My Starred Hymns
My Hymnals
My Purchased Files
Planning worship?
Check out our sister site, ZeteoSearch.org,
for 20+ additional resources related to your search.
- |
User Links
Search Results
Isaiah 2:2-6: Behold! the mountain of the Lord
Meter: 8.6.8.6 Appears in 182 hymnals Scripture: Isaiah 2:2-6 First Line: Behold! the mountain of the Lord Lyrics:
Behold! the mountain of the Lord
in latter days shall rise
On mountain tops above the hills,
and draw the wond’ring eyes.
To this the joyful nations round,
all tribes and tongues shall flow;
Up to the hill of God, they’ll say,
and to his house we’ll go.
The beam that shines from Sion hill
shall lighten ev’ry land;
The King who reigns in Salem’s tow’rs
shall all the world command.
Among the nations he shall judge;
his judgments truth shall guide;
His sceptre shall protect the just,
and quell the sinner’s pride.
No strife shall rage, nor hostile feuds
disturb those peaceful years;
To ploughshares men shall beat their swords,
to pruning-hooks their spears.
130
No longer hosts encount’ring hosts
shall crowds of slain deplore:
They hang the trumpet in the hall,
and study war no more.
Come then, O house of Jacob! come
to worship at his Shrine;
And, walking in the light of God,
with holy beauties shine,
Isaiah 2:2-6: Behold! the mountain of the Lord
O God of Every Nation
Author: William W. Reid, Jr. Meter: 7.6.7.6.7.6.7.6 Appears in 32 hymnals Scripture: Isaiah 2:4 Lyrics: 1 O God of every nation,
of every race and land,
redeem the whole creation
with your almighty hand.
Where hate and fear divide us
and bitter threats are hurled,
in love and mercy guide us,
and heal our strife-torn world.
2 From search for wealth and power
and scorn of truth and right,
from trust in bombs that shower
destruction through the night,
from pride of race and nation
and blindness to your way,
deliver every nation,
eternal God, we pray!
3 Lord, strengthen all who labor
that we may find release
from fear of rattling saber,
from dread of war's increase.
When hope and courage falter,
Lord, let your voice be heard;
with faith that none can alter,
your servants undergird.
4 Keep bright in us the vision
of days when war shall cease,
when hatred and division
give way to love and peace,
till dawns the morning glorious
when truth and justice reign,
and Christ shall rule victorious
o'er all the world's domain.
Topics: Industry & Labor; King, God/Christ as; Society/Social Concerns; War & Revolution; Industry & Labor; King, God/Christ as; Nation; New Creation; Peace; Society/Social Concerns; War & Revolution Used With Tune: LLANGLOFFAN
O God of Every Nation
Holy, Holy, Holy! Lord God Almighty
Author: Reginald Heber, 1783-1826 Meter: 11.12.12.10 Appears in 1,642 hymnals Scripture: Isaiah 2:2-3 Lyrics: 1 Holy, Holy, Holy! Lord God Almighty!
Early in the morning our song shall rise to thee;
Holy, Holy, Holy! Merciful and mighty!
God in three Persons, blessed Trinity!
2 Holy, Holy, Holy! all the saints adore thee,
Casting down their golden crowns around the glassy sea;
Cherubim and seraphim falling down before thee,
God everlasting through eternity.
3 Holy, Holy, Holy! though the darkness hide thee,
Though the eye made blind by sin thy glory may not see,
Only thou art holy; there is none beside thee
Perfect in power, in love, and purity.
4 Holy, Holy, Holy! Lord God Almighty!
All thy works shall praise thy Name in earth, and sky, and sea;
Holy, Holy, Holy! merciful and mighty,
God in three Persons, blessed Trinity!
Used With Tune: NICEA
Holy, Holy, Holy! Lord God Almighty
Rock of Ages, cleft for me
Author: Augustus Montague Toplady, 1740-1778 Hymnal: Singing the Faith #434 (2011) Meter: 7.7.7.7.7.7 Scripture: Isaiah 2:10 Topics: Repentance and Forgiveness Languages: English Tune Title: PETRA (REDHEAD 76)
Rock of Ages, cleft for me
Jesus Shall Reign Where'er the Sun
Author: Isaac Watts (1674-1748) Hymnal: Common Praise (1998) #383 (1998) Meter: 8.8.8.8 Scripture: Isaiah 2:1-5 Lyrics: 1 Jesus shall reign where e'er the sun
doth its successive journeys run;
his kingdom stretch from shore to shore,
till moons shall wax and wane no more.
2 People and realms of every tongue
dwell on his love with sweetest song;
and infant voices shall proclaim
their early blessings on his name.
3 Blessings abound where e'er he reigns:
the prisoners leap to lose their chains,
the weary find eternal rest,
and all who suffer want are blest.
