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Hymnal, Number:eg1911

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Dankt dem Herrn, ihr Gottesknechte

Author: Heinr. Georg Neuß Appears in 42 hymnals
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Laß mich dein sein und bleiben

Author: N. Selnecker Appears in 44 hymnals
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Jesu, deine Passion

Author: Sigm. v. Birken Appears in 33 hymnals

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Auf, auf, mein Herz, mit Freuden

Author: P. Gerhardt Hymnal: EG1911 #A1 (1911) Languages: German
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Aus unsrer ersten Tränensaat

Author: N. L. Graf von Zinzendorf Hymnal: EG1911 #A2 (1911) Languages: German
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Der beste Freund ist in dem Himmel

Author: B. Schmolck Hymnal: EG1911 #A3 (1911) Languages: German

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Christian Fürchtegott Gellert

1715 - 1769 Person Name: Chr. F. Gellert Hymnal Number: 18 Author of "Wenn ich, o Schöpfer, deine Macht" in Evangelisches Gesangbuch. Nach Zustimmung der Provinszialsznode vom Jahre 1884 zur Einfürung in der Provinz Brandenburg mit Genehmigung des Evangelischen Oberkirchenrats Gellert, Christian Fürchtegott, son of Christian Gellert, pastor at Hainichen in the Saxon Harz, near Freiberg, was born at Hainichen, July 4, 1715. In 1734 he entered the University of Leipzig as a student of theology, and after completing his course acted for some time as assistant to his father. But then, as now, sermons preached from manuscript were not tolerated in the Lutheran Church, and as his memory was treacherous, he found himself compelled to try some other profession. In 1739 he became domestic tutor to the sons of Herr von Lüttichau, near Dresden, and in 1741 returned to Leipzig to superintend the studies of a nephew at the University. He also resumed his own studies. He graduated M.A. 1744; became in 1745 private tutor or lecturer in the philosophical faculty; and was in 1751 appointed extraordinary professor of philosophy, lecturing on poetry and rhetoric, and then on moral philosophy. An ordinary professorship offered to him in 1761 he refused, as he did not feel strong enough to fulfil its duties, having been delicate from a child, and after 1752 suffering very greatly from hypochondria. He died at Leipzig, Dec. 13, 1769 (Koch, vi. 263-277; Allgemeine Deutsche Biographie, viii. 544-549, &c). As a professor, Gellert was most popular, numbering Goethe and Lessing among his pupils, and won from his students extraordinary reverence and affection, due partly to the warm interest he took in their personal conduct and welfare. In his early life he was one of the contributors to the Bremer Beiträge; and was one of the leaders in the revolt against the domination of Gottsched and the writers of the French school. His Fables (1st Ser. 1746; 2nd 1748), by their charm of style, spirit, humour and point, may justly be characterised as epoch-making, won for him universal esteem and influence among his contemporaries of all classes, and still rank among the classics of German literature. As a hymnwriter he also marks an epoch; and while in the revival of churchly feeling the hymns of the Rationalistic period of 1760 to 1820 have been ignored by many recent compilers, yet the greatest admirers of the old standard hymns have been fain to stretch their area of selection from Luther to Gellert. He prepared himself by prayer for their composition, and selected the moments when his mental horizon was most unclouded. He was distinguished by deep and sincere piety, blameless life, and regularity in attendance on the services of the Church. His hymns are the utterances of a sincere Christian morality, not very elevated or enthusiastic, but genuine expressions of his own feelings and experiences; and what in them he preached he also put in practice in his daily life. Many are too didactic in tone, reading like versifications of portions of his lectures on morals, and are only suited for private use. But in regard to his best hymns, it may safely be said that their rational piety and good taste, combined with a certain earnestness and pathos, entitle them to a place among the classics of German hymnody. They exactly met the requirements of the time, won universal admiration, and speedily passed into the hymnbooks in use over all Germany, Roman Catholic as well as Lutheran. Two of Gellert's hymns are noted under their own first lines, viz., "Jesus lebt, mit ihm auch ich," and "Wie gross ist des All-mächtgen Güte." The following have also passed into English, almost all being taken from his Geistliche Oden und Lieder, a collection of 54 hymns first published at Leipzig, 1757, and which has passed through very numerous editions:— I. Hymns in English common use: i. An dir allein, an dir hab ich gesündigt. Lent. 1757, p. 102, in 6 stanzas of 4 lines, entitled "Hymn of Penitence." In Zollikofer's Gesange-Buch, 1766, and the Berlin Geistliche Lieder S., ed. 1863, No. 499. Translated as:— Against Thee only have I sinn'd, I own it. A good and full version, by Miss Wink worth, as No. 42 in her Chorale Book for England, 1863. Another translation is:— "Against Thee, Lord, Thee only my transgression," by N. L. Frothingham, 1870, p. 241. ii. Dies ist der Tag, den Gott gemacht. Christmas. One of his best and most popular hymns. 1757, p. 72, in 11 stanzas of 4 lines, repeated in the Berlin Gesang-Buch, 1765, No. 55, and the Berlin Geistliche Lieder S. ed. 1863, No. 154. Translated as:— This is the day the Lord hath made, O'er all the earth. A translation of stanzas i.