Church, Chicago, and the Superintendent of its Sunday Schools. In 1874 he joined D. W. Whittle in evangelical work. To this cause he gave (although a poor man) the royalty of his Gospel Songs, which was worth some thirty thousand dollars. His death was sudden. It occurred in the railway disaster at Ashtabula, Ohio, Dec. 30, 1876. ... Some of his verses have obtained wide popularity in most English-speaking countries. The more widely known, and specially those which are found in collections in use in G. Britain, are in the following American works:—
i. The Prize, 1870.
1. I should like to die. Death anticipated. This is one of his earliest compositions, and is unworthy of the position it holds.
2. Through the valley of the shadow I must go. Death anticipated.
3. Whosoever heareth, shout, shout the sound. Jesus the Way. Written during the winter of 1869-70 after hearing Mr. H. Moorhouse (from England) preach on St. John iii. 16.
ii. The Charm, 1871.
4. Almost persuaded now to believe. Procrastination. This was suggested by the following passage in a sermon by the Rev. Mr. Brundnge, Bliss being present at its delivery:—" He who is almost persuaded is almost saved, but to be almost saved is to be entirely lost."
5. Ho! my comrades! see the signal. Faithfulness.
6. O! Jerusalem, the golden city, bright, &c. Heaven.
7. On what Foundation do [did] you build? Christ the Foundation.
iii. The Song Tree, 1872.
8. Light in the darkness, sailor, day is at hand. Safety. This hymn, “The Life-Boat," has attained to great popularity. The incident upon which it is based, that of the rescue of a ship's crew by a life-boat, is given in detail by Mr. Sankey in his Sacred Songs, &c, No. 99 (large ed.). It is sometimes known by its refrain, "Pull for the shore," &c.
iv. The Joy, 1873.
9. In me ye may have peace. Peace.
10. To die is gain. Death anticipated.
v. Sunshine, 1873.
11. Down life's dark vale we wander. Death anticipated.
12. More holiness give me. For Holiness.
13. Only an armour-bearer. Soldiers of the Cross.
14. Standing by a purpose true. Faithfulness.
15. This loving Saviour stands patiently. Invitation.
vi. Gospel Songs, 1874.
16. A long time I wandered. Peace and Joy.
17. Brightly beams our Father's mercy. Mercy.
18. Come, brethren, as we march along. Praise.
19. Free from the law, O happy condition. Redemption.
20. Have you on the Lord believed? Fullness of Grace. This hymn arose out of the following circumstances :—" A vast fortune was left in the hands of a minister for one of his poor parishioners. Fearing that it might be sqmandered if suddenly bestowed upon him, the wise minister sent him a little at a time, with a note saying, “This is thine; use it wisely; there is more to follow.” Hence also the refrain ‘More to follow,’ by which the hymn is known."
21. How much owest thou? Divine Claims.
22. I know not the hour when my Lord will come. Death anticipated. Suggested by reading the book, The Gates Ajar.
23. See the gentle Shepherd standing. The Good Shepherd.
24. Though the way be sometimes dreary. Divine Leading.
25. Will you meet me at the fountain? Fountain of Living Water. The incident out of which this hymn arose is thus stated in The Christian, No. 365, "At the Industrial Exposition at Chicago it was an everyday appointment to meet at the Central Fountain. Mr. P. P. Bliss, whose mind seemed always set on things above, caught up the words, and wrote this hymn, 'Meet me at the Fountain.'"
vii. Gospel Hymns, No. 1, 1875.
26. One offer of salvation. The Name of Jesus.
27. Wandering afar from the dwellings of men. The Lepers.
viii. The International Lesson Monthly, 1875.
28. Weary gleaner, whence comest thou? Duty.
29. The whole world was lost in the darkness of Sin. Light of the world.
30. Man of sorrows! what a name. Redemption.
31. The Spirit, O sinner, in mercy doth move. Holy Spirit.
ix. Gospel Hymns, No. 2, 1876.
