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Meter:8.7.8.7 d

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See the Conqueror mounts in triumph

Author: Christopher Wordsworth, 1807-85 Meter: 8.7.8.7 D Appears in 198 hymnals Topics: The Lord Jesus Christ His Resurrection and Ascension; The Lord Jesus Christ His Kingdom, Present and Future Used With Tune: REX GLORIAE
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Come, Thou Fount of Every Blessing

Author: Robert Robinson; Martin Madan Meter: 8.7.8.7 D Appears in 2,211 hymnals Lyrics: 1 Come, thou Fount of every blessing; tune my heart to sing thy grace; streams of mercy, never ceasing, call for songs of loudest praise. Teach me some melodious sonnet, sung by flaming tongues above; praise the mount! I’m fixed upon it, mount of God’s unchanging love! 2 Here I raise my Ebenezer; hither by thy help I’m come; and I hope, by thy good pleasure, safely to arrive at home. Jesus sought me when a stranger, wandering from the fold of God; he, to rescue me from danger, interposed his precious blood. 3 O to grace how great a debtor daily I’m constrained to be! Let that grace now, like a fetter, bind my wandering heart to thee. Prone to wander, Lord, I feel it, prone to leave the God I love; here’s my heart; O take and seal it; seal it for thy courts above. Glory to God: the Presbyterian Hymnal (2003) Topics: Worship; liturgical Opening Hymns Used With Tune: [Come, Thou fount of every blessing] (55776)

To Thee, O Lord

Author: W. Chatterton Dix Meter: 8.7.8.7 D Appears in 110 hymnals First Line: To Thee, O Lord, our hearts we raise

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EBENEZER

Meter: 8.7.8.7 D Appears in 279 hymnals Composer and/or Arranger: Thomas J Williams, 1869-1944; Christopher Norton Tune Key: e minor or modal Incipit: 11232 12234 3215 Used With Text: God has spoken
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BRADBURY

Meter: 8.7.8.7 D Appears in 504 hymnals Composer and/or Arranger: William B. Bradbury Tune Key: D Major Incipit: 33323 45153 23465 Used With Text: Savior, Like a Shepherd Lead Us
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BEECHER

Meter: 8.7.8.7 D Appears in 780 hymnals Composer and/or Arranger: John Zundel Tune Key: B Flat Major Incipit: 55653 23217 61654 Used With Text: Love Divine, All Loves Excelling

Instances

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Published text-tune combinations (hymns) from specific hymnals

Let Us Pray for One Another

Author: Maurice L. Draper, 1918-2001; David H. Smith, 1844-1904 Hymnal: Community of Christ Sings #186 (2013) Meter: 8.7.8.7 D Topics: Care; Christian unity; Compassion; Fellowship; Restoration Heritage; Redemption; Relationships; Renewal; Zion-Reign of God Scripture: Colossians 1:9-10 Languages: English Tune Title: DECATUR
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All for Jesus

Author: Mary D. James Hymnal: Lutherförbundets Sångbok #E88 (1913) Meter: 8.7.8.7 D First Line: All for Jesus! all for Jesus! Lyrics: 1 All for Jesus! all for Jesus! All my being's ransomed pow'rs: All my tho'ts, and words, and doings, All my days and all my hours. All for Jesus! all for Jesus! All my days, and all my hours; All for Jesus! all for Jesus! All my days, and all my hours. 2 Let my hands perform His bidding, Let my feet run in His ways-- Let my eyes see Jesus only, Let my lips speak forth His praise. All for Jesus! all for Jesus! Let my lips speak forth His praise; All for Jesus! all for Jesus! Let my lips speak forth His praise. 3 Since my eyes were fixed on Jesus, I've lost sight of all besides: So enchained my spirit's vision, Looking at the Crucified; All for Jesus! all for Jesus! Looking at the Crucified; All for Jesus! all for Jesus! Looking at the Crucified. 4 Oh, what wonder! how amazing! Jesus, glorious King of kings-- Deigns to call me His beloved, Lets me rest beneath His wings. All for Jesus! all for Jesus! Resting now beneath His wings: All for Jesus! all for Jesus! Resting now beneath His wings. Topics: Confession and Consecration Languages: English Tune Title: ALL FOR JESUS
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Allt för Jesus!