-iii., x., by Miss Borthwick, as No. 22 in Dr. Pagenstecher's Collection, 1864, and included in Hymns from the Land of Luther, 1884, p. 256. Other trs. are:—(1) "This is the day which God ordains," by Dr. G. Walker, 1860, p. 27. (2) "This day shall yet by God's command," in the Family Treasury, 1811, p. 278. iii. Für alle Güte sei gepreist. Evening. 1757, p. 85, in 4 stanzas of 6 lines, included in Zollikofer's Gesang-Buch 1766, No. 78, and the Berlin Geistliche Lieder S., ed. 1863, No. 1160. Translated as:— To Father, Son, and Spirit praise. A good and full translation by A. T. Russell, as No. 7 in his Psalms & Hymns, 1851. Another translation is: — "For all Thy kindness laud I Thee," by H. J. Buckoll, 1842, p. 96. iv. Gott ist mein Lied. Praise. On God's Might and Providence. 1757, p. 78, in 15 st. of 5 1. In the Berlin Geistliche Lieder S.., ed. 1863, No. 24. Translated as:— God is my song, His praises I'll repeat, A free translation of stanzas i.-v., as No. 94 in Sir John Bowring's Hymns, 1825. Repeated, omitting stanza ii., as No. 114 in Dale's English Hymn Book, 1875. Other translations are:— (1) “Of God I sing," by Dr. H. Mills, 1856, p. 11. (2) "God is my song, With sovereign," by N. L. Frothingham, 1870, p. 243. v. Wenn ich, o Schöpfer, deine Macht. Praise. This fine hymn of Praise for Creation and Providence was first published 1757, p. 62, in 6 stanzas of 7 lines. In the Berlin Gesang-Buch, 1765, No. 25, and Berlin Geistliche Lieder S.ed. 1863, No. 72. Translated as:—- Thou Great First Cause! when of Thy skill. In full in Dr. H. Mills's Horae Germanicae, 1845 (1856, p. 5). Stanzas ii., iii., v., vi., altered and beginning, "The earth, where'er I turn mine eye," are in the American Lutheran General Synod's Collection, 1852. Other trs. are:— (1) "When, O my dearest Lord, I prove," by Miss Dunn, 1857, p. 80. (2) "Creator! when I see Thy might," in Madame de Pontes's Poets and Poetry of Germany, 1858, v. i. p. 472. (3) "When I, Creator, view Thy might," by Miss Manington, 1863. vi. Wer Gottes Wort nicht halt, und spricht. Faith in Works. This didactic hymn on Faith proved by Works, was first published 1757, p. 49, in 5 stanzas of 6 lines. In Zollikofer's Gesang-Buch, 1766, and the Berlin Geistliche Lieder S. ed. 1863, No. 72. Translated as:— Who keepeth not God's Word, yet saith. A good and full translation by Miss Winkworth, in her Lyra Germanica, 2nd Ser., 1858, p. 161. A greatly altered version of stanzas ii.—v., beginning, "True faith in holy life will shine," was included as No. 418 in Kennedy, 1863, and repeated in the Ibrox Hymnal 1871, J. L. Porter's Collection 1876, and others. II. Hymns not in English common use: vii. Auf Gott, und nicht auf meinen Rath. Trust in God's Providence. 1757, p. 134, in 6 stanzas. Translated as: (1) "Rule Thou my portion, Lord, my skill," by Dr. H. Mills, 1845 (1856, p. 164). (2) "On God and on no earthly trust," by J. D. Burns, in his Remains, 1869. viii. Auf, schicke dich. Christmas. 1757, p. 109, in 1 stanza. Translated as, "Come, tune your heart," by Miss Cox, 1841, p. 17 (1864, p. 39). ix. Dein Heil, o Christ! nicht zu verscherzen. Prayer. 1757, p. 6, in 14 stanzas of 8 lines. In J. A. Schlegel's Geistliche Gesänge, 3rd Ser., 1772, p. 193, recast as "Zu deinem Gotte beten," in 5 stanzas of 12 lines; and this in the Kaiserwerth Lieder-Buch für Kleinkinderschulen, 1842, No. 208, appears "Zu Gott im Himmel beten," in 8 stanzas of 4 lines. The 1842 was translated as, "O how sweet it is to pray," by Mrs. Bevan, 1859, p. 148. x. Der Tag ist wieder hin, und diesen Theil des Lebens. Evening. 1757, p. 13, in 10 stanzas, as "Self-Examination at Eventide." Translated as,"Another day is ended," by Miss Warner, 1869 (1871, p. 9). xi. Du klagst, und fühlest die Beschwerden. Contentment. 1757, p. 91, in 8 stanzas. Translated as "Thy wounded spirit feels its pain," by Dr. B. Maguire, 1883, p. 153. xii. Erinnre dich, mein Geist, erfreut. Easter. 1757, p. 27, in 13 stanzas. Translated as, "Awake, my soul, and hail the day," in Dr. J. D. Lang's Aurora Australis, Sydney, 1826, p. 43. xiii. Er ruft der Sonn, und schafft den Mond. New Year. 1757, p. 154, in 6 stanzas. In the Berlin Gesang-Buch, 1765, No. 233, as "Gott ruft." Translated as, “Lord, Thou that ever wast and art," in the British Magazine, Jan., 1838, p. 36. xiv. Gott, deine Güte reicht so weit. Supplication. 1757, p. 1, in 4 stanzas, founded on 1 Kings iii. 5-14. The translations are: (1) "O God, Thy goodness doth extend, Far as," by Dr. J. D. Lang, 1826, p. 10. (2) "Behold! Thy goodness, oh my God," by Miss Fry, 1845, p. 78. xv. Gott ist mein Hort. Holy Scripture. 1757, p. 70, in 8 stanzas. Translated as, "I trust the Lord, Upon His word," by Dr. H. Mills, 1845 (1856, p. 23). xvi. Herr, der du mir das Leben. Evening. 1757, p. 121, in 5 stanzas. Translated as, "By Thee, Thou Lord of Heaven," by H. J. Buckoll, 1842, p. 97. xvii. Herr, starke mich, dein Leiden su bedenken. Passiontide. 1757, p. 123, in 22 stanzas. Translated as, "Clothe me, oh Lord, with strength! that I may dwell” by Miss Fry, 1859, p. 153. xviii. Ich hab in guten Stunden. For the Sick. 1757, p. 128, in 6 stanzas. [See the Story of a Hymn, in the Sunday at Home for Sept., 1865.] Translated as: (1) “I have had my days of blessing," by Mrs. Findlater, in Hymns from the Land of Luther, 1855, p. 60. (2) "Once, happy hours with blessings crowned," by A. B. H., in the Day of Rest, 1877, p. 405. xix. Ich komme, Herr, und suche dich. Holy Communion. 1757, p. 89, in 5 stanzas. The translations are: (1) "I come, 0 Lord, and seek for Thee," by Miss Manington, 1863, p. 14. (2) “Weary and laden with my load, I come," by Dr. B. Maguire, 1872, p. 178. xx. Ich komme vor dein Angesicht. Supplication. 