32. At the feet of Jesus. The good choice.
33. Come, sing the Gospel's joyful sound. Salvation.
34. Cut it down, cut it down. Justice and Mercy.
35. Do you see the Hebrew captive? Prayer.
36. Hallelujah, He is risen. Easier. Written in the spring of 1876 and first sung by Bliss on Easter afternoon, 1876, in the Court House Square, Augusta, Georgia, to 5900 people.
37. In Zion's rock abiding. Safety.
38. Repeat the story o'er and o'er. Grace and Peace.
39. Tenderly the Shepherd. The Good Shepherd.
x. Gospel Hymns, No. 3, 1878.
40. Hear ye the glad good news from heaven. Faith and Salvation.
41. I will sing of my Redeemer. Praise.
xi. Gospel Hymns, No. 4, 1881.
42. 'Tis known on earth and heaven too. More about Jesus.
xii. Various.
43. Sing over again to me. Words of Life. This appeared in a paper entitled Words of Life, 1874, The following are undated:—
44. March to the battle-field. Duty and Victory.
45. There is sin in the camp. Hinderances.
46. 'Tis the promise of God. Praise.
47. While the silvery moon-beams, fall, New Birth.
48. God is always near me. Omnipresence.
Two hymns," I am so glad that our Father in heaven," and " Sowing the seed by the daylight [dawnlight] fair," (sometimes given as " Sowing our seed in the morning fair ") are usually attributed to Mr. Bliss. In his Gospel Songs, Cincinnati, 1874, however, he lays claim to the music only. Mr. Sankey attributes this last to "E. A. Oakey." With the exception of No. 48, these hymns are given in Mr. Sankey's Sacred Songs & Solos, Pts. i. and ii. Their popularity is far beyond their literary merits, and is mainly due to the simple melodies to which they are wedded. As a writer of hymns of this class Mr. Bliss is second only to Mrs. Van Alstyne. Many anecdotes concerning hymns of this class are given in American Evangelists; an Account of their work in England and America, by the Rev. Elias Nason, Boston, U.S., Lathrop & Co., 1877.
Mr. Bliss is usually known as "P. P. Bliss." This is found on the title-pages of his collections. On his own authority, however, we are enabled to say that his name originally stood thus : “Philipp Bliss.” Early in life he separated the final p from his Christian name, constituted it a capital P, and thus produced "P. P. Bliss." (For this article we are mainly indebted to Professor F. M. Bird, and Mr. H. P. Main.)
-John Julian, Dictionary of Hymnology (1907)
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Bliss, Philip , p. 151, i. "Sowing the seed by the daylight fair" is in the Family Treasury , Edinburgh, 1861, pt. i., p. 84. It is said to be by Miss Emily Sullivan Oakey; born at Albany, N. York, Oct. 8, 1829, died May 11, 1883. Note also that Bliss's hymn, No. 43. on p. 150, ii., should read, "Sing them over again to me."
--John Julian, Dictionary of Hymnology, Appendix, Part II (1907)
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Bliss, P., p. 150, i. Two works have been brought to our notice, since the issue of our first edition of this Dictionary, which concern this author, viz.:—
1. Memoirs of Philip P. Bliss. Edited by D. W. Whittle. Contributions by Rev. E. P. Goodwin, Ira D. Sankey, and Geo. F. Root. Introduction by D. L. Moody. New York, &c.: A. S. Barnes & Co., 1877.
2. My Life and Sacred Songs. By Ira D. Sankey. With an Introduction by Theodore L. Cuyler, D.D). London: Hodder & Stoughton, and Morgan & Scott, 1906.
These works have a special interest for those who use I. D. Sankey's Sacred Songs & Solos, and all of P. Bliss's publications. To Mr. Sankey's My Life, &c, we direct special attention for P. Bliss's hymns:—
“Do you see the Hebrew captive kneeling?" p. 294.
"Down life's dark vale we wander." p. 285.
"Ho! my comrades, see the signal." p. 105.
"'Tis the promise of God full salvation to give." p. 99.
--John Julian, Dictionary of Hymnology, New Supplement (1907)
P. P. Bliss
