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School and College Hymnal
Publication Date: 1906 Publisher: D. C. Heath & Co. Publication Place: Boston, New York, Chicago Editors: Irving Emerson; D. C. Heath & Co.
School and College Hymnal
How gentle God's commands!
Author: Rev. P. Doddridge Appears in 664 hymnals Used With Tune: DENNIS
How gentle God's commands!
My soul, repeat His praise
Author: Rev. Isaac Watts Appears in 467 hymnals Used With Tune: DENNIS
My soul, repeat His praise
God of the morning ray
Author: Thomas Hastings Appears in 21 hymnals Used With Tune: ITALIAN HYMN
God of the morning ray
Holy, holy, holy Lord God Almighty!
Author: Bishop Reginald Heber Hymnal: SCH1906 #1 (1906) Languages: English Tune Title: NICAEA
Holy, holy, holy Lord God Almighty!
Dear ties of mutual succor bind
Author: William Cullen Bryant Hymnal: SCH1906 #2 (1906) Languages: English Tune Title: MASON
Dear ties of mutual succor bind
Oh, blest the souls, for ever blest
Author: Georg Weissel; C. Winkworth Hymnal: SCH1906 #3 (1906) Languages: English Tune Title: MASON
Oh, blest the souls, for ever blest
John Cennick
1718 - 1755 Person Name: Rev. John Cennick Hymnal Number: 15 Author of "Children of the heavenly King" in School and College Hymnal John Cennick was born at Reading, Berkshire, in the year 1717. He became acquainted with Wesley and Whitefield, and preached in the Methodist connection. On the separation of Wesley and Whitefield he joined the latter. In 1745, he attached himself to the Moravians, and made a tour in Germany to fully acquaint himself with the Moravian doctrines. He afterwards ministered in Dublin, and in the north of Ireland. He died in London, in 1755, and was buried in the Moravian Cemetery, Chelsea. He was the author of many hymns, some of which are to be found in every collection.
--Annotations of the Hymnal, Charles Hutchins, M.A. 1872.
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Cennick, John, a prolific and successful hymnwriter, was descended from a family of Quakers, but brought up in the Church of England. He assisted J. Wesley and then G. Whitefield in their labours for a time, and then passed over to, and died as a minister of, the Moravian Church. Born at Reading, Dec. 12, 1718, he was for some time a land surveyor at Reading, but becoming acquainted with the Wesleys in 1739, he was appointed by J. Wesley as a teacher of a school for colliers' children at Kingswood in the following year. This was followed by his becoming a lay preacher, but in 1740 he parted from the Wesleys on doctrinal grounds. He assisted Whitefield until 1745, when he joined the Mora¬vians, and was ordained deacon, in London, in 1749. His duties led him twice to Germany and also to the North of Ireland. He died in London, July 4, 1755. In addition to a few prose works, and some sermons, he published:— (1) Sacred Hymns, for the Children of God in the Days of their Pilgrimage, Lond., J. Lewis, n.d. (2nd ed. Lond., B. Milles, 1741), Pts. ii., iii., 1742; (2) Sacred Hymns for the Use of Religious Societies, &c, Bristol, F. Farley, 1743; (3) A Collection of Sacred Hymns, &c, Dublin, S. Powell, 3rd ed., 1749; (4) Hymns to the honour of Jesus Christ, composed for such Little Children as desire to be saved. Dublin, S. Powell, 1754. Additional hymns from his manuscripts were published by his son-in-law, the Rev. J. Swertner, in the Moravian Hymn Book, 1789, of which he was the editor. There are also 16 of his hymns in his Sermons, 2 vols., 1753-4, some being old hymns rewritten, and others new.