1757, p. 140. in 13 stanzas. The translations are: (1) "Great God, I bow before Thy face," by Dr. J. D. Lang, 1826, p. 23. (2) “Now in Thy presence I appear," by Dr. H. Mills, 1845 (1856, p. 137). xxi. Mein erst Gefühl sei Preis und Dank. Morning. 1757, p. 55, in 12 stanzas. Translated as, "I bless Thee, Lord, Thou God of might," beginning with st. vi., by H. J. Buckoll, 1842, p. 56. xxii. Nach einer Prüfung kurzer Tage. Eternal Life. 1757, p. 158, in 12 stanzas, as "The Consolation of Eternal Life." Though hardly a hymn for congregational use and too individualised, it has been a very great favourite in Germany. In the Berlin Gesang-Buch, 1765, 132, and the Berlin Geistliche Liedersegen, ed. 1863, No. 1483. The translations are: (1) "A few short days of trial past," in Miss Knight's Prayers and Hymns from the German, 1812 (1832, p. 107). (2) "A few short hours of transient joy," by Dr. J. D. Lang, 1826, p. 123. (3) “When these brief trial-days are past," by J. Sheppard, 1857, p. 98. (4) “A few short days of trial here,” by Miss Burlingham, in the British Herald, July 1865, p. 98. (5) "Our few short years of trial o'er," by Dr. J. Guthrie, 1869, d. 124. (6) “When these brief trial-days are spent," by Miss Winkworth, 1869, p. 318. (7) "A few more days, a few more years," by Dr. R. Maguire, 1883, p. 165. xxiii 0 Herr, mein Gott! durch den ich bin und lebe. Resignation to the will of God. 1757, p. 152. in 7 st. Translated as, "In Thee, my God, I live and move," by Dr. R. Maguire, 1883, p. 113. xxiv. So hoff’ ich denn mit festem Muth . Assurance of the Grace of God. 1757, p. 115, in 4 stanzas. The translations are: (1) "Firm is my hope of future good," by Dr. H. Mills, 1845 (1856, p. 188). (2) “In Thee, O Lord, my hope hath stood," by Dr. R. Maguire, 1872. zzv. Was ists dast ich mich quäle. Patience. 1757, p. 17, in 7 stanzas. The translations are: (1) "O foolish heart, be still," by Miss Warner, 1858 (1861, p. 452), repeated in Bishop Ryle's Collection, 1860, No. 181 (2) “What billows these that o'er thee roll," by Dr. R. Maguire, 1872. xxvi. Wie sicher lebt der Mensch, der Staub. For the Dying. 1757, p. 149, in 14 stanzas. Translated as, "How heedless, how secure is man!" by Dr. H. Mills, 1845 (1856, p. 238). One or two recasts from Gellert's Lehrgedichte und Erzählungen, Leipzig, 1754, came into German common use, and one has passed into English, viz.:— xxvii. Mensch, der du Christus schmähst, was ist in ihrer Lehre. Love to Mankind. 1754, pp. 27-56, being a poem entitled “The Christian." A recast from portions of this made by J. S. Diterich, beginning "Gieb mir, O Gott, ein Herz," in 9 stanzas, appears as No. 219 in the Berlin Gesang-Buch, 1765; and has been translated as "Grant me, O God! a tender heart," by Miss Knight, 1812 (1832, p. 97). [Rev. James Mearns, M.A.] -- John Julian, Dictionary of Hymnology (1907)

Karl Johann Philipp Spitta

1801 - 1859 Person Name: Ph. Spitta Hymnal Number: 191 Author of "Geist des Glaubens, Geist der Stärke" in Evangelisches Gesangbuch. Nach Zustimmung der Provinszialsznode vom Jahre 1884 zur Einfürung in der Provinz Brandenburg mit Genehmigung des Evangelischen Oberkirchenrats Spitta, Carl Johann Philipp, D.D., was born Aug. 1, 1801, at Hannover, where his father, Lebrecht Wilhelm Gottfried Spitta, was then living, as bookkeeper and teacher of the French language. In his eleventh year Spitta fell into a severe illness, which lasted for four years, and so threw him back that his mother (the father died in 1805) abandoned the idea of a professional career, and apprenticed him to a watchmaker. This occupation did not prove at all congenial to him, but he would not confess his dislike, and his family were ignorant of it till an old friend, who was trying to comfort him after the death of a younger brother, discovered his true feelings. The younger brother had been preparing for ordination, and so Carl was now invited by the family to adopt this career. He joyfully accepted the offer, left the workshop in the autumn of 1818, and succeeded, by dint of hard study during the winter, in gaining admission to the highest class in the Gymnasium (Lyceum) at Hannover, which he entered at Easter, 1819. He was thus able, at Easter, 1821, to proceed to the University of Göttingen, where he completed his theological course, under professors of pronounced Rationalistic opinions, at Easter, 1824 (D.D. from Gottingen, 1855). He then became, in the beginning of May, a tutor in the family of Judge (Oberamlmann) Jochnius, at Lüine, near Lüneburg. Here he remained till his ordination on Dec. 10, 1828, as assistant pastor at Sudwalde, near Hoya. In Nov., 1830, he became assistant chaplain to the garrison and to the prison at Hameln on the Weser, and would have succeeded as permanent chaplain there, in the beginning of 1837, had not the military authorities, alarmed by reports which described him as a Pietist and a Mystic, refused to sanction the arrangement. As a compensation, he was appointed pastor at Wechold, near Hoya, in Oct., 1837, and married just before settling there. On his birthday, Aug. 1, 1847, he was instituted as Lutheran superintendent at Wittingen; in Oct., 1853, at Peine; and in July, 1859, at Burgdorf—all his appointments having been in the kingdom of Hannover. A few weeks after removing to Burgdorf he was seized with gastric fever, but had apparently recovered, when, on Sept. 28, 1859, while sitting at his writing table, he was seized with cramp of the heart, and died in a quarter of an hour. Spitta had begun to write in verse when he was eight years old, along with his brother Heinrich. During his university course he continued to write songs and secular poems, and published a collection of songs anonymously as a Sangbüchlein der Liebe für Handwerksleute. At Göttingen he