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And now, O Father, mindful of the love
Author: William Bright Meter: 10.10.10.10.10.10 Appears in 92 hymnals Topics: liturgical Communion Songs
And now, O Father, mindful of the love
Thou, who at thy first Eucharist didst pray
Author: W. H. Turton Meter: 10.10.10.10.10.10 Appears in 76 hymnals Refrain First Line: Thus may we all one Bread, one Body be Topics: liturgical Communion Songs
Thou, who at thy first Eucharist didst pray
Be Still, My Soul
Author: Jane Borthwick; Kathrina von Schlegel Meter: 10.10.10.10.10.10 Appears in 177 hymnals First Line: Be still, my soul: the Lord is on thy side Topics: Funeral Hymns; God the Father His Providence; Peace Spiritual; Serenity
Be Still, My Soul
Psalm 34:1-10
Hymnal: The Book of Psalms for Singing #34C (1998) Meter: 10.10.10.10.10.10 First Line: In every time I'll always bless the LORD Tune Title: YORKSHIRE
Psalm 34:1-10
Christians, Awake!
Author: John Byrom, 1692-1763 Hymnal: African Methodist Episcopal Church Hymnal #117 (2011) Meter: 10.10.10.10.10.10 First Line: Christians, awake! salute the happy morn Lyrics: 1 Christians, awake! salute the happy morn,
Whereon the Savior of the world was born;
Rise to adore the mystery of love,
Which hosts of angels chanted from above;
With them the joyful tidings first begun
Of God Incarnate and the Virgin’s Son.
2 Then to the watchful shepherds it was told,
Who heard the angelic herald’s voice, "Behold,
I bring good tidings of a Savior’s birth
To you and all the nations upon earth:
This day hath God fulfilled His promised word,
This day is born a Savior, Christ the Lord."
3 He spake, and straightaway the celestial choir
In hymns of joy, unknown before, conspire;
The praises of redeeming love they sang,
And heaven’s whole orb with alleluias rang;
God’s highest glory was their anthem still,
Peace upon earth, and unto men good will.
4 Then may we hope, the angelic hosts among,
To sing, redeemed, a glad triumphal song;
He that was born upon this joyful day
Around us all His glory shall display;
Saved by His love, incessant we shall sing
Eternal praise to heaven’s Almighty King.
Amen. Topics: Jesus Christ Advent and Nativity; Adoration; Jesus Advent and Nativity; Morning Scripture: Luke 2:11 Languages: English Tune Title: YORKSHIRE
Christians, Awake!
Eternal Ruler, of the ceaseless round
Author: John White Chadwick, 1840-1904 Hymnal: Complete Anglican Hymns Old and New #154 (2000) Meter: 10.10.10.10.10.10 First Line: Eternal Ruler of the ceaseless round Lyrics: 1 Eternal Ruler of the ceaseless round
of circling planets singing on their way;
guide of the nations from the night profound
into the glory of the perfect day;
rule in our hearts, that we may ever be
guided and strengthened and upheld by thee.
2 We are of thee, the children of thy love,
by virtue of thy well-belovèd Son;
descend, O Holy Spirit, like a dove,
into our hearts, that we may be as one:
as one with thee, to whom we ever tend;
as one with him, our Brother and our Friend.
3 We would be one in hatred of all wrong,
one in our love of all things sweet and fair,
one with the joy that breaketh into song,
one with the grief that trembles into prayer,
one in the pow'r that makes thy children free
to follow truth, and thus to follow thee.
4 O clothe us with thy heav'nly armour, Lord,
thy trusty shield, thy sword of love divine;
our inspiration be thy constant word;
we ask no victories that are not thine:
give or withhold, let pain or pleasure be;
enough to know that we are serving thee. Topics: Christian unity; Grace and Providence; Pentecost; The Serving Community; Year A Baptism of Christ; Year A Epiphany 2; Year B Lent 1; Year B Proper 10; Year C Baptism of Christ; Years A, B, and C Christmas 2 Scripture: Ephesians 1:5 Languages: English Tune Title: SONG 1
Eternal Ruler, of the ceaseless round
Omer Westendorf
1916 - 1997 Meter: 10.10.10.10.10.10 Author of "All Praise to You (Stewards of Earth)" in Voices United Omer Westendorf, one of the earliest lyricists for Roman Catholic liturgical music in English, died on October 22, 1997, at the age of eighty-one.
Born on February 24, 1916, Omer got his start in music publishing after World War II, when he brought home for his parish choir in Cincinnati some of the Mass settings he had discovered in Holland. Interest in the new music being published in Europe led to his creation of the World Library of Sacred Music, initially a music-importing firm that brought much of this new European repertoire to U.S. parishes. Operating out of a garage in those early years, Omer often joked about the surprised expressions of visitors who stopped by and found a wide range of sheet music in various states of “storage” (read disarray). Later, as World Library Publications, the company began publishing some of its own music, including new works with English texts by some of those same Dutch composers, for example, Jan Vermulst. In 1955 World Library published the first edition of The Peoples Hymnal, which would become the People's Mass Book in 1964, one of the first hymnals to reflect the liturgical reforms proposed by Vatican II. Omer also introduced the music of Lucien Deiss to Catholic parishes through the two volumes of Biblical Hymns and Psalms.