Many of Cennick's hymns are widely known, as, "Lo, He cometh, countless trumpets;" “Brethren, let us join to bless;" "Jesus, my all, to heaven is gone;" "Children of the heavenly King;" "Ere I sleep, for every favour;" "We sing to Thee, Thou Son of God;" and the Graces: " Be present at our table, Lord;" and "We thank Thee, Lord;" &c. Some of the stanzas of his hymns are very fine, but the hymns taken as a whole are most unequal. Some excellent centos might be compiled from his various works. His religious experiences were given as a preface to his Sacred Hymns, 1741. In addition to the hymns named, and others annotated under their first lines, the following are in common use:—
1. Be with me [us] Lord, where'er I [we] go. Divine Protection. [1741.]
2. Cast thy burden on the Lord. Submission. [1743.]
3. Not unto us, but Thee alone. Praise to Jesus. [1743.]
4. Thou dear Redeemer, dying Lamb. Priesthood of Christ. [1743.]
5. We sing to Thee, Thou Son of God. Praise to Jesus. [1743.]
6. When, 0 dear Jesus, when shall I? Sunday Evening. [1743.]
--John Julian, Dictionary of Hymnology (1907)
John Cennick
Ray Palmer
1808 - 1887 Person Name: Rev. Ray Palmer Hymnal Number: 19 Author of "Stealing from the world away" in School and College Hymnal Ray Palmer (b. Little Compton, RI, 1808; d. Newark, NJ, 1887) is often considered to be one of America's best nineteenth-century hymn writers. After completing grammar school he worked in a Boston dry goods store, but a religious awakening prodded him to study for the ministry. He attended Yale College (supporting himself by teaching) and was ordained in 1835. A pastor in Congregational churches in Bath, Maine (1835-1850), and Albany, New York (1850-1865), he also served as secretary of the American Congregational Union (1865-1878). Palmer was a popular preacher and author, writing original poetry as well as translating hymns. He published several volumes of poetry and hymns, including Sabbath Hymn Book (1858), Hymns and Sacred Pieces (1865), and Hymns of My Holy Hours (1868). His complete poetical works were published in 1876.
Bert Polman
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Palmer, Ray, D.D., son of the Hon. Thomas Palmer, a Judge in Rhode Island, was born at Little Compton, Rhode Island, Nov. 12, 1808. His early life was spent at Boston, where he was for some time clerk in a dry-goods store. At Boston he joined the Park Street Congregational Church, then under the pastoral care of Dr. S. E. Dwight. After spending three years at Phillips Academy, Andover, he entered Yale College, New Haven, where he graduated in 1830. In 1835 he became pastor of the Central Congregational Church, Bath, Maine. During his pastorate there he visited Europe in 1847. In 1850 he was appointed to the First Congregational Church, at Albany, New York, and in 1865 Corresponding Secretary to the American Congregational Union, New York. He resigned in 1878, and retired to Newark, New Jersey. He died at Newark, Mar. 29, 1887. Dr. Palmer's published works in prose and verse include:--
(1) Memoirs and Select Remains of Charles Pond, 1829; (2) The Spirit's Life, a Poem, 1837; (3) How to Live, or Memoirs of Mrs. C. L. Watson, 1839; (4) Doctrinal Text Book, 1839; (5) Spiritual Improvement, 1839, republished as Closet Hours in 185; (6) What is Truth? or Hints on the Formation of Religious Opinions, 1860; (7) Remember Me, or The Holy Communion, 1865; (8) Hymns and Sacred Pieces, with Miscellaneous Poems, 1865; (9) Hymns of my Holy Hours, and Other Pieces, 1868; (10) Home, or the Unlost Paradise, 1873; and (11) Voices of Hope and Gladness, 1881.
Most of Dr. Palmer's hymns have passed into congregational use, and have won great acceptance. The best of them by their combination of thought, poetry, and devotion, are superior to almost all others of American origin. The first which he wrote has become the most widely known of all. It is:—
1. My faith looks up to Thee. Faith in Christ. This hymn was written by the author when fresh from College, and during an engagement in teaching in New York. This was in 1830. The author says concerning its composition, "I gave form to what I felt, by writing, with little effort, the stanzas. I recollect I wrote them with very tender emotion, and ended the last line with tears." A short time afterwards the hymn was given to Dr. Lowell Mason for use, if thought good, in a work then being compiled by him and Dr. T. Hastings. In 1831 that work was published as Spiritual Songs for Social Worship: adapted to the use of Families, &c. Words and Music arranged by Thomas Hastings, of New York, and Lowell Mason of Boston. It is No. 141 in 4 stanzas of 8 lines, entitled "Self Consecration," and accompanied with the tune by Dr. L. Mason, there given as "My faith looks up to Thee, "but subsequently known as Olivet. (Orig. text of hymn in Thring's Collection, 1882.) It has passed into most modern collections in all English-speaking countries, and has been rendered into numerous languages. That in Latin, by H. M. Macgill (p. 708, ii.), begins "Fides Te mea spectat."