formed a life-long friendship with Adolf Peters. He was also on intimate terms with Heinrich Heine, who was a fellow member with them of the Burschenschaft, or student's patriotic union (see K. Goedeke'sGrundriss, vol. iii., 1881, p. 259); and this friendship continued till Heine, while visiting him at Ltine, so jested at things sacred, even in the presence of Spitta's pupils, that their friendship came to an end. After the spiritual change, which began about the end of his university course, Spitta ceased to write secular pieces. His hymnwriting proper seems to have begun in 1821. In writing to a friend on May 5, 1826, he says, "In the manner in which I formerly sang I sing no more. To the Lord I consecrate my life and my love, and likewise my song. His love is the one great theme of all my songs; to praise and exalt it worthily is the desire of the Christian singer. He gave to me song and melody; I give it back to Him." The most fruitful period of his hymnwriting was at Lüne, where many of his most popular hymns were composed in the quiet evenings, in his own room, often after fasting, and when, sitting at the piano or at his harp, he had tuned his spirit to song. Many others were inspired by the beautiful scenery of the valley of the Weser, and by the intercourse with friends during his residence at Hameln. In his later years his ecclesiastical duties absorbed his attention, and hardly any of his hymns were written after 1847. A number of them were first printed in the Christliche Monatsschrift zur häuslichen Erbauung für alle Stände, which appeared from Jan. to June, 1826, and was edited by Spitta and by Pastor Deichmann, of Lüneburg. Various causes doubtless contributed to the popularity of Spitta's Psalter und Harfe. The hymns therein are, as a rule, of moderate length, are clear and simple in style, refined in diction, sweet, flowing and melodious. Their quiet beauty, their tone of earnest, sincere, and childlike piety, of glowing devotion to the Saviour, and of calm resting on, what to Spitta were, the eternal verities, endeared them to all ranks and classes. They form a faithful mirror of his inner life and Chritian experience. They at once met and ministered to the revival of Evangelical religion in Germany, and thus enjoyed somewhat of the same good fortune and popularity which the renewed churchly life in England brought to Keble's Christian Year. As the title adopted shows Spitta meant them for family and private use, and for this they are best fitted, being, for the most part, subjective and individnal. They speedily, however, passed into the German hymnbooks for church use, both at home and abroad, and translations of them are found in almost all recent English and American collections. Another element of Spitta's popularity in Germany has been contributed by the very numerous musical settings which have appeared to his hymns. Koch, vii., 246, gives a list of the more important of the collective editions, but, besides these, many of the separate pieces have been set to music by various composers, the "Angel of Patience" being one of the greatest favourites. A number of Spitta's hymns are annotated under their original first lines. Of the rest we may note here the following:— I. From his Psalter und Harfe. 1st Series, Pirna, 1833, and the 2nd ed. Leipzig, 1834; 2nd Series, Leipzig, 1843. i. Allen ist ein Heil beschieden. Communion of Saints. First published at Pirna, 1833, as above, p. 27, in 5 stanzas of 7 lines, entitled "Unity in spirit." Another translation is:—“Salvation is a boon." By Miss Fry, 1859, p. 75. ii. Es wird mein Herz mit Freuden wach. Sunday Morning. First published at Leipzig, 1843, p. 61, in 7 st. of 4 1., entitled "Sunday Morning." Translated as:— My heart wakes with a joyful lay. This is a good and full tr. by Mrs. Findlater, in Hymns from the Land of Luther, 4th Ser. 1862, p. 82. Repeated, abridged and beginning "Awake! all hearts and joyful say," in G. S. Jellicoe's Collection, 1867, No. 26. Other trs. are: (1) "My heart awakes with holy glee." By Miss Manington, 1863, p. 143. (2) "Awake, my heart, this day of rest." By R. Massie, 1864, p. 51. (3) "My heart is bright with joy." By Lady Durand, 1873, p. 25. iii. Gottes Stadt steht festgegründet. Christian Church. First published at Leipzig, 1843, p. 97, in 6 stanzas of 12 lines, entitled "The City of God," and founded on Ps. lxxxvii. Tr. as:— By the holy hills surrounded, In full, by R.. Massie, in his Lyra Domestica, 1864, p. 82, repeated in the Wesleyan Hymn Book1875, No. 595. iv. Hochgesegnet seid ihr Boten. Foreign Missions. First pub. at Pirna, 1833, as above, p. 24, in 6 stanzas of 8 lines, entitled "The Missionaries to the Heathen." Tr. as:— Blest are ye, ye chosen bearers. In full, by R. Massie, in his Lyra Domestica, 1860, p. 95. Other trs. are: (1) "Ye messengers of Christ, By Him commissioned forth." By Miss Fry, 1859, p. 147. (2) "0 blessed are ye messengers, sent forth." By Lady Durand, 1873, p. 52. v. Ich glaube, darum rede ich. Faith. First published at Pirna, 1833, as above, p. 56, in 5 st. of 8 1., entitled " I believe." Tr. as:— I believe, and so have spoken. By R. Massie, in his Lyra Domestica, 1860, p. 55. vi. Ich höre deine Stimme. Ps. xxiii. First pub. at Pirna, 1833, as above, p. 44, in 7 st. of 8 1., entitled "The Lord is my Shepherd." Tr. as:— 1. I hear my Shepherd calling. This is a good and full tr. by R. Massie, in his Lyra Domestic, 1860, p. 44 2. Jesu, my Lord, my Shepherd. This is a very good translation, omitting st. vi., in the Catholic Apostolic Hymns for the Use of the Churches, n.d. [1868], marked as tr. by "M. E. A. 1867." Other trs. are: (1) "Shepherd of souls. Thy voice I hear, As stage." By Dr. R. Maguire, 1872, p. 166. (2) “I