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Psalm 112
Author: Isaac Watts Meter: 8.6.8.6 Appears in 91 hymnals Scripture: Psalm 112 First Line: Happy is he that fears the Lord Lyrics:
Happy is he that fears the Lord,
And follows his commands;
Who lends the poor without reward,
Or gives with lib'ral hands.
As pity dwells within his breast
To all the sons of need;
So God shall answer his request
With blessings on his seed.
No evil tidings shall surprise
His well-established mind;
His soul to God his refuge flies,
And leaves his fears behind.
In times of general distress
Some beams of light shall shine,
To show the world his righteousness,
And give him peace divine.
His works of piety and love
Remain before the Lord;
Honor on earth and joys above
Shall be his sure reward.
Topics: Blessings of a person; Charity and justice; Good Works; Poor charity to them; Charity to the poor; Liberality rewarded; Preservation in public dangers
Psalm 112
Psalm 112
Author: Isaac Watts Meter: 8.8.8.8.8.8 Appears in 78 hymnals Scripture: Psalm 112 First Line: That man is blest who stands in awe Lyrics:
That man is blest who stands in awe
Of God, and loves his sacred law:
His seed on earth shall be renowned;
His house the seat of wealth shall be,
An inexhausted treasury,
And with successive honors crowned.
His lib'ral favors he extends,
To some he gives, to others lends;
A gen'rous pity fills his mind:
Yet what his charity impairs,
He saves by prudence in affairs
And thus he's just to all mankind.
His hands, while they his alms bestowed,
His glory's future harvest sowed;
The sweet remembrance of the just,
Like a green root, revives and bears
A train of blessings for his heirs,
When dying nature sleeps in dust.
Beset with threat'ning dangers round,
Unmoved shall he maintain his ground;
His conscience holds his courage up:
The soul that's filled with virtue's light,
Shines brightest in affliction's night,
And sees in darkness beams of hope.
[Ill tidings never can surprise
His heart that fixed on God relies,
Though waves and tempests roar around:
Safe on the rock he sits, and sees
The shipwreck of his enemies,
And all their hope and glory drowned.
The wicked shall his triumph see,
And gnash their teeth in agony,
To find their expectations crossed;
They and their envy, pride, and spite,
Sink down to everlasting night,
And all their names in darkness lost.]
Topics: Blessings of a person; Charity and justice; Good Works; Poor charity to them; Charity to the poor; Liberality rewarded; Preservation in public dangers
Psalm 112
Psalm 112
Author: Isaac Watts Meter: 8.8.8.8 Appears in 68 hymnals Scripture: Psalm 112 First Line: Thrice happy man who fears the Lord Lyrics:
Thrice happy man who fears the Lord,
Loves his commands, and trusts his word;
Honor and peace his days attend,
And blessings to his seed descend.
Compassion dwells upon his mind,
To works of mercy still inclined;
He lends the poor some present aid,
Or gives them, not to be repaid.
When times grow dark, and tidings spread
That fill his neighbors round with dread,
His heart is armed against the fear,
For God with all his power is there.
His soul, well fixed upon the Lord,
Draws heav'nly courage from his word;
Amidst the darkness light shall rise,
To cheer his heart and bless his eyes.
He hath dispersed his alms abroad;
His works are still before his God;
His name on earth shall long remain,
While envious sinners fret in vain.
Topics: Blessings of a person; Charity and justice; Good Works; Poor charity to them; Charity to the poor; Liberality rewarded; Preservation in public dangers
Psalm 112
[A light rises in the darkness] (Guimont)
Appears in 3 hymnals Composer and/or Arranger: Michel Guimont Scripture: Psalm 112:4-9 Tune Key: D Major Incipit: 12665 435 Used With Text: Psalm 112: A Light Rises in the Darkness
[A light rises in the darkness] (Guimont)
LAUDES DOMINI
Meter: 6.6.6 D Appears in 441 hymnals Composer and/or Arranger: Joseph Barnby Scripture: Psalm 112:4 Tune Key: B Flat Major Incipit: 34561 76567 13217 Used With Text: When Morning Gilds the Skies
LAUDES DOMINI
My Faith Looks Up to Thee
Author: Ray Palmer Hymnal: Glory to God #829 (2013) Meter: 6.6.4.6.6.6.4 Scripture: Psalm 112:4 Lyrics: 1 My faith looks up to thee,
thou Lamb of Calvary,
Savior divine!
