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Hymnal, Number:nhhh1972

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Hymnals

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Na Himeni Haipule Hawaii

Publication Date: 1972 Publisher: Hawaii Conference United Church of Christ Publication Place: Honolulu, Hawaii Editors: Martha Hohu; Robert Graham

Texts

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KA'A KA LA A NALO

Author: Sabine Baring-Gould, 1834-1924; "Hualalai", 1852-1938 Appears in 2 hymnals First Line: Ka'a la a nalo Used With Tune: MERRIAL

KA UHANE LANI, E IHO MAI

Author: Simon Browne, 1680-1732; Laiana (Lorenzo Lyons), 1807-1886 Appears in 2 hymnals First Line: Ka uhane lani e iho mai Used With Tune: MENDON

INA E ULA KOU HEWA

Author: Fanny J. Crosby, 1820-1915; "Hualalai", 1852-1938 Appears in 2 hymnals Used With Tune: CLEANSING

Tunes

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ST. THOMAS

Meter: 6.6.8.6 Appears in 1,086 hymnals Composer and/or Arranger: Aaron Williams, alt., 1731-1776; Robert Graham Incipit: 51132 12345 43432 Used With Text: ALOHA AU KOU AUPUNI
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ERIE

Meter: 8.7.8.7 D Appears in 973 hymnals Composer and/or Arranger: Charles C. Converse, 1832-1918 Tune Key: F Major Incipit: 55653 11651 31532 Used With Text: KEI KA HOA O IESU LA
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SICILIAN MARINERS

Meter: 8.7.8.7.8 Appears in 629 hymnals Tune Sources: Arr. from Sicilian Melody, 1794 Incipit: 56543 45654 35567 Used With Text: HE AKUA HEMOLELE (God is Holy)

Instances

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Published text-tune combinations (hymns) from specific hymnals
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ALOHA AU KOU AUPUNI

Author: Timothy Dwight, 1750-1817; Louise Tolles, 1905- Hymnal: NHHH1972 #1 (1972) Meter: 6.6.8.6 Languages: Hawaiian Tune Title: ST. THOMAS
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HAWAII ALOHA

Author: Lorenzo Lyons, 1807-1886 Laiana; Annie Kanahele; Edith Wolfe Hymnal: NHHH1972 #2 (1972) Meter: 11.9.11.8 with refrain First Line: E Hawaii e ku'u one hanau e (O Hawaii, my own birthplace, my own land) Refrain First Line: E hauoli e na opio o Hawaii nei Languages: English; Hawaiian Tune Title: LAIANA
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NU OLI

Author: Robert Lowry, 1826-1899; Laiana (Lorenzo Lyons), 1807-1886 Hymnal: NHHH1972 #3 (1972) First Line: Nuoli! nuoli! he nu kamahao! Refrain First Line: Nu oli! nu oli! (Nuoli! nuoli! Nuoli! nuoli!) Languages: Hawaiian Tune Title: GLAD TIDINGS

People

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Authors, composers, editors, etc.

Louis Bourgeois

1510 - 1561 Person Name: Louis Bourgeois, 1510-1561 Hymnal Number: 255 Composer of "OLD HUNDREDTH" in Na Himeni Haipule Hawaii Louis Bourgeois (b. Paris, France, c. 1510; d. Paris, 1561). In both his early and later years Bourgeois wrote French songs to entertain the rich, but in the history of church music he is known especially for his contribution to the Genevan Psalter. Apparently moving to Geneva in 1541, the same year John Calvin returned to Geneva from Strasbourg, Bourgeois served as cantor and master of the choristers at both St. Pierre and St. Gervais, which is to say he was music director there under the pastoral leadership of Calvin. Bourgeois used the choristers to teach the new psalm tunes to the congregation. The extent of Bourgeois's involvement in the Genevan Psalter is a matter of scholar­ly debate. Calvin had published several partial psalters, including one in Strasbourg in 1539 and another in Geneva in 1542, with melodies by unknown composers. In 1551 another French psalter appeared in Geneva, Eighty-three Psalms of David, with texts by Marot and de Beze, and with most of the melodies by Bourgeois, who supplied thirty­ four original tunes and thirty-six revisions of older tunes. This edition was republished repeatedly, and later Bourgeois's tunes were incorporated into the complete Genevan Psalter (1562). However, his revision of some older tunes was not uniformly appreciat­ed by those who were familiar with the original versions; he was actually imprisoned overnight for some of his musical arrangements but freed after Calvin's intervention. In addition to his contribution to the 1551 Psalter, Bourgeois produced a four-part harmonization of fifty psalms, published in Lyons (1547, enlarged 1554), and wrote a textbook on singing and sight-reading, La Droit Chemin de Musique (1550). He left Geneva in 1552 and lived in Lyons and Paris for the remainder of his life. Bert Polman

Henry Thomas Smart

1813 - 1879 Person Name: Henry Smart, 1813-1879 Hymnal Number: 37 Composer of "REGENT SQUARE" in Na Himeni Haipule Hawaii Henry Smart (b. Marylebone, London, England, 1813; d. Hampstead, London, 1879), a capable composer of church music who wrote some very fine hymn tunes (REGENT SQUARE, 354, is the best-known). Smart gave up a career in the legal profession for one in music. Although largely self taught, he became proficient in organ playing and composition, and he was a music teacher and critic. Organist in a number of London churches, including St. Luke's, Old Street (1844-1864), and St. Pancras (1864-1869), Smart was famous for his extemporiza­tions and for his accompaniment of congregational singing. He became completely blind at the age of fifty-two, but his remarkable memory enabled him to continue playing the organ. Fascinated by organs as a youth, Smart designed organs for impor­tant places such as St. Andrew Hall in Glasgow and the Town Hall in Leeds. He composed an opera, oratorios, part-songs, some instrumental music, and many hymn tunes, as well as a large number of works for organ and choir. He edited the Choralebook (1858), the English Presbyterian Psalms and Hymns for Divine Worship (1867), and the Scottish Presbyterian Hymnal (1875). Some of his hymn tunes were first published in Hymns Ancient and Modern (1861). Bert Polman

Phoebe Palmer Knapp

1839 - 1908 Person Name: Phoebe P. Knapp, 1839-1908 Hymnal Number: 22 Composer of "ASSURANCE" in Na Himeni Haipule Hawaii As a young girl Phoebe Palmer Knapp (b. New York, NY, 1839; d. Poland Springs, ME, 1908) displayed great musical talent; she composed and sang children’s song at an early age. The daughter of the Methodist evangelist Walter C. Palmer, she was married to John Fairfield Knapp at the age of sixteen. Her husband was a founder of the Metropolitan Life Insurance Company, and after his death, she shared her considerable inherited wealth with various charitable organizations. She composed over five hundred gospel songs, of which the tunes for “Blessed Assurance” and “Open the Gates of the Temple” are still popular today. Bert Polman
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