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Himnos de la Iglesia de Jesucristo de Los Santos de Los Últimos Días
Publication Date: 1992 Publisher: La Iglesia de Jesucristo de Los Santos de Los Últimos Días Publication Place: Salt Lake City, Utah
Himnos de la Iglesia de Jesucristo de Los Santos de Los Últimos Días
Por la belleza terrenal
Author: Folliott S. Pierpoint, 1835-1917; F. J. Pagura Appears in 1 hymnal Scripture: Psalm 95:1-6 Used With Tune: [Por la belleza terrenal]
Por la belleza terrenal
Ama el Pastor las ovejas
Author: Mary B. Wingate, n. 1899 Appears in 15 hymnals Refrain First Line: Andan en yermos, errantes Scripture: Luke 15:4-7 Used With Tune: [Ama el Pastor las ovejas]
Ama el Pastor las ovejas
Guíame, oh Salvador
Author: Edward Hopper, 1818-1888 Appears in 1 hymnal Scripture: Mark 4:39-41 Used With Tune: [Guíame, oh Salvador]
Guíame, oh Salvador
[Dulce Tu obra es, Señor]
Appears in 7 hymnals Composer and/or Arranger: John J. McClellan, 1874-1925 Tune Key: G Major or modal Incipit: 56712 34556 71231 Used With Text: Dulce Tu obra es, Señor
[Dulce Tu obra es, Señor]
[Divina Luz, con esplendor benigno]
Appears in 637 hymnals Composer and/or Arranger: John B. Dykes, 1823-1876 Tune Key: G Major or modal Incipit: 51233 21616 51712 Used With Text: Divina Luz
[Divina Luz, con esplendor benigno]
[Cual rocío que destila]
Appears in 3 hymnals Composer and/or Arranger: Joseph J. Daynes, 1851-1920 Tune Key: B Flat Major Incipit: 56711 75672 21671 Used With Text: Cual rocío, que destila
[Cual rocío que destila]
Y rompe el alba
Author: Parley P. Pratt, 1807-1857 Hymnal: HIJ1992 #1 (1992) First Line: Y rompe el alba de la verdad Scripture: Isaiah 60:1-3 Languages: Spanish Tune Title: [Y rompe el alba de la verdad]
Y rompe el alba
El Espíritu de Dios
Author: William W. Phelps, 1792-1872 Hymnal: HIJ1992 #2 (1992) First Line: Tal como un fuego se ve ya ardiendo Refrain First Line: Cantemos, gritemos, con huestes del cielo Languages: Spanish Tune Title: [Tal como un fuego se ve ya ardiendo]
El Espíritu de Dios
Ya regocijemos
Author: William W. Phelps, 1792-1872 Hymnal: HIJ1992 #3 (1992) First Line: Ya regocijemos; es día bendito Languages: Spanish Tune Title: [Ya regocijemos; es día bendito]
Ya regocijemos
Edward Hopper
1816 - 1888 Person Name: Edward Hopper, 1818-1888 Hymnal Number: 51 Author of "Guíame, oh Salvador" in Himnos de la Iglesia de Jesucristo de Los Santos de Los Últimos Días Rv Edward Hopper DD USA 1816-1888. Born at New York City, the son of a merchant, he graduated from Union Theological Seminary, New York. He married Margaretta Wheeler. He was an author and poet and wrote several books. He pastored the Greenville Presbyterian Church, Sag Harbor Presbyterian Church on Long Island, and the Church of Sea and Land, NYC, a church for sailors, where he remained the rest of his life (for years the church building was shared with the First Chinese Presbyterian Church). Once he was asked to compose a hymn verse for the anniversary of the Seamen’s Friend’s Society meeting. Instead, he brought the verse for a hymn he had written eight years before (noted below). John Edgar Gould saw Hopper’s poem (6 stanzas) and composed a tune for it. Hopper died of a heart attack while writing a poem about heaven at his desk.
John Perry
===============
Hopper, Edward, D.D., was born in 1818, and graduated at Union Theological Seminary, New York, 1842. He is pastor of the Church of Sea and Land, N. Y. He is the author of
1. Jesus, Saviour, pilot me [us]. Jesus the Pilot.
2. They pray the best who pray and watch. Watching & Prayer.
3. Wrecked and struggling in mid-ocean. Wreck & Rescue.
Of these No. 1 appeared in the Baptist Praise Book, 1871, and 2 & 3 in Hymns & Songs of Praise, N. Y., 1874.