Now hear me while I pray;
take all my guilt away;
O let me from this day
be wholly thine!
2 May thy rich grace impart
strength to my fainting heart,
my zeal inspire;
as thou hast died for me,
O may my love to thee
pure, warm, and changeless be,
a living fire!
3 While life's dark maze I tread
and griefs around me spread,
be thou my guide;
bid darkness turn to day;
wipe sorrow's tears away;
nor let me ever stray
from thee aside.
4 When ends life's transient dream,
when death's cold, sullen stream
shall o'er me roll;
blest Savior, then, in love,
fear and distrust remove;
O bear me safe above,
a ransomed soul! Topics: Faith; Forgiveness; Funeral; Grace; Guidance; Living and Dying in Christ Languages: English Tune Title: OLIVET
My Faith Looks Up to Thee
Lead, kindly light, amid the encircling gloom
Author: John Henry Newman, 1801-90 Hymnal: Together in Song #582 (1999) Meter: 10.4.10.4.10.10 Scripture: Psalm 112 Lyrics: 1 Lead, kindly light, amid the encircling gloom;
lead thou me on.
The night is dark, and I am far from home;
lead thou me on.
Keep thou my feet; I do not ask to see
the distant scene - one step enough for me.
2 I was not ever thus, nor prayed that thou
shouldst lead me on.
I loved to choose and see my path; but now
lead thou me on.
I loved the garish day, and, spite of fears
pride ruled my will: remember not past years.
3 So long thy power hath blest me, sure it still
will lead me on,
o'er moor and fen, o'er crag and torrent, till
the night is gone;
and with the morn those angel faces smile,
which I have loved long since, and lost awhile.
Topics: Consolation; Doubt; Evening; Justice; Light; Night; Personal Petition; Pilgrimage; Providence; Saints Days and Holy Days Any Saint; Saints Days and Holy Days Conversion of St Paul; Temptation; Trust in God Languages: English Tune Title: SANDON
Lead, kindly light, amid the encircling gloom
Saviour, again to thy dear name we raise
Author: John Ellerton, 1826-1893 Hymnal: Common Praise #20 (2000) Meter: 10.10.10.10 Scripture: Psalm 112:4 Lyrics: 1 Saviour, again to thy dear name we raise
with one accord our parting hymn of praise;
we stand to bless thee ere our worship cease;
then, lowly kneeling, wait thy word of peace.
2 Grant us thy peace upon our homeward way;
with thee began, with thee shall end, the day:
guard thou the lips from sin, the hearts from shame,
that in this house have called upon thy name.
3 Grant us thy peace, Lord, through the coming night;
turn thou for us its darkness into light;
from harm and danger keep thy children free,
for dark and light are both alike to thee.
4 Grant us thy peace throughout our earthly life,
our balm in sorrow, and our stay in strife;
then, when thy voice shall bid our conflict cease,
call us, O Lord, to thine eternal peace. Topics: Evening Languages: English Tune Title: ELLERS
Saviour, again to thy dear name we raise
Isaac Watts
1674 - 1748 Scripture: Psalm 112 Author of "Psalm 112" in Psalms and Hymns of Isaac Watts, The Isaac Watts was the son of a schoolmaster, and was born in Southampton, July 17, 1674. He is said to have shown remarkable precocity in childhood, beginning the study of Latin, in his fourth year, and writing respectable verses at the age of seven. At the age of sixteen, he went to London to study in the Academy of the Rev. Thomas Rowe, an Independent minister. In 1698, he became assistant minister of the Independent Church, Berry St., London. In 1702, he became pastor. In 1712, he accepted an invitation to visit Sir Thomas Abney, at his residence of Abney Park, and at Sir Thomas' pressing request, made it his home for the remainder of his life. It was a residence most favourable for his health, and for the prosecution of his literary labours. He did not retire from ministerial duties, but preached as often as his delicate health would permit.