2. Fount of everlasting love. Praise for renewed Spiritual Life. This also appeared in the Spiritual Songs, &c, 1831, No. 191, in 4 stanzas of 4 lines, and headed "Praise for a Revival."
The hymns which are given below are all in Dr. Palmer's Poetical Works, N. Y., 1876, and the dates appended in brackets are those given by him in that work.
3. Thou who roll'st the year around. (1832.) Close of the Year. In several American collections.
4. Away from earth my spirit turns. (1833.) Holy Communion. Appeared in Lowell Mason's Union Hymns, in 4 stanzas of 4 lines. In the Church Praise Book, N. Y.. 1882, it begins with st. ii., "Thou, Saviour, art the Living Bread."
5. Before Thy throne with tearful eyes. (1834.) Liberty of Faith.
6. Stealing from the world away. (1834.) Evening. Written at New Haven in 1834, and is very popular in America.
7. Thine [Thy] holy day's returning. (1834.) Sunday Morning.
8. Wake thee, 0 Zion. (1862.) Zion Exultant.
9. We stand in deep repentance. (1834.) Lent.
This last, No. 9, in common with Nos. 10, 11, 12, is marked "original," in the Presbyterian Parish Hymns, 1843. Probably they were given to the editors of that book in manuscript, and had not previously appeared.
10. And is there, Lord, a rest? (1843.) Rest in Heaven. Written at Bath, Maine, in 1843.
11. 0 sweetly breathe the lyres above. Consecration to Christ. This was accidentally omitted from Dr. Palmer's Poetical Works, 18?6. S. W. Duffield says:—
"It was written in the winter of 1842-43, at a time of revival. At the previous Communion several had been received under circumstances that made Doddridge's hymn, ‘0 happy day that fixed my choice 'a most appropriate selection. Not caring to repeat it, and needing something similar, Dr. Palmer composed the present hymn." English Hymns, N. Y., 1886, p. 432.
12. When downward to the darksome tomb. (1842.) Death Contemplated. Written at Bath, Maine, 1842.
From 1843 there comes a long break, and Dr. Palmer seems to have done no more hymn-writing until called upon by Professors Park and Phelps, of Andover, for contributions to their Sabbath Hymn-Book, 1858. His hymns written for that important collection rank amongst the best that America has produced. This is specially true of the first four (Nos. 13-16) from the Latin.
13. Jesus, Thou joy of loving hearts. (l858.) Translation of a cento from "Jesu dulcis memoria" (p. 588, ii.).
14. 0 Bread to Pilgrims given. (1858.) Translation of “O esca viatorum" (q.v.).
15. 0 Christ our King, Creator Lord. (1858.) Translation of “Rex Christe, factor omnium "
16. Come Holy Ghost, in love. (1858.) Translation of “Veni Sancte Spiritus" (q.v.)
17. Jesus, these eyes have never seen. (1858.) Christ loved, though unseen. This hymn is accounted by many as next in merit and beauty to "My faith looks up to Thee."
18. Lord, my weak thought in vain would climb. (1858.) God Unsearchable. This hymn deals with the mysteries of Predestination in a reverent and devout manner.
19. Thy Father's house! thine own bright home. (1858.) Heaven.
The next group, Nos. 20-27, appeared in Dr. Robinson's Songs for the Sanctuary, 1865.
20. Lord, Thou wilt bring the joyful day. (1864.) Contemplation of Heaven. Written in New York City.
21. Eternal Father, Thou hast said. (i860.) Missions.
22. Jesus, Lamb of God, for me. (1863.) Jesus, the Way of Salvation. Written in Albany, New York.
23. Take me, 0 my Father, take me. (1864.) Lent.
24. Wouldst thou eternal life obtain. (1864.) Good Friday.
25. Come Jesus, Redeemer, abide Thou with me. (1864.) Holy Communion.
26. Lord, Thou on earth didst love Thine own. (1864.) Fellowship with Christ.
27. Thou, Saviour, from Thy throne on high. (1864.) Prayer.
The next four (Nos. 28-31) present another group. They appeared in D. E. Jones's Songs for the New Life, 1869, and the Reformed Dutch Hymns of the Church, N. Y., 1869. The dates of composition are from Dr. Palmer's Poems, 1876.
