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All Things Praise Thee
Author: George William Conder Meter: 7.7.7.7.7.7 Appears in 42 hymnals First Line: All things praise Thee, Lord most high
All Things Praise Thee
[All things praise Thee, Lord most high]
Appears in 2 hymnals Composer and/or Arranger: Wayne S. Walker Tune Key: E Flat Major Incipit: 11234 54321 33345 Used With Text: All Things Praise Thee
[All things praise Thee, Lord most high]
[All things praise Thee, Lord Most High]
Appears in 6 hymnals Composer and/or Arranger: Unknown Incipit: 13556 35315 33211 Used With Text: All Things Praise Thee, Lord Most High
[All things praise Thee, Lord Most High]
All things praise thee, Lord most high
Author: Rev. George W. Conder Hymnal: The Hymnal #104 (1895) Lyrics: 1 All things praise Thee, Lord Most High,
Heaven and earth and sea and sky;
All were for Thy glory made,
That Thy greatness, thus displayed,
Should all worship bring to Thee.
All things praise Thee, All things praise Thee:
- Lord, may we!
2 All things praise Thee; night to night
Sings in silent hymns of light:
All things praise Thee; day to day
Chants Thy power in burning ray:
Time and space are praising Thee,
All things praise Thee, All things praise Thee:
- Lord, may we!
3 All things praise Thee; heaven's high shrine
Rings with melody Divine:
Lowly bending at Thy feet
Seraph and archangel meet;
This their highest bliss, to be
Ever praising, Ever praising:
- Lord, may we!
4 All things praise Thee; gracious Lord,
Great Creator, powerful Word,
Omnipresent Spirit, now
At Thy feet we humbly bow;
Lift our hearts in praise to Thee;
All things praise Thee, All things praise Thee:
- Lord, may we!
Amen.
All things praise thee, Lord most high
All things praise thee, Lord most high
Author: George William Codner, 1821-1874 Hymnal: CPWI Hymnal #362 (2010) Meter: 7.7.7.7.7.7 Lyrics: 1 All things praise thee, Lord most high,
heaven and earth and sea and sky,
all were for your glory made,
that thy greatness thus displayed,
should all worship bring to thee;
all things praise thee: Lord, may we.
2 All things praise thee: night to night
sings in silent hymns of light:
all things praise thee: day to day
chants thy power in burning ray;
time and space are praising thee:
all things praise thee: Lord, may we.
3 All things praise thee, high and low,
rain and dew, and seven-hued bow,
crimson sunset, fleecy cloud,
rippling stream, and tempest loud,
summer, winter – all to thee
glory render: Lord, may we.
4 All things praise thee, heaven's high shrine
rings with melody divine;
lowly bending at thy feet,
seraph and archangel meet;
this their highest bliss, to be
ever praising: Lord, may we.
5 All things praise thee, gracious Lord,
great Creator, powerful Word,
omnipresent Spirit, now
at thy feet we humbly bow,
lift our hearts in praise to thee;
all things praise thee: Lord, may we.
Topics: General Hymns Praise and Thanksgiving Languages: English Tune Title: TE LAUDANT OMNIA
All things praise thee, Lord most high
All Things Praise Thee, Lord Most High
Author: George W. Conder Hymnal: Songs for Juniors #15 (1953) Languages: English Tune Title: [All things praise Thee, Lord Most High]
All Things Praise Thee, Lord Most High
Conrad Kocher
1786 - 1872 Composer of "DIX (Kocher)" in Redeeming Love Trained as a teacher, Conrad Kocher (b. Ditzingen, Wurttemberg, Germany, 1786; d. Stuttgart, Germany, 1872) moved to St. Petersburg, Russia, to work as a tutor at the age of seventeen. But his love for the music of Haydn and Mozart impelled him to a career in music. He moved back to Germany in 1811, settled in Stuttgart, and remained there for most of his life. The prestigious Cotta music firm published some of his early compositions and sent him to study music in Italy, where he came under the influence of Palestrina's music. In 1821 Kocher founded the School for Sacred Song in Stuttgart, which popularized four-part singing in the churches of that region. He was organist and choir director at the Stiftskirche in Stuttgart from 1827 to 1865. Kocher wrote a treatise on church music, Die Tonkunst in der Kirche (1823), collected a large number of chorales in Zions Harfe (1855), and composed an oratorio, two operas, and some sonatas. William H. Monk created the current form of DIX by revising and shortening Conrad Kocher's chorale melody for “Treuer Heiland, wir sind hier,” found in Kocher's Stimmen aus dem Reiche Gottes (1838).
Bert Polman
Conrad Kocher
E. J. Hopkins
1818 - 1901 Person Name: Edward J. Hopkins Composer of "ST. ATHANASIUS" in Songs of the Christian Life Dr Edward John Hopkins MusDoc United Kingdom 1818-1901. Born at Westminster, England, the son of a clarinetist with the Royal Opera House orchestra, he became an organist (as did two of his brothers) and a composer. In 1826 he became a chorister of the Chapel Royal and sang at the coronation of King William IV in Westminster Abbey. He also sang in the choir of St. Paul’s Cathedral, a double schedule requiring skill and dexterity. On Sunday evenings he would play the outgoing voluntary at St. Martin’s in-the-field. He left Chapel Royal in 1834 and started studying organ construction at two organ factories. He took an appointment at Mitcham Church as organist at age 16, winning an audition against other organists. Four years later he became organist at the Church of St. Peter, Islington. In 1841 he became organist at St. Luke’s, Berwick St., Soho. Two Years later he was organist at Temple Church, which had a historic organ (built in 1683). He held this position for 55 years. In 1845 he married Sarah Lovett, and they had four sons and five daughters. He was closely associated with the Bach Society and was organist for the first English performances of Bach’s St. Matthew Passion. In 1855 he collaborated with Edward Rimbault publishing “The organ, its history and construction” (3 editions 1855-70-77). In 1864 he was one of the founders of the “College of organists”. In 1882 he received an honorary Doctorate of Music from the Archbishop of Canterbury. He composed 30+ hymn tunes and some psalm chants, used by the Church of England. He died in London, England.
John Perry
E. J. Hopkins
Anonymous
Person Name: Unknown Composer of "HARPER" in Junior Church School Hymnal In some hymnals, the editors noted that a hymn's author is unknown to them, and so this artificial "person" entry is used to reflect that fact. Obviously, the hymns attributed to "Author Unknown" "Unknown" or "Anonymous" could have been written by many people over a span of many centuries.
Anonymous