The number of Watts' publications is very large. His collected works, first published in 1720, embrace sermons, treatises, poems and hymns. His "Horae Lyricae" was published in December, 1705. His "Hymns" appeared in July, 1707. The first hymn he is said to have composed for religious worship, is "Behold the glories of the Lamb," written at the age of twenty. It is as a writer of psalms and hymns that he is everywhere known. Some of his hymns were written to be sung after his sermons, giving expression to the meaning of the text upon which he had preached. Montgomery calls Watts "the greatest name among hymn-writers," and the honour can hardly be disputed. His published hymns number more than eight hundred.
Watts died November 25, 1748, and was buried at Bunhill Fields. A monumental statue was erected in Southampton, his native place, and there is also a monument to his memory in the South Choir of Westminster Abbey. "Happy," says the great contemporary champion of Anglican orthodoxy, "will be that reader whose mind is disposed, by his verses or his prose, to imitate him in all but his non-conformity, to copy his benevolence to men, and his reverence to God." ("Memorials of Westminster Abbey," p. 325.)
--Annotations of the Hymnal, Charles Hutchins, M.A., 1872.
=================================
Watts, Isaac, D.D. The father of Dr. Watts was a respected Nonconformist, and at the birth of the child, and during its infancy, twice suffered imprisonment for his religious convictions. In his later years he kept a flourishing boarding school at Southampton. Isaac, the eldest of his nine children, was born in that town July 17, 1674. His taste for verse showed itself in early childhood. He was taught Greek, Latin, and Hebrew by Mr. Pinhorn, rector of All Saints, and headmaster of the Grammar School, in Southampton. The splendid promise of the boy induced a physician of the town and other friends to offer him an education at one of the Universities for eventual ordination in the Church of England: but this he refused; and entered a Nonconformist Academy at Stoke Newington in 1690, under the care of Mr. Thomas Rowe, the pastor of the Independent congregation at Girdlers' Hall. Of this congregation he became a member in 1693.
Leaving the Academy at the age of twenty, he spent two years at home; and it was then that the bulk of the Hymns and Spiritual Songs (published 1707-9) were written, and sung from manuscripts in the Southampton Chapel. The hymn "Behold the glories of the Lamb" is said to have been the first he composed, and written as an attempt to raise the standard of praise. In answer to requests, others succeeded. The hymn "There is a land of pure delight" is said to have been suggested by the view across Southampton Water. The next six years of Watts's life were again spent at Stoke Newington, in the post of tutor to the son of an eminent Puritan, Sir John Hartopp; and to the intense study of these years must be traced the accumulation of the theological and philosophical materials which he published subsequently, and also the life-long enfeeblement of his constitution.
Watts preached his first sermon when he was twenty-four years old. In the next three years he preached frequently; and in 1702 was ordained pastor of the eminent Independent congregation in Mark Lane, over which Caryl and Dr. John Owen had presided, and which numbered Mrs. Bendish, Cromwell's granddaughter, Charles Fleetwood, Charles Desborough, Sir John Hartopp, Lady Haversham, and other distinguished Independents among its members. In this year he removed to the house of Mr. Hollis in the Minories. His health began to fail in the following year, and Mr. Samuel Price was appointed as his assistant in the ministry. In 1712 a fever shattered his constitution, and Mr. Price was then appointed co-pastor of the congregation which had in the meantime removed to a new chapel in Bury Street. It was at this period that he became the guest of Sir Thomas Abney, under whose roof, and after his death (1722) that of his widow, he remained for the rest of his suffering life; residing for the longer portion of these thirty-six years principally at the beautiful country seat of Theobalds in Herts, and for the last thirteen years at Stoke Newington. His degree of D.D. was bestowed on him in 1728, unsolicited, by the University of Edinburgh. His infirmities increased on him up to the peaceful close of his sufferings, Nov. 25, 1748. He was buried in the Puritan restingplace at Bunhill Fields, but a monument was erected to him in Westminster Abbey.
