Search Results

Hymnal, Number:gj1890

Planning worship? Check out our sister site, ZeteoSearch.org, for 20+ additional resources related to your search.

Hymnals

hymnal icon
Published hymn books and other collections
Page scans

Gems and Jewels

Publication Date: 1890 Publisher: Fillmore Brothers and Ward & Drummond Publication Place: Cincinnati Editors: J. H. Fillmore; J. H. Rosecrans; Fillmore Brothers; Ward & Drummond

Texts

text icon
Text authorities
TextPage scansAudio

O Lead Me

Appears in 3 hymnals First Line: Jesus, my Saviour dear Refrain First Line: Oh, lead me, my Saviour Lyrics: 1 Jesus, my Saviour dear, Clasp Thou my hand in Thine; When lonely is the way, Oh, give me help divine! Chorus: Oh, lead me, my Saviour! Oh, give me help divine! 2 Deeper the shadows grow, Fiercer the threat’ning storm; Lead me, my Saviour dear, Oh, guard me till the morn! [Chorus] 3 If up the mountain high, Or thro’ the valley low, Or rough or smooth my path, Oh, lead where’er I go! [Chorus] Used With Tune: [Jesus, my Saviour dear]
TextPage scansAudio

Beautiful Hope

Author: Mrs. C. L. Shacklock Appears in 3 hymnals First Line: Beautiful hope that we cherish Refrain First Line: Beautiful hope! heavenly hope Lyrics: 1 Beautiful hope that we cherish, Trust that will never decay, Filling our souls with rejoicing, Lighting the heavenward way. Refrain: Beautiful hope! heavenly hope! Trusting in Jesus, we’re journeying home. 2 All of the promise believing, Found in His infinite word, We who His grace are receiving, Ever rejoice in the Lord. [Refrain] 3 Beautiful hope that in sorrow bringeth the measureless calm, And, in the glorious morrow, Winneth the crown and the palm. [Refrain] Used With Tune: [Beautiful hope that we cherish]
TextPage scansAudio

Christ Is My Redeemer

Author: Grace Glenn Appears in 1 hymnal First Line: From the world of want and sin Refrain First Line: He has saved me by His grace Lyrics: 1 From the world of want and sin, Christ is my Redeemer; He can keep me pure and clean, Christ is my Redeemer. Chorus: He has saved me by His grace, Made in heav’n for me a place; I shall see Him face to face, Christ is my Redeemer. 2 I shall see His wounded side, Christ is my Redeemer; See His hands that bled and died, Christ is my Redeemer. [Chorus] 3 Like my Lord, once crucified, Christ is my Redeemer; I shall waken satisfied, Christ is my Redeemer. [Chorus] Used With Tune: [From the world of want and sin]

Tunes

tune icon
Tune authorities
Page scansAudio

[How sweet, how heavenly is the sight]

Appears in 216 hymnals Composer and/or Arranger: Wm. B. Bradbury Incipit: 51231 67165 51325 Used With Text: How Sweet, How Heavenly
Page scansAudio

[I think, when I read that sweet story of old]

Appears in 249 hymnals Tune Sources: English Incipit: 12333 32346 5554 Used With Text: The Sweet Story of Old
Page scansFlexScoreAudio

OLD HUNDRED

Appears in 1,951 hymnals Incipit: 11765 12333 32143 Used With Text: From all that dwell below the skies

Instances

instance icon
Published text-tune combinations (hymns) from specific hymnals
TextPage scanAudio

He Loves Us

Author: Fronia Smith Hymnal: GJ1890 #3 (1890) First Line: Earth is full of brightness Refrain First Line: He loves us, He loves us Lyrics: 1 Earth is full of brightness, Field, and sky above Speak with all their myriad voices Of the Father’s Love. Chorus: He loves us, He loves us, All nature’s wonders show; He loves us, He loves us, The Bible tell us so. 2 Brooklets thro’ the woodland, Flowers at our feet, Stars, that mount the sky at even, Speak in language sweet. [Chorus] 3 Leaf, and bird and flower, Bear His impress dear, Peace and gladness, friends and comfort, All he gives us here. [Chorus] Languages: English Tune Title: [Earth is full of brightness]
Page scan

