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Search Results

Text Identifier:"^almighty_god_thy_word_is_cast$"

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Texts

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Almighty God, Thy Word is Cast

Author: John Cawood Meter: 8.6.8.6 Appears in 222 hymnals

Tunes

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ST. FLAVIAN

Meter: 8.6.8.6 Appears in 296 hymnals Composer and/or Arranger: Richard Redhead, 1820-1901 Tune Sources: The Whole Booke of Psalmes, London, 1562 Tune Key: F Major Incipit: 11713 22114 31233 Used With Text: Almighty God, Your Word is Cast
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KINGSFOLD

Meter: 8.6.8.6 D Appears in 298 hymnals Composer and/or Arranger: R. Vaughan Williams, 1872-1958 Tune Key: e minor Incipit: 32111 73343 45543 Used With Text: Almighty God, Thy Word Is Cast
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DUNDEE

Meter: 8.6.8.6 Appears in 892 hymnals Tune Sources: The CL Psalms of David, Edinburgh, 1615 Tune Key: E Flat Major Incipit: 13451 23432 11715 Used With Text: Almighty God, Your Word Is Cast

Instances

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Published text-tune combinations (hymns) from specific hymnals
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Almighty God, Thy Word Is Cast

Author: John Cawood Hymnal: The Hymnal and Order of Service #81 (1926) Meter: 8.6.8.6 Lyrics: 1 Almighty God, Thy Word is cast Like seed upon the ground; Now let the dew of heaven descend, And righteous fruits abound. 2 Let not the foe of Christ and man This holy seed remove; But give it root in every heart, To bring forth fruits of love. 3 Let not the world's deceitful cares The rising plant destroy; But let it yield a hundredfold The fruits of peace and joy. 4 Oft as the precious seed is sown, Thy quickening grace bestow, That all whose souls the truth receive Its saving power may know. Amen. Topics: Church Year Sexagesima; Sexagesima; Seed, Word of God; Word of God Seed Languages: English Tune Title: BELMONT
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Almighty God, Thy Word is Cast

Author: John Cawood Hymnal: The Lutheran Hymnal #49 (1941) Meter: 8.6.8.6 Lyrics: 1 Almighty God, Thy Word is cast Like seed into the ground; Now let the dew of heav'n descend And righteous fruits abound. 2 Let not the foe of Christ and man This holy seed remove, But give it root in ev'ry heart To bring forth fruits of love. 3 Let not the world's deceitful cares The rising plant destroy, But let it yield a hundredfold The fruits of peace and joy. 4 Oft as the precious seed is sown, Thy quickening grace bestow That all whose souls the truth receive Its saving power may know. Amen, Topics: Adoration Close of Service Scripture: Mark 4:3-9 Languages: English Tune Title: DUNDEE
Text

Almighty God, Thy Word Is Cast

Author: John Cawood Hymnal: The Hymnal and Order of Service #81 (1937) Lyrics: 1 Almighty God, Thy Word is cast Like seed upon the ground; Now let the dew of heaven descend, And righteous fruits abound. 2 Let not the foe of Christ and man This holy seed remove; But give it root in every heart, To bring forth fruits of love. 3 Let not the world's deceitful cares The rising plant destroy; But let it yield a hundredfold The fruits of peace and joy. 4 Oft as the precious seed is sown, Thy quickening grace bestow, That all whose souls the truth receive Its saving power may know. Amen.

People

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Authors, composers, editors, etc.

Ralph Vaughan Williams

1872 - 1958 Person Name: R. Vaughan Williams, 1872-1958 Arranger of "KINGSFOLD" in Evangelical Lutheran Hymnary Through his composing, conducting, collecting, editing, and teaching, Ralph Vaughan Williams (b. Down Ampney, Gloucestershire, England, October 12, 1872; d. Westminster, London, England, August 26, 1958) became the chief figure in the realm of English music and church music in the first half of the twentieth century. His education included instruction at the Royal College of Music in London and Trinity College, Cambridge, as well as additional studies in Berlin and Paris. During World War I he served in the army medical corps in France. Vaughan Williams taught music at the Royal College of Music (1920-1940), conducted the Bach Choir in London (1920-1927), and directed the Leith Hill Music Festival in Dorking (1905-1953). A major influence in his life was the English folk song. A knowledgeable collector of folk songs, he was also a member of the Folksong Society and a supporter of the English Folk Dance Society. Vaughan Williams wrote various articles and books, including National Music (1935), and composed numerous arrange­ments of folk songs; many of his compositions show the impact of folk rhythms and melodic modes. His original compositions cover nearly all musical genres, from orchestral symphonies and concertos to choral works, from songs to operas, and from chamber music to music for films. Vaughan Williams's church music includes anthems; choral-orchestral works, such as Magnificat (1932), Dona Nobis Pacem (1936), and Hodie (1953); and hymn tune settings for organ. But most important to the history of hymnody, he was music editor of the most influential British hymnal at the beginning of the twentieth century, The English Hymnal (1906), and coeditor (with Martin Shaw) of Songs of Praise (1925, 1931) and the Oxford Book of Carols (1928). Bert Polman

Richard Redhead

1820 - 1901 Person Name: Richard Redhead, 1820-1901 Arranger of "ST. FLAVIAN" in Lutheran Service Book Richard Redhead (b. Harrow, Middlesex, England, 1820; d. Hellingley, Sussex, England, 1901) was a chorister at Magdalen College, Oxford. At age nineteen he was invited to become organist at Margaret Chapel (later All Saints Church), London. Greatly influencing the musical tradition of the church, he remained in that position for twenty-five years as organist and an excellent trainer of the boys' choirs. Redhead and the church's rector, Frederick Oakeley, were strongly committed to the Oxford Movement, which favored the introduction of Roman elements into Anglican worship. Together they produced the first Anglican plainsong psalter, Laudes Diurnae (1843). Redhead spent the latter part of his career as organist at St. Mary Magdalene Church in Paddington (1864-1894). Bert Polman

Henry J. Gauntlett

1805 - 1876 Composer of "ST. FULBERT" in Common Service Book of the Lutheran Church Henry J. Gauntlett (b. Wellington, Shropshire, July 9, 1805; d. London, England, February 21, 1876) When he was nine years old, Henry John Gauntlett (b. Wellington, Shropshire, England, 1805; d. Kensington, London, England, 1876) became organist at his father's church in Olney, Buckinghamshire. At his father's insistence he studied law, practicing it until 1844, after which he chose to devote the rest of his life to music. He was an organist in various churches in the London area and became an important figure in the history of British pipe organs. A designer of organs for William Hill's company, Gauntlett extend­ed the organ pedal range and in 1851 took out a patent on electric action for organs. Felix Mendelssohn chose him to play the organ part at the first performance of Elijah in Birmingham, England, in 1846. Gauntlett is said to have composed some ten thousand hymn tunes, most of which have been forgotten. Also a supporter of the use of plainchant in the church, Gauntlett published the Gregorian Hymnal of Matins and Evensong (1844). Bert Polman
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