Hymnal: Lutherförbundets Sångbok #S88 (1913) Meter: 8.7.8.7 D First Line: Allt för Jesus, allt för Jesus Lyrics: 1 Allt för Jesus, allt för Jesus! Allt hos mig til lifvets slut, Hvarje tanke, ord och gärning, Hvarje gad och hvar minut, Altt för Jesus! O betänk det, Han rår om oss hvar minut, Snart vi skåda få hans anlet' I osäglig fröjd till slut. 2 Världen si na pärlor prisar, Är med gyllne glitter nöjd, Fikar efter lust och ära. Endast Jesus är min fröjd. Endast han skall hjärtat hafva, Ingenting skall skilja mig Från hans kärlek underbara, Från hans trohet innerlig. 3 Sen jag fick min blick på Jesus, Annat allt för mig försvann. Han, som led för mig på korset, Så mitt hjärtas kärlek vann. Allt för Jesus! han min kärlek Vunnit har till evig tid. Gärna bär jag världens smälek, Blott jag har i honom frid. 4 O hvad sällhet, o hvad under! Han som herrars Herre är, Jesus själf, sin vän mig kallar Och uti sin famn mig bär. Allt för Jesus! Han är värdig Lof och pris och ära ha, Hyllningssången, skön och härlig, Här och uti himlarna. Topics: Helgelse Och Bevarande; Holiness Languages: Swedish Tune Title: WHAT A FRIEND WE HAVE IN JESUS

People

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Authors, composers, editors, etc.

Arthur Henry Brown

1830 - 1926 Meter: 8.7.8.7 D Composer of "ST. MABYN" in The Presbyterian Book of Praise Born: Ju­ly 24, 1830, Brent­wood, Es­sex, Eng­land. Died: Feb­ru­a­ry 15, 1926, Brent­wood, Es­sex, Eng­land. Almost com­plete­ly self taught, Brown be­gan play­ing the or­gan at the age 10. He was or­gan­ist of the Brent­wood Par­ish Church, Es­sex (1842-53); St. Ed­ward’s, Rom­ford (1853-58); Brent­wood Par­ish Church (1858-88); St. Pe­ter’s Church, South Weald (from 1889); and Sir An­tho­ny Browne’s School (to 1926). A mem­ber of the Lon­don Gre­gor­i­an As­so­ci­a­tion, he helped as­sem­ble the Ser­vice Book for the an­nu­al fes­tiv­al in St. Paul’s Ca­thed­ral. He sup­port­ed the Ox­ford Move­ment, and pi­o­neered the res­tor­a­tion of plain­chant and Gre­gor­i­an mu­sic in Ang­li­can wor­ship. Brown ed­it­ed var­i­ous pub­li­ca­tions, in­clud­ing the Al­tar Hym­nal. His other works in­clude set­tings of the Can­ti­cles and the Ho­ly Com­mun­ion Ser­vice, a Child­ren’s Fes­tiv­al Serv­ice, an­thems, songs, part songs, and over 800 hymn tunes and car­ols. Music: Alleluia! Sing the Tri­umph Arthur Dale Ab­bey Fields of Gold Are Glow­ing Gerran Holy Church Holy Rood If An­gels Sang Our Sav­ior’s Birth Lammas O, Sing We a Car­ol Purleigh Redemptor Mun­di Ring On, Ye Joy­ous Christ­mas Bells Saffron Wal­den St. An­a­tol­i­us St. Aus­tell St. John Dam­as­cene St. Ma­byn St. So­phro­ni­us Story of the Cross Sweet Child Di­vine --www.hymntime.com/tch