Where the Shepherd Leads I'll Go

Author: A. P. Cobb Hymnal: GJ1890 #4 (1890) First Line: Through the meadows green, inviting Refrain First Line: Hark! his voice is gently calling Languages: English Tune Title: [Through the meadows green, inviting]
TextPage scanAudio

Hark! the Bells

Author: J. H. F. Hymnal: GJ1890 #5 (1890) First Line: Hark! the music of the bells Refrain First Line: Hark! the bells, happy bells Lyrics: 1 Hark! the music of the bells, Calling us to praise and pray’r; Clear and sweet their chiming tells Of the joy that waits us there. Chorus: Hark! the bells, happy bells, Floating on the tranquil air; Hark! the bells, happy bells, Calling us to the house of pray’r. 2 To the temple of the Lord Let us haste with willing feet; There to read His holy Word, There to sing His praises sweet. [Chorus] 3 May Thy blessings, Lord, descend, And to Thee our hearts we raise; While the bells and voices blend In a grateful song of praise. [Chorus] Languages: English Tune Title: [Hark! the music of the bells]

People

person icon
Authors, composers, editors, etc.

Jessie Brown Pounds

1861 - 1921 Person Name: Jessie H. Brown Hymnal Number: 132 Author of "We Are Going Down the Valley" in Gems and Jewels Jessie Brown Pounds was born in Hiram, Ohio, a suburb of Cleveland on 31 August 1861. She was not in good health when she was a child so she was taught at home. She began to write verses for the Cleveland newspapers and religious weeklies when she was fifteen. After an editor of a collection of her verses noted that some of them would be well suited for church or Sunday School hymns, J. H. Fillmore wrote to her asking her to write some hymns for a book he was publishing. She then regularly wrote hymns for Fillmore Brothers. She worked as an editor with Standard Publishing Company in Cincinnati from 1885 to 1896, when she married Rev. John E. Pounds, who at that time was a pastor of the Central Christian Church in Indianapolis. A memorable phrase would come to her, she would write it down in her notebook. Maybe a couple months later she would write out the entire hymn. She is the author of nine books, about fifty librettos for cantatas and operettas and of nearly four hundred hymns. Her hymn "Beautiful Isle of Somewhere" was sung at President McKinley's funeral. Dianne Shapiro, from "The Singers and Their Songs: sketches of living gospel hymn writers" by Charles Hutchinson Gabriel (Chicago: The Rodeheaver Company, 1916)