His learning and piety, gentleness and largeness of heart have earned him the title of the Melanchthon of his day. Among his friends, churchmen like Bishop Gibson are ranked with Nonconformists such as Doddridge. His theological as well as philosophical fame was considerable. His Speculations on the Human Nature of the Logos, as a contribution to the great controversy on the Holy Trinity, brought on him a charge of Arian opinions. His work on The Improvement of the Mind, published in 1741, is eulogised by Johnson. His Logic was still a valued textbook at Oxford within living memory. The World to Come, published in 1745, was once a favourite devotional work, parts of it being translated into several languages. His Catechisms, Scripture History (1732), as well as The Divine and Moral Songs (1715), were the most popular text-books for religious education fifty years ago. The Hymns and Spiritual Songs were published in 1707-9, though written earlier. The Horae Lyricae, which contains hymns interspersed among the poems, appeared in 1706-9. Some hymns were also appended at the close of the several Sermons preached in London, published in 1721-24. The Psalms were published in 1719. The earliest life of Watts is that by his friend Dr. Gibbons. Johnson has included him in his Lives of the Poets; and Southey has echoed Johnson's warm eulogy. The most interesting modern life is Isaac Watts: his Life and Writings, by E. Paxton Hood. [Rev. H. Leigh Bennett, M.A.]
A large mass of Dr. Watts's hymns and paraphrases of the Psalms have no personal history beyond the date of their publication. These we have grouped together here and shall preface the list with the books from which they are taken.
(l) Horae Lyricae. Poems chiefly of the Lyric kind. In Three Books Sacred: i.To Devotion and Piety; ii. To Virtue, Honour, and Friendship; iii. To the Memory of the Dead. By I. Watts, 1706. Second edition, 1709. (2) Hymns and Spiritual Songs. In Three Books: i. Collected from the Scriptures; ii. Composed on Divine Subjects; iii. Prepared for the Lord's Supper. By I. Watts, 1707. This contained in Bk i. 78 hymns; Bk. ii. 110; Bk. iii. 22, and 12 doxologies. In the 2nd edition published in 1709, Bk. i. was increased to 150; Bk. ii. to 170; Bk. iii. to 25 and 15 doxologies. (3) Divine and Moral Songs for the Use of Children. By I. Watts, London, 1715. (4) The Psalms of David Imitated in the Language of the New Testament, And apply'd to the Christian State and Worship. By I. Watts. London: Printed by J. Clark, at the Bible and Crown in the Poultry, &c, 1719. (5) Sermons with hymns appended thereto, vol. i., 1721; ii., 1723; iii. 1727. In the 5th ed. of the Sermons the three volumes, in duodecimo, were reduced to two, in octavo. (6) Reliquiae Juveniles: Miscellaneous Thoughts in Prose and Verse, on Natural, Moral, and Divine Subjects; Written chiefly in Younger Years. By I. Watts, D.D., London, 1734. (7) Remnants of Time. London, 1736.
454 Hymns and Versions of the Psalms, in addition to the centos are all in common use at the present time.
--Excerpts from John Julian, Dictionary of Hymnology (1907)
==================================
Watts, I. , p. 1241, ii. Nearly 100 hymns, additional to those already annotated, are given in some minor hymn-books.
--John Julian, Dictionary of Hymnology, Appendix, Part II (1907)
=================
Watts, I. , p. 1236, i. At the time of the publication of this Dictionary in 1892, every copy of the 1707 edition of Watts's Hymns and Spiritual Songs was supposed to have perished, and all notes thereon were based upon references which were found in magazines and old collections of hymns and versions of the Psalms. Recently three copies have been recovered, and by a careful examination of one of these we have been able to give some of the results in the revision of pp. 1-1597, and the rest we now subjoin.
i. Hymns in the 1709 ed. of Hymns and Spiritual Songs which previously appeared in the 1707 edition of the same book, but are not so noted in the 1st ed. of this Dictionary:—
On pp. 1237, L-1239, ii., Nos. 18, 33, 42, 43, 47, 48, 60, 56, 58, 59, 63, 75, 82, 83, 84, 85, 93, 96, 99, 102, 104, 105, 113, 115, 116, 123, 124, 134, 137, 139, 146, 147, 148, 149, 162, 166, 174, 180, 181, 182, 188, 190, 192, 193, 194, 195, 197, 200, 202.