William Walsham How

1823 - 1897 Meter: 8.7.8.7 D Author of "O Jesus, thou art standing" in The Hymnal of the Protestant Episcopal Church in the United States of America 1940 William W. How (b. Shrewsbury, Shropshire, England, 1823; d. Leenane, County Mayo, Ireland, 1897) studied at Wadham College, Oxford, and Durham University and was ordained in the Church of England in 1847. He served various congregations and became Suffragan Bishop in east London in 1879 and Bishop of Wakefield in 1888. Called both the "poor man's bishop" and "the children's bishop," How was known for his work among the destitute in the London slums and among the factory workers in west Yorkshire. He wrote a number of theological works about controversies surrounding the Oxford Movement and attempted to reconcile biblical creation with the theory of evolution. He was joint editor of Psalms and Hymns (1854) and Church Hymns (1871). While rector in Whittington, How wrote some sixty hymns, including many for chil­dren. His collected Poems and Hymns were published in 1886. Bert Polman =============== How, William Walsham, D.D., son of William Wybergh How, Solicitor, Shrewsbury, was born Dec. 13, 1823, at Shrewsbury, and educated at Shrewsbury School and Wadham College, Oxford (B.A. 1845). Taking Holy Orders in 1846, he became successively Curate of St. George's, Kidderminster, 1846; and of Holy Cross, Shrewsbury, 1848. In 1851 he was preferred to the Rectory of Whittington, Diocese of St. Asaph, becoming Rural Dean in 1853, and Hon. Canon of the Cathedral in 1860. In 1879 he was appointed Rector of St. Andrew's Undershaft, London, and was consecrated Suffragan Bishop for East London, under the title of the Bishop of Bedford, and in 1888 Bishop of Wakefield. Bishop How is the author of the Society for Promoting Christian Knowledge Commentary on the Four Gospels; Plain Words , Four Series; Plain Words for Children; Pastor in Parochia; Lectures on Pastoral Work; Three All Saints Summers, and Other Poems , and numerous Sermons , &c. In 1854 was published Psalms and Hymns, Compiled by the Rev. Thomas Baker Morrell, M.A., . . . and the Rev. William Walsham How, M.A. This was republished in an enlarged form in 1864, and to it was added a Supplement in 1867. To this collection Bishop How contributed several hymns, and also to the S. P. C. K. Church Hymns , of which he was joint editor, in 1871. The Bishop's hymns in common use amount in all to nearly sixty. Combining pure rhythm with great directness and simplicity, Bishop How's compositions arrest attention more through a comprehensive grasp of the subject and the unexpected light thrown upon and warmth infused into facia and details usually shunned by the poet, than through glowing imagery and impassioned rhetoric. He has painted lovely images woven with tender thoughts, but these are few, and found in his least appreciated work. Those compositions which have laid the firmest hold upon the Church, are simple, unadorned, but enthusiastically practical hymns, the most popular of which, "O Jesu, Thou art standing"; "For all the Saints who from their labours rest," and "We give Thee but Thine own," have attained to a foremost rank. His adaptations from other writers as in the case from Bishop Ken, "Behold, the Master passeth by," are good, and his Children's hymns are useful and popular. Without any claims to rank as a poet, in the sense in which Cowper and Montgomery were poets, he has sung us songs which will probably outlive all his other literary works. The more important of Bishop How's hymns, including those already named, and "Lord, Thy children guide and keep"; "O Word of God Incarnate"; "This day at Thy creating word"; "Who is this so weak and helpless"; and others which have some special history or feature of interest, are annotated under their respective first lines. The following are also in common use:— i. From Psalms & Hymns, 1854. 1. Before Thine awful presence, Lord. Confirmation. 2. Jesus, Name of wondrous love [priceless worth]. Circumcision. The Name Jesus . 3. Lord Jesus, when we stand afar. Passiontide. 4. O blessing rich, for sons of men. Members of Christ. 5. 0 Lord of Hosts, the earth is Thine. In time of War. 6. O Lord, Who in Thy wondrous love. Advent. ii. From Psalms & Hymns, enlarged, 1864. 7. Lord, this day Thy children meet. Sunday School Anniversary. iii. From Supplement to the Psalms & Hymns, 1867. 8. Hope of hopes and joy of joys. Resurrection. 9. 0 daughters blest of Galilee. For Associations of Women. 10. O happy feet that tread. Public Worship. 11. With trembling awe the chosen three. Transfiguration. iv. From Parish Magazine, 1871, and Church Hymns, 1871. 12. O Jesu, crucified for man. Friday. 13. Yesterday, with worship blest. Monday. v. From the S. P. C. K. Church Hymns. 1871. 14. Bowed low in supplication. For the Parish. 15. Great Gabriel sped on wings of light. Annunciation, of the Blessed Virgin Mary. 16. O blest was he, whose earlier skill. St. Luke. 17. O God, enshrined in dazzling light. Omnipresence. Divine Worship . 18. O heavenly Fount of Light and Love. Witsuntide. 19. O Lord, it is a blessed thing. Weekdays. 20. 0 One with God the Father. Epiphany. 21. O Thou through suffering perfect made. Hospitals. 22. Rejoice, ye sons of men. Purification of the B. V. M. 23. Summer suns are glowing. Summer. 24. The year is swiftly waning. Autumn. 25. Thou art the Christ, O Lord. St. Peter. 26. To Thee our God we fly. National Hymn. 27. Upon the holy Mount they stood. Transfiguration and Church Guilds. 28. We praise Thy grace, 0 Saviour. St. Mark. vi. From the S. P. C. K. Children's Hymns, 1872. 29. Behold a little child. Jesus the Child's Example. 30. Come, praise your Lord and Saviour. Children's Praises. 31. It is a thing most wonderful. Sunday School Anniversary. 32. On wings of living light. Easter. Bishop How's hymns and sacred and secular pieces were collected and published as Poems and Hymns, 1886. The Hymns, 54 in all, are also published separately. He d. Aug. 10, 1897. --John Julian, Dictionary of Hymnology (1907) =================== How, W. W., p. 540, i. He died Aug. 10, 1897. His Memoir, by F. D. How, was published in 1898. --John Julian, Dictionary of Hymnology, New Supplement (1907)