Using his own name and several pen names, Omer composed numerous compositions for liturgical use, though his best-known works may be the texts for the hymns “Where Charity and Love Prevail,” “Sent Forth by God’s Blessing,” and especially “Gift of Finest Wheat.” As he lay dying, his family and friends gathered around his bed to sing his text “Shepherd of Souls, in Love, Come, Feed Us.” NPM honored Omer as its Pastoral Musician of the Year in 1985.
--liturgicalleaders.blogspot.com/2008
===========================
Pseudonyms:
Paul Francis
Mark Evans
J. Clifford Evers
--Letter from Tom Smith, Executive Director of The Hymn Society, to Leonard Ellinwood, 6 February 1980. DNAH Archives.
Omer Westendorf
Henry Thomas Smart
1813 - 1879 Person Name: Henry Smart Meter: 10.10.10.10.10.10 Composer of "NACHTLIED" in The Hymnal Henry Smart (b. Marylebone, London, England, 1813; d. Hampstead, London, 1879), a capable composer of church music who wrote some very fine hymn tunes (REGENT SQUARE, 354, is the best-known).
Smart gave up a career in the legal profession for one in music. Although largely self taught, he became proficient in organ playing and composition, and he was a music teacher and critic. Organist in a number of London churches, including St. Luke's, Old Street (1844-1864), and St. Pancras (1864-1869), Smart was famous for his extemporizations and for his accompaniment of congregational singing. He became completely blind at the age of fifty-two, but his remarkable memory enabled him to continue playing the organ. Fascinated by organs as a youth, Smart designed organs for important places such as St. Andrew Hall in Glasgow and the Town Hall in Leeds. He composed an opera, oratorios, part-songs, some instrumental music, and many hymn tunes, as well as a large number of works for organ and choir. He edited the Choralebook (1858), the English Presbyterian Psalms and Hymns for Divine Worship (1867), and the Scottish Presbyterian Hymnal (1875). Some of his hymn tunes were first published in Hymns Ancient and Modern (1861).
Bert Polman
Henry Thomas Smart
Jean Sibelius
1865 - 1957 Meter: 10.10.10.10.10.10 Composer of "FINLANDIA" in Trinity Hymnal (Rev. ed.) Johann Julius Christian [Jean] Sibelius DM Finland 1865-1957. Born at Hameenlinna, Finland, the son of a Swedish-speaking medical doctor, he lost his father to typhoid in 1868, leaving the family in substantial debt. His mother, again pregnant, had to sell their property and move in with her widowed mother. His aunt Julia gave him piano lessons when he was seven on the family upright piano, wrapping him on the knuckles when he played a wrong note. He learned to improvise as he played. His uncle, Pehr Ferdinand Sibelius, was interested in music, especially the violin, and gave Jean a violin when he was 10. As his musical advisor his uncle encouraged him to play and compose music. He played music with sister on piano, brother on cello, and himself on violin. He attended a Finnish-speaking prep school in 1874 and continued his education at the Hameenlinna Normal Lyceum thereafter. Jean also showed a strong interest in nature, frequently walking around the countryside when the family moved to the Loviisa coast for the summer months. In 1881 he took violin lessons from the local bandmaster, and developed a strong interest in violin. He became an accomplished player, and thought of becoming a virtuoso, but realizing he began study too late in life for that, instead opted to compose. He often played music in quartets with neighboring families, adding to his chamber music experience. He took the French form of his name, Jean. He studied law at the Imperial Alexander University in Finland, but showed far more interest in music. He then studied music at the Helsinki Music Institute (now Sibelius Academy) from 1885-1889. The school’s founder, Martin Wegelius, did much to support education development in Finland and gave Sibelius his first lessons in composition. Another teacher,,Ferruccio Busoni, a pianist-composer, helped him as well and became a life-long friend. Other friends, pianist Adolf Paul, and conductor-to-be, Armas Jarnefelt, also helped him. In 1892 he married Armas ‘s sister, Aino Jarnefelt, daughter of General Alexander Jarnefelt, governor of Vaasa. They had six daughters, Eva, Ruth, Kirsti, Katarina, Margareta, and Heidi. He continued his musical studies in Berlin (1889-1890) with Albert Becker, and in Vienna (1890-1891) with Robert Fuchs and Karl Goldmark. In Berlin he had opportunity to attend concerts and operas. In Vienna he turned to orchestral composition and had much success, although he had gallstone surgery during that period. He also traveled to the UK, France, Germany, and the USA during this time in his life, composing, conducting, and socializing. In 1892 he took on teaching assignments at the Music Institute and at Kajanus’s conducting school, but this left him with little time for composing. Sibelius’ works were more and more appreciated in Helsinki concert halls as he composed and conducted symphonies in the mid-1890s. In 1898 he was awarded a substantial grant, initially for 10 years, and later extended for life, allowing him to concentrate on composition. Much of his music became popular in Finland and in Germany. In 1899 he began work on his first symphony. It went well, but other patriotic music hehad composed did even better, since Russia was