know Thy voice, my Shepherd.” By Lady Durand, 1873, p. 11. vii. Ich und mein Haus, wir sind bereit. Family Use. A fine hymn, founded on Joshua xxiv., 15. First pub. at Pirna, 1833, as above, p. 110, in 6 st. of 10 1., entitled “I and my house will serve the Lord." Tr. as:— I and my house are ready, Lord. In full, by R. Massie, in his Lyra Domestica, 1860, p. 103. viii. Im Osten flammt empor der gol'dne Morgen. Morning. First published at Pirna, 1833, as above, p. 91, in 7 st. of 6 1., entitled "At Morning." Tr. as:— The golden morn flames up the Eastern sky. This is a good and full tr. by Miss Winkworth, in the Lyra Germanica, 2nd Ser., 1858, p. 74. Other trs. are: (1) “The golden morn is in the East arisen." By the Hon. S. R. Maxwell in his Sacred Poems, 1857, p. 114. (2) "On the far East now flames the golden Morning." By S. A. Storrs, in her Thoughts and Sketches, 1857, p. 74. (3) "Lo! in the East the golden morn appearing." By Miss Fry, 1859, p. 1. (4) “The purple morning gilds the Eastern skies." By R. Massie, 1860, p. 6. (5) "Out from the East, the golden morn is riding." By Miss Manington. 1863, p. 113. (6) “See from the East the golden morn." By Dr. R. Maguire, 1883, p. 27. ix. Kehre wieder, kehre wieder. Lent. Founded on Jer. iii. 12, 13. First pub. at Pirna, 1833, as above, p. 29, in 5 st. of 10 l., entitled " Turn again." Translated as:— 1. Return, return! Poor long-lost wanderer, home. This is a free tr. by Miss Borthwick in Hymns from the Land of Luther, 2nd Ser., 1855, p. 25. 2. Turn, poor wanderer, ere the sentence. In full, by R. Massie, in his Lyra Domestic, 1860, p. 69. Other trs. are: (1) "Turn, O turn, no more delaying." By the Hon. S. R. Maxwell, in his Sacred Poems, 1857, p. 101. (2) "Return, return, thou lost one." By Lady Durand, 1873, p. 59. (3) "Return again! return again." By J. Kelly, in his Hymns of the Present Century, 1885, p. 60. x. Meine Stund' ist noch nicht kommen. Cross and Consolation. First published at Pirna, 1833, as above, p. 37, in 7 st. of 6 1., entitled "The Lord's Hour.” Tr. as:— Jesus' hour is not yet come. This is a free tr., omitting st. v., by Miss Borthwick, in Hymns from the Land of Luther, 2nd ser. 1855, p.43. Other trs. are:—(1) "'Tis not yet the time appointed." By R. Massie, 1860, p. 47, and in Reid's Praise Book, 1872. (2) " My times, O Lord, are in Thy hand." By Dr. R. Maguire, 1883, p. 99. xi. Kimm hin, was dein ist, Gott, nimms hin. Surrender to God. This beautiful hymn was first pub. at Leipzig, 1843, as above, p. 58, in 5 st. of 10 1., entitled "Resignation." Translated as:— I give Thee back Thine own again. A good and full tr. by R. Massie, in hisLyra Domestica, 1864, p. 49. xii. 0 du, der uns begegnet. Christian Service. First pub. at Leipzig, 1843, as above, p. 92, in 4 st. of 4 1., entitled "The Blessing of the Blest." Tr. as:— 0 Thou Whose grace first found us, Whose love. In full, by R. Massie, in his Lyra Domestica, 1864. xiii. O komm, du Geist der Wahrheit. Whitsuntide. First pub. at Pirna, 1833, as above, p. 12, in 7 st. of 8 1., entitled "Whitsunday." Tr. as:— 1. Draw, Holy Spirit, nearer. In full, by R. Massie, in his Lyra Domestica, 1860, p. 27. 2. 0 come, Eternal Spirit, Of truth, diffuse Thou light. xiv. 0 Vaterhand, die mich so treu geführet. Holy Trinity. A fine hymn, first pub. at Pirna, 1833, as above, p. 128, in 3 st. of 8 1., entitled "Father, Son, and Spirit.” Tr. as:— 1. O Father-Eye, that hath so truly watch'd. By Miss Winkworth, in her Lyra Germanica, 2nd Ser., 1858, p. 63. 2. Father whose hand hath led me so securely. xv. 0 welche fromme schöne Sitte. Spiritual Conversation. First pub. at Pirna, 1833, as above, p. 101, in 6 st. of 8 1., entitled "The Blessing of Christian fellowship." Tr. as:— It is a practice greatly blest. In full, by R. Massie, in his Lyra Domestica, 1860, p. 89. xvi. 0 wie freun wir uns der Stunde. Fellowship with Christ. First pub. at Leipzig, 1843, as above, p. 3, in 6 st. of 8 1., entitled "Thou hast the words of Eternal Life". Tr. as:— Oh J how blest the hour, Lord Jesus. In full, by R. Massie, in his Lyra Domestica, 1864, p. 5. Another tr. is: "How great the joy, how blest the hour." By Dr. R. Maguire, 1872, p. 182. xvii. 0 wie manche schone Stunde. Cross and Consolation. First published at Pirna, 1833, as above, p. 130, in 10 st. of 4 1., entitled "Comfort." Tr. as:— 1. O how many hours of gladness, Hath the Lord. In full, by R. Massie, in his Lyra Domestica, 1860, p. 126, repeated, abridged, in the Book of Common Praise, 1863. 2. O how many hours of beauty. This is a good and full tr., by Mrs. Findlater, in Hymns from the Land of Luther, 4th Ser., 1862, p. 11. Another tr. is: "O how many an hour of gladness." By Lady Durand, 1873, p. 16. xviii. Sehet, sehet, welche Liebe. The Love of the Holy Trinity. First pub. at Pirna, 1833, as above, p. 19, in 3 st. of 8 1., entitled " See what Love." Tr. as:— See, O see, what love the Father. In full, by R. Massie, in his Lyra Domestica, 1860, p. 50. Other trs. are : (1) "Behold the Father's love." By Miss Fry, 1859, p. 9. (2) "See! what wondrous love, how matchless." By Miss Manington, 1863, p. 33. (3) “Behold what love the Father hath—how great." By Dr. R. Maguire, 1872, p. 68. xix. Unser Wandel ist im Himmel! Wie ein Mensch in sich versenkt. The Christian Life. First pub. at Pirna, 1833, as above, p. 75, in 7 st. of 8 1., entitled "Our Conversation is in Heaven," and suggested by Philipp. iii. 20. Tr. as:— As a traveller returning. In full, by R. Massie, in his Lyra Domestica, 1860, p. 73. This is found in two centos :— 1. Jesus, like the magnet, raises (st. iii., v., vi.) in the Methodist New Congregational Hymn Book 1863. 