Wolfgang Amadeus Mozart

1756 - 1791 Person Name: Mozart Hymnal Number: 87 Composer of "[Let us with a joyful mind]" in Gems and Jewels Wolfgang Amadeus Mozart Austria 1756-1791. Born at Salzburg, Austria, the son of Leopold Mozart, a minor composer and violinist, and youngest of seven children, he showed amazing ability on violin and keyboard from earliest childhood, even starting to compose music at age four when his father would play a piece and Mozart would play it exactly as did his father. At five, he composed some of his own music, which he played to his father, who wrote it down. When Mozart was eight, he wrote his first symphony, probably transcribed by his father. In his early years his father was his only teacher, teaching his children languages and academic subjects, as well as fundamentals of their strict Catholic faith. Some of his early compositions came as a surprise to his father, who eventually gave up composing himself when he realized how talented his son was. His family made several European journeys and he and his sister, Nanneri, performed as child prodigies, at the court of Prince-elector Maximillian II of Bavaria in Munich, and at the Imperial Courts in Vienna and Prague. A long concert tour followed, for 3.5 years, taking the family to courts in Munich, Mannheim, Paris, London, Dover, The Hague, Amsterdam, Utrecht, Mechelen, and again to Paris, and back home via Zurich, Donaueschingen, and Munich. During these trips Mozart met many musicians, acquainting himself with the works of other composers. He met Johann Christian Bach in London in 1764. Family trips were challenging, and travel conditions were primitive. They had to wait for invitations and reimbursements from nobility, and they endured long, near-fatal illnesses far from home. First Leopold (1764) got sick, then both children (1765). They traveled again to Vienna in 1767 and stayed there over a year. After a year back in Salzburg, Leopold and Wolfgang went to Italy (1769-1771), Leopold wished to display his son’s abilities as a performer and maturing composer. In Bologna, Italy, Wolfgang was accepted as a member of the famous Academia Filamonica. In Rome he heard Gregorio Allegri’s Miserere twice in performance. Back in the Sistine Chapel, Mozart wrote the whole performance out from memory, thus producing the first unauthorized copy of this closely guarded property of the Vatican. In the next few years Mozart wrote several operas performed with success in Italy, but his father’s hopes of securing a professional appointment for his son were not realized. At age 17 he was engaged as a musician at the Salzburg court, but grew restless and traveled in search of a better position. After returning to Salzburg, Mozart was employed as a court musician by the ruler of Salzburg, Prince Archbishop Hieronymus Colloredo. This gave Mozart ample opportunity to develop relationships with other musicians and his admirers, resulting in his development of new symphonies, sonatas, string quartets, masses, serenades, and some minor operas. In 1775 he wrote his only violin concertos, five in all. Again, he was discontent with work in Salzburg and traveled to find more opportunity to write operas. He and his father again visited Munich and Vienna, but neither visit was successful with the exception of his opera ‘La finta giardiniera’ in Munich. In 1777 he resigned his Salzburg position and went to Augsburg, Mannheim, Paris, and Munich again. In Mannheim he met and fell in love with Aloysia Weber, one of four daughters of a musical family. He could find no real employment there and left for Paris in 1778. He might have had a position as organist at Versailles, but he was not interested in that. He fell into debt and started pawning valuables. During these events his mother died. Meanwhile his father was still trying to find him a position in Salzburg. After checking out several other European cities and Munich, he again encountered Aloysia, but she was no longer interested in him, so he returned to Salzburg, having written another symphony, concerto, and piano sonata, and took the new appointment his father had found. However, he was still in discontent. Visiting Vienna in 1781, he was dismissed from his Salzburg position. He wrote another opera, ‘Idomeneo’, in 1781, that was successful in Munich. Two months later he was summoned to Vienna, where his employer, Archbishop Colloredo, wanted him around due to his notoriety. Mozart wished to meet the emperor and perform for him, and finally got that opportunity. It resulted in a part-time position and substantial commissions. Colloredo became a nemesis to Mozart’s career, finally releasing Mozart from his employ with a literal kick in the pants, much against his father’s wishes. However, he was now independent. Mozart then decided to settle in Vienna as a free lance performer and composer. He lived with the Fridolin Weber family, who had moved from Mannheim to Vienna. Fridolin, the father, had died, and they were taking in lodgers to make ends meet. His career there went well, and he performed as a pianist before the Emperor, establishing himself as the finest keyboard player in Vienna. He wrote another opera in 1782, again achieving success. Mozart had now become a prolific and influential composer of the Classical period and was known throughout Europe. Aloysia was now married to actor, Joseph Lange, and Mozart’s interest shifted to her sister, Constanze. In 1782 he married Constanze Weber Mozart Nissen. The marriage started out with a brief separation, and there was a problem getting Mozart’s father’s permission, which finally came. They had six children, but only two survived infancy: Carl and Franz. He lived in Vienna and achieved some notoriety, composing many of his best-known symphonies, concertos, and operas. In 1782-83 he became intimately acquainted with Johann Sebastian Bach and George Friederic Handel, as his friend, Gottfried van Swieten, owned many manuscripts of the Baroque masters, which Mozart studied intently. He altered his style of composition as a result. That year Mozart and his wife visited his father and sister, and he composed a liturgical piece, a Mass, with a singing part for his wife. He also met Joseph Hadyn in Vienna in 1784 and they became friends. They even played together in a string quartet from time to time. Mozart wrote six quartets dedicated to Hadyn. In 1785 Hadyn told Leopold Mozart, “Your son is the greatest composer known to me by person and repute, he has taste, and what is more, the greatest skill in composition”. Over the next several years Mozart booked several piano concertos in various places as a sole performer to delighted audiences, making substantial remuneration for his work. He and his wife then adopted a more luxurious lifestyle. They moved to an expensive apartment and he bought a fine fortepiano and billiard table. They sent their son, Karl, to an expensive boarding school and also kept servants. In 1784 Mozart became a Freemason and even composed Masonic music. Over the next several years he did little operatic writing and focused on his career as a piano soloist and writer of concertos. He again began operatic collaboration in 1785, creating ‘The marriage of Figaro’, then ‘Don Giovanni’ in 1787. That year his father died. Also that year he obtained a steady post under Emperor Joseph II as his chamber composer. This was part-time employment that was important when hard times arrived. However, Joseph aimed at keeping Mozart from leaving Vienna for better work. The Austrio-Turkish War made life difficult for musicians, and his aristocracy support had declined. He moved to save on expenses, but that did not help much, and he was reduced to borrowing funds from his friends, and pleading for loans. During this period he produced his last three symphonies. In 1789 he then set up on a journey to Leipzig, Dresden, and Berlin hoping to improve his fortunes. In 1790 he was highly productive, producing concertos, an opera, ‘The magic flute’, a series of string quintets, a motet, and an (unfinished) Requiem. Finances began to improve and he begin paying back his debts. Public reaction to his works also brought him great satisfaction. In 1791, while in Prague for the premiere of his opera, ‘La clemenza di Tito’, he fell ill. He continued professional functions for a short time, but had to go home and be nursed by his wife over the next couple of months. He died at Vienna, Austria, at the age of 35, a small thin man with undistinguishing characteristics. He was buried in a modest grave, having had a small funeral. Beethoven composed his early works in the shadow of Mozart, and Joseph Hadyn wrote “posterity will not see such a talent (as Mozart) again in 100 years”. 600+ works. Side note: Mozart enjoyed billiards, dancing, and had a pet canary, a starling, a dog, and a horse for recreational riding. He liked off-color humor. He wore elegant clothing when performing and had a modest tenor voice. John Perry