ii. Versions of the Psalms in his Psalms of David, 1719, which previously appeared in his Hymns and Spiritual Songs, 1707:—
On pp. 1239, U.-1241, i., Nos. 241, 288, 304, 313, 314, 317, 410, 441.
iii. Additional not noted in the revision:—
1. My soul, how lovely is the place; p. 1240, ii. 332. This version of Ps. lxiv. first appeared in the 1707 edition of Hymns & Spiritual Songs, as "Ye saints, how lovely is the place."
2. Shine, mighty God, on Britain shine; p. 1055, ii. In the 1707 edition of Hymns & Spiritual Songs, Bk. i., No. 35, and again in his Psalms of David, 1719.
3. Sing to the Lord with [cheerful] joyful voice, p. 1059, ii. This version of Ps. c. is No. 43 in the Hymns & Spiritual Songs, 1707, Bk. i., from which it passed into the Ps. of David, 1719.
A careful collation of the earliest editions of Watts's Horae Lyricae shows that Nos. 1, 7, 9, 10, 11, 12, 14, 16, p. 1237, i., are in the 1706 ed., and that the rest were added in 1709. Of the remaining hymns, Nos. 91 appeared in his Sermons, vol. ii., 1723, and No. 196 in Sermons, vol. i., 1721. No. 199 was added after Watts's death. It must be noted also that the original title of what is usually known as Divine and Moral Songs was Divine Songs only.
--John Julian, Dictionary of Hymnology, New Supplement (1907)
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See also in:
Hymn Writers of the Church
Isaac Watts
Samuel Webbe
1740 - 1816 Scripture: Psalm 112 Composer of "MELCOMBE" in Psalter Hymnal (Gray) Samuel Webbe (the elder; b. London, England, 1740; d. London, 1816) Webbe's father died soon after Samuel was born without providing financial security for the family. Thus Webbe received little education and was apprenticed to a cabinetmaker at the age of eleven. However, he was determined to study and taught himself Latin, Greek, Hebrew, French, German, and Italian while working on his apprenticeship. He also worked as a music copyist and received musical training from Carl Barbant, organist at the Bavarian Embassy. Restricted at this time in England, Roman Catholic worship was freely permitted in the foreign embassies. Because Webbe was Roman Catholic, he became organist at the Portuguese Chapel and later at the Sardinian and Spanish chapels in their respective embassies. He wrote much music for Roman Catholic services and composed hymn tunes, motets, and madrigals. Webbe is considered an outstanding composer of glees and catches, as is evident in his nine published collections of these smaller choral works. He also published A Collection of Sacred Music (c. 1790), A Collection of Masses for Small Choirs (1792), and, with his son Samuel (the younger), Antiphons in Six Books of Anthems (1818).
Bert Polman
Samuel Webbe
Sir Henry Wotton
1568 - 1639 Person Name: Henry Wotton Scripture: Psalm 112 Author of "How happy is he born or taught" in A Collection of Psalms and Hymns for Christian Worship (6th ed.) Wotton, Sir Henry, M.A., born in Kent in 1568, and educated at New and at Queen's Colleges, Oxford. After spending nine years on the Continent, on his return he became secretary to Robert, Earl of Essex, with whom he continued until Essex was committed for high treason, when he retired to Florence. There he became known to the Grand Duke of Tuscany, and was sent by him, in the name of "Octavio Baldi," with letters to James VI., King of Scotland, in which the king was informed of a design against his life. On succeeding to the English throne James knighted Wotton and sent him as ambassador to the Republic of Venice. In 1623 he was made Provost of Eton (having previously taken Deacon's Orders). He died in 1639. His works include The Elements of Architecture, Parallel between the Earl of Essex and the Duke of Buckingham, Essay on Education, &c. His poems and other matters found in his manuscripts were published posthumously by Izaak Walton in 1651, as Reliquiae Wottonianae. This has been several times reprinted
--John Julian, Dictionary of Hymnology (1907)
Sir Henry Wotton