28. Lord, Thou hast taught our hearts to glow. (1865.) Ordination, or Meeting of Ministers.
29. When inward turns my searching gaze. (1868.) Evening.
30. 0 Jesus, sweet the tears I shed. (1867.) Good Friday.
31. Jesus, this [my] heart within me burns. (1868.) Love.
The hymns which follow are from various sources.
32. 0 Christ, the Lord of heaven, to Thee. (1867.) Universal Praise to Christ. Appeared in the author's Hymns of my Holy Hours, 1867. It is a hymn of great merit, and is widely used.
33. Behold the shade of night is now receding. (1869.) A translation of "Ecce jam noctis." (p. 320, i., and Various).
34. Hid evening shadows let us all be waking. (1869.) A translation of "Nocte surgentes" (p. 809, i.).
35. I give my heart to Thee. (Aug. 20, 1868.) A translation of "Cor meum Tibi dedo," p. 262, ii.
36. Holy Ghost, that promised came. (1873.) Whitsuntide. From the author's Poems, 1876.
37. 0 Holy Comforter, I hear. The Comforter. Appeared in the Boston Congregationalist, September 7th, 1867.
38. Lord, when my soul her secrets doth reveal. (1865.) Holy Communion.
Most of the foregoing hymns are in common in Great Britain, and all are found in one or more American hymnbooks of importance. [Rev. F. M. Bird, M.A.]
-- John Julian, Dictionary of Hymnology (1907)
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Palmer, Ray, D.D., p. 877, i. The following original hymns by Dr. Palmer are also in common use:—
1. O Rock of Ages, since on Thee. Faith. From his Poetical Works, 1876, p. 27, where it is dated 1869. Bp. Bickersteth says "This hymn"... is "worthy of Luther." (Note Hymnal Companion, ed. 1876.)
2. Thy holy will, my God, be mine. Resignation. From his Hymns of my Holy Hours, &c, 1868, p. 47. Also in his P. Works, 1876, dated 1867.
3. We praise Thee, Saviour, for Thy grace. Holy Communion. From his Hymns and Sacred Pieces, &c, 1865. Also in P. Works, 1876, dated 1864.
--John Julian, Dictionary of Hymnology, Appendix, Part II (1907)
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Ray Palmer was born at Little Compton, Rhode Island, in 1808. He studied at Phillip's Academy, Andover, Mass., and graduated at Yale College in 1830. In 1835, he was ordained pastor of a Congregational Society in Bath, Maine, from which he removed, in 1850, to the pastorate of a Congregational Society in Albany, N.Y. He has published many hymns, some of his own authorship, and some translations. He has published some sermons and reviews.
--Annotations of the Hymnal, Charles Hutchins, M.A. 1872.
Ray Palmer
Charles Wesley
1707 - 1788 Person Name: Rev. Charles Wesley Hymnal Number: 23 Author of "Come, Thou almighty King" in School and College Hymnal Charles Wesley, M.A. was the great hymn-writer of the Wesley family, perhaps, taking quantity and quality into consideration, the great hymn-writer of all ages. Charles Wesley was the youngest son and 18th child of Samuel and Susanna Wesley, and was born at Epworth Rectory, Dec. 18, 1707. In 1716 he went to Westminster School, being provided with a home and board by his elder brother Samuel, then usher at the school, until 1721, when he was elected King's Scholar, and as such received his board and education free. In 1726 Charles Wesley was elected to a Westminster studentship at Christ Church, Oxford, where he took his degree in 1729, and became a college tutor. In the early part of the same year his religious impressions were much deepened, and he became one of the first band of "Oxford Methodists."