William B. Bradbury

1816 - 1868 Person Name: Wm. B. Bradbury Hymnal Number: 121 Composer of "[How sweet, how heavenly is the sight]" in Gems and Jewels William Bachelder Bradbury USA 1816-1868. Born at York, ME, he was raised on his father's farm, with rainy days spent in a shoe-shop, the custom in those days. He loved music and spent spare hours practicing any music he could find. In 1830 the family moved to Boston, where he first saw and heard an organ and piano, and other instruments. He became an organist at 15. He attended Dr. Lowell Mason's singing classes, and later sang in the Bowdoin Street church choir. Dr. Mason became a good friend. He made $100/yr playing the organ, and was still in Dr. Mason's choir. Dr. Mason gave him a chance to teach singing in Machias, ME, which he accepted. He returned to Boston the following year to marry Adra Esther Fessenden in 1838, then relocated to Saint John, New Brunswick. Where his efforts were not much appreciated, so he returned to Boston. He was offered charge of music and organ at the First Baptist Church of Brooklyn. That led to similar work at the Baptist Tabernacle, New York City, where he also started a singing class. That started singing schools in various parts of the city, and eventually resulted in music festivals, held at the Broadway Tabernacle, a prominent city event. He conducted a 1000 children choir there, which resulted in music being taught as regular study in public schools of the city. He began writing music and publishing it. In 1847 he went with his wife to Europe to study with some of the music masters in London and also Germany. He attended Mendelssohn funeral while there. He went to Switzerland before returning to the states, and upon returning, commenced teaching, conducting conventions, composing, and editing music books. In 1851, with his brother, Edward, he began manufacturring Bradbury pianos, which became popular. Also, he had a small office in one of his warehouses in New York and often went there to spend time in private devotions. As a professor, he edited 59 books of sacred and secular music, much of which he wrote. He attended the Presbyterian church in Bloomfield, NJ, for many years later in life. He contracted tuberculosis the last two years of his life. John Perry