-- John Julian, Dictionary of Hymnology
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See also in:
Hymn Writers of the Church
Edward Hopper
Michael Haydn
1737 - 1806 Person Name: Johann Michael Haydn, 1737-1806 Hymnal Number: 174 Composer (attributed to) of "[¡Qué maravillosas Tus obras, oh Dios!]" in Himnos de la Iglesia de Jesucristo de Los Santos de Los Últimos Días Johann Michael Haydn Austria 1737-1806. Born at Rohrau, Austria, the son of a wheelwright and town mayor (a very religious man who also played the harp and was a great influence on his sons' religious thinking), and the younger brother of Franz Joseph Haydn, he became a choirboy in his youth at the Cathedral of St. Stephen in Vienna, as did his brother, Joseph, an exceptional singer. For that reason boys both were taken into the church choir. Michael was a brighter student than Joseph, but was expelled from music school when his voice broke at age 17. The brothers remained close all their lives, and Joseph regarded Michael's religious works superior to his own. Michael played harpsichord, violin, and organ, earning a precarious living as a freelance musician in his early years. In 1757 he became kapellmeister to Archbishop, Sigismund of Grosswardein, in Hungary, and in 1762 concertmaster to Archbishop, Hieronymous of Salzburg, where he remained the rest of his life (over 40 years), also assuming the duties of organist at the Church of St. Peter in Salzburg, presided over by the Benedictines. He also taught violin at the court. He married the court singer, Maria Magdalena Lipp in 1768, daughter of the cathedral choir-master, who was a very pious women, and had such an affect on her husband, trending his inertia and slothfulness into wonderful activity. They had one daughter, Aloysia Josepha, in 1770, but she died within a year. He succeeded Wolfgang Amadeus Mozart, an intimate friend, as cathedral organist in 1781. He also taught music to Carl Maria von Weber. His musical reputation was not recognized fully until after World War II. He was a prolific composer of music, considered better than his well-known brother at composing religious works. He produced some 43 symphonies,12 concertos, 21 serenades, 6 quintets, 19 quartets, 10 trio sonatas, 4 due sonatas, 2 solo sonatas, 19 keyboard compositions, 3 ballets, 15 collections of minuets (English and German dances), 15 marches and miscellaneous secular music. He is best known for his religious works (well over 400 pieces), which include 47 antiphons, 5 cantatas, 65 canticles, 130 graduals, 16 hymns, 47 masses, 7 motets, 65 offertories, 7 oratorios, 19 Psalms settings, 2 requiems, and 42 other compositions. He also composed 253 secular vocals of various types. He did not like seeing his works in print, and kept most in manuscript form. He never compiled or cataloged his works, but others did it later, after his death. Lothar Perger catalogued his orchestral works in 1807 and Nikolaus Lang did a biographical sketch in 1808. In 1815 Anton Maria Klafsky cataloged his sacred music. More complete cataloging has been done in the 1980s and 1990s by Charles H Sherman and T Donley Thomas. Several of Michael Haydn's works influenced Mozart. Haydn died at Salzburg, Austria.
John Perry
Michael Haydn
Hans G. Nägeli
1773 - 1836 Person Name: Hans Georg Nägeli, 1773-1836 Hymnal Number: 66 Composer of "[¡Cuán dulce la ley de Dios!]" in Himnos de la Iglesia de Jesucristo de Los Santos de Los Últimos Días Johann G. Nageli (b. Wetzikon, near Zurich, Switzerland, 1773; d. Wetzikon, 1836) was an influential music educator who lectured throughout Germany and France. Influenced by Johann Pestalozzi, he published his theories of music education in Gangbildungslehre (1810), a book that made a strong impact on Lowell Mason. Nageli composed mainly" choral works, including settings of Goethe's poetry. He received his early instruction from his father, then in Zurich, where he concentrated on the music of. S. Bach. In Zurich, he also established a lending library and a publishing house, which published first editions of Beethoven’s piano sonatas and music by Bach, Handel, and Frescobaldi.
Bert Polman
Hans G. Nägeli