2. Can we have our hearts in heaven (st. v., vii.) in Adams's Church Pastorals, Boston, U.S., 1864. Another tr. is: "We are citizens of heaven." In the British Herald, January, 1866, p. 205. xx. Wandle leuchtender und schöner. Easter. First published at Pirna, 1833, as above, p. 8, in 9 st. of 8 1., entitled "Easter Festival." Tr. as:— Sun, shine forth in all thy splendour. This is a full and good tr. by R. Massie, in his Lyra Domestica, 1860, p. 24. Another tr. is: "With brighter glory, Easter Sun." By Lady Durand, 1873, p. 4. xxi. Wir sind des Herrn, wir leben, oder sterben. Life in Christ. A fine hymn founded on Rom. xiv. 8. Tr. as:— 1. We are the Lord's; His all-sufficient merit. This is a good and full tr. by C. T. Astley, in his Songs in the Night, 1860, p. 32. 2. We are the Lord's, whether we live or die. Also a good and full tr. by R. Massie, in his Lyra Domestica, 1864, p. 81. Hymns not in English common use:— xxii. Ach, welche Marter, welche Flagen. Christ's Mercy. Tr. as "O Lord, what sorrows past expression." xxiii. Das Leben wird oft trübe. Spiritual Dryness. The trs. are: (1) "How weary and how worthless this life at times appears." (2) “Our life is often dark." (3) "This life is ofttimes gloomy." (4) "Life often seems so dreary.” xxiv. Der du in der Nacht des Todes. Epiphany. The trs. are: (1) "Thou Who in the night of death." (2) "Christ whose first appearance lighted." (3) "Thou who in death's night of terror." (4) "Christ, who in Death's night of darkness." xxv. Des Christen Schmuck und Ordensband. Rejoicing in Tribulation. The trs. are: (1) "The Christian's badge of honour here." (2) "The badge the Christian wears on earth." (3) "The Christian's star of honour here." (4) "The sign of faith, and love's true token xxvi. Du schöne Lilie auf dem Feld. Trust in God. The trs. are: (1) "Thou beauteous lily of the field, Who robed." (2) "Thou beauteous lily of the field! Who hath." (3) "Thou beauteous lily of the field, Thou child to Nature dear." (4) "Sweet lily of the field, declare." (5) "Thou pretty lily of the field." (6) "Thou lovely lily of the field." xxvii. Ein lieblich Loos ist uns gefallen. The Christian's Portion. xxviii. Ein Pilger schickt sich an zur Fahrt. For the Dying. Tr. as (1) "A pilgrim stands on Jordan's brink." (2) "A pilgrim for his new abode." xxix. Erhalt' in mir den Lebenstrieb, das Sehnen. The Plant of Grace. The trs. are (1) "Maintain in me the sap of life, the yearning." (2) "Excite in me, 0 Lord, an ardent thirst.” (3) "Uphold in me a living wish and longing." xxx. Es giebt ein Lied der Lieder. The Lord's Song. The trs. are: (1) "A Song of songs there is." (2) "There is a song so thrilling." (3) "There is a song now singing." (4) "One song of songs —the sweetest." (5) "A blessed Song of songs there is." xxxi. Freuet euch der schonen Erde. Joy in the Beauties of Nature. The trs. are: (1) "0 rejoice in Nature's beauties." (2) "In the beauteous earth rejoice ye." (3) "Rejoice in the beautiful earth! For well may." (4) "Rejoice in the beautiful earth For well she," &c. (5) "Joy ye o'er this earth so lovely." (6) "Rejoice in Earth's fair beauty." xxxii. Gehe hin in Gottes Namen. Before Work. The trs. are: (1) "Cheerfully to work proceed.” (2) "In the name of God advancing." (3) "In the Name of God go forward." xxxiii. Ich nehme, was du mir bestimmst. Submission to God's Will. The trs. are: (1) "What Thou appointest I receive." (2) "Give what Thou wilt oh Lord! my grateful heart." (3) "Thy will I cheerfully obey.” xxxiv. Ich steh' in xneines Herren Hand. Trust in God. Tr. as "I place myself in Jesus' hands." xxxv. In der Angst der Welt will ich nicht klagen. Christian Life. The trs. are: (1) "Amid the world's vexations." (2) "Uncomplaining, though with care grown hoary." (3) "In this earth—life's bitter anguish.” xxxvi. 0 du, den meine Seele liebt. Holy Communion. The trs. are: (1) "0 Thou, Who holdest in my heart." (2) "Oh Thou, my loving thoughts employ.” xxxvii. Still an deinem liebevollen Herzen. The Love of Christ. The trs. are: (1) "Safe on thy paternal breast." (2) "With calm repose, Oh let me lie." (3) "Still on Thy loving heart let me repose." xxxviii. Stimm' an das Lied vom Sterben. For the Dying. Sung at hisown funeral on Sunday, Oct. 1, 1859. The trs. are: (1) "I sing of death and dying." (2) "Sing now the Song of Dying." xxxix. Vom Oelberg' wogt es nieder. Christ weeping over Jerusalem. The trs. are: (1) "Hark! for loud notes of joy." (2) "Where yonder mount, with olives clad." (3) “From Olivet the surging crowd." xl. Was macht ihr dass ihr weinet. Communion of Saints. Founded on Acts xxi. 13. The trs. are: (1) "What mean ye by this wailing." (2) "What mean ye, dearly loved ones." (3) " What mean ye thus those tears to weep." (4) "How mean ye thus by weeping." (5) "Why is it that ye're weeping." xli. Weint nicht uber Jesu Schmerzen. Repentance. The trs. are: (1) "For Jesu's agony and death." (2) "Wherefore weep we over Jesus." (3) "Weep not over Jesu's sorrow." xlii. Wie wird uns sein, wenn endlich nach dent schweren. Eternal Life. The trs. are: (1) "How shall it be with us, when we, frail mortals." (2) "O what will be the day, when won at last." (3) "What shall we be, and whither shall we go?" (4) "How will it be? when past the conflict heavy.” (5) "O what shall we be, when the conflict o'er." xliii. Winter ist es. In dem weiten Reich. Winter. The trs. are: (1) "Winter is here, and none may dare intrude." (2) "It is winter. All seems dead or dying." (3) "Winter it is! o'er the mighty kingdom." (4) "It is Winter. The wide realm of Nature.” (5) "Winter is here. In Nature's wide domain." (6) "It is winter; and the wide domain.” xliv. Wohl uns, der Vater hat uns lieb. The Love of God. Founded on Rom. viii. 32. This was, according to Koch vii. 243, one of the hymns which Spitta