4 Let every creature rise and bring
peculiar honours to our King;
angels descend with songs again,
and earth repeat the loud Amen. Topics: Gathering of the Community; Kingdom; Mission; Offertory; Praise of God; Reign of Christ Languages: English Tune Title: DUKE STREET
Jesus Shall Reign Where'er the Sun
Abide with me: fast falls the eventide
Author: H. F. Lyte, 1793-1847 Hymnal: Common Praise #10 (2000) Meter: 10.10.10.10 Scripture: Isaiah 2:17 Lyrics: 1 Abide with me; fast falls the eventide:
the darkness deepens; Lord, with me abide!
when other helpers fail, and comforts flee,
help of the helpless, O abide with me.
2 Swift to its close ebbs out life's little day;
earth's joys grow dim, its glories pass away;
change and decay in all around I see;
O thou who changest not, abide with me.
3 I need thy presence every passing hour;
what but thy grace can foil the tempter's power?
who like thyself my guide and stay can be?
through cloud and sunshine, O abide with me.
4 I fear no foe with thee at hand to bless;
ills have no weight, and tears no bitterness.
Where is death's sting? Where, grave, thy victory?
I triumph still, if thou abide with me.
5 Hold thou thy cross before my closing eyes;
shine through the gloom, and point me to the skies:
Heaven's morning breaks, and earth's vain shadows flee;
in life, in death, O Lord, abide with me! Topics: Evening; Funerals, Commemoration, Remembrance and All Souls Languages: English Tune Title: EVENTIDE
Abide with me: fast falls the eventide
John Bacchus Dykes
1823 - 1876 Person Name: John Bacchus Dykes, 1823-1876 Scripture: Isaiah 2:2-3 Composer of "NICEA" in Gather Comprehensive As a young child John Bacchus Dykes (b. Kingston-upon-Hull' England, 1823; d. Ticehurst, Sussex, England, 1876) took violin and piano lessons. At the age of ten he became the organist of St. John's in Hull, where his grandfather was vicar. After receiving a classics degree from St. Catherine College, Cambridge, England, he was ordained in the Church of England in 1847. In 1849 he became the precentor and choir director at Durham Cathedral, where he introduced reforms in the choir by insisting on consistent attendance, increasing rehearsals, and initiating music festivals. He served the parish of St. Oswald in Durham from 1862 until the year of his death. To the chagrin of his bishop, Dykes favored the high church practices associated with the Oxford Movement (choir robes, incense, and the like). A number of his three hundred hymn tunes are still respected as durable examples of Victorian hymnody. Most of his tunes were first published in Chope's Congregational Hymn and Tune Book (1857) and in early editions of the famous British hymnal, Hymns Ancient and Modern.
Bert Polman
John Bacchus Dykes
William Watkins Reid
1923 - 2007 Person Name: William W. Reid, Jr. Scripture: Isaiah 2:4 Author of "O God of Every Nation" in Psalter Hymnal (Gray) William W. Reid, Jr. (1923-2007), after graduating from Oberlin College and Seminary and Yale Divinity School served for more than fifty years as pastor in the Wyoming Conference in rural and inner-city Methodist churches. He served on the Executive Committee of The Hymn Society of America. He was involved in social issues, serving as a councilman and county commissioner. His hymns are widely published in hymnals of many denominations.
Mary Louise VanDyke
===============================
William W. Reid, Jr. is pastor of the Methodist Church Circuit at Carverton, Pennsylvania. He previously served in a similar capacity at Camptown in the same State. He is a graduate of the Yale Divinity School and Oberlin College. He served during World War II in the Medical Corps and was held prisoner by the Germans for eight months. He is the author of several hymns including those in "Fourteen New Rural Hymns" and "Twelve New World Order Hymns" published by the Hymn Society.
----Fifteen New Christian Education Hymns, 1959. Used by permission.
================================
William Watkins Reid, Jr., is currently pastor of Central United Methodist Church, Wilkes-Barre, Pennsylvania. He is a member of the Wyoming Annual Conference and has been active on its Social Concerns, Town and Country, and Evangelism boards, and on the Pennsylvania Council of Churches.
----Twelve New Lord’s Day Hymns, 1968. Used by permission.
================================
[Reid] is an executive committee member of the Hymn Society of America, and is the author of a number of hymns that have been published in hymnals in the United States, Canada, England, and in South Africa. As a council man he is concern with the ecology of Wyoming Valley (Penn. and N.Y.) and with the rebuilding of Wilkes-Barre after the disastrous flood of 1972.
--16 New Hymns on the Stewardship of the Environment [Ecology] , 1973. Used by permission.