I. B. Woodbury

1819 - 1858 Person Name: I. B. Woodbury, d. 1858 Meter: 8.7.8.7 D Composer of "DORRNANCE" in The National Hymn Book of the American Churches Woodbury, Isaac Baker. (Beverly, Massachusetts, October 23, 1819--October 26, 1858, Columbia, South Carolina). Music editor. As a boy, he studied music in nearby Boston, then spent his nineteenth year in further study in London and Paris. He taught for six years in Boston, traveling throughout New England with the Bay State Glee Club. He later lived at Bellow Falls, Vermont, where he organized the New Hampshire and Vermont Musical Association. In 1849 he settled in New York City where he directed the music at the Rutgers Street Church until ill-health caused him to resign in 1851. He became editor of the New York Musical Review and made another trip to Europe in 1852 to collect material for the magazine. in the fall of 1858 his health broke down from overwork and he went south hoping to regain his strength, but died three days after reaching Columbia, South Carolina. He published a number of tune-books, of which the Dulcimer, of New York Collection of Sacred Music, went through a number of editions. His Elements of Musical Composition, 1844, was later issued as the Self-instructor in Musical Composition. He also assisted in the compilation of the Methodist Hymn Book of 1857. --Leonard Ellinwood, DNAH Archives

Hymnals

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Published hymn books and other collections

Small Church Music

Meter: 8.7.8.7 D Editors: John Newton Description: The SmallChurchMusic site was launched in 2006, growing out of the requests from those struggling to provide suitable music for their services and meetings. Rev. Clyde McLennan was ordained in mid 1960’s and was a pastor in many small Australian country areas, and therefore was acutely aware of this music problem. Having also been trained as a Pipe Organist, recordings on site (which are a subset of the smallchurchmusic.com site) are all actually played by Clyde, and also include piano and piano with organ versions. All recordings are in MP3 format. Churches all around the world use the recordings, with downloads averaging over 60,000 per month. The recordings normally have an introduction, several verses and a slowdown on the last verse. Users are encouraged to use software: Audacity (http://www.audacityteam.org) or Song Surgeon (http://songsurgeon.com) (see http://scm-audacity.weebly.com for more information) to adjust the MP3 number of verses, tempo and pitch to suit their local needs. Copyright notice: Rev. Clyde McLennan, performer in this collection, has assigned his performer rights in this collection to Hymnary.org. Non-commercial use of these recordings is permitted. For permission to use them for any other purposes, please contact manager@hymnary.org. Home/Music(smallchurchmusic.com) List SongsAlphabetically List Songsby Meter List Songs byTune Name About  

The Book of Psalms for Singing

Publication Date: 1998 Publisher: Crown and Covenant Publications Meter: 8.7.8.7 D Publication Place: Pittsburgh, PA

Christian Classics Ethereal Hymnary

Publication Date: 2007 Publisher: Grand Rapids, MI: Christian Classics Ethereal Library Meter: 8.7.8.7 D