trying to restrict the powers of the Grand Duchy of Finland. In 1900 Sibelius went on an international tour with Kajanus and his orchestra, presenting his recent works. In 1901 he wrote his second symphony, which received rave reviews. He continued to compose as he became popular and well-known. In 1903 he had a new home built near Lake Tuusula north of Helsinki, calleed Ainola (after his wife). He gave concerts in and around Finland, spending more and more time away from home, to the chagrin of his wife. After a time he returned home and composed from there. He spent much time wining and dining in Helsinki, and it had a disastrous effect on his wife, who finally entered a sanitorium. He resolved again to give up drinking and concentrate on composing his 3rd symphony. He met Gustav Mahler in Helsinki and they became friends. He performed his 3rd symphony in St Petersburg, Russia. In 1907 he underwent a serious operation for suspected throat cancer, and spent time in the hospital in 1908. His smoking and drinking had now become life-threatening. He cancelled concerts for Rome, Warsaw, and Berlin, but kept one in London. His health deteriorated further, And his brush with death inspired him to compose his 4th symphony. In 1909 his successful throat operation resulted in renewed happiness for him and his wife, Aino. He continued conducting concerts, and met Claude Debussy, who further encouraged his musical efforts. He began working on his 4th symphony in 1910, but had to write other music to compensate for dwindling funds. He finished his 4th symphony in Berlin and conducted concerts in Sweden in 1911. In 1912 he completed short orchestral works. Over the next several years he continued producing a variety of pieces of music, well-received, especially in America. He was given an honorary DM degree from Yale University and also another from the University of Helsinki about the same time. WW1 interrupted his music royalties in 1915, and he was forced to compose smaller works for publication to make ends meet. He completed his 5th symphony at age 50, but he was dissatisfied with it and reworked it three times In 1917 he starting drinking again, triggering arguments with his wife. The Russian Revolution in 1917 caused an improvement in their personal relationship, and he wrote his ‘Jager March’ to celebrate Finnish independence from Russia. The next year the Finnish Civil War began, putting a damper on his march. In 1919, after the war, he completed his 6th symphony. In 1920 George Eastman , of Eastman Kodak, asked him to teach for a year in New York, but he declined. He did enjoy a trip conducting several concerts in England in 1921. He premiered his 6th symphony in 1923. In 1924 he completed his 7th symphony. The next year he composed a number of small pieces. He began drinking again. He did write a few more major works, but for the last thirty years of his life he avoided publicly talking about his music. He tried to write an 8th symphony, but was unsatisfied with it and burned the scores. In fact, he burned a laundry basket full of music he had written, to the chagrin of his wife. But, afterward, he became calmer and gradually had a lighter mood. In 1935 he was awarded the Goethe-Metal, with a certificate signed by Adolf Hitler. A Soviet invasion of Finland in 1939 was repelled, but Finland gave up territory to Russia as a result. In 1941 Sibelius and his wife returned to their Finland home, Ainola, after a long absence. He did not compose much the last few years, and died at Ainola. His wife outlived him by 12 years.
John Perry
Jean Sibelius
Small Church Music
Meter: 10.10.10.10.10.10 Editors: James Quinn, b 1919 Description:
The SmallChurchMusic site was launched in 2006, growing out of the requests from those struggling
to provide suitable music for their services and meetings. Rev. Clyde McLennan was ordained in mid
1960’s and was a pastor in many small Australian country areas, and therefore was acutely aware of
this music problem. Having also been trained as a Pipe Organist, recordings on site (which are a subset
of the smallchurchmusic.com site) are all actually played by Clyde, and also include piano and piano
with organ versions. All recordings are in MP3 format.
Churches all around the world use the recordings, with downloads averaging over 60,000 per
month.
The recordings normally have an introduction, several verses and a slowdown on the last verse.
Users are encouraged to use software: Audacity (http://www.audacityteam.org) or Song Surgeon (http://songsurgeon.com) (see http://scm-audacity.weebly.com for more information) to adjust the MP3 number of verses, tempo
and pitch to suit their local needs.
Copyright notice: Rev. Clyde McLennan, performer in this collection, has assigned his performer rights in this collection to Hymnary.org. Non-commercial use of these recordings is permitted. For permission to use them for any other purposes, please contact manager@hymnary.org.
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Small Church Music
Christian Classics Ethereal Hymnary
Publication Date: 2007 Publisher: Grand Rapids, MI: Christian Classics Ethereal Library Meter: 10.10.10.10.10.10
Christian Classics Ethereal Hymnary
The Book of Psalms for Singing
Publication Date: 1998 Publisher: Crown and Covenant Publications Meter: 10.10.10.10.10.10 Publication Place: Pittsburgh, PA
The Book of Psalms for Singing