wrote between Easter and July, 1824, while studying the Epistle to the Romans, and which on July 7, 1824, he sent to his brother Heinrich Spitta, professor of medicine at Rostock, but Ludwig Spitta dates it "Autumn, 1833." It is tr. as "How blest are we! that God of us." xlv. Wo ist göttliches Erbarmen. The Grace of Christ. The trs. are:— (1) "Oh where doth mercy dwell." (2) "Where is mercy and compassion." (3) "Where is Divine compassion, that." xlvi. Wort des Lebens, lautre Quelle. Holy Scripture. The trs. are: (1) "Word of Life! unsullied fountain." (2) "Thou word of Life, unsullied spring!" (3) "Word of Life, eternal Fountain." (4) "Word of Life, thou fountain bright.” II. From his Nachgelassene geistliche Lieder. Leipzig, 1861. Hardly any of these have come into use in Germany; and they have either remained unknown to or have been almost entirely ignored by translators into English. We need only note two, viz.:— xlvii. Die erste Ruhestatte die die Welt. Christmas. It is tr. as "The cradle which the world has drest." xlviii. 0 Herbst, du Abendstunde. Autumn. It is tr. as “0 autumn, fair pensive evening." By Miss Borthwick, in the Family Treasury, 1864, p. 191, dated September 1864, and included Thoughtful Hour, 1867, p. 181. [Rev. James Mearns, M.A.] --Excerpts from John Julian, Dictionary of Hymnology (1907) =================== Spitta, C. J. P. , p. 1076, ii. A new edition of the Psalter und Harfe (both parts), with biographical Introduction, was published at Gotha in 1890. --John Julian, Dictionary of Hymnology, Appendix, Part II (1907)

Johann Anastasius Freylinghausen

1670 - 1739 Person Name: J. A. Freylinghausen Hymnal Number: 403 Author of "Wer ist wohl wie du" in Evangelisches Gesangbuch. Nach Zustimmung der Provinszialsznode vom Jahre 1884 zur Einfürung in der Provinz Brandenburg mit Genehmigung des Evangelischen Oberkirchenrats Freylinghausen, Johann Anastasius, son of Dietrich Freylinghausen, merchant and burgomaster at Gandersheim, Brunswick, was born at Gandersheim, Dec. 2, 1670. He entered the University of Jena at Easter, 1689. Attracted by the preaching of A. H. Francke and J. J. Breithaupt, he removed to Erfurt in 1691, and at Easter, 1692, followed them to Halle. About the end of 1693 he returned to Gandersheim, and employed himself as a private tutor. In 1695 he went to Glaucha as assistant to Francke; and when Francke became pastor of St. Ulrich's, in Halle,1715, Freylinghausen became his colleague, and in the same year married his only daughter. In 1723 he became also sub-director of the Paedagogium and the Orphanage; and after Francke's death in 1727, succeeded him as pastor of St. Ulrich's and director of the Francke Institutions. Under his fostering care these Institutions attained their highest development. From a stroke of paralysis in 1728, and a second in 1730, he recovered in great measure, but a third in 1737 crippled his right side, while the last, in Nov., 1738, left him almost helpless. He died on Feb. 12, 1739, and was buried beside Francke (Koch, vi. 322-334; Allgemine Deutsche Biographie, vii. 370-71; Bode, pp. 69-70; Grote's Introduction, &c.) Almost all Freylinghausen's hymns appeared in his own hymnbook, which was the standard collection of the Halle school, uniting the best productions of Pietism with a good representation of the older "classical" hymns. This work, which greatly influenced later collections, and was the source from which many editors drew not only the hymns of Pietism, but also the current forms of the earlier hymns (as well as the new "Halle" melodies, a number of which are ascribed to Freylinghausen himself) appeared in two parts, viz.:— i. Geistreiches Gesang-Buch, den Kern alter und neuer Lieder...in sich haltend &c, Halle. Gedrucktund verlegt im Waysen-Hause, 1704 [Hamburg], with 683 hymns and 173 melodies. To the second edition, 1705 [Rostock University], an Appendix was added with Hymns 684-758, and 21 melodies. Editions 3-18 are practically the same so far as the hymns are concerned, save that in ed. 11, 1719 [Berlin], and later issues, four hymns, written by J. J. Rambach at Freylinghausen's request, replaced four of those in eds. 1-10. ii. Neues Geistreiches Gesangbuch,&c, Halle . . . 1714 [Berlin], with 815 hymns and 154 melodies. In the 2nd edition, 1719 [Rostock University], Hymns 816-818, with one melody, were added. In 1741 these two parts were combined by G. A. Francke, seven hymns being added, all but one taken from the first edition, 1718, of the so-called Auszug, which was compiled for congregational use mainly from the original two parts: and this reached a second, and last, edition in 1771. So far as the melodies are concerned, the edition of 1771 is the most complete, containing some 600 to 1582 hymns. (Further details of these editions in the Blätter für Hymnologie, 1883, pp. 44-46, 106-109; 1885, pp. 13-14.) A little volume of notes on the hymns and hymnwriters of the 1771 edition, compiled by J. H. Grischow and completed by J. G. Kirchner, and occasionally referred to in these pages, appeared as Kurzgefasste Nachricht von ältern und ncuern Liederverfassern at Halle, 1771. As a hymnwriter Freylinghausen ranks not only as the best of the Pietistic school, but as the first among his contemporaries. His finest productions are distinguished by a sound and robust piety, warmth of feeling depth of Christian experience, scripturalness, clearness and variety of style, which gained for them wide acceptance, and have kept them still in popular use. A complete edition of his 44 hymns, with a biographical introduction by Ludwig Grote, appeared as his Geistliche Lieder, at Halle, 1855. A number of them, including No. v., are said to have been written during severe attacks of toothache. Two (“Auf, auf, weil der Tag erschienen"; "Der Tag ist hin") are noted under their own first lines. i. Hymns in English common use: -- i. Monarche aller Ding. God's Majesty. 