William Watkins Reid
C. Hubert H. Parry
1848 - 1918 Person Name: C. Hubert H. Parry, 1848-1918 Scripture: Isaiah 2:2-5 Composer of "JERUSALEM" in With One Voice Charles Hubert Hastings Parry KnBch/Brnt BMus United Kingdom 1848-1918. Born at Richmond Hill, Bournemouth, England, son of a wealthy director of the East India Company (also a painter, piano and horn musician, and art collector). His mother died of consumption shortly after his birth. His father remarried when he was three, and his stepmother favored her own children over her stepchildren, so he and two siblings were sometimes left out. He attended a preparatory school in Malvern, then at Twyford in Hampshire. He studied music from 1856-58 and became a pianist and composer. His musical interest was encouraged by the headmaster and by two organists. He gained an enduring love for Bach’s music from S S Wesley and took piano and harmony lessons from Edward Brind, who also took him to the ‘Three Choirs Festival in Hereford in 1861, where Mendelssohn, Mozart, Handel, and Beethoven works were performed. That left a great impression on Hubert. It also sparked the beginning of a lifelong association with the festival. That year, his brother was disgraced at Oxford for drug and alcohol use, and his sister, Lucy, died of consumption as well. Both events saddened Hubert. However, he began study at Eton College and distinguished himself at both sport and music. He also began having heart trouble, that would plague him the rest of his life. Eton was not known for its music program, and although some others had interest in music, there were no teachers there that could help Hubert much. He turned to George Elvey, organist of St George’s Chapel, Windsor Castle, and started studying with him in 1863. Hubert eventually wrote some anthems for the choir of St George’s Chapel, and eventually earned his music degree. While still at Eton, Hubert sat for the Oxford Bachelor of Music exam, the youngest person ever to have done so. His exam exercise, a cantata: “O Lord, Thou hast cast us out” astonished the Heather Professor of Music, Sir Frederick Ouseley, and was triumphantly performed and published in 1867. In 1867 he left Eton and went to Exeter College, Oxford. He did not study music there, his music concerns taking second place, but read law and modern history. However, he did go to Stuttgart, Germany, at the urging of Henry Hugh Pierson, to learn re-orchestration, leaving him much more critical of Mendelssohn’s works. When he left Exeter College, at his father’s behest, he felt obliged to try insurance work, as his father considered music only a pastime (too uncertain as a profession). He became an underwriter at Lloyd’s of London, 1870-77, but he found the work unappealing to his interests and inclinations. In 1872 he married Elizabeth Maude Herbert, and they had two daughters: Dorothea and Gwendolen. His in-laws agreed with his father that a conventional career was best, but it did not suit him. He began studying advanced piano with W S Bennett, but found it insufficient. He then took lessons with Edward Dannreuther, a wise and sympathetic teacher, who taught him of Wagner’s music. At the same time as Hubert’s compositions were coming to public notice (1875), he became a scholar of George Grove and soon an assistant editor for his new “Dictionary of Music and Musicians”. He contributed 123 articles to it. His own first work appeared in 1880. In 1883 he became professor of composition and musical history at the Royal College of Music (of which Grove was the head). In 1895 Parry succeeded Grove as head of the college, remaining in the post the remainder of his life. He also succeeded John Stainer as Heather Professor of Music at the University of Oxford (1900-1908). His academic duties were considerable and likely prevented him from composing as much as he might have. However, he was rated a very fine composer, nontheless, of orchestrations, overtures, symphonies, and other music. He only attempted one opera, deemed unsuccessful. Edward Elgar learned much of his craft from Parry’s articles in Grove’s Dictionary, and from those who studied under Parry at the Royal College, including Ralph Vaughn Williams, Gustav Holst, Frank Bridge, and John Ireland. Parry had the ability when teaching music to ascertain a student’s potential for creativity and direct it positively. In 1902 he was created a Baronet of Highnam Court in Gloucester. Parry was also an avid sailor and owned several yachts, becoming a member of the Royal Yacht Squadron in 1908, the only composer so honored. He was a Darwinian and a humanist. His daughter reiterated his liberal, non-conventional thinking. On medical advice he resigned his Oxford appointment in 1908 and produced some of his best known works. He and his wife were taken up with the ‘Suffrage Movement’ in 1916. He hated to see the WW1 ravage young potential musical talent from England and Germany. In 1918 he contracted Spanish flu during the global pandemic and died at Knightsscroft, Rustington, West Sussex. In 2015 they found 70 unpublished works of Parry’s hidden away in a family archive. It is thought some may never have been performed in public. The documents were sold at auction for a large sum. Other works he wrote include: “Studies of great composers” (1886), “The art of music” (1893), “The evolution of the art of music” (1896), “The music of the 17th century” (1902). His best known work is probably his 1909 study of “Johann Sebastian Bach”.
John Perry
C. Hubert H. Parry