In 1735 he went with his brother John to Georgia, as secretary to General Oglethorpe, having before he set out received Deacon's and Priest's Orders on two successive Sundays. His stay in Georgia was very short; he returned to England in 1736, and in 1737 came under the influence of Count Zinzendorf and the Moravians, especially of that remarkable man who had so large a share in moulding John Wesley's career, Peter Bonier, and also of a Mr. Bray, a brazier in Little Britain. On Whitsunday, 1737, [sic. 1738] he "found rest to his soul," and in 1738 he became curate to his friend, Mr. Stonehouse, Vicar of Islington, but the opposition of the churchwardens was so great that the Vicar consented that he "should preach in his church no more." Henceforth his work was identified with that of his brother John, and he became an indefatigable itinerant and field preacher. On April 8, 1749, he married Miss Sarah Gwynne. His marriage, unlike that of his brother John, was a most happy one; his wife was accustomed to accompany him on his evangelistic journeys, which were as frequent as ever until the year 1756," when he ceased to itinerate, and mainly devoted himself to the care of the Societies in London and Bristol. Bristol was his headquarters until 1771, when he removed with his family to London, and, besides attending to the Societies, devoted himself much, as he had done in his youth, to the spiritual care of prisoners in Newgate. He had long been troubled about the relations of Methodism to the Church of England, and strongly disapproved of his brother John's "ordinations." Wesley-like, he expressed his disapproval in the most outspoken fashion, but, as in the case of Samuel at an earlier period, the differences between the brothers never led to a breach of friendship. He died in London, March 29, 1788, and was buried in Marylebone churchyard. His brother John was deeply grieved because he would not consent to be interred in the burial-ground of the City Road Chapel, where he had prepared a grave for himself, but Charles said, "I have lived, and I die, in the Communion of the Church of England, and I will be buried in the yard of my parish church." Eight clergymen of the Church of England bore his pall. He had a large family, four of whom survived him; three sons, who all became distinguished in the musical world, and one daughter, who inherited some of her father's poetical genius. The widow and orphans were treated with the greatest kindness and generosity by John Wesley.
As a hymn-writer Charles Wesley was unique. He is said to have written no less than 6500 hymns, and though, of course, in so vast a number some are of unequal merit, it is perfectly marvellous how many there are which rise to the highest degree of excellence. His feelings on every occasion of importance, whether private or public, found their best expression in a hymn. His own conversion, his own marriage, the earthquake panic, the rumours of an invasion from France, the defeat of Prince Charles Edward at Culloden, the Gordon riots, every Festival of the Christian Church, every doctrine of the Christian Faith, striking scenes in Scripture history, striking scenes which came within his own view, the deaths of friends as they passed away, one by one, before him, all furnished occasions for the exercise of his divine gift. Nor must we forget his hymns for little children, a branch of sacred poetry in which the mantle of Dr. Watts seems to have fallen upon him. It would be simply impossible within our space to enumerate even those of the hymns which have become really classical. The saying that a really good hymn is as rare an appearance as that of a comet is falsified by the work of Charles Wesley; for hymns, which are really good in every respect, flowed from his pen in quick succession, and death alone stopped the course of the perennial stream.
It has been the common practice, however for a hundred years or more to ascribe all translations from the German to John Wesley, as he only of the two brothers knew that language; and to assign to Charles Wesley all the original hymns except such as are traceable to John Wesley through his Journals and other works.
The list of 482 original hymns by John and Charles Wesley listed in this Dictionary of Hymnology have formed an important part of Methodist hymnody and show the enormous influence of the Wesleys on the English hymnody of the nineteenth century.
-- Excerpts from John Julian, Dictionary of Hymnology (1907)
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Charles Wesley, the son of Samuel Wesley, was born at Epworth, Dec. 18, 1707. He was educated at Westminster School and afterwards at Christ Church, Oxford, where he graduated M.A. In 1735, he took Orders and immediately proceeded with his brother John to Georgia, both being employed as missionaries of the S.P.G. He returned to England in 1736. For many years he engaged with his brother in preaching the Gospel. He died March 29, 1788. To Charles Wesley has been justly assigned the appellation of the "Bard of Methodism." His prominence in hymn writing may be judged from the fact that in the "Wesleyan Hymn Book," 623 of the 770 hymns were written by him; and he published more than thirty poetical works, written either by himself alone, or in conjunction with his brother. The number of his separate hymns is at least five thousand.
--Annotations of the Hymnal, Charles Hutchins, M.A., 1872.
Charles Wesley