1714, as above, No. 139, in 11 stanzas of 6 lines, repeated in Grote, 1855, p. 88, and as No. 38 in the Berlin Geistliche Lieder, ed. 1863. A fine hymn of Praise, on the majesty and love of God. Translated as:— Monarch of all, with lowly fear, by J. Wesley, in Hymns & Sacred Poems, 1739 (P. Works, 1868-1872, vol. i. p. 104), in 8 stanzas of 4 lines, from st. i., ii., v.-vii., ix.-xi. Repeated in full in the Moravian Hymnbook, 1754, pt. i., No. 456 (1886, No. 176); and in J. A. Latrobe's Collection, 1841. The following forms of this translation are also in common use:-- (1) To Thee, 0 Lord, with humble fear, being Wesley's st. i., iii.-v., vii., viii. altered as No. 156 in Dr. Martineau's Hymns for Christian Church & Home, 1840, and repeated in Miss Courtauld's Psalms, Hymns & Anthems, 1860, and in America in the Cheshire Association Unitarian Collection, 1844. (2) Thou, Lord, of all the parent art, Wesley's, st. iii.-v., vii. altered in the College Hymnal, N. Y., 1876. (3) Thou, Lord, art Light; Thy native ray, Wesley's st. iv., v., vii., in Hymns of the Spirit, 1864. ii. 0 reines Wesen, lautre Quelle. Penitence. Founded on Psalm li. 12, 1714, as above, No. 321, in 7 stanzas of 8 lines, repeated in Grote, 1855, p. 41, and in Bunsen's Versuch, 1833, No. 777 (ed. 1881, No. 435). The only translation in common use is:— Pure Essence: Spotless Fount of Light. A good and full translation by Miss Winkworth in the first series of her Lyra Germanica, 1855, p. 43, and in her Chorale Book for England, 1863, No. 113. iii. Wer ist wohl wie du. Names and offices of Christ. One of his noblest and most beautiful hymns, a mirror of his inner life, and one of the finest of the German "Jesus Hymns." 1704, as above, No. 66, in 14 st. of 6 l., repeated in Grote, 1855, p. 33, and is No. 96 in the Berlin Geistliche Lieder, ed. 1863. The translations in common use are: 1. 0 Jesu, source of calm repose, by J. Wesley, being a free translation of st. i., iii., v., viii., xiii. First published in his Psalms & Hymns, Charlestown, 1737 (Poetical Works, 1868-1872, vol. i. p. 161). Repeated in full as No. 462 in pt. i. of the Moravian Hymnbook, 1754. In the 1826 and later editions (1886, No. 233) it begins, "Jesus, Thou source." The original form was included as No. 49 in the Wesley Hymns & Spiritual Songs , 1753, and, as No. 343, in the Wesley Hymnbook, 1780 (1875, No. 353). Varying centos under the original first line are found in Mercer's Church Psalter & Hymn Book, 1855-1864; Kennedy , 1863; Irish Church Hymnal, 1869-1873; J. L. Porter's Collection, 1876, &c. It has also furnished the following centos:— (1) Messiah! Lord! rejoicing still, being Wesley's st. iv.-vi. altered in Dr. Martineau's Collection of Hymns for Christian Worship, 1840. (2) Lord over all, sent to fulfil, Wesley's st. iv., iii., v., vi. in the American Methodist Episcopal Hymnbook, 1849. 2. Who is like Thee, Who? a translation of st. i., ii., v., vii., x., xiii., as No. 687, in pt. i. of the Moravian Hymnbook, 1754. Translations of st. xi., xiv. were added in 1789, and the first line altered in 1801(1886, No. 234), to "Jesus, who with Thee." The translations of st. i., ii., x., xiv., from the 1801, altered and beginning, "Jesus, who can be," are included in America in the Dutch Reformed Hymns of the Church, 1869; Hymns & Songs of Praise, N. Y., 1874; and Richards's Collection, N.Y., 1881. 3. Who is there like Thee, a good translation of st. i., ii., viii., xiv., by J. S. Stallybrass, as No. 234 in Curwen's Sabbath Hymnbook, 1859, repeated in the Irish Church Hymnal, 1873, and in W. F. Stevenson's Hymns for Church & Home, 1873. 4. Who is, Jesus blest, a translation of stanzas i., ii., v., vi., xii., xiv., by M. Loy, in the Ohio Lutheran Hymnal, 1880. 5. Who, as Thou, makes blest, a good translation, omitting st. vii., ix., x., contributed by Dr. F. W Gotch to the Baptist Magazine, 1857. Repeated in the 1880 Supplement to the Baptist Psalms & Hymns, 1858. The translations not in common use are: — (1) "Whither shall we flee," by Miss Dunn, 1857, p. 55. (2) "Who has worth like Thine," in the U. P. Juvenile Miss. Magazine, 1857, p. 217. (3) "Thou art First and Best," by Miss Winkworth, 1869, p. 267. ii. Hymns translated into English but not in common use:— iv. Herr und Gott der Tag und Nächte. Evening. 1705, as above, No. 755, in 6 stanzas, Grote, p. 105. Translated by H. J. Buckoll, 1842, p. 106, beginning with stanza. ii. v. Mein Herz, gieb dioh rufrieden. Cross and Consolation. First in the Halle Stadt Gesangbuch, 1711, No. 503, in 11 stanzas; repeated 1714, No. 450, and in Grote, p. 71. Translated by Dr. G. Walker, 1860, p. 86. vi. 0 Lamm, das keine Sünde je beflecket. Passiontide. 1714, No. 85, in 19 stanzas, Grote, p. 14. Translated as, (1) "Lamb, for Thy boundless love I praises offer," of st. xii. as stanza i. of No. 1023 in the Supplement of 1808 to the Moravian Hymn Book, 1801 (1849, No. 121). (2) "O Lamb, whom never spot of sin defiled," in the British Magazine, June, 1838, p. 625. vii. 0 Lamm, das meine Sündenlast getragen. Easter Eve. 1714, No. 95, in 8 stanzas; Grote, p. 23. Translated as "Christ Jesus is that precious grain," a translation of st. v. by F. W. Foster, as No. 71 in the Moravian Hymnbook, 1789 (1886, No. 921). viii. Zu dir, Herr Jesu, komme ich. Penitence. Founded on St. Matthew xi. 28-30. 1714, as above, No. 306, in 4 stanzas; Grote, p. 39. Translated by Dr. H. Mills, 1845 (1856, p. 80). [Rev. James Mearns, M.A.] --John Julian, Dictionary of Hymnology (1907)
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